As many publishing houses are located in the same country (or even in the same city), it is necessary to zoom in on the country or city you are interested in to see all the publishing houses.
Chá de Caxinde publishing house and bookshop was founded in 1999 by a small group of people who were members of the cultural organization Chá de Caxinde in Luanda, working in the cultural domain for nearly a decade. The social objective of this publishing house is publishing, production, and distribution of books and magazines, to distribute Angolan authors in Angola and internationally, but also to publish foreign authors in Angola, at prices that are affordable for the local readership. Their catalogue includes around 100 titles, of children’s and adult literature, as well as of works in the human and social sciences.
Contact : Jacques DOS SANTOS
R. Pereira Leite, 373, Sumarezinho
Sao Paulo - SP 05442-000
Brazil
Tél: (+55 11) 38 75 7285/50
www.boitempoeditorial.com.br
Boitempo is the title of a short poem by Carlos Drummond de Andrade, on the topic of his childhood. Naming our publishing house after this poem was a way of paying tribute to one of the greatest Brazilian poets. Founded in 1995, Boitempo has made its mark as a quality publisher, both in the choice of publications, and in the printing and presentation of the works. We seek to put together a consistent catalogue, with a clear-cut editorial line: human sciences, literature (acknowledged works and first-time writers), historical and contemporary essays. Our Web site www.boitempoeditorial.com.br presents an up-to-date version of our catalogue. We take great care in the publication of our works, and we strive to respect our readership.
Read here the interview with Ivana Jinkings, published in partnership with ActuaLitté (July 6, 2017).
Contact : Ivana JINKINGS
The Network of Colombian Independent Publishers, Red de Editoriales Independientes Colombianas (REIC), was created to respond to the concerns of a group of publishers eager to strengthen independent publishing in Colombia. The Ministry of Culture and CERLALC (Regional Center for the Development of the Book in Latin America) have demonstrated a clear commitment to national independent publishing by joining efforts to support the creation of the Network of Colombian Independent Publishers. This initiative initially brought together some 30 publishing houses, rallied around the notion of bibliodiversity and the need to sensitize the country to the fact that independent publishers exist, allowing Colombian writers, and others, to express themselves. Since its creation, the REIC has ensured that independent publishers receive state support to promote the allocation of public libraries, to encourage fairer commercial conditions, etc. Colombian independent publishers, unlike major publishing groups, have shown that they are active advocates for Colombian authors, and that they are major players in bibliodiversity. On April 28, 2008, the REIC was established as a legal entity headquartered in Bogota, and in association with independent Latin American collectives. Through the Spanish-speaking network of the International Alliance of independent publishers (AIEI), the REIC contributes to the Ibero-American regional editorial integration.
Here, an interview of Gustavo Mauricio García, president of the REIC, directed by the CERLALC, September 2018.
Contact : Gustavo Mauricio GARCIA
San Isidro, 35-1.A
31300 Tafalla - Nafarroa, Euskal Herria
Spain
Tél: (+34) 948 70 39 34
www.txalaparta.eus
Since 1987, Txalaparta has been the name of a free and independent Basque publisher. Txalaparta is committed to the cultural and editorial sovereignty of our country, Euskal Herria (the Basque Country). We also try to be the voice of whatever literary creation that improves the relations between the people of the planet, that helps to transform reality, that guards our historical memory, that opens paths towards diversity, to utopias…
We publish on average between 30 to 40 books a year in Basque and Spanish: Basque and world literature, political and historical essays, social criticism, classics of the political left, historical encyclopaedias. Our most distinctive feature is the wide base of readers who support Txalaparta´s projects by subscribing to one of our collections. Under the name of “editores independientes” we work and publish together with various publishers in other countries (Era in Mexico, LOM in Chile, Trilce in Uruguay) in order to guarantee our editorial freedom and diversity against monopolies and unified thought.
Contact : Mikel BULDAIN
Durazno 1888
11200 Montevideo
Uruguay
Tél: (+598) 98 433 560
www.trilce.com.uy
Founded in 1985, Trilce has published some 600 titles and continues to publish 30 to 40 titles every year. Although initially focused on fiction – which is still an important element today – essays have taken on increasing importance in Trilce’s catalogue. These essays discuss national identity or identities, and report on debates aimed at finding solutions to today’s challenges in the areas of culture, political science or history.
Because it firmly believes that independent publishing is crucial to the preservation of cultural diversity, Trilce has been a member of “Independent Publishers” since 1998, which includes Lom in Santiago, Chile, Era in Mexico and Txalaparta in Spain – Basque country. What is more, Trilce has been a member of the Alliance of Independent Publishers since its inception.
Contact : Pablo HARARI
Responsable : Anna DANIELI
Plural Editores is the most active publishing house in Bolivia, with annual output of 90 works, divided into 34 collections. Founded in 1987 as an Information Centre for Development (CID), it started publishing social science and human science books as Plural Editores in 1992, and as from 1999, it consolidated its position as an independent publishing house. Plural Editores has published over 500 works to date, many of these in co-publication with academic institutions, research centres, multilateral organisations, NGOs and artistic bodies. Moreover, the firm has opened two bookshops, one in Cochabamba and the other in La Paz. Plural has co-organised the Yolanda Bedregal National Poetry Award since 2000 and the Franz Tamayo National Tale Award since 2006.
Contact : José Antonio QUIROGA
Concha y Toro 23
Santiago
Chile
Tél: (+56) 2 688 52 73
www.lom.cl
LOM Ediciones, a publishing house founded in 1990, started out by working to preserve the social, political, literary and cultural heritage of Chile in the last decades of the 20th century; LOM aims to foster creativity, thinking and criticism. Lom publishes poetry, accounts, theatre, works on human sciences, education and photography, by well-known authors as well as new ones. LOM has an up-to-date catalogue of 850 works, and every year publishes 80 new works by Chilean, Latin American and other authors. Lom is a member of the network of independent publishers, with Era, Trilce and Txalaparta, and of the Chile Publishers Association.
LOM significa sol en la lengua de los Yamanas o Yaganes, pueblo nómade del extremo sur de América. Con el gesto de recuperar su voz, el rostro de una de ellos en el logo de la editorial, buscamos mantener en la memoria sus miradas; fortalecer la creación, la reflexión, y el pensamiento crítico a través de la palabra escrita, desde el sur.
To listen: an interview of Paulo Slachevsky, during the Forum of Scientific Publishers of Chile, in 2017 and here an interview on the theme of “Diversity” (Ivoox, August 26, 2020).
Contact : Paulo SLACHEVSKY
Responsable : Silvia AGUILERA
Tucuman 3350 PB A - 1189
Buenos Aires
Argentina
Tél: (+54 11) 4867-1661
www.delzorzal.com.ar
This publishing house was founded in 2000 by Octavio Kulesz, philosopher, and his brother Lopoldo, mathematician. Their first publication, Leyendo a Euclides (Reading Euclid), by the great Italo-Argentine mathematician Beppo Levi, met with success (three editions, all out of print). Gradually, Libros del Zorzal has added to its catalogue authors of both national and international renown, such as Silvia Bleichmar, Ivonne Bordelois, Alain Badiou, Pierre Bourdieu and Immanuel Wallerstein. Today, over 130 works have been published, written by authors from all over Latin America and Spain. Some have been translated into French, Italian and Portuguese.
Contact : Octavio KULESZ
Chacabuco 1421
C1140AAE
Buenos Aires
Argentina
Tél: +(5411) 43 62 54 35
www.librosaraucaria.com
Libros de la Araucaria, an independent publishing house, was founded in 2004. It mainly publishes works in the following areas: anthropology, human and social sciences, philosophy, literature and religious debate.
Hay muchas variedades, son unos árboles muy antiguos que crecen en la Patagonia argentina y chilena. Son una sabia combinación de fortaleza y belleza.
Contact : Hector DINSMANN
Pasaje Rivarola 115
1015 Buenos Aires
Argentina
Tél: +(5411) 43 83 62 62
www.lamarcaeditora.com
Founded on 1992 by Guido Indij, la marca editora is an independent publisher specialized in art, photography, essays and poetry. In the last few years it has ventured into the publication of multiple numbered portfolios and experimental art books, along with more famous authors such as Michel Foucault, J-F Lyotard, Paul Virilio, J-L Nancy, Sylviane Agacinscki. The main innovation of la marca editora is to experience in the relation between formats and contents. Thus, in each project it looks to extend the limits of the concept of what is known as a “book“.
Cuando creamos la marca hace 25 años, sabíamos que queríamos producir cultura y creatividad. Y sabíamos que para eso debíamos forjar una marca. El primer sistema de isologos que nos entregó el estudio de diseño incluía la marca videos, la marca cine, la marca música, la marca diseño y la marca editora. Aunque desde que alineamos una estrategia de trabajo y solo usamos el último...
Listen here the interview with Guido Indij, directed by the CERLALC, September 2018.
Contact : Guido INDIJ
PO Box 105
Mission Beach
Queensland 4852
Australia
Tél: +61 418 506 645
www.spinifexpress.com.au
Spinifex is an independent feminist press publishing innovative and controversial feminist books with an optimistic edge. Spinifex, our namesake, is an Australian desert grass that holds the earth together. We publish broadly, with a focus on ecology, development, Indigenous and human rights issues in our non-fiction titles, and world stories in our fiction and poetry. We are also at the forefront of digital publishing, with many of our titles available as eBooks.
Spinifex is an Australian desert grass that holds the earth together.
Read here the interview with Susan Hawthorne and Renate Klein, published in partnership with ActuaLitté (June 25, 2018).
Merlinda BOBIS
1987. The Philippine government fights a total war against insurgency. The village of Iraya is militarised. The days are violent and the nights heavy with fireflies in the river where the dead are dumped. With her twelve-metre hair, Estrella, the Fish-Hair Woman, trawls corpses from the water that tastes of lemon grass. She falls in love with the Australian Tony McIntyre who disappears in the conflict. Ten years later, his son travels to Manila to find his father.
How much can the heart accommodate? Death and love, an enemy and a sweetheart, war and an impassioned serenade, and more. Only four chambers but with infinite space like memory, where there is room even for those whom we do not love.
Awards
Winner: 2014 Juan C. Laya Prize for Best Novel in a Foreign Language
Winner: 2013 Most Underrated Book Award
Finalist: 2013 Davitt Awards. Best Crime and Mystery Books by Australian Women
“As I was reading my thoughts kept turning to Wide Sargasso Sea. It shares with Jean Rhys’s masterpiece more than just a threat to topple into tragedy, but Fish-Hair Woman takes a wider view. It is a love story, a murder mystery, a story about family and a story about the impact of the kind of self-perpetuating government corruption that so often befalls a country in political turmoil. It’s ambitious and sprawling, and things could quickly go wrong. Fortunately, they don’t. Bobis is a talented, passionate writer who is unafraid of exploring the storytelling potential of the novel.”
–Tristan Foster, Verity LA
Published by Spinifex, co-edition with Anvil Press, Philippines; Translation into Spanish by JC Sáez Editor, Chile (2017).
2011 - 232 x 154 mm - 303 pp - AUD$29.95 - ISBN: 9781876756970
khulud kHAMIS
Jewellery designer, Maisoon, wants an ordinary extraordinary life, which isn’t easy for a tradition-defying, activist, Palestinian citizen of Israel, who refuses to be crushed by the feeling that she is an unwelcome guest in the land of her ancestors. Frustrated by the apathy of her boyfriend Ziyad and her father Majid—who want her to get on with her life and forget those in the Occupied Territories—she lashes out, only to discover her father isn’t the man she thought he was.
Raised a Christian, in a relationship with a Muslim man and enamoured with a Palestinian woman from the Occupied Territories, Maisoon must decide her own path.
khulud khamis unpacks the multiple layers of culture, religion, sexuality, politics, feminism and nationalism in the hope of gathering the fragmented pieces of the past and reclaiming the lost contiguity of being Palestinian.
—Samah Sabawi, Palestinian playwright and commentator
... khulud khamis has the rare gift of speaking directly to a reader’s soul; this radiant novel shows just what can happen when women challenge the limits of their world. —Sharon Olinka, author of The Good City
khulud khamis is a Palestinian feminist writer, born to a Slovak mother and a Palestinian father. She holds a Master’s degree in English Literature from the University of Haifa and works in the field of social change organizations. She is a member of the feminist organization Isha L’Isha – Haifa Feminist Center. She lives in Haifa with her daughter. This is her first novel.
Published by Spinifex Press; co-edition with New Internationalist UK; Italian translation FILA37 (2015); Turkish translation Gulduniya (2017).
2015 - 192 pp - ISBN: 9781742199009
Fiction
Susan HAWTHORNE
In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries.
It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published.
Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.
Bibliodiversity is a term invented by Chilean publishers in the 1990s as a way of envisioning a different kind of publishing. In this manifesto, Susan Hawthorne provides a scathing critique of the global publishing industry set against a visionary proposal for organic publishing. She looks at free speech and fair speech, at the environmental costs of mainstream publishing and at the promises and challenges of the move to digital.
Susan Hawthorne has worked in the book industry for more than 30 years as a writer, festival organiser, reviewer, editor, publisher and mentor. In 1991, she co-founded Spinifex Press with Renate Klein, after working for Penguin Australia for four years. She has written extensively about the industry, co-organised digital training for small and large publishers, taught Publishing Studies and Creative Writing, and has been an active member of peak bodies for publishers and writers. From 2011 to 2016, she was the English-language Coordinator for the International Alliance of Independent Publishers based in Paris. She is Adjunct Professor in the Writing Program at James Cook University and Publisher at Spinifex Press.
Bibliodiversity can be read as a manifesto for the defence and promotion of diversity in all its forms, but also as a master class in ethics.—JUAN CARLOS SÁEZ C., Director Gerente, JC Sáez Editor, Chile
This publication should be mandatory reading for anyone within the publishing industry.—MARY MASTERS, General Manager, Small Press Network, Australia
2014 - 104 pp - ISBN: 9781742199306
Non-Fiction
Rights: World. Published by Spinifex Press; Canadian rights sold to Fernwood Publishing; Translations into Arabic: December 2015, Tunisia, Éditions Med Ali, Arabic; Syria, Atlas Publishing, Arabic; Egypt, Elain Publishing, Arabic; Lebanon, Dar-Alfarabi and Arab Diffusion. French, 2016: France, Éditions Charles Léopold Mayer; Switzerland, éditions d’en bas; Benin, Éditions Ruisseaux d’Afrique; Mali, Éditions Jamana; Cameroun, Presses universitaires d’Afrique ; Spanish, 2017: Chile, JC Sáez; Mexico, Trilce Ediciones; Uruguay: Ediciones Trilce; also publishers in Colombia, Argentina, Peru, Bolivia. German, 2017, Verbrecher Verlag.
Contact : Susan HAWTHORNE
Responsable : Renate KLEIN
Rua de Santana, 198 Loja – Centro
Rio de Janeiro - RJ 20 230-261
Brazil
Tél: (+55) 21 2508-9517
www.contracapa.com.br
Founded in 1992 in Copacabana, the Contra Capa bookstore initiated its publishing activities in 1996. First based on the areas of interest of the bookstore itself, these activities have diversified and now include fine arts, photography, cinema, psychoanalysis, anthropology, economy, sociology, history, literary criticism and poetry. The main objective is to produce books that combine interdependence between text and pictures, in the light of the continuous technological changes related to producing and disseminating knowledge and information.
Fernando VELOSO, Sergio GUIMARÃES FERREIRA (orgs.)
Este importante livro mostra que é possível alcançar redução expressiva da violência armada, da insegurança e da criminalidade que aterrorizam a população de grandes áreas urbanas do Brasil. Seus autores mostram – com fatos e não vagos discursos – que isso não se trata de uma esperança insensata. Não apenas porque foi alcançado em Nova York, Boston, Bogotá e várias outras cidades do mundo, mas principalmente porque, no Brasil, reduziu-se a violência em lugares em que isso era mais improvável: no Jardim Ângela, bairro da periferia da cidade de São Paulo que chegou a ser considerado o bairro mais violento do mundo, e em Diadema, que deixou de ser em quatro anos a cidade mais violenta de São Paulo, passando a ocupar o 18º posto.
Se você não pretende se deixar levar pelo desencanto, pela frustração, pelo ceticismo e pela desesperança, leia este livro. Entenderá, com base em experiências reais, que é possível, sem ilusões voluntaristas, apelos messiânicos e excessos e abusos no exercício da autoridade do Estado, mostrar aos bandidos armados que essa é uma longa guerra de muitas batalhas, mas que, ao fim e ao cabo, eles não só não podem ganhá-la, como a estão perdendo – e a perderão.
2008 - 208 páginas - 16 x 23 cm - R$ 35,00 - ISBN: 978-85-7740-046-1
Lêdo IVO
Pinturas de Gonçalo IVO
Desenho de Gianguido BONFANTI
O poema narra a visão da infância guardada pela memória. Obra de perda e despedida, seus versos longos se desdobram como as ondas do mar alagoano. Música e imagem se fundem para exprimir uma reflexão sobre o sentido da existência, da qual as pinturas de Gonçalo Ivo não são comentário ou simples ilustração.
2008 - 64 páginas - 16,8 x 24,5 cm - R$ 38,00 - ISBN: 978-85-7740-040-9
Katia MACIEL (org.)
37 textos de teóricos e artistas que compõem, em suas inter-relações, amplo panorama sobre as novas situações de cinema, em que superfícies híbridas de luz e movimento se conjugam com a participação e a imersão dos espectadores. A introdução da organizadora define o título do livro.
2009 - 432 páginas - 16 x 23 cm - R$ 65,00 - ISBN: 978-85-7740-009-3
Contact : Araken GOMES RIBEIRO
International Alliance
of Independent Publishers
38 rue Saint-Sabin
75011 Paris - France