English

Bibliodiversity… it is the daily life of independent publishers, what drives them. Why make it a special day, then? To celebrate Spring Day in the Southern Hemisphere, for books to occupy public spaces, to share, connect, exchange, discuss, and have fun… Because diversity of ideas is essential to the construction of democratic societies, because independent publishers are its actors, together with authors, translators, illustrators, booksellers, librarians…

This year, some planned festivities and activities include:
• In Quebec, Mémoire d’encrier publishers, in partnership with the Maison de la Syrie (‘the House of Syria’), facilitate a Quebec-Syria literary meeting
• In Syria, Atlas Publishing convene booksellers and publishers in the heart of Damas
• In Chile, EDIN collective will distribute a list of independent publishers’ works in the country’s main libraries; filmed activities will be held throughout the day
• In Colombia, public spaces (parks, public places) will be animated by publishers from the REIC collective…
• In Italy, the independent publishers members of the FIDARE get themself heard through a call
• In Spain, the ministry of Culture is launching a campaign in favor of bibliodiversity
• In Peru, the collective of independent publishers EIP is organizing an Independent Book Fair, from 23 to 25 September, to follow on facebook
• In Argentina, the collective of independent publisers EDINAR is planning bookcrossing, literary meetings...

Follow all the activities on the Alliance website and social media.

And have a look on the official B Day 2016 video!

• Gijón meeting (Spain), 2000 (an initiative led by four Spanish-speaking publishers in reaction to the emergence of Spanish multinationals in Latin America)
• Creation of the Alliance project by a group of publishers and Etienne Galliand – who would become the first director of the association
• Paris meeting (France), 2001 (some few days away from the UNESCO Universal Declaration on Cultural Diversity)
• Foundation of the “Alliance of Independent Publishers Association, for Another Globalisation”, as per Law 1901 (head office in Paris) 2002
• Dakar meeting (Senegal), 2003 (Declaration of Solidarity amongst Independent Publishers)
• Guadalajara meeting (Mexico), 2005 (Declaration of independent publishers of the Latin world)
• International Assembly of Independent Publishers in Paris (France), 2007 (International Declaration of Independent Publishers to promote and strenghten bibliodiversity together)
• Name change of the association to International Alliance of independent publishers, 2008
• Creation of the International Committee of Independent Publishers (ICIP), 2009
• International Assembly of independent publishers – preparatory meetings and closing meeting in Cape Town (South Africa), 2012-2014 (International Declaration of independent publishers, to promote and strengthen bibliodiversity together, and 80 recommendations and tools in support of bibliodiversity)
• Creation of the Bibliodiversity Observatory, 2016
• Mapping public book policies in Latin America and Sub-Saharan Africa, 2020
• International Conference of Independent publishing in Pamplona-Iruñea, 2021 (Declaration ’for independent, decolonial, ecological, feminist, free, social and solidarity-based publishing’)
• Guide to good practice, 2022
• First edition of Babelica, 2022
• Name change of the association (not in English but in Spanish, French, Portuguese, etc.) to Alliance internationale de l’édition indépendante / Alianza internacional de editoriales independientes, 2024

Year of publication of the Pan-African version: 2016, 11,5 X 19 cm
First publication in France: Grasset (2013)

Co-publishers: Apic (Algeria), Eburnie (Ivory Coast), Ikirezi (Rwanda), Jimsaan (Senegal), Ganndal (Guinea), Graines de Pensées (Togo), Le Fennec (Marocco), Proximité (Cameroon)

A Fair Trade Book co-publishing.

In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published.

Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.

Bibliodiversity is a term invented by Chilean publishers in the 1990s as a way of envisioning a different kind of publishing. In this manifesto, Susan Hawthorne provides a scathing critique of the global publishing industry set against a visionary proposal for organic publishing. She looks at free speech and fair speech, at the environmental costs of mainstream publishing and at the promises and challenges of the move to digital.

A translation from English into French followed by a co-publishing between 5 publishers in France (éditions Charles Léopold Mayer), Switzerland (éditions d’en bas), Mali (Jamana) and Cameroon (Presses universitaires d’Afrique).

From October, 19^th to 23^rd, meet the independent publishers at the Frankfurt Book Fair: more than 25 publishing houses from all around the world will be there!

You can find the publishers’ contact on the attached document. Do not wait to make an appointment!

The International Alliance of independent publishers demands that Turkish authorities immediately release publishers, authors and journalists currently detained. It is necessary to guarantee freedom of speech and publishing in Turkey. The Alliance joins the Turkish Publishers Association’s condemnation of the summary closure of publishing houses and media as a clear human rights violation, and urges the Turkish authorities to rescind those summary closures.

The Alliance has adopted an original method of internal organization, respecting both the democratic principles and the functioning of an international network. The Alliance rests above all on its member publishers, represented by the International Committee of Independent Publishers (ICIP). It also relies on a Board – charged with upholding and respecting the publishers’ decisions – and a permanent staff.

Through the support of the Organisation internationale de la Francophonie and the partnership established with the Ivorian publishers association (Assedi), the Alliance’s Digital Lab will convene 18 publishers from Sub-Saharan Africa from 23 to 27 May, to a workshop focusing on:
* the production and marketing of digital books (session facilitated by Gilles Colleu, Vents d’ailleurs, France);
* management of the Alliance Press web template developed by the Alliance for publishers who do not have websites (session facilitated by Mouhammed Diop, Senegalese developer and designer of Alliance Press).

The workshop follows on the series of meetings/training workshops designed and implemented by the Alliance since 2010, and is aimed at publishers in particular from French-speaking Africa. In order to share knowledge and encourage ownership, all workshops and meetings of the Alliance are complemented by factsheets published on the Digital Lab website, and personalised online tutorials.

The workshop will be held at the occasion of the Abidjan Book Fair (26-28 May, Palais de la Culture), and will provide the opportunity for publishers to share the collective stand of the Afrilivres association. The Afrilivres Prize will be awarded on that occasion, in the presence of the recipient of the 2015 prize: Valesse publishers from Ivory Coast.

An incredible censorship attempt is endangering the very existence of the publisher Écosociété (Quebec – Canada); more than 60 publishers from 30 countries have declared their undivided support for the Quebec publisher and are calling on the pinstigators of the “Noir Canada” affair to respect the rights of freedom of expression and publication.

Through a step-by-step approach, with examples and a pedagogical method, Stéphane Marill gives a precious “vade mecum” for any publisher wishing to respond to a call for tenders in the school textbook industry.

Why did the large majority of European countries choose to protect the book, setting its price through trade agreements or legal measures? How were these protection mechanisms, which make the book into a cultural exception permitted by the European Commission, gradually implemented? Markus Gerlach offers a broad analysis the price-fixing of books in Europe: he begins by relating the background of this measure and then analyzes the economic effects. In the end he shows the extent to which the price-fixing of books, apart from its cultural and economic importance, also assumes an eminently political dimension.

“Protéger le livre” by Markus Gerlach (in French) - available in Spanish (“Cómo proteger el libro”), in Portuguese (“Proteger o livro”) and in Italian (“Proteggere il libro”).

Year of publication: 2006, 160 pages, 15 x 21 cm, ISBN 10: 2-9519747-2-8; ISBN 13: 978-2-9519747-2-2

Far from being a caricature, developing a reasoning based on his personal conception of publishing, Gilles Colleu explores some of the characteristics of a typical independent publisher.
What do we mean by independent publisher? Are they necessarily small concerns? Can a major group be independent? In a context of concentration and increasing dominance of financial considerations, how can publishers remain independent while playing their crucial role of putting fresh ideas forward?

Gilles Colleu is a former student of Jean-Marie Bouvaist and has taught alongside him on the Master course at Villetaneuse University. He is now an associate professor in the publishing professions department of the IUT in Aix-en-Provence. He founded the Vents d’ailleurs publishing house and manages it with Jutta Hepke, and for the past 20 years has acted as a consultant to publishers.

In this work, he stresses his conviction that publishing needs to be rooted in a long cycle of cultivation, to build a coherent catalogue and long-lasting business.

NB: pages 94 to 97 of this work feature a full, fresh definition of independent publishing, suggested by the International Alliance of Independent Publishers.

Year of publication: 2006, 160 pages, 15 x 21 cm, ISBN 10: 2-9519747-2-8; ISBN 13: 978-2-9519747-2-2

A thorough report by Luc Pinhas, in French

Why do books have such restricted circulation in the French-speaking world? Which way does the flow go and which are one-way streets? What current legislation encourages publishing and the marketing of works? Are public policies sufficient? What setbacks are encountered in the marketing of works? Luc Pinhas draws a comprehensive portrait of the state of publishing, including legislation, circulation, distribution and marketing of books in the French-speaking world. This dossier, featuring entries on many themes and geographic locations, provides a complete overview of local realities, illustrated with telling examples. After analysing measures that states, associations and syndicates of publishing and book-store professionals have implemented, the author puts forward some proposals to fuel a much-needed debate. To achieve this and to hear what the main players had to say, especially with regard to the South, a fruitful survey was conducted at the Ouagadougou book fair in November 2004, in partnership with the international Association of French-speaking Bookstore Managers (AILF) - [http://www.librairesfrancophones.org/]

Year of publication: 2005, 288 pages, 15 X 21 cm, ISBN: 978-2-9519747-1-X

African literature in French is today better represented and better known in Europe than in Africa, where its distribution remains hampered by many obstacles. However, there are solutions, which require the mobilisation of various stakeholders in the book industry. One solution is co-publishing, based on a joint trade agreement. The publication of “L’Ombre d’Imana” by Véronique TADJO, a groundbreaking example of pan-African co-publishing, proves that it is possible, through joint action, to create the conditions necessary for a (re)appropriation by Africa of its literature. To make this possible, the Alliance is appealing to everyone, authors, publishers and institutions alike, to join forces and promote the bibliodiversity at the heart of the francophone spirit. This appeal is endorsed by many authors and book industry professionals.

Year of publication: 2006, 288 pages, 15 x 21 cm, ISBN 978-2-9519747-3-9

Read the text of the Convention.
Read the Operational Guidelines of the Convention here.