Text: Banhi BEPARI; Illustrations: Sabyasachi MISTRY

A Massive Clash in the Sundarbans! A tiger has attacked a deer. In the trial of the jungle cock and the crocodile, it was revealed that the tiger is not at fault. One by one, many animals including mosquitoes, monkeys, parrots, and tortoises were called. But at the end of the trial, it was seen that the biggest culprit is a foolish creature.

24 pages - 11 X 8,20 cm - ISBN: 978 984 97585 2 5

Reesham SHAHAB TIRTHO

A series of picture book showcased a journey of new parents.
Artist portrayed his new born daughter everyday activities in humorous drawings and illustrations in this book.

64 pages - 7 X 7 cm - ISBN: 978 984 81322 6 5
Language: Bengali

Text: Farzana TANNEE; Illustrations: Lamia AZAD, Shamim AHMED

Amidst the darkness, countless flickers spark curiosity in Aung. Are they ghosts? Taking his sister’s hand, he fearlessly sets out to find the friendly ghosts behind the glow. Let’s join their enchanting adventure!

20 pages - 6 X 6 cm - ISBN: 978 984 97861 6 0
Also available in Bengali

Vaso VEKRI

“Back street” is the first book of Vaso Vekri. A crime fiction novel. With heroes like human islands, moving in the transitions of life. The truth is not always what it seems. Or, rather, the truth is before us, but we do not see it. A love story beyond death unfolds in the book.
“They killed him at noon, on the street. They raked him in front of the crowd and nobody knows anything”. A prisoner is murdered during one of his leaves. And his psychiatrist partner starts a journey with the motorbike, so she could see, remember, understand... What can the task assigned to her have to do with the murder? And how clean is the Professor of Psychiatry? How much does the infamous - inside and outside of prison - Black know? In a parallel coming-of-age journey, a young musician, struggling with his personal demons, will come face to face with dangerous secrets.

Chrysoula GEORGOULA

The book “Call me Stratos” is the first novel by Chrysoula Georgoula. Through the actions and memories of the main protagonist, Greece is described during the prosperity of the Olympic Games, but also after the economic crisis. Questions are posed such as: Are violence, discrimination and racism a consequence of the economic crisis or are they components of established social life, who find the opportunity to emerge on the occasion of the situation? Is a reversal of the tide possible, or will our society sooner or later be forced to relive its history?
After his dramatic divorce and at the age of forty-two, Stratos Achtidis returns to his family home to live with his mother and his also divorced brother. Humiliated and cut off from family and friends, he drinks uncontrollably and reminisces about the past: his construction work, his marriage to Sotiria and their children, the carefree years of fake wealth and parties, his extramarital affair and the end of it, the post-Olympic years of unemployment and his alcohol addiction, the privately owned Tsunami car wash and financial ruin, and finally his involvement with the “pure-blooded Greeks”.

Georgia TATSI

Georgia Tatsi was born in 1952. She studied directing and worked at ERT (Hellenic Broadcasting Corporation) from 1976 to 2003. She published short stories in collective volumes and literary magazines. Her book Dancing in glasses, in its first release was nominated for the Prize for Literature in the Short Story – Novellete category.
Alexander arrives in Malmo, Sweden. He cleans windows for a living, climbing the city’s towering glass buildings with a cage. A letter from Greece turns his teenage memories into hell and awakens his lust for revenge.
Tasos is a police officer in the Athens Security Services. The two men will meet in a dance of death, dancing in glasses. The first dancer leaves the ground, steps on the glasses to rise and…
The tragedy of History, the tragedy of individuality in its involvement with History.
“Dancing in glasses”, then years after its first edition, is being republished by Vakxikon Publications.

Aleksandar PROKOPIEV

Homunkulus: postmodern fairy tales for grownups
Homunculus is billed as a collection of sixteen “fairy tales for adults” with something for every reader. The author has largely retained the classical fairy-tale structure with its elements of surprise and the constant intertwining of the real and unreal, but he transcends the sugar-sweet endings we are familiar with. Prokopiev presents us with a wide range of more “mature” themes too – the erotic, the tragic, feelings of alienation. Some of the stories are related to internationally known fairy tales such as “Tom Thumb”, where the main character struggles with an oedipal bond with his mother, or “The Huntsman”, told from the perspective of the hunter sent out to kill Snow White. Others go back to Macedonian folk roots or have been freely composed by Prokopiev himself.

Aleksandar Prokopiev born on February 24, 1953 in Skopje is a Macedonian Ph. D. in comparative literature and literary theory. He is also notable as a writer, essayist and a former member of the eminent Yugoslav rock band Idoli.
Aleksandar Prokopiev is considered to be one of most acclaimed macedonian writers. He is two time nominated for prestigous literature award Balkanika.
Aleksandar Prokopiev is winner of literature award Balkanika in 2012 for his novel Homunkulus. Aleksandar Prokopiev is winner of Bulgarian literature award Helikon.
Finished postgraduate education in 1982 in Sorbonne, France. His works are translated in English, French, Italian, Japanese, Russian, Polish, Hungarian, Czech, Slovak and many other languages.

2011 - ISBN: 978-608-223-058-0

Ermis LAFAZANOVSKI

“Hrapeško”: novel about the art of creating and survival, of aspirations and dreams, of vitality and love
Hrapeško, an experienced wine-grower, lives somewhere in the region of Tikveš, at the time of the 19^th century. Until one day he leaves the epicentre of the Balkans and goes on his travels, to the West and to the East. Far away from home he learns a new profession and becomes famous. Humorous and serious at the same time the author tells of Hrapeško’s fortunes and mishaps, of the art of creating and survival, of aspirations and dreams, of vitality and love, of the homeland and foreign countries.

PhD Ermis Lafazanovski is a short-stories writer, literary essays, and anthropology studies writer. In 2001 he received the ‘Stale Popov’ Award of the Macedonian Writers’ Association for the novel “Portrayer”, and in 2003 he received Prose Masters for the novel The Novel About Weapons. His novel Hrapeško was nominated in 2006 as the Macedonian representative for the Balkanika Award. He is a member of the Writers’ Association of Macedonia. He was president of the Macedonian PEN Center (2014-2017).

2006 - ISBN: 9989-144-82-6

Branislav NIKOLOV (artistic name: Drunken NIGHTINGALE)

Polygraph is the third poetry book by Branislav NIkolov (Drunken Nightingale).
Branislav Nikolov is one of the most original poetry voices in North Macedonia.
As Macedonian writer and critic, Olivera Kjorveziroska says, Branislav Nikolov’s poetry is “…an impressive “erotomaniac” collection of poems that is in figth with the current loveless times, communicating with the most beautiful poetic tradition in our region”.
Several of his poems are texts of the songs performed by the most famous art band in North Macedonia, Foltin, where Nikolov is the singer.

Pijan Slavej (aka Branislav Nikolov) is a renowned musician, performer, songwriter, poet, singer and frontman of the group Foltin. He was born in 1971 in Bitola. As one of the founders and key members of the band, he has nine studio releases, as well as music for over thirty theatrical performances and several documentary and feature films, including the Oscar nominee “Honeyland”, the internationally acclaimed “Secret Ingredient”, “Avec L’Amour”, “Cash & Marry” etc. He has performed in Croatia, Italy, Austria, Slovenia, Serbia, Bosnia and Herzegovina, Albania, Bulgaria, France, Germany, Hungary, Israel, Russia, Montenegro, England, Lebanon, Netherlands, Belgium, Turkey and Czech Republic. Nikolov has received many recognitions and awards for his creative work. He is, without a doubt, one of the most original and charismatic individuals on Macedonian music scene today, known for his spontaneous, explosive, warm and passionate live performances. Apart from his work with Foltin, he has performed with Macedonian Philharmonic and has two poetry books published. Pijan Slavej is his first solo outing in music and poetry.

2022 - ISBN: 978-608-256-118-9

Barbora BARONOVÁ, Dita PEPE

The stylized artistic literary and photographic documentary project Intimacy opens up important personal and social issues in women’s lives, such as disability, prostitution, depression, cancer, and dying. Individuals are often unable to respond to these topics in direct confrontation other than with stereotypes and prejudices. Intimacy seeks to describe some habitual patterns of behaviour and demonstrate their real content through the stories of six specific women. The book-object contains one book of text and six photographic notebooks with flaps and coated embossed motifs. The book got the highest Czech award Magnesia Litera for the publishing achievement and received the 2^nd place within Fine-press and Artist´s Books Category in The Most Beautiful Czech Books of 2015. The book was also shortlisted for the Les Prix du Livre – Prix Photo-Texte at Les Rencontres de la Photographie Arles 2016 in France and at the 28^th International Biennial of Graphic Design Brno 2018 in the Czech Republic.

2015 - 588 pages - 17 X 24 cm - ISBN: 978-80-905239-3-7
Price: 698 CZK
Published in Czech only

Barbora BARONOVÁ; Dita PEPE

The publication Voices of Women: Australia brings twenty-two narratives of prominent Australian women artists, writers, filmmakers, activists, photographers, scientists, politicians, and journalists, exploring themes inherent in women regardless of their different cultures, such as their status, career options, and the expectations placed on them. The book is based on interviews recorded during Barbora’s research stay at the University of New South Wales in Sydney, Australia, in 2017. Among the people telling their stories is prominent feminist Anne Summers, who describes her own abortion as one of the moments that initiated her activism. Anthropology professor Diane Bell tells the story of a struggle for respect for women in science. Alison Whittaker’s story is the tale of a young Australian lesbian poet’s journey from rural communities to Harvard Law. Publisher Susan Hawthorne thematises her transition from an employee at the global publishing house Penguin to a publisher of non-mainstream titles. The story of Olga Horak and Halina Robinson reflects the topic of the Holocaust – while Olga survived five concentration camps, Halina was thrown over the wall of the Warsaw Ghetto and was on the run from the Nazis for eighteen months. Barbora Baronova and Dita Pepe’s documentary book on Australia is part of a free-form literary and photographic series, Voices of Women, in which the authors explore the lives of contemporary women from diverse parts of the world.

2021 - 522 pages - 17 X 24 cm - price: 1 390 CZK
Published in English and Czech

Dita PEPE et al.

Borders of Love is a photographic and literary book from internationally renowned Czech photographer Dita Pepe that in thirteen chapters investigates the borders of love, trauma as motivation to create art, and photography as therapy. In this publication, which is also the creative part of her doctoral thesis at Tomas Bata University in Zlín, Dita combines an artistic approach with scientific research. She worked on the publication with many interesting artists and researchers as well as people who analyzed the topic from purely personal perspectives and experiences. Besides photos, the book contains dozens of texts in many forms – interviews, reports, personal diaries, letters, short stories, essays, passages from lectures, and specialized texts through which Dita together with invited guests look at various forms of love. These are interlaced with her photos – self-portraits, archival family photos, stylized portraits, photo collages, documentary photos, still lifes… The photographic part of the book typically involves an almost obsessive examination and repetition of motifs with the same form and content to strengthen the feeling of order and clarity the author would like in her life. The book is being published in a small printing of 700 in a Czech–English version as a cooperation between wo-men publishing and Tomas Bata University in Zlín.

2021 - 804 pages - 17 X 24 cm - ISBN: 978-80-907641-5-6
Price: 1 590 CZK
Published in English and Czech

Nasrin PARVAZ

Mabel ENCINAS-SANCHEZ

Rhiannon LEWIS

Wijaya HERLAMBANG

“When normality is built atop mass graves, and secured by terror and lies, a moral vacuum is inevitable. Wijaya Herlambang brilliantly analyses both the historical development and discursive dynamics of this vacuum.”
— Joshua Oppenheimer, director of the award-winning documentaries The Act of Killing and The Look of Silence

The persistence of anti-communism in Indonesia was not only a result of years of political campaigning by the New Order regime, but also of cultural aggression against communism, particularly through the justification of the violence against the alleged communist members in 1965-1966.
By discussing how the New Order and its cultural agents utilised cultural products –literary works, school textbooks and films—in legitimating violence against communists, this book attempts to explore the ways in which the 1965-1966 massacre was normalised.
A controversial bestseller upon its release, this book reveals the previously unknown ties between Indonesian literary giants like Goenawan Mohamad and Mochtar Lubis with CIA-backed Congress for Cultural Freedom and its agents in Asia. It also analyses the resistance of contemporary cultural organizations in Indonesia against the anti-communist legacies of the New Order.

November 2013 (first published); third edition - 334 pages - 14 X 20,3 cm (paperback) - IDR85,000 - ISBN: 978 979 1260 43 5

Mahfud IKHWAN

Winner of the Khatulistiwa Literary Award 2017

“This is a story that happened not so long ago. A grim tale full of blood. Just about two times village chief’s elections ago, probably right after the government party won for the first time against Islamic party around here.”

Thus how Warto Kemplung began his story to whoever wanted to listen to him on the coffee stall: a love story between Mat Dawuk and Inayatun, an ugly withdrawn youngster and a beautiful flirtatious girl—controversial couple disdained by their own neighborhood, with social life in a remote Javanese village as a background, an idyllic life that was transformed heavily by cash crop, illegal logging and job as migrant workers in Malaysia.
The problem is: was there any truths on Warto’s story, or was it just a babbling nonsense to cover up his own past?
A powerful novel told with humor, actions and rhytms of Hindi movies—from the erudite pen of a rising star in Indonesian literary scene.

June 2017 (first published); third printing - 182 pages - 14 X 20,3 cm (paperback) - IDR58,000 - ISBN 978-979-1260-69-5

Saras DEWI

Environmental ethics and movements have accurately demonstrated the various damages and degradation of nature due to human activities. The anthropocentric worldview has been blamed as the source of disequilibrium between men and nature.
However, ethical approach to the problem of disequilibrium is no longer sufficient. There must be a new and vigorous method to solve the crux of the matter. Ecophenomenology proposes new ontology towards human and nature. Through the philosophies of Husserl, Merleau-Ponty and Heidegger, ecophenomenology aims to a more rigorous argument to investigate the relation between human and nature, enables us to think a more radical problem of disequilibrium.
“[The author] believes that philosophy is conscience, and intellectual arguments were built upon that. This book was written to defend Benoa Bay from the threat of reclamation.” — Bali Post

March 2015 (first published); second printing - 172 pages - 14 X 20,3 cm (paperback) - IDR54,000 - ISBN: 978 979 1260 42 8

Hartmut ROSA
Translation: Svetla MARINOVA

Hartmut Rosa (born 1955) is one of the most promising nowadays sociologists and social philosophers, and most of the academics agree his theories are just the “next step” in the brilliant tradition of the German Frankfurt School. The book has been announced to be a new stage of the critical social theory. In this new version it is based on the changing temporal structures of society and their ‘promise’ to solve the crises of the contemporary society toward a newly conceived “good life”.

2015 - 590 pages - 20 cm X 14 cm - ISBN: 978 954 587 194 8
Design: Yana LEVIEVA
Series: “Varius”

Georg SIMMEL
Translation: Theodora KARAMELSKA

Georg Simmel (1858-1918), a notorious German philosopher and sociologist of culture, has prodigiously influenced establishing the subjects of sociology as an university discipline. Our original collection of texts consists in essays in sociology of culture. This is namely in these “small sociological forms” that Simmel reaches to a brilliant (incl. in its literary style) representation of some aspects of his diagnosis of modernity. Simmel is presenting here a sort of „snapshots sub specie aeternitatis“ in order to manifest that the „sociological objective” is able to catch out social phenomena as “lie”, “fashion”, “gratitude”, “faithfulness”, etc. – ones that construct the life of the society in its dimensions of intelligibility and mysteriousness.

2014 - 268 pages - 20 cm X 13 cm - ISBN: 978 954 587 185 6
Design: Yana LEVIEVA
Series: “Varius”

Robert WALSER; Giorgio AGAMBEN
Translation: Maria DOBREVSKA

This is the chef-d-oeuvre of the prose of Robert Walser (1878-1956) – a very sophisticated and incredibly fine, even fragile piece of text of an author who appeared to be the favourite one of genius like W. Benjamin, F. Kafka, H. Hesse. Our edition is unique because of including also a brilliant piece of text by one of the most famous nowadays philosophers, Giorgio Agamben.

2014 - 126 pages - 20 cm X 13 cm - ISBN: 978 954 587 179 5
Design: Yana LEVIEVA
Series: “Transversalia”

David AUSTIN

In the 1960s, for at least a brief moment, Montreal became what seemed an unlikely centre of Black Power and the Caribbean left. In October 1968 the Congress of Black Writers at McGill University brought together well-known Black thinkers and activists from Canada, the United States, Africa, and the Caribbean–people like C.L.R. James, Stokely Carmichael, Miriam Makeba, Rocky Jones, and Walter Rodney. Within months of the Congress, a Black-led protest at Sir George Williams University (now Concordia) exploded on the front pages of newspapers across the country–raising state security fears about Montreal as the new hotbed of international Black radical politics.

Fear of a Black Nation won the 2014 Casa de las Americas Prize in Caribbean Literature in English or Creole and was a silver medalist in the 2014 Independent Publisher Book Awards - Best Regional Non-Fiction (Canada-East).

2013; 256 pages; 152 x 228 mm;
ISBN (Paperback): 9781771130103 | $34.95 CAD
ISBN (Digital): 9781771130110 | $23.95 CAD

Stephen D’ARCY

“What we must see,” Martin Luther King once insisted, “is that a riot is the language of the unheard.” In this new era of global protest and popular revolt, Languages of the Unheard draws on King’s insight to address a timely and controversial topic: the ethics and politics of militant resistance.
Using vivid examples from the history of militancy—including armed actions by Weatherman and the Red Brigades, the LA Riots, the Zapatista uprising, the Mohawk land defence at Kanesatake, the Black Blocs at summit protests, the occupations of Tahrir Square and Zuccotti Park, the Indigenous occupation of Alcatraz, the Quebec Student Strike, and many more—this book will be of interest to democratic theorists and moral philosophers, and practically useful for protest militants attempting to grapple with the moral ambiguities and political dilemmas unique to their distinctive position.
Stephen D’Arcy is an associate professor of philosophy at Huron University College, Western University. A long-time social activist and protest organizer, he teaches and writes about democratic theory and practical ethics.

2013; 232 pages; 152 x 228 mm;
ISBN (Paperback): 9781771131063 | $24.95 CAD
ISBN (Digital): 9781771131070 | $17.50 CAD

Karen MESSING

In 1978, when workers at a nearby phosphate refinery learned that the ore they processed was contaminated with radioactive dust, Karen Messing, then a new professor of molecular genetics, was called in to help. Unsure of what to do with her discovery that exposure to the radiation was harming the workers and their families, Messing contacted senior colleagues but they wouldn’t help. Neither the refinery company nor the scientific community was interested in the scary results of her chromosome studies.
Over the next decades Messing encountered many more cases of workers around the world—factory workers, cleaners, checkout clerks, bank tellers, food servers, nurses, teachers—suffering and in pain without any help from the very scientists and occupational health experts whose work was supposed to make their lives easier. Arguing that rules for scientific practice can make it hard to see what really makes workers sick, in Pain and Prejudice Messing tells the story of how she went from looking at test tubes to listening to workers.
Karen Messing is an award-winning (including a Governor General of Canada award and YWCA (Montreal) Women of Distinction) and internationally recognized expert on occupational health. She is the author of more than 130 peer-reviewed scientific articles and the book One-eyed Science: Occupational Health and Working Women. She is also the editor of Integrating Gender in Ergonomic Analysis, which has been translated into six languages.

2014; 168 pages; 152 x 228 mm;
ISBN (Paperback): 9781771131476 | $24.95 CAD
ISBN (Digital): 9781771131483 | $17.50 CAD