English

In just this past month, three prominent Iranian writers, translators, and members of the Association of Iranian Writers, Bektash Abtin, Kayvan Bazhan, and Reza Khandan Mahabadi, and journalist and sociology researcher, Khosrow Sadeghi Boroujeni, have been sentenced to prison on charges of “propaganda against the Islamic Republic of Iran, and gathering and collusion with the intent of acting against national security.”

These accusations, which have led to long prison sentences and the charges levied are false. Their objectives are to further oppress writers and the people of Iran.
At a time when the world is under crisis by the pandemic, Iran, and especially within its prisons has a very unstable environment, with the increasing spread of Coronavirus among inmates.

We as authors and scholars would like to ask you to let the voices of our fellow authors in prison be heard by the people of the world and to demand their immediate release.

• Daryoush Ashouri, Author, Translator and the Co-founder of the Association of Iranian Writers
• Ervand Abrahamian, Author and Professor Emeritus, City University of New York
• Azar Nafisi, Author
• Faraj Sarkohi, Writer, Journalist, Literature Critic; A Member of German Pen; The Recipient of Kurt-Tucholsky-prize; World Association of Newspapers’ Golden Pen of Freedom Award and World Press Freedom
• Hero by International Press Institute
• Akram Pedramnia, Author, Translator; A Member of Pen Canada; the Recipient of James Joyce Foundation Scholar
• Moniro Ravanipour, Author
• Mohsen Yalfani, Author and Translator
• Nasim Khaksar, Author and Critic
• Reza Allamehzadeh, Moviemaker and Writer
• Morad Farhadpour, Author, Translator and Critical Theorist
• Akbar Masoumbaigi, Author, Translator and a Member of the Association of Iranian Writers
• Babak Ahmadi, Author, Translator and Philosophy Researcher
• Peyman Vahabzadeh, Author and Professor, University of Victoria
• Sohrab Behdad, Denison University, USA
• Farshin Kazeminia, Pierre and Marie Curie University (Paris 6)
• Amir Kianpour, PhD Candidate, University of Paris 8 Vincennes-Saint-Denis
• Mehran Mostafavi, Sacly University (Paris), Professor
• Iman Ganji, PhD in Art Philosophy and Philosophy Researcher, Free University of Berlin
• Mehrdad Darvishpour, Senior Lecturer and Associate Professor, Sociologist, Mälardalen University
• Farhad Nomani, Professor Emeritus of Economics, The American University of Paris
• Soheil Asefi, Journalist and PhD student in History, The Graduate Center, The City University of New York (CUNY)
• Saeed Hariri, Moderator, Toronto Book Club
• Azadeh Parsapour, Translator, Editor and Publisher
• Arash Kia, Faculty of Institute for Healthcare Delivery Science, Icahn School of Medicine at Mount Sinai, New York

This year, on the occasion of the Frankfurt Book Fair (14-18 October), two HotLists will be presented... virtually!

The Latin American HotList - 4^th edition: a selection of titles from more than 35 independent Latin American publishing houses from 8 countries (Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, Peru, Uruguay) and from all genres: literature, humanities, youth/ children’s literature, comics... Find the Latin American HotList 2020 online here! Previous HotLists are also online, here.

The Arab World HotList - a very first: while the Arab world shares a language, the Arabic language, which has cemented its culture over centuries, it is far from being the only one. From the Maghreb to the Mashreq, from the Horn of Africa to Cham, this immense space covers a diversity of realities. Linguistic diversity is therefore inherent to it. More than 30 independent publishing houses from 7 countries (Algeria, Egypt, Lebanon, Morocco, Qatar, Syria and Tunisia) offer you an immersion in the literature, humanities and children’s literature of the Arab world! Through this HotList, the independent publishers of the Arab world invite you to discover the 1001 facets of literary and intellectual creativity of their country, online here!

The HotLists, while offering an opportunity to discover the creativity of independent publishers, are also tools facilitating the exchange of rights: books and authors are presented in the original language of the book and in English, the contacts of publishing houses are easily accessible and up to date – these lists are thus to be consulted and used throughout the year!

Read here the IPA (International Publishers Association) support, and here the manifesto published by the Brazilian actors, to defend the book in Brazil.

During this unusual year, independent publishers around the world are celebrating the 10^th anniversary of the International Day of Bibliodiversity (B Day) on September 21, which is also Spring Day in the Southern Hemisphere.

© video: Daniel Aguilera and his team (Chili)
© music: Chill Acoustic, licencia de atribución de Creative Commons, proveída por Oak Studios.

A day to honour independent publishing and bibliodiversity, not to be missed!

See the previous videos here.

A pan-African co-publishing gathering Atelier des nomades (Mauritius) and Eburnie (Ivory Coast).

Date of publication: September 2020

This solidarity co-publishing is the result of a workshop on children’s literature organised by the Alliance in Abidjan in May 2019, as part of the International Conference of Independent Publishers 2019-2021. It received the support of the French Development Agency.

A pan-African co-publishing gathering Atelier des nomades (Mauritius) and Eburnie (Ivory Coast).

Date of publication: September 2020

This solidarity co-publishing is the result of a workshop on children’s literature organised by the Alliance in Abidjan in May 2019, as part of the International Conference of Independent Publishers 2019-2021. It received the support of the French Development Agency.

A pan-African co-publishing gathering Ruisseaux d’Afrique (Benin) and Vallesse (Ivory Coast).

Date of publication: September 2020

This solidarity co-publishing is the result of a workshop on children’s literature organised by the Alliance in Abidjan in May 2019, as part of the International Conference of Independent Publishers 2019-2021. It received the support of the French Development Agency.

A pan-African co-publishing gathering Ntsame (Gabon) and Elondja (DRC).

Date of publication: September 2020

This solidarity co-publishing is the result of a workshop on children’s literature organised by the Alliance in Abidjan in May 2019, as part of the International Conference of Independent Publishers 2019-2021. It received the support of the French Development Agency.

A pan-African co-publishing gathering Ganndal (Guinea Conakry), Eburnie (Ivory Coast), Ruisseaux d’Afrique (Benin), Graines de Pensées (Togo), Ntsame (Gabon) and Elondja (DRC).
Date of publication: September 2020

This solidarity co-publishing is the result of a workshop on children’s literature organised by the Alliance in Abidjan in May 2019, as part of the International Conference of Independent Publishers 2019-2021. It received the support of the French Development Agency.

“Now that we have entered the 21^st century, it is difficult to dissociate the end from the means: what to say, and where to say it? Thus, we find that many authors seeking to promote debate, creativity and critical thinking, justice and equality are published by large conglomerates with multiple editorial labels. Isn’t the transformative power of these works reduced to nothing when they plunge into the workings of the entertainment industry? It is a fact that transnational corporations, whatever their field of action, are the very expression of the system that dominates us. By choosing them as publishers, do we not somehow leave the world of transformative ideas in the hands of those who lay the foundations of the model we criticise? Doesn’t that strengthen the control of big capital over the word and our daily lives? Moreover, how can we not question the cross-industry investment of the business groups that own publishing houses? And, are these investments neutral?”

In this open letter, independent publishers invite all the actors of the book industry to reflect with them on their practices and the impacts that result from them. In particular, they call on authors, academics and intellectuals to work on projects whose vocation is to transform the order of things and not to consolidate the status quo, to publish their works in independent publishing houses in their own countries, and to give preference to independent publishing houses when it comes to transferring foreign and translation rights.

As the world suffers the health, social and economic consequences of the pandemic, book ecosystems and independent publishing houses are further weakened and, for some, are trying to survive. If solidarity between creators and book professionals is one of the foundations of bibliodiversity, this solidarity is vital in the current context.

Read the letter here.
This letter is also available in Spanish, French, Arabic and Portuguese.

Publishing in Persian language presents a comprehensive and current overview of publishing in Persian language, in Iran, Afghanistan, Tajikistan, Uzbekistan, but also in the diaspora in Europe and the United States.
Articles, penned by Ali Amiri, Beytolah Biniaz, Masoud Hosseinipour, Farid Moradi, Laetitia Nanquette and Dilshad Rakhimov, enable an understanding of editorial markets through historical, economic, political and cultural perspectives.
This study sheds light on the work and publishing list of several independent publishers in Persian language, and thus enabling professional and intercultural exchanges.
Publishing in Persian language is available in Persian and English, and openly accessible on the Website of the International Alliance of Independent Publishers, in PDF, ePub and MOBI formats.

Summary of the study:
• Introduction, Beytolah Biniaz
• History of publishing in Iran, Farid Moradi
• Panorama of independent publishing in Iran, Farid Moradi
• Structure of the book market in Iran, Farid Moradi
• Cultural exchanges and translations between Iran and France, Germany, the United Kingdom and the United States, Laetitia Nanquette
• Persian language publishers in Europe, Farid Moradi
• Publishing in Afghanistan, Ali Amiri
• Panorama of publishing in Tajikistan, Dilshad Rakhimov
• Publishing in Persian language in Uzbekistan, Farid Moradi and Masoud Hosseinipour

Publishing in Persian language, “État des lieux de l’édition” collection (Reports on the publishing world), International Alliance of independent publishers, 2015.
ISBN: 978-2-9519747-7-7 (Persian version)
ISBN: 978-2-9519747-8-4 (English version)

Publishing in Persian language was made possible through the support of the Prince Claus Fund. We thank all contributors, publishers, and professionals who participated to this collective endeavour –and particularly Sonbol Bahmanyar for the coordination of the study.

Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structural adjustment policies, the continuing dominance of multinational publishers (particularly in textbooks), regressive language policies, and lack of recognition by African governments of the economic and cultural importance of publishing. African publishers seek to work collectively, to harness the digital age, and to take their place in the international marketplace on equal terms, Africa’s own voice.

This article, by Walter Bgoya and Mary Jay, was originally published in Research in African Literatures, vol. 44, no. 2, Summer 2013, 17-34, published by Indiana University Press.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

At the 80^th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

This issue is dedicated to Andre Schiffrin, member of the Scientific Committee of the journal Bibliodiversity.

Follow this link to listen to the “Danse des mots” programme of April 18 2013, focusing on book donations. Yvan AMAR interviews Raphaël THIERRY, following the publication of the article in Africultures, April 8 2013 “Giving is not receiving. Thoughts on book donations in Africa”.

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.