The Alliance

“I wouldn’t have written the many books if I didn’t have publishers who were sensitive, publishers who had their own networks, publishers who worked with my philosophy of smallness is beautiful, smallness in self-organised form is largeness—it is largeness of mind, it is largeness of heart, it is largeness in terms of expanding the possibilities of humanity and the earth in a time where the dominant economy would like to shrink those possibilities.”

“If you were not as diverse as you are and if you did not publish the diversity of ideas that are necessary for our times not only would you as a publishing network not have the resilience and robustness that is needed, but wouldn’t be providing that amazing robustness to society in a period where, like monocultures are destroying the fertility of the soil and creating deserts (...)”

Read the speech by Vandana Shiva at the closing of the International Conference on Independent Publishers, Pamplona-Iruñea, 26 November 2021.

This speech is also available in audio on the Alliance’s Youtube channel.

“More than ever, the future of the book—namely its diversity and promotion of minority and alternative voices—rests on the shoulders of independent editors, who give life to the book’s cultural necessity through their commitment, convictions, and attachment to causes that break with the lone dictature of capitalism.”

“My third novel, Munyal ; les larmes de la patience (forthcoming in English translation in October 2022 as The Impatients), is now available in many Francophone African countries because of the Alliance’s ’Terres solidaires’ collection. Many African authors feature on that list, but the part that brings me the most pride is to have such a recognition from Sub-Saharan Africa, where I live and work. This is truly the spirit of diversity that is so dear to the Alliance, and what represents the values that we writers and editors must defend and promote. The Alliance plays such a fundamental role in this sense, mitigating as much as possible the issue of book distribution in Sub-Saharan Africa, particularly Francophone countries.”

Read the speech by Djaïli Amadou Amal at the closing of the International Conference on Independent Publishers, Pamplona-Iruñea, 26 November 2021.

Translated from the French by Allison M. Charette.

This speech is also available in audio on the Alliance’s Youtube channel.

The Independent Publishing Glossary is a collective project led by publishers from the Spanish-language network of the International Alliance of Independent Publishers.

It shows the meanings and definitions of words commonly used in publishing. It is an evolving project, which will be enriched over time in order to include new concepts and to take into account other proposal for definitions. The idea is not to freeze or petrify the concepts, but to open them up to enhance their multiple meanings.

Each term is signed by the person who worked on the definition. The glossary was edited by Germán Gacio Baquiola (Corredor Sur Editorial, Ecuador / Colectivo Editores independientes de Ecuador), Teresa Gottlieb, (Editorial Maitri, Chile), Paulo Slachevsky (Lom Ediciones, Chile) and Miguel Villafuerte, (Editorial Blanca, Ecuador).

1/ The Alliance, a place for experimentation and reflection through the Bibliodiversity Observatory

• Continue the analyses, reflections and advocacy via the thematic working groups set up during the 2014 Conference and set up new working groups on the themes and issues discussed during the 2021 Conference
• Providing tools and documenting international independent publishing

2/ The Alliance, a space for collaboration and sharing

• Share practices and know-how (on regional, national or even international levels, depending on the needs expressed) between publishers
• Meet and strengthen the flow of exchanges

3/ The Alliance, a tool for promoting independent publishing and the circulation of books

• Encourage the visibility and promotion of independent publishing
• Promote the circulation of works and productions of independent publishing houses

4/ The Alliance, a laboratory of alternative editorial practices

• Pursue and strengthen solidarity-based publishing partnerships (transfer of rights, translations, co-publishing projects, etc.)
• Communicate and increase awareness

5/ The Alliance, an evolving governance and operation

• REthink
• Get involved

Gathered in the city of Pamplona-Iruñea from 23 to 26 November 2021 at the fourth International Conference of Independent Publishers, organised in partnership with EDITARGI (Association of Independent Publishers of Navarre), we, the publishers of the International Alliance of Independent Publishers (IAIP), reaffirm our commitment to :

• the cultural, social and political character of books and reading ;
• the democratisation of books in our societies ;
• reading as an emancipatory practice that strengthens the critical thinking of citizens and stakeholders within their society.

Read the full Declaration here :

This Declaration is in line with the discussions and work of the International Alliance of Independent Publishers, in particular the Declarations of 2003, 2007 and 2014 and the 80 recommendations in favour of bibliodiversity. It will be complemented by a Guide to Good Practice (collective work in progress, for publication in the first half of 2022).

The round-table discussions of the Conference are available in replay on the Alliance’s YouTube channel.

Support bibliodiversity and independent publishing through a professional solidarity network

• Support the creation and strengthening of memberships to national and/or regional publisher collectives (including in Europe)
• Promote bibliodiversity, popularise the idea of bibliodiversity for the general public, for example through the (International Bibliodiversity Day on 21 September, )

Support the creation of national, regional and international book policies

• Create the Bibliodiversity Observatory : mapping of national book policies in Latin America, the Arab world, West Africa… and developing a bibliodiversity measurement tool
• Make independent publishers’ voice heard among public authorities (Ministries of Culture), international organisations (UNESCO, OIF, CERLALC, UEMOA, etc.), and book professionals and collectives : diffuse, promote and defend the International Declaration of independent publishers and the 80 recommendations in support of bibliodiversity

Reaffirm and defend freedom and equity of speech

• Create a censorship typology ; draft advocacy plans in support of, and in solidary with, publishers

Strengthen collaborative spaces and innovate to respond to tomorrow’s changes and issues

• Develop the Digital Lab, organize workshops, and sharing of experiences and tools (on digital publishing, editorial solidarity partnerships, national and local languages publishing, etc.)
• Strengthen inter-professional collaboration (authors, librarians, booksellers, diffusers-distributors, digital actors, etc.) : inter-professional meetings, joint lobbying

Reinstate equilibrium between book exporting countries and importing countries

• Manage an online resource centre, complementing the Bibliodiversity Observatory
• Modernize book donation practices : Book Donation Charter reviewed by professionals from the global South
• Participate in book fairs (collective stands in book fairs in both the global South and global North), promotion of books from the South in the North

Develop and strengthen intercultural sharing

• Develop and support copublishing/ translation projects : North-South and South-South editorial partnerships bearing the “Fair Trade Book” label, and research on economic solidarity models (social and solidarity economy)

Publishers collectively adopted the Alliance’s 2015-2018 objectives during the International Assembly of independent publishing (2012-2014). Projects and activities arise from each of these directions, and are implemented by the Alliance during the 2015-2018 period.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence : the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers : through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

During the closing meeting of the International Assembly of Independent Publishers (Cape Town, South Africa, September 18-21, 2014), 400 independent publishers from 45 countries signed the International Declaration of Independent Publishers 2014.
Collectively drafted in three languages, on September 20, 2014, the Declaration 2014 is available in several languages (French, English, Spanish, Portuguese, Arabic, Farsi, Italian, etc.).

Do not hesitate to share the Declaration and promote and strengthen bibliodiversity with us !

Read here the 80 recommendations & tools (on digital publishing, public book policies, youth literature, national and local languages publishing, solidarity publishing partnerships and “Fair Trade Books”, book donations).

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article « Bibliodiversity » on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures !

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

1. The Alliance, a space for experimentation and reflection through the Bibliodiversity Observatory
Continue the analyses, reflections and advocacy via the 4 thematic working groups

• Book ecology
• Digital publishing : workshops on artificial intelligence
• Public book policies : mapping public book policies in the Arab world (launch as part of a book fair in the Arab world at the end of 2024) + Guide to Good Practice for public book purchasing (translation and adaptation of this Guide for other geographical and linguistic areas)
• Freedom to publish : publication of transversal analyses and a series of interviews and podcasts

Equipping and documenting international independent publishing

• Guide to Good Practice (see here)
• Bibliodiversité journal (see here) : special issue on precariousness in 2024

2. The Alliance, a space for collaboration and sharing
Sharing practices and expertise between publishers ; meeting up and strengthening the flow of exchanges

• Workshops and exchanges of know-how, within the thematic groups and as part of Babelica
• Virtual meetings, workshops and training sessions on themes defined with the Alliance’s thematic groups (with a particular focus on artificial intelligence and other themes).
• On-site training (venue to be confirmed) for publishing houses in French-speaking Africa
• Professional meetings at the Brussels Book Fair (4-7 April 2024) 

3. The Alliance, a tool for the promotion and the visibility of independent publishing
To encourage the visibility and promotion of independent publishing ; to promote the circulation of books and other publications by independent publishing houses

• Babelica (see here), September 2024 (book fair, meetings and discussions dedicated to international independent publishing)
• Tehran Book Fair, Uncensored (see here)
• Presence of members at book fairs and exhibitions in 2024

4. The Alliance, a laboratory of alternative publishing practices
Pursue and strengthen solidarity-based publishing partnerships (transfer of rights, translations, co-publications, etc.)

• Publishing groups by catalogue affinity (literature, humanities and social sciences and children’s literature) : online project fairs (transfer of rights, exchanges on publishing projects) + support for transfer of rights and co-publications (see here)
• Publishing projects in progress and/or under consideration

Une coédition solidaire panafricaine : Éburnie (Côte d’Ivoire), Ganndal (Guinée), Sawa (Mali), Nstame (Gabon), Ruisseaux d’Afrique (Bénin)

Une coédition solidaire panafricaine : Éburnie (Côte d’Ivoire), Elondja (République démocratique du Congo), Sawa (Mali), Ruisseaux d’Afrique (Bénin)

Une coédition solidaire panafricaine : Éburnie (Côte d’Ivoire), Sawa (Mali), Ruisseaux d’Afrique (Bénin)

Une coédition solidaire panafricaine : Éburnie (Côte d’Ivoire), Ganndal (Guinée), Sawa (Mali), Nstame (Gabon), Ruisseaux d’Afrique (Bénin), Sankofa & Gurli (Burkina Faso)

Grâce à un partenariat entre la Fondation Lilian Thuram - Éducation contre le racisme et l’Alliance internationale des éditeurs indépendants, 11 maisons d’édition en Afrique francophone coéditent La pensée blanche, publié initialement aux éditions Philippe Rey (France).

La pensée blanche est disponible dans les pays suivants  : Algérie (Apic), Bénin (Ruisseaux d’Afrique), Burkina Faso (Sankofa & Gurli), Cameroun (Presses universitaires d’Afrique), Côte d’Ivoire (Éburnie), Gabon (Éditions Nstame), Guinée (Ganndal), Mali (Jamana), Maroc (Le Fennec), Sénégal (Papyrus d’Afrique), Togo (Graines de Pensées).

Date de parution : novembre 2023
Format : 14,5 X 22 cm ; 320 pages

Écoutez ici l’interview de Lilian Thuram dans le cadre du Salon international de l’édition indépendante en ligne, Babelica, le 20 septembre 2023.

Le livre
Qu’est-ce qu’être blanc ? Plus qu’une couleur de peau, n’est-ce pas plutôt une pensée ? Qui sont ceux qui l’ont inventée, et pourquoi ? Ce livre raconte l’histoire de la pensée blanche, son origine et son fonctionnement, la manière dont elle divise, comment elle s’est répandue à travers le monde au point d’être aujourd’hui universelle, jusqu’à infuser l’air que l’on respire. Depuis des siècles, la pensée blanche est une norme, la fossilisation de hiérarchies, de schémas de domination, d’habitudes qui nous sont imposées. Elle signifie aux Blancs et aux non-Blancs ce qu’ils doivent être, quelle est leur place. Comme la longue emprise des hommes sur les femmes, elle est profondément ancrée dans nos mentalités et agit au quotidien. Seule sa remise en question permettra d’avancer pour passer à autre chose. Il ne s’agit pas de culpabiliser ni d’accuser, mais de comprendre les mécanismes à l’œuvre, d’en prendre conscience pour construire de nouvelles solidarités. Le temps n’est-il pas venu d’élargir nos points de vue pour nous considérer tous enfin comme des êtres humains ?

Lilian Thuram est né en Guadeloupe en 1972. Il a créé en 2008 la fondation Éducation contre le racisme, pour l’égalité. Il est l’auteur de plusieurs ouvrages dont Mes étoiles noires (Philippe Rey, 2010, prix Seligmann contre le racisme ; coédition solidaire en Afrique francophone, Madagascar et Haïti, 2014), Manifeste pour l’égalité (Autrement, 2012) et Notre histoire (Delcourt, 2014 et 2016). Il a été commissaire général de l’exposition « Exhibitions. L’invention du sauvage », au musée du Quai-Branly en 2011. Prix de l’éthique de la Fondation Kéba-Mbaye au Sénégal en 2014, il est docteur honoris causa en sciences humaines des universités de Stockholm en Suède et de Stirling en Écosse. Dans une première vie, il a connu une carrière prestigieuse de footballeur international. Avec l’équipe de France, il a été Champion du monde en 1998 et Champion d’Europe en 2000.

Yamen Manai nous conte avec fougue le cruel éveil au monde d’un adolescent révolté par les injustices. Heureusement, il a Bella. Entre eux, un amour inconditionnel et l’expérience du mépris dans cette société qui honnit les faibles jusqu’aux chiens qu’on abat « pour que la rage ne se propage pas dans le peuple ».
Mais la rage est déjà là.

Né en 1980 à Tunis, Yamen Manai vit à Paris. Ingénieur, il travaille sur les nouvelles technologies de l’information. Bel abîme (Prix Orange du livre en Afrique 2022, Prix de la littérature arabe 2022…) et ses précédents romans, La marche de l’incertitude (2010), La sérénade d’Ibrahim Santos (2011) et L’amas ardent (2017, Prix des Cinq Continents de la Francophonie) sont publiés aux éditions Elyzad en Tunisie.

Maisons d’édition coéditrices : Amalion (Sénégal), Apic (Algérie), Atelier des nomades (Ile Maurice), Ganndal (Guinée), Graines de Pensées (Togo), Le Fennec (Maroc), Proximité (Cameroun), Sankofa & Gurli (Burkina Faso)
Date de publication de la version panafricaine : 2023, 11,5 X 19 cm
© Elyzad, 2021.

Une coédition solidaire « Le livre équitable ».

The International online Book Fair of Independent Publishing was held from 20 to 22 September. The Babelica programme (readings in Arabic, Creole, Mapuche, etc. ; round tables on artificial intelligence, decolonial ecology, inclusive publishing, cartoneras in Latin America, translation in the Arab world, solidarity co-publishing, etc. ; meetings with Lilian Thuram and Vandana Shiva, etc.) can be (re)viewed and (re)listened to in replay on the Alliance’s YouTube channel.

The Babelica Book Fair (bringing together over 90 publishers from around the world) is available online throughout the year, until the next edition of Babelica in 2024 !

The International Alliance of Independent Publishers would once again like to thank Babelica’s partners (Campus AFD and the Organisation internationale de la Francophonie) ; Maxime Guedj (PCFH Studio) and Thibault Daumain, who designed and developed the Babelica platform ; all the speakers ; the team of interpreters and everyone else who contributed to the success of this second edition !

The ICIP’s annual meeting, a key opportunity to build the Alliance’s 2024 action plan and also to review the operation, organisation and associative life of the association, will bring together all the coordinators of the language networks for a 3-day meeting.

A session open to all Alliance members is scheduled for 25 October, from 2pm to 4pm (French time).

The programme is available here

Decades of Israeli occupation and settler colonialism on Palestinian land reached new heights with the recent IDF attacks on Gaza. As per this writing, more than 2,200 Palestinians have died (including 724 children) and more than 1 million Gazans have been ordered to evacuate the north.

In the midst of this grave humanitarian crisis, it is very important to give voice to the opressed through all mediums of expressions, including books and literature. Ironically, the Frankfurt Book Fair —as the biggest annual book fair in the world— has done the opposite. The awarding ceremony for Palestinian author Adania Shibli, whose novel “Minor Details” was to receive 2023 Literaturpreis, was cancelled unilaterally by the Fair, in their decision to “make Jewish and Israeli voices especially visible at the book fair” and to « stand with complete solidarity on the side of Israel ».

This one-sideness is unacceptable, as the Frankfurt Book Fair should be a free and impartial forum to open dialogues and debates without violence. We, publishers from International Alliance of Independent Publishers, condemn the Frankfurt Book Fair’s decision to cancel the award ceremony for Adania Shibli, and demand that Palestinian voices be given the same visibility and respect as other voices at the Fair.

Signatories
This list is not exhaustive (and is updated as and when necessary)

Nouri Abid, Med Ali (Tunisia)
Sandra Abrano, Bandeirola (Brazil)
Tomaz Adour, Vermelho Marinho (Brazil)
Marwan Adwan, Mamdouh Adwan Publishing (Syria-UAE)
Ronny Agustinus, Marjin Kiri (Indonesia)
Cauê Ameni, Autonomia Literária and Jacobin Brazil (Brazil)
Ibrahima Aya, Éditions Tombouctou (Mali)
Clô Barcellos, Libretos (Brazil)
Flávia Bonfim, Movimento Contínuo (Brazil)
Jorge Breogan, Sundermann (Brazil)
Sebastian Budgen, Verso Books (United Kingdom)
Barbara Caretta-Debays, Écosociété (Quebec / Canada)
João Carneiro, Tomo (Brazil)
Chiara Cazzato, Tempesta editore (Italia)
Haroldo Ceravolo, Alameda (Brazil)
Indira Chandrasekhar, Tulika Books (India)
Layla Chaouni, Le Fennec (Morocco)
Reza Chavoshi, Dena books (Netherlands)
Sergio Covelli, EPUBBoo (Italia)
Amanda Crocker, Between the lines (Canada)
Élisabeth Daldoul, elyzad (Tunisia)
Róisín Davis, Haymarket Books (United States)
Héctor Dinsmann, Libros de la Araucaria (Argentina)
Serge Dontchueng Kouam, Presses universitaires d’Afrique (Cameroon)
Éric Dusabimana, Bakame (Rwanda)
Mohamed El-Baaly, Sefsafa Publishing (Egypt)
Fatma El Boudy, Elain Publishing (Egypt)
Yara El-Ghadban, Mémoire d’encrier (Quebec / Canada)
Luiz Fernando Emediato, Geração (Brazil)
Whaner Endo, W4 Editora (Brazil)
Letícia Esteban, Gato Sueco (Spain)
Zygmunt Antoni Filipecki Jr., Mauad (Brazil)
Corinne Fleury, Atelier des nomades (Mauritius / France)
Pedro Fonseca, Âyiné (Brazil)
Fernando Diego Garcia, Libros del Zorro Rojo (Spain)
Germán Gacio Baquiola, Editores independientes de Ecuador (Ecuador)
Pauline Gagnon, Écosociété (Quebec / Canada)
Müge Gursoy Sökmen, Metis Publishers (Turkey)
Daniela Gutfreund, Lugar de ler (Brazil)
Samar Haddad, Atlas Publishing (Syria)
Susan Hawthorne, Spinifex Press (Australia)
Selma Hellal / Sofiane Hadjajd, Editions Barzakh (Algeria)
Colleen Higgs, Modjaji Books (South Africa)
Ivana Jinkings, Boitempo (Brazil)
Hassan Khalil, Al Farabi (Lebanon)
Renate Klein, Spinifex Press (Australia)
Elisa Labanca, Buckfast Edizioni (Italia)
Alessandro Labonia, CSA (Italia)
Daniel Louzada, Da Vinci (Brazil)
Adriana Maciel, Numa (Brazil)
Stella Magliani-Belkacem, La Fabrique (France)
Lizandra Magon, Jandaíra (Brazil)
Alexandre Martins Fontes, WMF Martins Fontes (Brazil)
Maria Beatriz Medina, Banco del livro (Venezuela)
Daniela Mena, GAM (Italia)
Ione Meloni Nassar, Mercuryo Jovem (Brazil)
Raquel Menezes, Oficina Raquel (Brazil)
Ritu Menon, Women Unlimited (India)
Lilah Mercader, Éditions Dent-de-lion (Canada)
Anita Molino, Il leone verde (Italia)
Rosana MontÁlverne, Aletria (Brazil)
Nabil Mroueh, Al Intishar Al Arabi (Lebanon)
Francisca Muñoz Méndez, Editoriales de Chile (Chile)
David Murray, Écosociété (Quebec / Canada)
Renata Nakano, Quindim (Brazil)
Maira Nassif, Relicário (Brazil)
Denise Natale, Papagaio (Brazil)
Carla Oliveira, Orfeu Negro (Portugal)
Maria Osório, Babel (Colombia)
Safaa Ouali, Le Fennec (Morocco)
Marco Paganini, AltreVoci (Italia)
Mary Lou Paris, Terceiro Nome (Brazil)
Simone Paulino, Nós and Nossa (Brazil, France)
Dieulermesson PetitFrère, LEGS Édition (Haiti)
Mirline Pierre, LEGS Édition (Haiti)
Dolores Prades, Instituto Emília (Brazil)
Naiara Raggiotti, Carochinha (Brazil)
Marie Michèle Razafinstlama, Jeunes malgaches (Madagascar)
Anahita Redisiu, Forough Verlag (Germany)
Rodney Saint-Éloi, Mémoire d’encrier (Quebec / Canada)
Kenza Sefrioui, En toutes lettres (Morocco)
Alfonso Serrano, La Oveja Roja (Spain)
Abdulai Sila, Ku Si Mon Editora (Guinea Bissau)
Paulo Slachevsky, LOM ediciones (Chile)
Aliou Sow, Éditions Ganndal (Guinea)
Simón Vásquez, Verso Libros (Spain)
Catia Ventura, Ventura Edizioni (Italia)
Marisol Vera, Editorial Cuarto Propio (Chile)
Miguel Villafuerte, Editorial Blanca (Ecuador)
Cristina Warth, Pallas Editora (Brazil)
Mariana Warth, Pallas Editora (Brazil)
Riccardo Zanello, Tempesta editore (Italia)
Habib Zoghbi, La Maison du livre (Tunisia)
Rosa Maria Zuccherato, Nova Alexandria (Brazil)

Discover publishers’ backgrounds, get to know their work and their publications, and listen to the voice of independent publishers… by reading the exclusive publishers portraits in this section !

In partnership with the online magazine ActuaLitté, interviews with publishers member of the Alliance are regularly added here. Explore the interviews :
* Élodie Comtois (Écosociété publishers in Québec),
* Samar Haddad (Atlas Publishing in Syria),
* Marie Michèle Razafintsalama (Jeunes malgaches in Madagascar),
* Constanza Brunet (Marea Editorial in Argentina),
* Antoinette Koleva (KX Critique & Humanism in Bulgaria),
* Karine Joseph (Sirocco in Morocco),
* Colleen Higgs (Modjaji Books in South Africa),
* François Nkémé (Proximité in Cameroon),
* Aliou Sow (Ganndal, Guinea Conakry),
* Ritu Menon (Women Unlimited in India).
* Ivana Jinkings (Boitempo in Brazil),
* Sophie Bazin and Johary Ravaloson (Dodo vole in Madagascar),
* Dorota Hartwich (Format in Poland),
* Amanda Crocker (Between the Lines, Canada),
* Dieulermesson Petit Frère (LEGS Édition, Haiti),
* Corinne Fleury (Atelier des nomades, Mauritius),
* Abdulai Sila (Ku Si Mon, Guinea Bissau),
* Susan Hawthorne (Spinifex Press, Australia),
* Dan Bomboko (Elondja, Democratic Republic of Congo).

After studying at the IUT Book Trade in Aix-en-Provence, Laurence Hugues went to earn a bachelor’s degree in Literature at Trois-Rivières University in Québec, and later a Masters’ degree in Book Marketing at Paris 13-Villetaneuse University. After several professionals stays in West Africa, she joined the International Alliance of independent publishers’ team in 2007. In July 2009, Etienne GALLIAND passed on management responsabilities to Laurence HUGUES.

After a master’s degree in French Literature at the Sorbonne Nouvelle, Camille CLOAREC worked at the Maison de la Poésie in Nantes and was also the coordinator of literary life at Ciclic (the center of book, cinema and digital culture for the Loire Valley Region), before being in-charge of the book and debates office at the French Embassy in Canada. In 2019, Camille began learning Telugu (Indian language) at Inalco.
Camille joins the Alliance team in July 2020 ; she is in charge of the management of the the association’s language networks and the co-publishing and translation projects within the Alliance.

After studying political sciences, Laura Aufrère was for 5 years coordinator of the French confederation gathering not-for-profit cultural professional initiatives from a variety of disciplines (music, theater, outdoor and circus, visual arts, etc.), rooted in the solidarity economy movement (UFISC). She is now a PHD student in management, looking specifically into critical approaches in the organisation theory and the digital humanities fields. She studies commons and social and solidarity economy initiatives, focusing specifically on work and labour organisation, cooperation and governance issues, and social protection. She joins the Alliance Board in 2016 and is now its President.

Vice-President of the Board of the Alliance since the General Assembly of June 20, 2011, Luc Pinhas is a former student of the École normale supérieure in Saint-Cloud. He holds a PhD in Communication Studies and teaches at Paris 13-Villetaneuse University, where he is currently in charge of a master’s degree on “Book Marketing”.

Thierry Quinqueton has long experience in the publishing world and of intercultural dialogue. He was Literary Director at the Desclée de Brouwer publishing house (France) from 1991 to 1999, and then Director of the French Cultural Center in Khartoum from 2000 to 2004. After spending four years at the French Department of Foreign Affairs (department of written documents and libraries), he was responsible from May 2009 to July 2013 for the libraries network in the Châtellerault area ; from 2013 to 2017, he was in charge of the Book Office at the French Embassy in Beirut, Lebanon. Thierry Quinqueton also pursues his research on the links between market economies, public policies, and non-monetary aspects within the book economy (Law and Development of Social and Solidarity Economy - University of Poitiers). Author of « Que ferait Saul Alinsky ? » (DDB, 2011), he was Chairman of the International Alliance of Independent Publishers from 2006 to 2013.

Mariette Robbes is specialized in network facilitation, public relations and project management in the associative and cultural sectors. She has worked at Katha publishing (India), at the International Association of Francophone Booksellers and the International Youth Library (Germany).
Her growing passion for “third places” and innovative ways of working and creating (fablabs, coworking, shared workshops, etc.) led her to explore new horizons. She is now working as a Network Development & Animation Manager at myCowork, in Paris.
Passionate about publishing for youth in India, she is also an associate member of the academic project DELI (Encyclopaedic Dictionary of Literatures of India). In addition, Mariette works as a freelancer (support for fundraising, graphic design and layout).

Jérôme Chevrier has been working for 20 years in the book and reading sector. As a librarian, he has worked at the Bibliothèque nationale de France, the Ministry of Culture, the Centre national du livre and the French Institute of South Africa.
He was in charge of cultural mediation at the Centre Pompidou public information library. He is currently cultural attaché in charge of the Book Department at the French Embassy in London.
He joined the Alliance Board in July 2021.

A committed journalist with a special interest in international solidarity, sustainable development and human rights, David Eloy founded Altermondes in 2005, a media focusing on civil society’s actors, where he was editor-in-chief until 2016. He previously held positions in several international NGOs, including the Centre de recherche et d’information pour le développement (CRID), Peuples Solidaires – Action Aid France and the Association internationale de techniciens, experts et chercheurs (Aitec).

As an English professor with a degree in languages and comparative literature, Marielle Morin’s professional career has revolved around books, languages and research.
She has worked in the International Rights Department at the University of Chicago Press, and as a librarian at the Centre for Indian and South Asian Studies (CEIAS-EHESS). She has translated Indian literature from English (Khushwant Singh, Anita Naïr, Amruta Patil) and Bengali (Mahasweta Devi) and then went on to manage the media libraries and the book office of the French Embassy/ Institute in New Delhi first, then in Cairo, for eight years until 2014.

She is now back at the CEIAS, where she is in charge of international research projects within the research focus areas of Asia, Middle East and Muslim Worlds and African Studies.

She continues to be interested in languages, Indian literature, translation, and book history, and is an associate member of the DELI academic project (Encyclopedic Dictionary of Indian Literature).