English

1. The Alliance, a space for experimentation and reflection through the Bibliodiversity Observatory
Continue the analyses, reflections and advocacy via the 4 thematic working groups

• Book ecology
• Digital publishing : workshops on artificial intelligence
• Public book policies : mapping public book policies in the Arab world (launch as part of a book fair in the Arab world at the end of 2024) + Guide to Good Practice for public book purchasing (translation and adaptation of this Guide for other geographical and linguistic areas)
• Freedom to publish : publication of transversal analyses and a series of interviews and podcasts

Equipping and documenting international independent publishing

• Guide to Good Practice (see here)
• Bibliodiversité journal (see here) : special issue on precariousness in 2024

2. The Alliance, a space for collaboration and sharing
Sharing practices and expertise between publishers ; meeting up and strengthening the flow of exchanges

• Workshops and exchanges of know-how, within the thematic groups and as part of Babelica
• Virtual meetings, workshops and training sessions on themes defined with the Alliance’s thematic groups (with a particular focus on artificial intelligence and other themes).
• On-site training (venue to be confirmed) for publishing houses in French-speaking Africa
• Professional meetings at the Brussels Book Fair (4-7 April 2024) 

3. The Alliance, a tool for the promotion and the visibility of independent publishing
To encourage the visibility and promotion of independent publishing ; to promote the circulation of books and other publications by independent publishing houses

• Babelica (see here), September 2024 (book fair, meetings and discussions dedicated to international independent publishing)
• Tehran Book Fair, Uncensored (see here)
• Presence of members at book fairs and exhibitions in 2024

4. The Alliance, a laboratory of alternative publishing practices
Pursue and strengthen solidarity-based publishing partnerships (transfer of rights, translations, co-publications, etc.)

• Publishing groups by catalogue affinity (literature, humanities and social sciences and children’s literature) : online project fairs (transfer of rights, exchanges on publishing projects) + support for transfer of rights and co-publications (see here)
• Publishing projects in progress and/or under consideration

Une coédition solidaire panafricaine : Éburnie (Côte d’Ivoire), Ganndal (Guinée), Sawa (Mali), Nstame (Gabon), Ruisseaux d’Afrique (Bénin)

Une coédition solidaire panafricaine : Éburnie (Côte d’Ivoire), Elondja (République démocratique du Congo), Sawa (Mali), Ruisseaux d’Afrique (Bénin)

Une coédition solidaire panafricaine : Éburnie (Côte d’Ivoire), Sawa (Mali), Ruisseaux d’Afrique (Bénin)

Une coédition solidaire panafricaine : Éburnie (Côte d’Ivoire), Ganndal (Guinée), Sawa (Mali), Nstame (Gabon), Ruisseaux d’Afrique (Bénin), Sankofa & Gurli (Burkina Faso)

Grâce à un partenariat entre la Fondation Lilian Thuram - Éducation contre le racisme et l’Alliance internationale des éditeurs indépendants, 11 maisons d’édition en Afrique francophone coéditent La pensée blanche, publié initialement aux éditions Philippe Rey (France).

La pensée blanche est disponible dans les pays suivants  : Algérie (Apic), Bénin (Ruisseaux d’Afrique), Burkina Faso (Sankofa & Gurli), Cameroun (Presses universitaires d’Afrique), Côte d’Ivoire (Éburnie), Gabon (Éditions Nstame), Guinée (Ganndal), Mali (Jamana), Maroc (Le Fennec), Sénégal (Papyrus d’Afrique), Togo (Graines de Pensées).

Date de parution : novembre 2023
Format : 14,5 X 22 cm ; 320 pages

Écoutez ici l’interview de Lilian Thuram dans le cadre du Salon international de l’édition indépendante en ligne, Babelica, le 20 septembre 2023.

Le livre
Qu’est-ce qu’être blanc ? Plus qu’une couleur de peau, n’est-ce pas plutôt une pensée ? Qui sont ceux qui l’ont inventée, et pourquoi ? Ce livre raconte l’histoire de la pensée blanche, son origine et son fonctionnement, la manière dont elle divise, comment elle s’est répandue à travers le monde au point d’être aujourd’hui universelle, jusqu’à infuser l’air que l’on respire. Depuis des siècles, la pensée blanche est une norme, la fossilisation de hiérarchies, de schémas de domination, d’habitudes qui nous sont imposées. Elle signifie aux Blancs et aux non-Blancs ce qu’ils doivent être, quelle est leur place. Comme la longue emprise des hommes sur les femmes, elle est profondément ancrée dans nos mentalités et agit au quotidien. Seule sa remise en question permettra d’avancer pour passer à autre chose. Il ne s’agit pas de culpabiliser ni d’accuser, mais de comprendre les mécanismes à l’œuvre, d’en prendre conscience pour construire de nouvelles solidarités. Le temps n’est-il pas venu d’élargir nos points de vue pour nous considérer tous enfin comme des êtres humains ?

Lilian Thuram est né en Guadeloupe en 1972. Il a créé en 2008 la fondation Éducation contre le racisme, pour l’égalité. Il est l’auteur de plusieurs ouvrages dont Mes étoiles noires (Philippe Rey, 2010, prix Seligmann contre le racisme ; coédition solidaire en Afrique francophone, Madagascar et Haïti, 2014), Manifeste pour l’égalité (Autrement, 2012) et Notre histoire (Delcourt, 2014 et 2016). Il a été commissaire général de l’exposition « Exhibitions. L’invention du sauvage », au musée du Quai-Branly en 2011. Prix de l’éthique de la Fondation Kéba-Mbaye au Sénégal en 2014, il est docteur honoris causa en sciences humaines des universités de Stockholm en Suède et de Stirling en Écosse. Dans une première vie, il a connu une carrière prestigieuse de footballeur international. Avec l’équipe de France, il a été Champion du monde en 1998 et Champion d’Europe en 2000.

Yamen Manai nous conte avec fougue le cruel éveil au monde d’un adolescent révolté par les injustices. Heureusement, il a Bella. Entre eux, un amour inconditionnel et l’expérience du mépris dans cette société qui honnit les faibles jusqu’aux chiens qu’on abat « pour que la rage ne se propage pas dans le peuple ».
Mais la rage est déjà là.

Né en 1980 à Tunis, Yamen Manai vit à Paris. Ingénieur, il travaille sur les nouvelles technologies de l’information. Bel abîme (Prix Orange du livre en Afrique 2022, Prix de la littérature arabe 2022…) et ses précédents romans, La marche de l’incertitude (2010), La sérénade d’Ibrahim Santos (2011) et L’amas ardent (2017, Prix des Cinq Continents de la Francophonie) sont publiés aux éditions Elyzad en Tunisie.

Maisons d’édition coéditrices : Amalion (Sénégal), Apic (Algérie), Atelier des nomades (Ile Maurice), Ganndal (Guinée), Graines de Pensées (Togo), Le Fennec (Maroc), Proximité (Cameroun), Sankofa & Gurli (Burkina Faso)
Date de publication de la version panafricaine : 2023, 11,5 X 19 cm
© Elyzad, 2021.

Une coédition solidaire « Le livre équitable ».

The International online Book Fair of Independent Publishing was held from 20 to 22 September. The Babelica programme (readings in Arabic, Creole, Mapuche, etc. ; round tables on artificial intelligence, decolonial ecology, inclusive publishing, cartoneras in Latin America, translation in the Arab world, solidarity co-publishing, etc. ; meetings with Lilian Thuram and Vandana Shiva, etc.) can be (re)viewed and (re)listened to in replay on the Alliance’s YouTube channel.

The Babelica Book Fair (bringing together over 90 publishers from around the world) is available online throughout the year, until the next edition of Babelica in 2024 !

The International Alliance of Independent Publishers would once again like to thank Babelica’s partners (Campus AFD and the Organisation internationale de la Francophonie) ; Maxime Guedj (PCFH Studio) and Thibault Daumain, who designed and developed the Babelica platform ; all the speakers ; the team of interpreters and everyone else who contributed to the success of this second edition !

The ICIP’s annual meeting, a key opportunity to build the Alliance’s 2024 action plan and also to review the operation, organisation and associative life of the association, will bring together all the coordinators of the language networks for a 3-day meeting.

A session open to all Alliance members is scheduled for 25 October, from 2pm to 4pm (French time).

The programme is available here

Decades of Israeli occupation and settler colonialism on Palestinian land reached new heights with the recent IDF attacks on Gaza. As per this writing, more than 2,200 Palestinians have died (including 724 children) and more than 1 million Gazans have been ordered to evacuate the north.

In the midst of this grave humanitarian crisis, it is very important to give voice to the opressed through all mediums of expressions, including books and literature. Ironically, the Frankfurt Book Fair —as the biggest annual book fair in the world— has done the opposite. The awarding ceremony for Palestinian author Adania Shibli, whose novel “Minor Details” was to receive 2023 Literaturpreis, was cancelled unilaterally by the Fair, in their decision to “make Jewish and Israeli voices especially visible at the book fair” and to « stand with complete solidarity on the side of Israel ».

This one-sideness is unacceptable, as the Frankfurt Book Fair should be a free and impartial forum to open dialogues and debates without violence. We, publishers from International Alliance of Independent Publishers, condemn the Frankfurt Book Fair’s decision to cancel the award ceremony for Adania Shibli, and demand that Palestinian voices be given the same visibility and respect as other voices at the Fair.

Signatories
This list is not exhaustive (and is updated as and when necessary)

Nouri Abid, Med Ali (Tunisia)
Sandra Abrano, Bandeirola (Brazil)
Tomaz Adour, Vermelho Marinho (Brazil)
Marwan Adwan, Mamdouh Adwan Publishing (Syria-UAE)
Ronny Agustinus, Marjin Kiri (Indonesia)
Cauê Ameni, Autonomia Literária and Jacobin Brazil (Brazil)
Ibrahima Aya, Éditions Tombouctou (Mali)
Clô Barcellos, Libretos (Brazil)
Flávia Bonfim, Movimento Contínuo (Brazil)
Jorge Breogan, Sundermann (Brazil)
Sebastian Budgen, Verso Books (United Kingdom)
Barbara Caretta-Debays, Écosociété (Quebec / Canada)
João Carneiro, Tomo (Brazil)
Chiara Cazzato, Tempesta editore (Italia)
Haroldo Ceravolo, Alameda (Brazil)
Indira Chandrasekhar, Tulika Books (India)
Layla Chaouni, Le Fennec (Morocco)
Reza Chavoshi, Dena books (Netherlands)
Sergio Covelli, EPUBBoo (Italia)
Amanda Crocker, Between the lines (Canada)
Élisabeth Daldoul, elyzad (Tunisia)
Róisín Davis, Haymarket Books (United States)
Héctor Dinsmann, Libros de la Araucaria (Argentina)
Serge Dontchueng Kouam, Presses universitaires d’Afrique (Cameroon)
Éric Dusabimana, Bakame (Rwanda)
Mohamed El-Baaly, Sefsafa Publishing (Egypt)
Fatma El Boudy, Elain Publishing (Egypt)
Yara El-Ghadban, Mémoire d’encrier (Quebec / Canada)
Luiz Fernando Emediato, Geração (Brazil)
Whaner Endo, W4 Editora (Brazil)
Letícia Esteban, Gato Sueco (Spain)
Zygmunt Antoni Filipecki Jr., Mauad (Brazil)
Corinne Fleury, Atelier des nomades (Mauritius / France)
Pedro Fonseca, Âyiné (Brazil)
Fernando Diego Garcia, Libros del Zorro Rojo (Spain)
Germán Gacio Baquiola, Editores independientes de Ecuador (Ecuador)
Pauline Gagnon, Écosociété (Quebec / Canada)
Müge Gursoy Sökmen, Metis Publishers (Turkey)
Daniela Gutfreund, Lugar de ler (Brazil)
Samar Haddad, Atlas Publishing (Syria)
Susan Hawthorne, Spinifex Press (Australia)
Selma Hellal / Sofiane Hadjajd, Editions Barzakh (Algeria)
Colleen Higgs, Modjaji Books (South Africa)
Ivana Jinkings, Boitempo (Brazil)
Hassan Khalil, Al Farabi (Lebanon)
Renate Klein, Spinifex Press (Australia)
Elisa Labanca, Buckfast Edizioni (Italia)
Alessandro Labonia, CSA (Italia)
Daniel Louzada, Da Vinci (Brazil)
Adriana Maciel, Numa (Brazil)
Stella Magliani-Belkacem, La Fabrique (France)
Lizandra Magon, Jandaíra (Brazil)
Alexandre Martins Fontes, WMF Martins Fontes (Brazil)
Maria Beatriz Medina, Banco del livro (Venezuela)
Daniela Mena, GAM (Italia)
Ione Meloni Nassar, Mercuryo Jovem (Brazil)
Raquel Menezes, Oficina Raquel (Brazil)
Ritu Menon, Women Unlimited (India)
Lilah Mercader, Éditions Dent-de-lion (Canada)
Anita Molino, Il leone verde (Italia)
Rosana MontÁlverne, Aletria (Brazil)
Nabil Mroueh, Al Intishar Al Arabi (Lebanon)
Francisca Muñoz Méndez, Editoriales de Chile (Chile)
David Murray, Écosociété (Quebec / Canada)
Renata Nakano, Quindim (Brazil)
Maira Nassif, Relicário (Brazil)
Denise Natale, Papagaio (Brazil)
Carla Oliveira, Orfeu Negro (Portugal)
Maria Osório, Babel (Colombia)
Safaa Ouali, Le Fennec (Morocco)
Marco Paganini, AltreVoci (Italia)
Mary Lou Paris, Terceiro Nome (Brazil)
Simone Paulino, Nós and Nossa (Brazil, France)
Dieulermesson PetitFrère, LEGS Édition (Haiti)
Mirline Pierre, LEGS Édition (Haiti)
Dolores Prades, Instituto Emília (Brazil)
Naiara Raggiotti, Carochinha (Brazil)
Marie Michèle Razafinstlama, Jeunes malgaches (Madagascar)
Anahita Redisiu, Forough Verlag (Germany)
Rodney Saint-Éloi, Mémoire d’encrier (Quebec / Canada)
Kenza Sefrioui, En toutes lettres (Morocco)
Alfonso Serrano, La Oveja Roja (Spain)
Abdulai Sila, Ku Si Mon Editora (Guinea Bissau)
Paulo Slachevsky, LOM ediciones (Chile)
Aliou Sow, Éditions Ganndal (Guinea)
Simón Vásquez, Verso Libros (Spain)
Catia Ventura, Ventura Edizioni (Italia)
Marisol Vera, Editorial Cuarto Propio (Chile)
Miguel Villafuerte, Editorial Blanca (Ecuador)
Cristina Warth, Pallas Editora (Brazil)
Mariana Warth, Pallas Editora (Brazil)
Riccardo Zanello, Tempesta editore (Italia)
Habib Zoghbi, La Maison du livre (Tunisia)
Rosa Maria Zuccherato, Nova Alexandria (Brazil)

The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.

Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.

Read more here...

The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.

The Alliance Lab is built around four focus areas :

• Tools and resources for professionals
• Reflections and discussions on digital publishing, including innovative initiatives in the countries of the South (surveys and analyses) ;
• In situ workshops (capacity building and peer exchanges on digital matters) ;
• A personalised tutorial offered to member publishers of the Alliance.

The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.

Read here the pre-print version uploaded on Academia.edu 21 May 2019

Final version, to be published in two parts, in Logos : Journal of the World Publishing Community (https://brill.com/view/journals/logo/logo-overview.xml)

Part I : Volume 30 (2019) : Issue 3, Part II : Volume 30 (2019) : Issue 4

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

Abstract :

In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation : in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.

Read the article here (in French).

Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2).
https://doi.org/10.7202/1060972ar

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication : June 2019
The Bibliodiversity Journal is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversity Journal here : “Self-publishing” ; “Committed publishing”…

Overview of the issue :
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question : does the intervention of public authorities support editorial diversity ?

Contents of the ‘Public book policies issue’ :

• “Introduction : action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal

• “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)

• “A relative autonomy – A comparative analysis of the room for manoeuvre
  in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)

• “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)

• “Morocco : escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)

• “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)

• “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)

• “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)

• “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

• “Publishing and public authorities : the Quebec case – Or the influence of public action on editorial independence ?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)

• “Laws, public policies, institutions and measures to support books and reading
  in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)

• “From culture towards business – An analysis of a state support programme
  for local publishing in Buenos Aires : Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

Publishing & the Book in Africa : A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.

Read the pre-print version here.

To be published in The African Book Publishing Record, Volume 44, Issue 2, (May 2019)

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

African Book Industry Data & the State of African National Bibliographies :
Read the Pre-print version here.

Published in The African Book Publishing Record, Volume 44, Issue 4 (Dec 2018) : 363-389.

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2018

Read here the article “Au Maghreb, il y a urgence à structurer le secteur du livre”, by Kenza Sefrioui (En toutes lettres, Marocco), published by Le Monde Afrique (8 February, 2019)

Abstract of the issue :
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity ?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about ?

Contents of “Self-publishing” :

• Self-publishing : a vector of bibliodiversity ? / By Sylvie Bosser, University of Paris 8

• Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne

• Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne

• Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13

• The (in)visible third party. Mentoring emerging writers : a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts

• Self-publishing : a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC

• Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links

• Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher

• Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8

A study published by African Studies Association (ASA) and African Studies Association of the UK (ASAUK), to read here !