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The ICIP meeting is a special occasion where the activities of the Alliance’s respective networks, upcoming projects, strategic issues and governance of the association are discussed.
It is a crucial annual meeting in the life of the Alliance, often decisive in terms of objectives and choices.
This year, new coordinators and vice-coordinators are joining the ICIP: we propose an “ICIP induction day”, enabling newcomers to understand its functioning and role.
This meeting will further provide an opportunity to examine decisions taken at the previous ICIP and analyse their impacts on the current governance of the Alliance and ahead of the future Assembly of the Alliance (2019-2021).
Finally, a meeting session will be focusing on cultural rights.

Have a look!
HotList and WomenList

In partnership with the Kurt Wolff Stiftung (collective of German independent publishers) and the Frankfurt Book Fair, the Alliance presents two thematic selections on the “Reading Island for Independent Publishers” stand (Hall 4.1 / D36)!

• HotList: the energy of Latin American independent publishing through more than 30 books published in Argentina, Brazil, Equator, Chile, Colombia, Mexico, Venezuela! The HotList is available online here!

• WomenList: more than 30 novels, short stories, essays and comics on feminism, women’s struggles, their emancipation across the world – these titles are from independent publishers’ lists from all continents. The WomenList’s books can be seen online.

Roundtables to attend!

• “African Children’s book publishing”: Christine Warugaba, Furaha Publishers (Rwanda), Sophie Batiskaf, Dodo Vole (Madagascar) and Corinne Fleury, Atelier des Nomades (Mauritius) / Wednesday 10 October, 10.00-11.00 / Reading Island for Independent Publishers (Hall 4.1 / D36)

• “Freedom of publishing”: Élodie Comtois (Écosociété, Quebec/Canada), Yasmin Issaka-Coubageat (Graines de Pensées, Togo), Carles Torner (Executive Director, Pen International), Anne-Marie Voisard (sociologist and author of Le droit du plus fort. Nos dommages, leurs intérêts, published by Écosociété and author of the on-going study on freedom to publish, coordinated by the Alliance) / Wednesday 10 October, 4.30-6.00 / Lettres d’Afrique (Hall 5.1 / B125)
  See all the programme of Lettres d’Afrique here!

For the 2018 Frankfurt Book Fair, the Alliance is partnering with Lettres d’Afrique, BIEF, the Kurt Wolff Stiftung and the Frankfurt Book Fair; and would like to thank the organisations and people who have collaborated to the drafting of our programme (African Books Collective, Afrilivres, PEN International...).

More than 30 novels, short stories, essays and comics on feminism, women’s struggles, their emancipation across the world – these titles are from independent publishers’ lists from all continents.

There is a resurgence of the Women’s Movement following #MeToo and other events and a greater awareness of structural violence against women. Now is the time to know about books being published all around the world by independent publishers, in different languages and across a wide range of issues from the political to the imaginative.

To read through all the books of the WomenList is a reminder of just how much violence women have suffered – from rape, torture, and mass violence against women to indifference and neglect in the case of child abuse, to survival in war, sexual slavery and marriage forced by custom. But there is also resistance and optimism whether it be Pussy Riot or women rebelling against patriarchy as well as the inspiration of women in the vanguard of environmental projects or gathering together the works of women poets.

There are voices from so many places around the world – from Algeria, Argentina, Australia, Brazil, Cameroon, Canada, Chile, Colombia, Ecuador, Egypt, England, France, Haiti, India, Indonesia, Iran, Ivory Coast, Gabon, Guinea, Morocco, Mexico, Senegal, South Africa, Switzerland, Syria, Turkey... Languages include Arabic, English, Indonesian, Farsi, French, German, Spanish, Portuguese and Turkish. Women write poetry, short stories, political tracts, novels, biography, graphic novels and again more. These are words that matter: women’s voices are loud. It is time to listen!

The WomenList is an initiative of the International Alliance of independent publishers, through a partnership with the Kurt Wolff Stiftung (collective of German Independent Publishers) and the Frankfurt Book Fair. The WomenList is presented at the Frankfurt Book Fair on the “Reading Island for Independent Publishers” stand (Hall 4.1 / D36) and is also available online, on the Alliance’ website. The catalog of the WomenList was made by Julie Agor (Oréka graphisme).

The WomenList was born in the wake of the HotList (selection of books published by independent Latin American publishing houses and presented at the Frankfurt Book Fair in 2017 and 2018 – Hall 4.1 / D36).

Read here the article published by Publishing Perspectives, October, 5, 2018

In 2019, a new international selection will be showcased in Frankfurt, on another theme... succeeding the WomenList 2018!

The International Alliance of independent publishers celebrates the remarkable vitality of independent publishing in Latin America at the Frankfurt International Book Fair through a selection of books from Latin America: the HotList 2018!

Through a partnership with Kurt Wolff Stiftung (a collective of independent German publishers) and the Frankfurt Book Fair, independent Latin American publishers in Frankfurt will be exhibiting, at the “Reading Island for Independent Publishers” stand (Hall 4.1 / D36), more than thirty books of various genres: novels, short stories, art books, essays, children’s literature, and poetry... from Argentina, Brazil, Ecuador, Chile, Colombia, Mexico, Venezuela!

The HotList is also available online, an opportunity to discover the wealth and creativity of independent publishers all year round.

Discover also the WomenList: a thematic and international selection created in 2018, celebrating women’s struggle!

Context…

• 2009: The members of EDINAR (collective of Argentinian independent publishers) present a selection of the best books from their list at the Buenos Aires Book Fair. This selection is then promoted in independent bookstores across Buenos Aires.
• 2010: Argentina is the guest of honour at the Frankfurt Book Fair. However, Argentinian independent publishing is poorly represented. The Argentinian independent publishers, in partnership with the Frankfurt Book Fair, decided to present a HotList on the stand of independent German publishers: a showcase of the diversity and quality of their offering.
• 2017: The HotList 2017 opens to independent publishers from Latin America! Thanks to the collaboration with the collective Kurt Wolff Stiftung (independent German publishers), a selection of about 40 titles from publishers from Argentina, Chile, Colombia, Peru, and Uruguay is exhibited in Frankfurt on the “Reading Island” (Hall 4.1).
• 2018: Following the success of the 2017 edition, the HotList is repeated and opens to Brazilian publishers. In addition, a thematic and international selection is launched: this year, the theme of “women’s struggle” is selected in the WomenList 2018, showcasing more than 30 titles edited by independent publishing houses from all continents.

On 21 September, it is the first day of Spring in the Southern hemisphere… and the Bibliodiversity Day!

Don’t miss this 9^th B Day – an initiative launched by Latin American independent publishers, and then disseminated all around the world. Picnics, readings, bookcrossing, discussions… the activities are gathered on the B Day blog and in the social networks.

Widespread poverty and malnutrition, an alarming refugee crisis, social unrest, economic polarisation... have become our lived reality as the top 1% of the world’s seven-billion-plus population pushes the planet—and all its people—to the social and ecological brink. In Oneness vs. the 1%, Vandana Shiva takes on the Billionaires Club of Gates, Buffett, Zuckerberg and other modern Mughals, whose blindness to the rights of people, and to the destructive impact of their construct of linear progress, have wrought havoc across the world. Their single-minded pursuit of profit has undemocratically enforced uniformity and monocultures, division and separation, monopolies and external control—over finance, food, energy, information, healthcare, and even relationships.

Basing her analysis on explosive little-known facts, Shiva exposes the 1%’s model of philanthrocapitalism, which is about deploying unaccountable money to bypass democratic structures, derail diversity, and impose totalitarian ideas, based on One Science, One Agriculture and One History. She calls for the “resurgence of real knowledge, real intelligence, real wealth, real work, real well-being”, so that people can reclaim their right to: Live Free. Think Free. Breathe Free. Eat Free.

Vandana Shiva is a world-renowned environmental thinker and activist, a leader in the International Forum on Globalisation, and of the Slow Food Movement. Director of Navdanya and of the Research Foundation for Science, Technology and Ecology, and a tireless crusader for farmers’, peasants’ and women’s rights, she is the author and editor of several influential books, including Making Peace with the Earth; Soil Not Oil; Seed Sovereignty, Food Security: Women in the Vanguard; and Who Really Feeds the World?
Vandana Shiva is the recipient of over 20 international awards, among them the Medal of the Presidency of the Italian Republic (1998); the Horizon 3000 Award (Austria, 2001); the John Lennon-Yoko Ono Grant for Peace (2008); the Sydney Peace Prize (2010); the Calgary Peace Prize (2011); and the Thomas Merton Award (2011). She was the Fukuoka Grand Prize Laureate in 2012.

Kartikey Shiva is a shatterer of illusions, grower of freedom, and agent of light.

A co-publishing of the English-network of the Alliance: Women Unlimited (India), Spinifex (Australia) and New Internationalist (UK), 2019.
ISBN (Women Unlimited, India): 978-93-85606-18-2
ISBN (Spinifex Press, Australia): 978-19-25581-79-9

Oneness vs. the 1% , Australian cover:

Oneness vs. the 1% , UK cover:

US, Canada, UK, Italian, Australian, French and Spanish rights sold. All others available.

This nonfiction title by a German-Egyptian academic examines stereotypes throughout the history of the prophet Muhammad. The main theme of the book is a representation of the life of Mohammed and the emergence of Islam. Osama bin Laden’s actions, as well as the crimes of Islamist terrorist organizations such as the Islamic State, are also attributed to Muhammad’s willingness to spread Islam through violent subjugation and partial physical liquidation of people of other faiths.

Hamed Abdel-Samad, the author, is born near Cairo in 1972. He worked for UNESCO, at the Institute for Islamic Culture at the University of Erfurt, and at the Institute for Jewish History and Culture at the University of Munich. Abdel-Samad is a member of the German Islam Conference and, according to his publisher, is “considered to be one of the most renowned Islam intellectuals in the German-speaking world”.

The book was first published in German (Mohamed. Eine Abrechnung) by the German publishing house Droemer Verlag in October 2015.
Publishers from the Persian network of the Alliance have translated and co-published the book in Farsi in 2018: Forough Publishing and Pouya Publishing (Germany), Khavaran Publishing (France) and Pegah Publishing (Canada).

2018 - 250 pages - 13 X 20,5 cm - ISBN: 978-3-943147-63-6

STATEMENT
August 8, 2018

The International Alliance of Independent Publishers (IAIP), a network of 553 publishers worldwide, expresses its shock and dismay at the late-night abduction and detention of acclaimed photographer and human rights activist, Shahidul Alam, in Dhaka. Shahidul Alam has been a partner-colleague of the IAIP, in which context we have interacted with him on many occasions.

We believe that the charges against him under Section 57 of the ICT are an attempt to intimidate him by using a draconian law to stifle his right to free speech. He has been held without due legal process, and we have received disturbing reports of brutal treatment meted out to him in detention.

The right of peaceful protest, and the defence of that right, are fundamental to democracy and to upholding the rule of law. The IAIP extends its support to, and expresses solidarity with, Shahidul Alam, and reiterates its commitment to the freedom of expression in Bangladesh as well as in the rest of the world.

See here the film make by New Internationalist (UK) in support with Shahidul Alam.

After a master’s degree in French Literature at the Sorbonne Nouvelle, Camille CLOAREC worked at the Maison de la Poésie in Nantes and was also the coordinator of literary life at Ciclic (the center of book, cinema and digital culture for the Loire Valley Region), before being in-charge of the book and debates office at the French Embassy in Canada. In 2019, Camille began learning Telugu (Indian language) at Inalco.
Camille joins the Alliance team in July 2020; she is in charge of the management of the the association’s language networks and the co-publishing and translation projects within the Alliance.

15 publishers from 10 countries meet in Cotonou for a workshop dedicated to creating ePub files from Indesign. The workshop will also be an opportunity for discussions on the commercialization of digital books between the publishers: Cassava Republic publishers (Nigeria) will share their experience - a cross between French and English speaking Africas!

This workshop, supported by the International Organization of La Francophonie, was organised with the support of Ruisseaux d’Afrique publishers in Benin, a member of the Alliance. Ruisseaux d’Afrique publishers celebrate their 20^th anniversary in 2018, offering activities throughout the year. The Alliance will celebrate the 20^th anniversary of Ruisseaux during the workshop!

Since 2010, the Alliance Lab offers capacity-building workshops to independent publishers in French-speaking Africa. Several publishing houses in French-speaking Africa have developed a digital strategy.

The Alliance Lab regularly publishes surveys and analysis on digital publishing:

• Digital publishing in the mobile era in Africa, 2017, Octavio Kulesz
• Feasibility study on the establishment of digital printing structures for independent publishers in Francophone Sub-Saharan Africa, 2017, Gilles Colley
• All Lab studies can be accessed here.

The Alliance Lab provides tools:

• Website Pattern “Ready to use" for the creation of publishers’ websites
• All tools from the Alliance Lab can be consulted here.

Publishing in Persian language presents a comprehensive and current overview of publishing in Persian language, in Iran, Afghanistan, Tajikistan, Uzbekistan, but also in the diaspora in Europe and the United States.
Articles, penned by Ali Amiri, Beytolah Biniaz, Masoud Hosseinipour, Farid Moradi, Laetitia Nanquette and Dilshad Rakhimov, enable an understanding of editorial markets through historical, economic, political and cultural perspectives.
This study sheds light on the work and publishing list of several independent publishers in Persian language, and thus enabling professional and intercultural exchanges.
Publishing in Persian language is available in Persian and English, and openly accessible on the Website of the International Alliance of Independent Publishers, in PDF, ePub and MOBI formats.

Summary of the study:
• Introduction, Beytolah Biniaz
• History of publishing in Iran, Farid Moradi
• Panorama of independent publishing in Iran, Farid Moradi
• Structure of the book market in Iran, Farid Moradi
• Cultural exchanges and translations between Iran and France, Germany, the United Kingdom and the United States, Laetitia Nanquette
• Persian language publishers in Europe, Farid Moradi
• Publishing in Afghanistan, Ali Amiri
• Panorama of publishing in Tajikistan, Dilshad Rakhimov
• Publishing in Persian language in Uzbekistan, Farid Moradi and Masoud Hosseinipour

Publishing in Persian language, “État des lieux de l’édition” collection (Reports on the publishing world), International Alliance of independent publishers, 2015.
ISBN: 978-2-9519747-7-7 (Persian version)
ISBN: 978-2-9519747-8-4 (English version)

Publishing in Persian language was made possible through the support of the Prince Claus Fund. We thank all contributors, publishers, and professionals who participated to this collective endeavour –and particularly Sonbol Bahmanyar for the coordination of the study.

Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structural adjustment policies, the continuing dominance of multinational publishers (particularly in textbooks), regressive language policies, and lack of recognition by African governments of the economic and cultural importance of publishing. African publishers seek to work collectively, to harness the digital age, and to take their place in the international marketplace on equal terms, Africa’s own voice.

This article, by Walter Bgoya and Mary Jay, was originally published in Research in African Literatures, vol. 44, no. 2, Summer 2013, 17-34, published by Indiana University Press.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

At the 80^th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

This issue is dedicated to Andre Schiffrin, member of the Scientific Committee of the journal Bibliodiversity.

Follow this link to listen to the “Danse des mots” programme of April 18 2013, focusing on book donations. Yvan AMAR interviews Raphaël THIERRY, following the publication of the article in Africultures, April 8 2013 “Giving is not receiving. Thoughts on book donations in Africa”.

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.