The Alliance

Presentation & orientations

Objectives 2015-2018

Support bibliodiversity and independent publishing through a professional solidarity network

  • Support the creation and strengthening of memberships to national and/or regional publisher collectives (including in Europe)
  • Promote bibliodiversity, popularise the idea of bibliodiversity for the general public, for example through the (International Bibliodiversity Day on 21 September, )

Support the creation of national, regional and international book policies

Reaffirm and defend freedom and equity of speech

  • Create a censorship typology ; draft advocacy plans in support of, and in solidary with, publishers

Strengthen collaborative spaces and innovate to respond to tomorrow’s changes and issues

  • Develop the Digital Lab, organize workshops, and sharing of experiences and tools (on digital publishing, editorial solidarity partnerships, national and local languages publishing, etc.)
  • Strengthen inter-professional collaboration (authors, librarians, booksellers, diffusers-distributors, digital actors, etc.) : inter-professional meetings, joint lobbying

Reinstate equilibrium between book exporting countries and importing countries

  • Manage an online resource centre, complementing the Bibliodiversity Observatory
  • Modernize book donation practices : Book Donation Charter reviewed by professionals from the global South
  • Participate in book fairs (collective stands in book fairs in both the global South and global North), promotion of books from the South in the North

Develop and strengthen intercultural sharing

  • Develop and support copublishing/ translation projects : North-South and South-South editorial partnerships bearing the “Fair Trade Book” label, and research on economic solidarity models (social and solidarity economy)

Publishers collectively adopted the Alliance’s 2015-2018 objectives during the International Assembly of independent publishing (2012-2014). Projects and activities arise from each of these directions, and are implemented by the Alliance during the 2015-2018 period.

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The Independent publisher

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence : the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers : through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

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International Declaration of Independent Publishers 2014

During the closing meeting of the International Assembly of Independent Publishers (Cape Town, South Africa, September 18-21, 2014), 400 independent publishers from 45 countries signed the International Declaration of Independent Publishers 2014.
Collectively drafted in three languages, on September 20, 2014, the Declaration 2014 is available in several languages (French, English, Spanish, Portuguese, Arabic, Farsi, Italian, etc.).

Do not hesitate to share the Declaration and promote and strengthen bibliodiversity with us !

Read here the 80 recommendations & tools (on digital publishing, public book policies, youth literature, national and local languages publishing, solidarity publishing partnerships and “Fair Trade Books”, book donations).

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Bibliodiversity

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007) and Cape Town Declaration (2014). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article « Bibliodiversity » on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures !

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Predation

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

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The “Fair Trade Book”

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities : fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale ; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities ; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

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Fair speech

The notion of fair speech expands the idea of ‘free speech’ to incorporate the concept of justice. Indeed, in a context of media concentration, dominant powers (whether political, economic, religious, ideological, etc.) are the most represented and heard (because they are powerful or loud). Fair speech fosters speech equity for other voices that are often marginalised and/or censored to be heard. Fair speech therefore promotes an equitable access to expression (for example for women, historically marginalised groups, etc.), enabling an authentic diversity of voices. This concept was created by Betty McLellan in Unspeakable (Spinifex Press, 2010, Australia) and promoted by Susan Hawthorne in Bibliodiversity : A Manifesto for Independent Publishing (Spinifex Press, 2014, Australia).

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The Declarations of 2003, 2005 and 2007

The Dakar Declaration (December 2003) is the foundational text of the Alliance and birth certificate of the association. The Guadalajara Declaration (October 2005) is the outcome of a meeting held in Mexico between independent publishers from the Latin world.
The International Declaration of independent publishers for the protection and promotion of bibliodiversity (July 2007) was drafted and signed by the 70 publishers participating to the International Assembly of independent publishers held in Paris in 2007.
These three texts, as well as the 2014 International Declaration of independent publishers, are milestones in the history of the Alliance – they are a reminder, and bear witness to the present bearing testimony to the commitment of independent publishers, and serve as their policy guidelines.

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Activities

Producting and commercialising e-books in West Africa, Cotonou (Benin), 9-13 July 2018

15 publishers from 10 countries meet in Cotonou for a workshop dedicated to creating ePub files from Indesign. The workshop will also be an opportunity for discussions on the commercialization of digital books between the publishers : Cassava Republic publishers (Nigeria) will share their experience - a cross between French and English speaking Africas !

This workshop, supported by the International Organization of La Francophonie, was organised with the support of Ruisseaux d’Afrique publishers in Benin, a member of the Alliance. Ruisseaux d’Afrique publishers celebrate their 20th anniversary in 2018, offering activities throughout the year. The Alliance will celebrate the 20th anniversary of Ruisseaux during the workshop !

Since 2010, the Alliance Lab offers capacity-building workshops to independent publishers in French-speaking Africa. Several publishing houses in French-speaking Africa have developed a digital strategy.

The Alliance Lab regularly publishes surveys and analysis on digital publishing :

The Alliance Lab provides tools :

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Tehran Book Fair, Uncensored – Europe and North America, May 4-27, 2018

The touring “Tehran Book Fair, Uncensored”, organized in May in the same time as Tehran Book Fair in Iran, will occur for the third year, thanks to Farsi-speaking publishing houses based in Europe and North America.

Publishers, authors, and translators from and into Farsi are thus gathering in several cities in Europe and North America to circulate Farsi books (especially some censored in Iran) and books about Iran (in French, English, German…).

A special occasion to know a literature that has escaped from the censors. A free literature. Some muzzled voices that express themselves.

From May 4 to 27, 2018, the Tehran Book Fair Uncensored will occur in :

Other places and dates planned in the end of May will be updated on the website Uncensored book. More details : +33 (0)1 72 40 84 40 / www.uncensoredbook.com.

Read here the article published by Publishing Perspectives, on May 16, 2018.

Some resources to know more on the subject :

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Censorship against independent publishing house Txalaparta (Basque Country), 1 March 2018

Publishers from the Alliance condemn the banning of the book El desarme, la vía vasca d’Iñaki Egaña (copublished by Txalaparta, Gara journal, and Mediabask media), during its promotion on Basque radio-television.

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Indie Book Day, 24 March 2018

On Saturday 24 March, independent publishers and booksellers propose readers to celebrate Indie Book Day. The principle is simple : you just need to go in your favourite independent bookshop, to buy a book published by an independent publisher. Then, you are invited to share a picture of the book on the social networks (Facebook, Twitter, Instagram…), with the hashtag #indiebookday.

Indie Book Day aims to highlight the creativity, diversity and dynamism of independent publishing and make readers aware of the essential aim played by independent bookshops in favour of bibliodiversity.

Created in 2013 in Germany by the Hamburg-based publishing house Mairisch Verlag –member of the German association of independent publishers Kurt Wolff Stiftung, the Indie Book Day has first met a great success in Germany, and then has been celebrated also in other countries – like the UK, Italy, Portugal, and Brazil. For this special occasion, independent bookshops promote the event (posters in their bookshops, specific campaign on the social networks). To help readers to make their choice, specific spaces can be proposed in the bookshop to focus on the diversity of independent publishing.

In 2018, the Kurt Wolff Stiftung (Germany), the ODEI (Italy) and the International Alliance of independent publishers (550 publishers from more than 52 countries around the world) keep fostering the Indie Book Day.

Indie Book Day website : www.indiebookday.de/english

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Indie Book Day, March

Indie Book Day was created in 2013, by German independent publishers ; since last year, it has been celebrated in other countries, thanks to independent publishers collectives and the Alliance.

How it works : On the third Sunday of March, readers are invited to visit an independent bookshop, buy a book published by an independent publisher, and post a picture of the book on social media with the hashtag #indiebookday. Booksellers and publishers can then organize a common campaign ahead of the event, to inform their communities (posters in the bookshops, information on social media and websites, etc.).

Find here Indie Book Day logos and more information on the official Indie Book Day website.

1. Logo_English

2. Logo_French

3. Logo_Portuguese

4. Logo_Italian

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Bibliodiversity Day (B Day), 21 September

Bibliodiversity Day was created in 2010 by Latin American publisher members of the Alliance.

Since then, it has happened every year in numerous countries, especially in Latin America. On September 21, the first day of spring for the southern hemisphere, publishers, booksellers, book professionals and readers are invited to celebrate independent publishing and bibliodiversity.

How it works : All ideas and activities are welcome, coming from publishing houses, collectives of independent publishers, book professionals, and readers : bookcrossing, literary picnics, professional meetings, public readings, radio broadcasts, newspaper articles…

See here the literary and multilingual sound card for B-Day 2021 (and the Alliance’s 20th anniversary).

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Download B Day logos and visit the blog here.

Watch all B Day videos here->https://eldiab.org/videos-oficiales/.

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Manual de edición. Guía para estos tiempos revueltos

Auteur(s) : Manuel GIL
Pays de parution : Argentine
Langue(s) : espagnol

Nouvelle édition publiée en 2017 par la marca editora (Argentine), en coédition avec EDINAR (Argentine) et le CERLALC.
Ouvrage de référence publié initialement par le CERLALC.

ISBN : 978-950-889-299-7
264 pages / 20 X 25 cm

Pour en savoir plus.

Voir également ci-dessous l’édition péruvienne du Manual de edición, éditée par La Travesía Editora, maison d’édition péruvienne, membre du collectif EIP au Pérou.

« Manual de edición », La Travesía Editora, Perú

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Les cheveux de Cora / Ny volon’i Cora

Auteur(s) : Ana Zarco CÂMARA (texte) ; Taline SCHUBACH (illustrations)
Pays de parution : Madagascar
Langue(s) : français , malgache
Prix : 16 0000 Ar (4 €)

Album illustré jeunesse – édition bilingue français-malgache
Traduit du portugais (Brésil) vers le français par Joana Cabral, traduit en malgache par Veloniaina Rabakoly

Éditions Jeunes Malgaches, 2014, 32 pages
Édition originale : Pallas Editora (Brésil)

ISBN : 978-2 916362-42-7

Ce livre est issu de plusieurs rencontres entre les éditrices et éditeurs membres de l’Alliance internationale des éditeurs indépendants (« Groupe jeunesse » de l’Alliance), lors de salons du livre (stand collectif jeunesse) et dans le cadre d’ateliers autour de la littérature jeunesse. Ces temps de partage, de connaissance mutuelle, d’échanges, de savoir-faire favorisent des partenariats éditoriaux inédits. En soutenant et favorisant ces partenariats, les membres de l’Alliance participent à la circulation des textes et des idées d’un continent à un autre, mais aussi d’une langue à une autre. À travers ces partenariats éditoriaux solidaires, il s’agit aussi de développer des flux de traduction encore « rares », par exemple ici du portugais du Brésil vers le malgache.

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Kofi et le petit garçon de feu

Auteur(s) : Nei LOPES (texte) ; Hélène MOREAU (illustrations)
Pays de parution : Bénin
Langue(s) : français

Kofi était enfant dans un village du Ghana, au temps où ce pays s’appelait la Gold Coast et était une colonie anglaise. Il avait entendu dire qu’il existait des gens qui avaient des cheveux clairs et des peaux blanches, peaux qui rougissaient quand ils étaient en colère et qui, alors, pouvaient brûler celui qui les touchait. Imaginez alors son inquiétude quand il se trouva face à un jeune Anglais, venu en visite avec son père, chef d’une délégation officielle. Le petit Blanc, lui, pensait que le noir de la peau s’effaçait au toucher… Tous ces présupposés écartés, leur sourire et leur poignée de main sont des plus sincères. Cette histoire, porteuse de leçon sur l’importance de la rencontre pour dépasser les préjugés, est servie par un texte qui reflète bien le point de Kofi avec toute sa naïveté. Les illustrations aux belles couleurs chaudes modèlent formes et lumières.
Les dernières pages du livre sont consacrées à un intéressant dossier documentaire sur le Ghana.
Présentation du livre : © Nathalie Beau (Takam Tikou)

Traduit du portugais (Brésil) vers le français par Flavio Corrêa de Mello

Ruisseaux d’Afrique (Bénin), 2012 ; 37 pages
Édition originale : Pallas Editora (Brésil)

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Governance

Laurence HUGUES

After studying at the IUT Book Trade in Aix-en-Provence, Laurence Hugues went to earn a bachelor’s degree in Literature at Trois-Rivières University in Québec, and later a Masters’ degree in Book Marketing at Paris 13-Villetaneuse University. After several professionals stays in West Africa, she joined the International Alliance of independent publishers’ team in 2007. In July 2009, Etienne GALLIAND passed on management responsabilities to Laurence HUGUES.

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Camille CLOAREC

After a master’s degree in French Literature at the Sorbonne Nouvelle, Camille CLOAREC worked at the Maison de la Poésie in Nantes and was also the coordinator of literary life at Ciclic (the center of book, cinema and digital culture for the Loire Valley Region), before being in-charge of the book and debates office at the French Embassy in Canada. In 2019, Camille began learning Telugu (Indian language) at Inalco.
Camille joins the Alliance team in July 2020 ; she is in charge of the management of the French-language network and the co-publishing and translation projects within the Alliance.

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Mariam PELLICER

Mariam PELLICER is a graduate from Sciences Politiques in Toulouse (specialising on the fight against discrimination and the struggle for equality), after an academic exchange at the University in Chile, stuying among other things, sociology of gender. Mariam’s early professional experiences were with the International Alliance of Women in Athens and then with the Fondation des Femmes in Paris.

Since joining the Alliance in January 2020, Mariam is in charge of facilitating the Alliance’s Spanish and Portuguese-language networks, coordinating the Bibliodiversity Observatory and the Alliance’s advocacy pole.

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Laura AUFRERE, president

After studying political sciences, Laura Aufrère was for 5 years coordinator of the French confederation gathering not-for-profit cultural professional initiatives from a variety of disciplines (music, theater, outdoor and circus, visual arts, etc.), rooted in the solidarity economy movement (UFISC). She is now a PHD student in management, looking specifically into critical approaches in the organisation theory and the digital humanities fields. She studies commons and social and solidarity economy initiatives, focusing specifically on work and labour organisation, cooperation and governance issues, and social protection. She joins the Alliance Board in 2016 and is now its President.

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Luc PINHAS, vice-president

Vice-President of the Board of the Alliance since the General Assembly of June 20, 2011, Luc Pinhas is a former student of the École normale supérieure in Saint-Cloud. He holds a PhD in Communication Studies and teaches at Paris 13-Villetaneuse University, where he is currently in charge of a master’s degree on “Book Marketing”.

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Thierry QUINQUETON, vice-president

Thierry Quinqueton has long experience in the publishing world and of intercultural dialogue. He was Literary Director at the Desclée de Brouwer publishing house (France) from 1991 to 1999, and then Director of the French Cultural Center in Khartoum from 2000 to 2004. After spending four years at the French Department of Foreign Affairs (department of written documents and libraries), he was responsible from May 2009 to July 2013 for the libraries network in the Châtellerault area ; from 2013 to 2017, he was in charge of the Book Office at the French Embassy in Beirut, Lebanon. Thierry Quinqueton also pursues his research on the links between market economies, public policies, and non-monetary aspects within the book economy (Law and Development of Social and Solidarity Economy - University of Poitiers). Author of « Que ferait Saul Alinsky ? » (DDB, 2011), he was Chairman of the International Alliance of Independent Publishers from 2006 to 2013.

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Mariette ROBBES, member of the Board

Mariette Robbes is specialized in network facilitation, public relations and project management in the associative and cultural sectors. She has worked at Katha publishing (India), at the International Association of Francophone Booksellers and the International Youth Library (Germany).
Her growing passion for “third places” and innovative ways of working and creating (fablabs, coworking, shared workshops, etc.) led her to explore new horizons. She is now working as a Network Development & Animation Manager at myCowork, in Paris.
Passionate about publishing for youth in India, she is also an associate member of the academic project DELI (Encyclopaedic Dictionary of Literatures of India). In addition, Mariette works as a freelancer (support for fundraising, graphic design and layout).

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Jérôme CHEVRIER, member of the Board

Jérôme Chevrier has been working for 20 years in the book and reading sector. As a librarian, he has worked at the Bibliothèque nationale de France, the Ministry of Culture, the Centre national du livre and the French Institute of South Africa. He is currently in charge of cultural mediation at the Bibliothèque publique d’information du Centre Pompidou. He joined the Alliance Board in July 2021.

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Georges LORY, member of the Board

Georges Lory was cultural advisor in South Africa from 1990 to 1994, and participated to the country’s democratic transition. Between 1998 and 2008, as Director of International Affairs of Radio France Internationale, he increased the number of its FM relays in the world from 76 to 169. From 2009 to 2013, he led the general delegation of the Alliance Française in Southern Africa.
He has written three volumes of poetry (including one in Afrikaans), edited a book published by Autrement on South Africa, translated poets including Breyten Breytenbach, Antjie Krog and Lebo Mashile, novels and short stories by Nadine Gordimer, 1991 Nobel Laureate, texts by JM Coetzee, André Brink and Kopano Matlwa, as well as the Dutch writer Adriaan van Dis. He is the author of four books, mainly on South Africa.

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