The Alliance

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities: fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

The notion of fair speech expands the idea of ‘free speech’ to incorporate the concept of justice. Indeed, in a context of media concentration, dominant powers (whether political, economic, religious, ideological, etc.) are the most represented and heard (because they are powerful or loud). Fair speech fosters speech equity for other voices that are often marginalised and/or censored to be heard. Fair speech therefore promotes an equitable access to expression (for example for women, historically marginalised groups, etc.), enabling an authentic diversity of voices. This concept was created by Betty McLellan in Unspeakable (Spinifex Press, 2010, Australia) and promoted by Susan Hawthorne in Bibliodiversity: A Manifesto for Independent Publishing (Spinifex Press, 2014, Australia).

The Dakar Declaration (December 2003) is the foundational text of the Alliance and birth certificate of the association. The Guadalajara Declaration (October 2005) is the outcome of a meeting held in Mexico between independent publishers from the Latin world.
The International Declaration of independent publishers for the protection and promotion of bibliodiversity (July 2007) was drafted and signed by the 70 publishers participating to the International Assembly of independent publishers held in Paris in 2007.
These three texts, as well as the 2014 International Declaration of independent publishers, are milestones in the history of the Alliance – they are a reminder, and bear witness to the present bearing testimony to the commitment of independent publishers, and serve as their policy guidelines.

The International Alliance of independent publishers is a professional collective that brings together more than 800 independent publishing houses in 60 countries around the world. Created as an association in 2002, it is composed of 6 language networks (English, Arabic, French, Spanish, Portuguese and Persian) and thematic groups. Members of the Alliance are publishing houses and publisher collectives.
The Alliance’s activities promote and strengthen bibliodiversity (cultural diversity applied to the world of the book).

In alignment with its mission, the Alliance created a Bibliodiversity Observatory that gathers studies, analysis and tools produced by the Alliance, aimed at professionals and public authorities. The Observatory’s objectives include assessing and strengthening bibliodiversity in the world.

The Alliance also hosts and facilitates international meetings and thematic workshops (for example on children’s book publishing, digital publishing, etc.), enabling independent publishers from various continents to exchange ideas and initiate collaborations. These meetings support increasing capacity through peer sharing, an aspect developed in particular around the issue of digital publishing in the context of the Digital Lab.
The Alliance supports international publishing projects (co-publishing, translation, copyright transfers, etc.), for greater circulation of texts and fair access to books for readers.

In 2022, the Alliance launched a first-of-its-kind initiative: the first edition of Babelica, an international online Book Fair of Independent Publishing, which takes place once a year, on 21 September (International Bibliodiversity Day).

• Gijón meeting (Spain), 2000 (an initiative led by four Spanish-speaking publishers in reaction to the emergence of Spanish multinationals in Latin America)
• Creation of the Alliance project by a group of publishers and Etienne Galliand – who would become the first director of the association
• Paris meeting (France), 2001 (some few days away from the UNESCO Universal Declaration on Cultural Diversity)
• Foundation of the “Alliance of Independent Publishers Association, for Another Globalisation”, as per Law 1901 (head office in Paris) 2002
• Dakar meeting (Senegal), 2003 (Declaration of Solidarity amongst Independent Publishers)
• Guadalajara meeting (Mexico), 2005 (Declaration of independent publishers of the Latin world)
• International Assembly of Independent Publishers in Paris (France), 2007 (International Declaration of Independent Publishers to promote and strenghten bibliodiversity together)
• Name change of the association to International Alliance of independent publishers, 2008
• Creation of the International Committee of Independent Publishers (ICIP), 2009
• International Assembly of independent publishers – preparatory meetings and closing meeting in Cape Town (South Africa), 2012-2014 (International Declaration of independent publishers, to promote and strengthen bibliodiversity together, and 80 recommendations and tools in support of bibliodiversity)
• Creation of the Bibliodiversity Observatory, 2016
• Mapping public book policies in Latin America and Sub-Saharan Africa, 2020
• International Conference of Independent publishing in Pamplona-Iruñea, 2021 (Declaration ’for independent, decolonial, ecological, feminist, free, social and solidarity-based publishing’)
• Guide to good practice, 2022
• First edition of Babelica, 2022

As the fallout from the Seattle meeting of the World Trade Organization (WTO) continues, John Madeley explores some key questions about the free trade that it advocates: Will free trade in food help or hinder the abolition of world hunger? Who benefits first? The poor? Or the transnational corporations? Will free trade help Third World farmers find new international markets? How can countries – North and South, rich and poor – protect their farmers?...

In English: “Hungry for Trade”, Zed Books Publishers

Year of publication: 2002

Farmers around the world are being pressured by half a dozen giant corporations to grow genetically engineered crops. What are the possible downsides for them, particularly for those hundreds of millions of farmers living in developing countries? On their environment? On their health? On their independence? On their traditional export crops? On their access to the marketplaces of their own countries? This important book comes out of a dialogue between farmers’ representatives and experts.

Available in English: “Brave New Seeds” ; Zed Books Publishers

Year of publication : 2004

Europe is arising. For the last fifty years, step by step, a new geographical space and political entity have been forming. Among the sites of memory devoted to the recent history of Europe, the Jean Monnet Foundation, in Lausanne, has a number of archives with rare texts that allow people to follow and better understand how the idea of the European Union gained momentum across the years, both before and during World War II. Its documents are the core of this collection. The texts presented in this volume are used to shed new light on the “European institutional machinery.” This angle shows that the construction of modern Europe was not necessarily “technocratic,” but rather, like any original project, the result of trial and error, hesitations, conflicts that are often forgotten today, and a real dynamic.

Year of publication: 2001

Is the theme of passion the core locus of cultural difference between East and West? Western civilization sees in passion a founding experience, emotionally, aesthetically and spiritually fundamental. Yet the East is more skeptical, reflecting Buddhist wisdom, which invites people to free themselves from passion to achieve awakening.
In a chronicle embodied in contemporary China, Ye Shuxian chooses to talk about loving passion. Codified in traditional China and repressed under the Cultural Revolution, the feeling of love is expressed more strongly today.
Michel Sauquet shows all the richness and ambiguity of the word passion in European culture: it sustains life and suffering; it absorbs, builds and destroys. Loving passion, passion of the artist as best exemplified by the character of Rimbaud; mystical passion exalted by the music of Bach.

Year of publication: 1999

For centuries, human cultures have rooted themselves in stone and monuments for utilitarian or artistic purposes, reflecting the power of kings or the greatness of gods. When first learning about Chinese architecture, what could be better than a guided visit to several emblematic monuments, such as the Great Wall, the Forbidden City, the Temple of Heaven and the Summer Palace? This is what Yang Xin provides, in a text full of detailed description. We are taught how Chinese architecture is a total art, rooted in the axes of thought: relationship with nature, permanent negotiation between the yin and yang, the empty and full, the sky and the earth. On the other side, Dom Angelico Surchamp, eminent specialist in Roman art, sets forth a panorama of the history of Western architecture, showing the gradual evolution of the temple, church and dwelling house. Little by little, space becomes organized around key values. More than the simple struggle between man and the elements or between man and material, the art of building translates a vision of the world.

Year of publication: 1999

So few people know Chinese culture, yet many are familiar with Peking duck and fried rice. Gong Gang happily explains how much, in China, the idea of beauty melds inseparably with the idea of goodness, in an association that may appear strange to a Westerner. Drinking tea, for example, invokes particular values, of clarity and limpidity, according to a broader definition of the five senses. For Paul Ariès, the issue is more controversial. Recalling the origin of good taste in the West, expressed particularly in culinary art and in restaurants, which arose in the early 19^th century with characters such as Brillat-Savarin, Mr. Ariès is alarmed by globalization and its threat to this table culture. “Can good taste coexist with modernity?” An exchange of views that will delight culinary enthusiasts.

Year of publication: 1999

There is a close relationship between the notion of beauty and that of culture, between aesthetic and humanity. “I am beautiful, o mortals, like a dream of stone” wrote Baudelaire, personifying the relationship. But is beauty truly accessible? How is beauty translated in the universe, whether Chinese or Western? From an original perspective, Zhu Cunming shows how the experience of beauty is universal but also profoundly tied to that of ugliness. Witness the temple bronzes and the dragon heads with enormous mouths, like so many hidden facets of the feeling of beauty. On the other side, Dominique Fernandez defines beauty as an experience of ambiguity. More than the cathedral, which speaks too directly of God, music in particular evokes this inaccessible intangible. Beginning with the myth of Orpheus, which runs through Western culture from Monteverdi to Jean Cocteau, Dominique Fernandez pursues the truth of beauty in an amazing meditation. A delightful, cultural read.

Year of publication: 1999

While Europeans are in a struggle or in forced coexistence with nature, the Chinese are, according to Confucian tradition, in symbiosis, in communion, mutually dependent. “We look at each other, the sky and I, without tiring”, sings the famous poet Li Po, cited by Yue Dai Yun. In the countless legends recounted by Yue Dai Yun, man is or becomes nature: how many young girls and (formerly human) gods or goddesses have been transformed into hills and their tears into streams? Mountains, river water and the immensity of seas are not things in China, but living realities that teach man time, death and the insurmountable. As a result, says Yue Dai Yun, we must “not force ourselves or, worse, oppose nature, but rather adapt to ourselves.” For many Chinese people, nature is the source, not the object, of intellectual thought. There is nothing like climbing, for example, to think: “The succession of mountains has no limits for the Chinese, for it represents the elevation of their mind and the expansion of their thought.” Let us not seek out the East-West opposition throughout these two texts. Doesn’t the aforementioned Chinese veneration for high reliefs correspond to our own tradition, that of the Sinai and the Thabor, not to mention the mount of the well-known Sermon? Would our mystics argue when the Chinese say, according to Yue Dai Yun: “There are mountains beyond the mountains; there is another world beyond ours”? And does China have a monopoly on wonder? The magic of nature’s products, which Miao women take to market in autumn, these wild, dazzling red fruits, these leaves of palm – Aristotle also knew this magic. His ideas, according to Anne Sauvagnargues, “were always limpid, full of rocks, animals, men and the starry sky that we observe at night when we lie on the ground.”
Reading these two very different, very literary texts, the reader learns about visions of the world and of nature that were often inherited from the distant past. Distant? Not really! The story of saving the moon", in which Yue Dai Yun heroically took part in her childhood, tells us how much traditional myths permeate men and women today and just may give them the strength to fight for a less despoiled nature

Year of publication: 1999

Two top-level researchers – a French geophysicist and a Chinese philosopher – talking about death: quite daunting for a reader unaccustomed to academic language. Not to fear. Professor Tang Yijie, president of the Academy of Chinese Culture, and Xavier Le Pichon, professor at the Collège de France, talk about their fathers, mothers, brothers and sisters, about their beliefs and their faith. Above all, about life.
Tang Yijie and Xavier Le Pichon have met several times to discuss the essential issues of existence. These two texts thus do not present a simple comparison. They respond to each other, with a nearly pedagogical concern for addressing the other’s culture and for presenting – and questioning – the most representative features of their own civilizations.

Although he considers the place of Christian culture within European culture to be “no doubt excessive,” Xavier Le Pichon chooses to approach the mystery of death from his personal perspective as a Catholic. In the European context, he lucidly shows the extent to which death – formerly incorporated into life and a reminder that “the fate of man is eternal happiness” – has become, through the centuries and with the advance of medicine, an event that is increasingly tied to the pain of living. A passage toward the light, yes, but at so high a cost! Impressive, for example, are these words written by his father on the approach of death: “Death is the most important act of life; it is like the seal affixed to a letter written with so many tears, so much blood and suffering. It is the crowning achievement of life.”

Year of publication: 1999

Georges Lory was cultural advisor in South Africa from 1990 to 1994, and participated to the country’s democratic transition. Between 1998 and 2008, as Director of International Affairs of Radio France Internationale, he increased the number of its FM relays in the world from 76 to 169. From 2009 to 2013, he led the general delegation of the Alliance Française in Southern Africa.
He has written three volumes of poetry (including one in Afrikaans), edited a book published by Autrement on South Africa, translated poets including Breyten Breytenbach, Antjie Krog and Lebo Mashile, novels and short stories by Nadine Gordimer, 1991 Nobel Laureate, texts by JM Coetzee, André Brink and Kopano Matlwa, as well as the Dutch writer Adriaan van Dis. He is the author of four books, mainly on South Africa.

Hélène Kloeckner is the founder of Beau travail, which helps organisations improve their working conditions. She is the author of a survey on textbooks in Sub-Saharan Francophone Africa, published in the Africultures journal in 2003. She has worked for more than twelve years in publishing, and collaborated with Nouvelles éditions africaines in Senegal, Dakar. As a volunteer at the Alliance since 2004, she has been particularly interested in the pan-African collection “Terres Solidaires” . She was the president of the Alliance between 2013 and 2020.

Treasurer of the Alliance, Annie Gogat works for the Charles Léopold Mayer Foundation as Accounting Manager. Passionnate about integration issues and involved in her neighborhood’s school life, she finds herself naturally acting as a mediator in many situations. After spending years in Villeneuve-la-Garenne, she now lives in Bouffémont (Paris region). She was the treasurer of the Alliance between 2002 and 2020.

Born in 1946, after obtaining a degree from the Centre de Formation des Journalistes and a postgraduate qualification in political sociology, Gérard Aimé started his career as a journalist and photo-reporter in Canada. The co-founder of Alternatives publishing and co-author of its first publications, he ran the publishing house for 35 years until its takeover by Gallimard. Today he works as a consultant for various publishing houses. Gérard Aimé was a member of the Board of the Alliance between 2011 and 2016.

Marie Hatet has been working in the field of education and culture for the past fifteen years. Currently heading an artistic and cultural education project in Paris’ La Villette Park, she is also a member of the reading committee of the Tatoulu Association (youth literature), and founding member of Les Fondeurs de Roue Association. She joined the Board of the International Alliance of independent publishers in 2014. She served on the Board of the Alliance between 2014 and 2016 and is currently a member of the Alliance’s General Assembly.

From 2002 to 2009, Étienne GALLIAND (founder of the Alliance) managed the association. He then created Double Ponctuation, with which the Alliance regularly collaborates. Double Ponctuation is, among other things, copublisher of the Bibliodiversity journal.

Alexandre TIPHAGNE joined the Alliance from 2002 to 2007, as manager of co-editions and the Portuguese and Spanish languages networks. From December 2012 to April 2014, Alexandre was vice-chair of Cabinet in the Ministry of Culture and Communication and technical councillor responsible of the book, and later chair of Cabinet. Formerly a parliamentary collaborator of Aurélie Filippetti at the National Assembly, he is currently in charge of Culture at Paris City Council.

Thomas WEISS worked for the Alliance between 2003 and 2006 as a logistician, administrator and Webmaster. He also coordinated co-publishing projects of the English and Arabic languages networks. In 2007, he became an independent consultant and web developer, and worked principally for the Charles Léopold Mayer Foundation, Exemole Sarl, and the Research Institute, and contributed to discussions on governance. In 2013, he joined the French IT group, Netapsys Conseil, as central director. He is currently a consultant at OCTO Technology.

Between 2008 and 2010, Nathalie CARRÉ contributed her expertise to “Terres solidaires” and “Terres d’écritures”, both solidary copublishings collections. Nathalie continued facilitating the reading committee of the “Terres solidaires” collection. She is currently a Swahili teacher at Inalco.

Sonbol REGNAULT-BAHMANYAR contributed to the Alliance between 2010 to 2012, by developing the Persian language publishers group. Sonbol is currently in Iran, where she runs a French pastry shop.

Matthieu JOULIN joined the Alliance’s team in 2011, after a master’s degree in Hispano-American Language, Literature and Civilisation at Bordeaux University and a master’s degree in Book Commercialisation at University of Paris 13-Villetaneuse. Between 2011 and 2019, Matthieu was especially in charge of the Digital Lab of the Alliance; and maintaining and supporting the Spanish and Portuguese language networks.

Clémence HEDDE worked for 10 years at the Alliance, between 2010 and 2020. After a double degree in Geography/ Book Trade in France and the United Kingdom, and experiences in different publishing houses (Autrement, La Découverte, Phaidon), Clémence Hedde was Programme Manager at the International Alliance of independent publishers, more specifically responsible for overseeing the Alliance’s French-language network and the children’s books/youth literature thematic group, coordinating international co-publishings, organisation of meetings and workshops, as well as monitoring the research initiatives of the Bibliodiversity Observatory. She is now Literary Coordinator at Ciclic, the regional Agency of the Center Val de Loire for books, images and digital culture.

Mariam PELLICER is a graduate from Sciences Politiques in Toulouse (specialising on the fight against discrimination and the struggle for equality), after an academic exchange at the University in Chile, stuying among other things, sociology of gender. Mariam’s early professional experiences were with the International Alliance of Women in Athens and then with the Fondation des Femmes in Paris.
Between 2020 and 2024, Mariam coordinated the Spanish- and Portuguese-speaking networks, the Bibliodiversity Observatory and the Alliance’s advocacy unit.

Nathalie COOREN (French-Spanish)

Nathalie Cooren has a background in law (Master of Laws with a specialisation in European and international law) and in social sciences (Master in sociology of conflicts). After working several years in the field of international relations, where translation was an integral part of her daily life, she decided to make it her full-time job.
Several years spent abroad, particularly in Latin America, also made her aware of the importance of languages and the diversity of cultures. She translates from Spanish and English into French, for documents in the legal, institutional, political, environmental, tourism, marketing, and publishing fields, as well as books (see in particular "Guide du municipalisme : pour une ville citoyenne apaisée, ouverte”).

Danielle CHARONNET (French-Spanish)

Rachel MATTEAU MATSHA (French-English)

Rachel Matteau Matsha is senior lecturer at the Durban University of Technology (South Africa). Her research interests include book history, sociology of literature, Indian Ocean studies, and postcolonial studies. Born in Québec (Canada), she holds a BA in Literary Studies from the Université du Québec à Montréal, and a MA and PhD in African Literature from the University of the Witwatersrand in Johannesburg (South Africa). She is the author of Real and Imagined Readers. Reading, publishing and censorship under apartheid (UKZN Press, forthcoming 2018). She is collaborating with the International Alliance of independent publishers since 2013.

Volunteers come from time to time to support the permanent team of the Alliance for the implementation of the action plan of the association: we thank them very much for their involvement and their commitment!

Céline ANFOSSI
Céline Anfossi is specialised in project management and consultancy. She has worked in the book sector, mainly in coaching professionals (International Alliance of independent publishers, Fill-Interregional Federation of Books and Reading). She explores these issues through different projects and audiences (women seeking employment, students) and is particularly interested in the topic of professional integration.

Djamilatou DIALLO

Born in Tahiti, of Franco-Guinean parents, Djamilatou continued her studies in Paris in Lettres et Histoire (MA dissertation on Ancient History: “Patrons of cities in Roman Africa from the third to the fifth century: an epigraphic study”).
In the long term, Jamilatou would like to specialise in the protection and enhancement of heritage by working with different cultural organisations here or elsewhere.
Following a five-month internship at the Alliance (development of the 2018 WomenList and the HotList presented at the Frankfurt Book Fair, and the study on the textbook market in French-speaking Africa), Djamilatou is now a volunteer of the Association.

The ICIP includes the coordinators and vice-coordinators of the Alliance’s language networks; the coordinators and vice-coordinators are nominated by the members of the networks. Since 2011, the ICIP has been an essential part of governing the Alliance, representing the voice of the publishers. The ICIP meets once a year in the presence of the Board and the team of the Alliance. The agenda is based on the aspirations and objectives of the Alliance, considering above all the needs and expectations of the members.

Composition of the ICIP:

• Coordinator of the Arabic-speaking network: Samar Haddad, Syria (Atlas Publishing)

• Coordinator of the English-speaking network: Colleen Higgs, South Africa (Modjaji Books)
• Vice-coordinator of the English-speaking network : Ronny Agustinus, Indonesia (Marjin Kiri)

• Coordinator of the French-speaking network: Élisabeth Daldoul, Tunisia (elyzad)
• Vice-coordinators of the French-speaking network: Paulin Assem, Togo (AGO Média) and Jean-Claude Naba, Burkina Faso (Sankofa & Gurli)

• Coordinators of the Persian-speaking network: Azadeh Parsapour, UK/Iran (Nogaam) and Anahita Mehdipour, Germany/Iran (Forough Verlag)

• Coordinators of the Portuguese-speaking network: Mariana Warth, Brazil (Pallas Editora) and Carla Oliveira, Portugal (Orfeu Negro)

• Coordinators of the Spanish-speaking network : Germán Gacio Baquiola, Ecuador (Editores independientes de Ecuador) and Francisca Muñoz Méndez, Chile (Editoriales de Chile)

Click here to see the list of Alliance member publishers.