Chá de Caxinde publishing house and bookshop was founded in 1999 by a small group of people who were members of the cultural organization Chá de Caxinde in Luanda, working in the cultural domain for nearly a decade. The social objective of this publishing house is publishing, production, and distribution of books and magazines, to distribute Angolan authors in Angola and internationally, but also to publish foreign authors in Angola, at prices that are affordable for the local readership. Their catalogue includes around 100 titles, of children’s and adult literature, as well as of works in the human and social sciences.

Boitempo is the title of a short poem by Carlos Drummond de Andrade, on the topic of his childhood. Naming our publishing house after this poem was a way of paying tribute to one of the greatest Brazilian poets. Founded in 1995, Boitempo has made its mark as a quality publisher, both in the choice of publications, and in the printing and presentation of the works. We seek to put together a consistent catalogue, with a clear-cut editorial line: human sciences, literature (acknowledged works and first-time writers), historical and contemporary essays. Our Web site www.boitempoeditorial.com.br presents an up-to-date version of our catalogue. We take great care in the publication of our works, and we strive to respect our readership.

Read here the interview with Ivana Jinkings, published in partnership with ActuaLitté (July 6, 2017).

The Network of Colombian Independent Publishers, Red de Editoriales Independientes Colombianas (REIC), was created to respond to the concerns of a group of publishers eager to strengthen independent publishing in Colombia. The Ministry of Culture and CERLALC (Regional Center for the Development of the Book in Latin America) have demonstrated a clear commitment to national independent publishing by joining efforts to support the creation of the Network of Colombian Independent Publishers. This initiative initially brought together some 30 publishing houses, rallied around the notion of bibliodiversity and the need to sensitize the country to the fact that independent publishers exist, allowing Colombian writers, and others, to express themselves. Since its creation, the REIC has ensured that independent publishers receive state support to promote the allocation of public libraries, to encourage fairer commercial conditions, etc. Colombian independent publishers, unlike major publishing groups, have shown that they are active advocates for Colombian authors, and that they are major players in bibliodiversity. On April 28, 2008, the REIC was established as a legal entity headquartered in Bogota, and in association with independent Latin American collectives. Through the Spanish-speaking network of the International Alliance of independent publishers (AIEI), the REIC contributes to the Ibero-American regional editorial integration.

Here, an interview of Gustavo Mauricio García, president of the REIC, directed by the CERLALC, September 2018.

Since 1987, Txalaparta has been the name of a free and independent Basque publisher. Txalaparta is committed to the cultural and editorial sovereignty of our country, Euskal Herria (the Basque Country). We also try to be the voice of whatever literary creation that improves the relations between the people of the planet, that helps to transform reality, that guards our historical memory, that opens paths towards diversity, to utopias…

We publish on average between 30 to 40 books a year in Basque and Spanish: Basque and world literature, political and historical essays, social criticism, classics of the political left, historical encyclopaedias. Our most distinctive feature is the wide base of readers who support Txalaparta´s projects by subscribing to one of our collections. Under the name of “editores independientes” we work and publish together with various publishers in other countries (Era in Mexico, LOM in Chile, Trilce in Uruguay) in order to guarantee our editorial freedom and diversity against monopolies and unified thought.

Founded in 1985, Trilce has published some 600 titles and continues to publish 30 to 40 titles every year. Although initially focused on fiction – which is still an important element today – essays have taken on increasing importance in Trilce’s catalogue. These essays discuss national identity or identities, and report on debates aimed at finding solutions to today’s challenges in the areas of culture, political science or history.
Because it firmly believes that independent publishing is crucial to the preservation of cultural diversity, Trilce has been a member of “Independent Publishers” since 1998, which includes Lom in Santiago, Chile, Era in Mexico and Txalaparta in Spain – Basque country. What is more, Trilce has been a member of the Alliance of Independent Publishers since its inception.

Plural Editores is the most active publishing house in Bolivia, with annual output of 90 works, divided into 34 collections. Founded in 1987 as an Information Centre for Development (CID), it started publishing social science and human science books as Plural Editores in 1992, and as from 1999, it consolidated its position as an independent publishing house. Plural Editores has published over 500 works to date, many of these in co-publication with academic institutions, research centres, multilateral organisations, NGOs and artistic bodies. Moreover, the firm has opened two bookshops, one in Cochabamba and the other in La Paz. Plural has co-organised the Yolanda Bedregal National Poetry Award since 2000 and the Franz Tamayo National Tale Award since 2006.

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LOM Ediciones, a publishing house founded in 1990, started out by working to preserve the social, political, literary and cultural heritage of Chile in the last decades of the 20^th century; LOM aims to foster creativity, thinking and criticism. Lom publishes poetry, accounts, theatre, works on human sciences, education and photography, by well-known authors as well as new ones. LOM has an up-to-date catalogue of 850 works, and every year publishes 80 new works by Chilean, Latin American and other authors. Lom is a member of the network of independent publishers, with Era, Trilce and Txalaparta, and of the Chile Publishers Association.

LOM significa sol en la lengua de los Yamanas o Yaganes, pueblo nómade del extremo sur de América. Con el gesto de recuperar su voz, el rostro de una de ellos en el logo de la editorial, buscamos mantener en la memoria sus miradas; fortalecer la creación, la reflexión, y el pensamiento crítico a través de la palabra escrita, desde el sur.

To listen: an interview of Paulo Slachevsky, during the Forum of Scientific Publishers of Chile, in 2017 and here an interview on the theme of “Diversity” (Ivoox, August 26, 2020).

This publishing house was founded in 2000 by Octavio Kulesz, philosopher, and his brother Lopoldo, mathematician. Their first publication, Leyendo a Euclides (Reading Euclid), by the great Italo-Argentine mathematician Beppo Levi, met with success (three editions, all out of print). Gradually, Libros del Zorzal has added to its catalogue authors of both national and international renown, such as Silvia Bleichmar, Ivonne Bordelois, Alain Badiou, Pierre Bourdieu and Immanuel Wallerstein. Today, over 130 works have been published, written by authors from all over Latin America and Spain. Some have been translated into French, Italian and Portuguese.

Libros de la Araucaria, an independent publishing house, was founded in 2004. It mainly publishes works in the following areas: anthropology, human and social sciences, philosophy, literature and religious debate.

Hay muchas variedades, son unos árboles muy antiguos que crecen en la Patagonia argentina y chilena. Son una sabia combinación de fortaleza y belleza.

Founded on 1992 by Guido Indij, la marca editora is an independent publisher specialized in art, photography, essays and poetry. In the last few years it has ventured into the publication of multiple numbered portfolios and experimental art books, along with more famous authors such as Michel Foucault, J-F Lyotard, Paul Virilio, J-L Nancy, Sylviane Agacinscki. The main innovation of la marca editora is to experience in the relation between formats and contents. Thus, in each project it looks to extend the limits of the concept of what is known as a “book“.

Cuando creamos la marca hace 25 años, sabíamos que queríamos producir cultura y creatividad. Y sabíamos que para eso debíamos forjar una marca. El primer sistema de isologos que nos entregó el estudio de diseño incluía la marca videos, la marca cine, la marca música, la marca diseño y la marca editora. Aunque desde que alineamos una estrategia de trabajo y solo usamos el último...

Listen here the interview with Guido Indij, directed by the CERLALC, September 2018.

Victorina Press is an independent publishing house in the West Midlands, UK. Established in 2017 by Consuelo Rivera-Fuentes, a Chilean-British Teacher of EFL, poet and writer of short stories, MA in Sociology and Women’s Studies, PhD in Women’s Studies and MA in Publishing. She chose to name her press “Victorina Press” to honour her mother who passed her love for reading and literature on to all her six children.
To achieve her mission of publishing great and inspirational books as well as to publish local authors in Spanish and English, Victorina Press follows principles of Bibliodiversity.

Listen here the conversation with Consuelo Rivera-Fuentes, by Christopher Fielden (July 2020).

Éditions Tombouctou was co-founded in 2007 by the Malian writers Ibrahima Aya and Aida Mady Diallo. From the name of the famous city of knowledge and writing, it gives to authors and other writers the means to express their word towards the African continent and the whole world. It aims to produce and disseminate quality writing at affordable prices for the local market in particular, thus contributing to the fact that Mali and Africa are telling themselves and the world.

Éditions Tombouctou is the initiative of the “Rentrée littéraire du Mali”, the reference literary event in Mali, created in 2008, which celebrated its 10^th anniversary in February 2018 and which hosts for some years between 40 and 50 foreign writers by edition.

Furthermore, since the break-up in 2012 of the security, institutional and identity crisis in Mali, Éditions Tombouctou has initiated several collective reflections that have resulted in the publication of reference books on this crisis and Mali: High voices for Timbuktu, Mali between doubts and hopes, Africa of secularisms, Contemporary Mali, Regionalization in Mali, Challenges of the reconstruction in Mali...

Diyar-e Ketab is an independent publisher of literature‏ ‏in Persian language. Texts published by Diyar-e Ketab are uncensored and the purpose is to promote a culture of reading in Persian as well as create an open space for the literary and linguistic exchange about Iran and other subjects.
Diyar-e Ketab aims to assist Iranian authors in publishing their works and to promote understanding and appreciation ‎of Persian culture and literature.

Founded in 2005, Marjin Kiri (literally means “left margin”) is a small independent Indonesian publisher dedicated to fostering critical/leftist thinking within the academia and general readers. Marjin Kiri mostly publishes on humanities and social theory, political-economy, history, cultural studies, ecology, and literature.

The team…
Ronny Agustinus, Muhammad Iqbal, Roos Wijayanti Ken Petung, Mia Fiona Erlita, Pradewi Tri Chatami and Ramandhatia Ulfa Atrianto

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L’Atelier des Nomades is a French-Mauritian publishing house created in 2010 by Corinne Fleury and Anthony Vallet. Over the years, the publishing house has developed a list with a strong visual writing in lifestyle and children’s books. Each book is a bridge towards the valorisation of art in the Indian Ocean region through the meeting of cultures, the mixing of ideas and creation.

Read here two interviews with Corinne Fleury, published in partnership with ActuaLitté (March 20, 2018) and in partnership with ActuaLitté (August 19, 2020).

Founded in 2004 by Dan Bomboko, Elondja focuses distinctly on Congolese comics in order to promote comics creators from the Democratic Republic of Congo. Elondja is specialized in comics and children’s books.

Read here the interview with Dan Bomboko, published in partnership with ActuaLitté (October 9, 2018).

Pluto Press is a radical political publishing house. Founded in 1969, we are one of Britain’s oldest radical publishers, but our focus remains making timely interventions in contemporary struggles. Though our collective outlook has developed over time, we proudly identify as anti-capitalist, internationalist and politically independent.

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To read: “Inside the UK’s most radical indie publishers, Pluto Press”, published by huck, June 2018

Founded in 2003 by Samia Zennadi (archaeologist) and Karim Chikh (electrical engineer), APIC publishing has since embarked on a literary cruise aboard a paper ship blackened with words.
A cruise that did not necessarily sail on a calm sea, under a bright sun, sailing off where new horizons would on the next page and waves a parenthesis to be opened; rather on a stormy sea, struggling to balance on a semicolon – one foot anchored on the ground, as a perched dot on land –, and to navigate through an unstable equilibrium among letters, words, verbs, without jostling or belting the woes caused by the abuse of iodine. Full stop.
A cruise that can be conjugated in all climates and tenses, with a preference for the literary near future, so that nobody can forget.
“A publishing house that tombe à-pic” (“just in time”), some said. “Apic, ça pique!” (“it bites!”, said others. Also reminiscent of a beekeeper, passionate by shaping literature and harvesting an intoxicating nectar.
Between novels, poetry, short stories, essays and coffee table books, the waltz of books lulls the contrasts of a daily newspaper on the run and dreamy nights, always on the lookout for a new literary cruise, aboard a paper ship blackened with words, with one destination: safe arrival at the harbour of letters.

« Les éditions qui tombent à-pic », nous avons souvent travaillé avec des auteurs qui sont tombés à-pic ; « Apic, ça pique ! » avec des textes qui dérangent, qui suscitent des questionnements, à contre-courant ; « Apiculture, ou la passion du façonnage des belles lettres et la récolte du nectar enivrant », dans l’espoir d’apporter, dans le courant de l’évolution humaine.

LEGS ÉDITION is a publishing house founded in October 2012 by Wébert Charles, Mirline Pierre and Dieulermesson Petit Frère in order to support and promote authors, and re-energise the Haitian book market. Specializing in the reissue of classic literary texts, the publishing house also publishes works by contemporary authors, children’s books and textbooks, including the journal Legs et Littérature. It is made up of a group of writers, publishers, researchers, professors, chroniclers and literary critics.
Among other things, LEGS ÉDITION aims to promote literature in all its forms across all media; to work to safeguard the Haitian literary and artistic heritage; to advocate Haitian values; to establish bridges of communication between foreign literatures and cultures.

LEGS ÉDITION se veut un héritage, un patrimoine qu’on entend laisser (léguer) aux générations futures. C’est ce lien que nous essaierons de maintenir avec l’autre, celui/celle/ et ceux/celles qui vient/viennent. Nous sommes donc une passerelle...

Read here the interview with Dieulermesson Petit Frère, published in partnership with ActuaLitté (February 20, 2018).

Ntsame publishing was founded in 2010 by Sylvie Ntsame, writer and former president of the Union of Gabonese Writers (UDEG).
The publishing house is located in the Nzeng-Ayong district, in a complex consisting of a secretariat, a bookstore, three machine rooms, a boardroom and five offices. A priority is to make books whose copyrights are paid to published authors. Sylvie Ntsame explains that their mission is to “to produce books of all kinds, and to disseminate them on the national level and outside the country”, and adds “I wanted to cast my little stone in the building, for a stream of local productions to be published”.
She aims to make the national writers’ books more visible on the national territory in order to raise the public awareness about the literary works produced by Gabonese writers but also to inspire the pen of the latter.
Ntsame publishing aims to master the entire process of book making so that the books they publish are entirely made in Gabon. That is why this structure has a digital printing facility.