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During the closing meeting of the International Assembly of Independent Publishers (Cape Town, South Africa, 18-21 September 2014), 400 independent publishers from 45 countries signed the International Declaration of Independent Publishers 2014.
Collectively drafted in three languages, on 20 September 2014, the Declaration 2014 is available in several languages (French, English, Spanish, Portuguese, Arabic, Farsi, Italian, etc.).

Do not hesitate to share the Declaration, to promote and strengthen bibliodiversity with us!

Tools and recommendations from the International Assembly of Independent Publishers (on digital publishing, public book policies, independent publishing houses’ economic models, youth literature, national and local languages publishing, solidarity publishing partnerships and “Fair Trade Book”, book donations) will be available before the end of 2014 by the Alliance.

On 21 September, celebrate the B Day, in Argentina, in Chile, in Colombia, in Peru, in South Africa (with the Open Book Festival), at home, here or elsewhere...

Follow the B Day here!
Contact the team of the Alliance to spread your activities!

The video of B Day is here!

Volunteers come from time to time to support the permanent team of the Alliance for the implementation of the action plan of the association: we thank them very much for their involvement and their commitment!

Céline ANFOSSI
Céline Anfossi is specialised in project management and consultancy. She has worked in the book sector, mainly in coaching professionals (International Alliance of independent publishers, Fill-Interregional Federation of Books and Reading). She explores these issues through different projects and audiences (women seeking employment, students) and is particularly interested in the topic of professional integration.

Djamilatou DIALLO

Born in Tahiti, of Franco-Guinean parents, Djamilatou continued her studies in Paris in Lettres et Histoire (MA dissertation on Ancient History: “Patrons of cities in Roman Africa from the third to the fifth century: an epigraphic study”).
In the long term, Jamilatou would like to specialise in the protection and enhancement of heritage by working with different cultural organisations here or elsewhere.
Following a five-month internship at the Alliance (development of the 2018 WomenList and the HotList presented at the Frankfurt Book Fair, and the study on the textbook market in French-speaking Africa), Djamilatou is now a volunteer of the Association.

62 independent publishers from 38 countries in Latin America, Africa, Asia and Europe are gathering in Cape Town (South Africa) from 18 to 21 September for a unique inter-linguistic and inter-cultural meeting on bibliodiversity! Booksellers, librarians, academics, authors and players in the digital arena are also associated with this event.
Held under the patronage of UNESCO, the Cape Town meeting closes the International Assembly of Independent Publishers, consisting of 7 preparatory workshops between 2012 and 2014.

Alternating between plenary meetings that are open to the public and thematic workshops, the publishers gathered at the Cape Town meeting will propose recommendations and concrete tools for bibliodiversity addressed to public authorities, institutions and professional collectives. To ensure continuity between the preparatory workshops and the Assembly’s closing meeting, thematic working groups have been actively preparing the Cape Town meetings for months.

Round tables and discussions organised in partnership with the Open Book Festival will also be held on 20 and 21 September to celebrate the International Bibliodiversity Day in Cape Town.

Finally, the International Committee of Independent Publishers (ICIP) is meeting on 22 September to take stock of these four days, and to work on implementing the new directions and projects of the Alliance in the years to come.

We are very much looking forward to welcoming you to Cape Town in a few weeks!
To participate in the Cape Town meeting and/or to receive the recommendations resulting from the International Assembly of Independent Publishers, write to the team of the Alliance: equipe@alliance-editeurs.org

The Cape Town meeting takes place in three languages (English, French and Spanish). The entire programme (presentations in plenary, choice of thematic workshops, round tables with the Open Book Festival) was put together collectively by the participants. Moreover, the publishers also helped raise the funds necessary to hold this meeting, which could not have been achieved without the cooperation of our local partners (Jacana Media, French Institute of South Africa, Alliance française, Open Book Festival, Modjaji Books, National Library of South Africa and Goethe Institut).

At the 80^th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

As every year on 21 September, exciting activities (book crossing, readings, meetings, etc.) will be held on the occasion of International Bibliodiversity Day (B Day).
This year, we plan to make a lot of noise –rallying new individuals, groups and organisations from all over the world.

Working together in a network, going in the same direction, and with more determination than ever before.

This year, let’s go further!
Are you coming along?

The 7^th workshop of the International Assembly of independent publishers will be held from 30 April to 2 May 2014 in Abu Dhabi, through a partnership with the Abu Dhabi International Book Fair, and the support of the International Organisation of the Francophonie and the Prince Claus Fund. It will convene 15 publishers and digital publishing experts from the Arab world and Argentina, with the common objective of:
• Helping publishers to overcome technical challenges encountered during the creation of ePub files in Arabic;
• Discussing digital distribution platforms used in the Arab world;
• Sharing experiences on online promotion and e-marketing;
• Drafting recommendations to facilitate traditional publishers’ transition towards digital publishing and secure a better diffusion for digital publications in the Arab world.

All proposals and recommendations from this workshop will be communicated to public and standardisation authorities, and will be available on the Alliance’s Digital Lab.

Following the workshop, 3 May, from 11:00 to 12:00, do not miss the public speech on “Words and money”, a book by André Schiffrin translated and co-published by the Arabic-language network of the Alliance. More information here!

For more information on this workshop and on the International Assembly of independent publishers: assises@alliance-editeurs.org
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Twelve publishers based in Africa, Haiti and Madagascar are collectively publishing Lilian THURAM’s “Mes étoiles noires”, initially published by Philippe Rey (2010). As from April 2014, you will find this publication in Algeria (Barzakh), Benin (Ruisseaux d’Afrique), Burkina Faso (Sankofa & Gurli), Cameroun (Presses universitaires d’Afrique), Côte d’Ivoire (EDILIS), Guiney Conakry (Ganndal), Haiti (Mémoire d’encrier), Madagascar (Jeunes malgaches), Morocco (Tarik), Mali (Jamana), Senegal (Éditions Papyrus Afrique), and in Togo (Graines de Pensées).

Lilian THURAM will visit Africa and Haiti to promote “Mes étoiles noires”:
• From 21 to 25 April 2014 in Guiney Conakry, during the event 72 heures du livre (through the support of the French Institute of Conakry)
• From 25 to 27 April 2014 in Benin (through the support of the Charles Leopold Mayer Foundation)
• From 5 to 9 May 2014 in Haiti (details to be confirmed)
• On 19 July 2014 in Senegal (details to be confirmed)

This solidarity co-publishing “Fair Trade book” project is coordinated and supported by the Alliance, and benefited from the support of the Lilian Thuram Foundation – Education against racism and its partners, CASDEN and MGEN.

For more information on this co-publishing project, click here.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13^th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.

Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.

Read more here...

The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.

The Alliance Lab is built around four focus areas:

• Tools and resources for professionals
• Reflections and discussions on digital publishing, including innovative initiatives in the countries of the South (surveys and analyses);
• In situ workshops (capacity building and peer exchanges on digital matters);
• A personalised tutorial offered to member publishers of the Alliance.

The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.

Read here the pre-print version uploaded on Academia.edu 21 May 2019

Final version, to be published in two parts, in Logos: Journal of the World Publishing Community (https://brill.com/view/journals/logo/logo-overview.xml)

Part I: Volume 30 (2019): Issue 3, Part II: Volume 30 (2019): Issue 4

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

Abstract:

In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation: in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.

Read the article here (in French).

Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2).
https://doi.org/10.7202/1060972ar

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication: June 2019
The Bibliodiversity Journal is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversity Journal here: “Self-publishing”; “Committed publishing”…

Overview of the issue:
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question: does the intervention of public authorities support editorial diversity?

Contents of the ‘Public book policies issue’:

• “Introduction: action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal

• “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)

• “A relative autonomy – A comparative analysis of the room for manoeuvre
  in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)

• “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)

• “Morocco: escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)

• “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)

• “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)

• “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)

• “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

• “Publishing and public authorities: the Quebec case – Or the influence of public action on editorial independence?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)

• “Laws, public policies, institutions and measures to support books and reading
  in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)

• “From culture towards business – An analysis of a state support programme
  for local publishing in Buenos Aires: Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

Publishing & the Book in Africa: A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.

Read the pre-print version here.

To be published in The African Book Publishing Record, Volume 44, Issue 2, (May 2019)

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

African Book Industry Data & the State of African National Bibliographies:
Read the Pre-print version here.

Published in The African Book Publishing Record, Volume 44, Issue 4 (Dec 2018): 363-389.

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2018

Read here the article “Au Maghreb, il y a urgence à structurer le secteur du livre”, by Kenza Sefrioui (En toutes lettres, Marocco), published by Le Monde Afrique (8 February, 2019)

Abstract of the issue:
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about?

Contents of “Self-publishing”:

• Self-publishing: a vector of bibliodiversity? / By Sylvie Bosser, University of Paris 8

• Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne

• Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne

• Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13

• The (in)visible third party. Mentoring emerging writers: a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts

• Self-publishing: a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC

• Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links

• Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher

• Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8

A study published by African Studies Association (ASA) and African Studies Association of the UK (ASAUK), to read here!