English

Ken Bugul’s novel is a dialogue between a daughter and her dead mother, whom she accuses of not having loved her and having preferred her sister ; it describes a relationship and a world from which love and truth seem absent. In a poetic fashion, alternating short sentences with poetry – as though pulsed by the murmur of despair – in a litany of remembrances, the author attempts to tell the ineffable pain of lost things.

Ken Bugul – whose name in Wolof means “one who is unwanted” – was born in Senegal in 1947, to a father who was a marabout (type of African shaman) and a mother who had to leave her when she was only 5 years old. She has worked as an international civil servant and now she lives in Benin. Her work, in which she combines her sense of humour with an innate talent for story-telling, is flooded with themes such as the status of women, Islam or North-South relationships. With her lucid, free and uncompromising look, she is one of the major voices in contemporary African literature.
Among her books are: La folie et la mort [Madness and Death], (Présence africaine, 2000), Rue Félix-Faure (Serpent à Plumes, 2004).

Year of publication of the pan-African version: 2008, 282 pages,
11,5 X 19 cm

The spread and consolidation of the women‘s movement in North and South over the past 30 years looks set to shape the course of social progress over the next generation. Peggy Antrobus asks

• Where are women now in the struggle against gender inequality ?
• What are the common issues that they face around the world ?
• What challenges confront the women‘s movements ?
• And what strategies are needed to meet them ?
  

The author draws on her long experience of feminist activism to set women‘s movements in their changing national and global context. Her analysis will be an invaluable aid to reflection and action for the next generation of women as they carry through the unfinished business of women‘s emancipation.
"Today the global women’s movement stands at the crossroads
between protecting hard-won gains and being swept away by the
tidal wave of globalization. It is my belief that feminist politics and praxis hold the key to addressing the threat this terrifying conjuncture poses for human security everywhere".

Peggy Antrobus was born in Jamaica. Her studies in Economics led her to a gradual commitment in the field of socioeconomic development. Working with NGOs and discovering feminism have transformed her understanding of economy and politics forever. She has worked for the UN, the Women and Development Unit (WAND) and the Development Alternatives with Women for a New Era (DAWN) network.

See English version at www.zedbooks.co.uk

As the Casablanca International Book Fair (February 9 to 17, 2008) opens its foors in Morocco, the Alliance of Independent Publishers wishes to express its deepest concerns with regard to the situation of independent book retail and, more generally, of the entire local book industry.

In A Naked Needle, with a finesse that is not lacking in nerve – the explicit reference is to none other than James Joyce’s Ulysses– Nuruddin Farah adds to the love story a stroll through the city, as well as a detailed analysis of the psychology of his characters, each of whom sees the relationships from a different viewpoint. This increases the readers’ feelings of empathy, and they will inevitably be surprised as they identifies with one or other member of this community.
This is where one of the keys to the great success of Farah’s novels lies: the power of the novelist to take us gently and firmly by the hand and make us identify with individuals who remain timeless. “Outside of time, because they are them although they could be us” – writes Abdourahman A.Waberi in the prologue.

Born in Baidoa, in what was then Italian Somalia, Nuruddin Farah grew up in Ogaden, a Somali province in eastern Ethiopia, before going off to study in India in the mid 1970s. Back in his home country, he made a name for himself in 1968 in Mogadishu as a teacher, but above all as the first novelist to use both English and Somali. A double success – unusual, certainly – which was to precipitate his exile, sealed by the military junta of Mohamed Siad Barre, who came to power in 1969.

In an excellent translation into French by Catherine Pierre-Bon and a remarkable cover design, A Naked Needle signals the editorial orientation of the “Terres d’écritures” collection, which is being published jointly by seven French-language publishers. A demanding collection of books that are destined to last, and which strongly reassert the universality of literature.

Year of publication : 2007,
260 pages,
14,5 X 22 cm

The Alliance is present at the Geneva African Book Fair (April 22 to 26, 2009) and gives you the opportunity to participate in a smart book donation operation. By buying one or several youth books produced in Africa from the African bookshop on the Fair, as well as a pre-paid envelope from the Alliance, you can mail the books yourself to a library in Africa.

The members of the Spanish-language network met at the Buenos Aires Book Fair in Argentina, from April 18 to 22, 2009. On this occasion, the representatives from 6 Latin-American collectives of independent publishers held a specific meeting to exchange their experiences.

Algiers, Tlemcen, Angers, Saint-Etienne, Firminy, Yaounde, Bamako, Philippe Dauchez, in all these cities, played of his art, theatre, as an actor, director or professor.

Once working with Albert Camus as an assistant, he was always impassioned for the integration of theatre in the City in all its forms, classical, popular, traditional... From large French scenes to Malians villages, he has always worked with the same simplicity and the same commitment. This book recalls his history, his passion for life, theatre and people, in a text which makes cross the intimacy and the universal, history and everyday life, erudite theatre and popular art. Pierre Chambert draws up us a poetic portrait of a man who put his very whole life at the service of a useful theatre.

Pierre Chambert, a poet and a writer, is an inspector-advisor for theatre and performing arts at the French Ministry of Culture and Communication. He is currently posted in Guyana, near Amazonia, its legends and its storytellers.

Year of publication: 2006, 256 pages

Invited in 1998 to a writers’ residence in Rwanda, Véronique Tadjo, from the Ivory Coast, discovered the remnants left by genocide. For collective memory’s sake, she decided to write in order to give faces, names, and lives to those that she met, whether victims or torturers. At times reporting, at times fiction, this novel gives a human perspective on one of the greatest dramas experienced by contemporary Africa. This work is a proof of literature’s ability to give a new look on the past and to help people relearn how to live together. In order that such barbarity doesn’t happen again.

From the Ivory Coast, Véronique Tadjo currently lives in South Africa. She writes books, collections of poetry, and children’s books. The “Grand Prix Littéraire d’Afrique Noire 2005” (Literary Grand Prize for sub-Saharan Africa) was awarded to her for the whole of her works.

Year of publication: 2006,
144 pages,
12 X 19 cm

Set up in Porto Alegre in 2001 in response to the Davos World Economic Forum, the World Social Forum has, with each publication, continued to flesh out, internationalize and build up its organization.
However, due to lack of information on the content of the debates, it has never succeeded in convincing the media, public opinion and politicians of its ability to put forward constructive ideas. A great many proposals have nevertheless emerged. Drawing on their memory of the previous forums, eleven editors, women and men from different regions of the world, covered the debates at Porto Alegre, for the 2005 WSF event, and collected the proposals that emerged from the eleven themes addressed. Their work demonstrates that the World Social Forum is a genuine vehicle for helping build a world community that is able to produce a significant amount of intellectual advances and put forward specific proposals based on its conviction that “another world is possible”.

Year of publication: 2006

Translated into portuguese by Giselle UNTI.

This book was co-published by the Brazilian publisher
Vozes, the Angolan publisher Chá de Caxinde and the Portuguese publisher Campo das Letras and received support from the Prince Claus Foundation for culture and development.
Following Les batailles de l’eau by Mohammed Larbi Bougerra, this is the second French-language title of the “Enjeux Planète” series, translated and published in the Portuguese series named “Questões Mundiais”.

In the North as in the South, we like big cities, but we don’t like their violence. A common tendency is to blame the poorest inhabitants for this violence, and then, in order to fight against its spread, to adopt strategies based on strong security measures: our societies are quickly becoming societies of fear. Town planning, already, divides space into fortresses and ghettos. One cannot continue to conceptualize urbanization in police stations: an alternative analysis of the phenomena of urban violence and insecurity is necessary. This can only be done by putting this question in perspective, in the context of the violence of urbanization and globalisation, while also taking into account, the point of view of the poor and particularly among these poor, the “malicious ones”, outsiders, illegal immigrants, criminals, members of gangs.
When everything seems blocked, the “vision of the poor” opens the way to a pacification of urban territories. Against the current obsession with security, a creative dialogue is essential with those that the ruling power blames or distrusts. This book is addressed to all those who seek to understand the logic of the city, those for whom the city inspires fear and love, who don’t want to give up it, but also to the inhabitants of the extreme districts, even if they are poor and “malicious”, even if the city destroys them more than it protects them. To rebuild cities we can live in, we must disobey the models.

Year of publication: 2006,
188 pages

Analysis of data collected in 10 countries from independent publishers and public actors, by Andrés E. Fernández Vergara (University of Chile)

This article, written in Spanish, offers a regional analysis of public policies for the development of books and reading in Spanish-speaking Latin America, from the point of view of 53 actors in the book world from 10 different countries. It takes into account the similarities and differences that exist from one country to another in the region: on the one hand, there are complex networks of institutions and book promotion mechanisms; on the other hand, there is no national policy or strategic objective. The actors interviewed highlight the difficulties they encounter in their sector today: market concentration, piracy, lack of support for indigenous languages, etc. These are all dangers that threaten bibliodiversity in the region.

Contents:

• Methodology
• Censorship and content control
• Laws, public policies and regulatory mechanisms for books and reading
• Institutions and organisations working in the fields of books and reading
• Direct support and assistance for books and reading
• Copyright Legislation
• Organisation of the profession
• Conclusion

This analysis is to be found in a special issue of the Bibliodiversity Journal on “Public book policies” available in paper and digital versions (in French).

See also the analysis on “Public book policies in sub-Saharan Africa and Madagascar” by Luc Pinhas, published in September 2019.

To complement these analyses, see the mapping of public policies and in-country support mechanisms here: publicbookpolicies.alliance-editeurs.org

Data collection in the 11 countries of sub-Saharan Africa and Madagascar as well as in Latin America, cross-sectional data analyses and online mapping were supported by the Fondation de France and the SDC Switzerland.

Cross-sectional analysis of data collected in 12 countries, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

In a comprehensive cross-sectional study that enriches our knowledge of public book policies in French-speaking sub-Saharan Africa, Luc Pinhas discusses the similarities and differences that exist between 12 countries in the region. While some very interesting developments for local book production and the local book chain should be acknowledged – cf. the preference given to local actors by the Ivorian law of 2015 – the legislative and regulatory frameworks would certainly benefit from being strengthened to support and strengthen the local book economy.

Contents:

• Preamble
• Methodology
• Introduction
• Legal framework
• Taxation and market regulation
• Professional organisation
• Administrative organisation
• Direct support for the book
• Conclusion

This analysis is to be found in a special issue of the Bibliodiversity Journal on “Public book policies” available in paper and digital versions (in French).
See also the analysis on “Public book policies in Latin America”, published in September 2019.

To complement these analyses, see the mapping of public policies and in-country support mechanisms here: publicbookpolicies.alliance-editeurs.org

Data collection in the 11 countries of sub-Saharan Africa and Madagascar as well as in Latin America, cross-sectional data analyses and online mapping were supported by the Fondation de France and the SDC Switzerland.

Read the article here.

References:
The myth of the ‘book famine’ in African publishing, Review of African Political Economy
DOI : 10.1080/03056244.2020.1792872
Elizabeth le Roux (2020)

Abstract:
The publishing industry in Africa is usually described in terms of ‘booklessness’, ‘hunger’ or ‘famine’. But does this language of scarcity reflect the realities of book production and consumption? In this paper, the concept of ‘book famine’ is analysed as a central frame of discourse on African books, using a survey of existing documentation. Two ways of responding to book famine – provision and production – are identified, and the shortcomings of book aid (provision) are contrasted with strengthening local publishing industries (production). It is argued that the concept has become a cliché that is no longer relevant and that African publishing, while variable, is responding to local needs.

“Être éditeur au Maroc : la pensée au triple défi du marché, du droit et des libertés” / “To be a publisher in Marocco”
Kenza Sefrioui (En toutes lettres, Marocco)

In Morocco, it is very difficult to be a publisher, due to the conjunction between the lack of economical development of the sector and a long history of hostility of the authorities toward intellectuals, which destructured the fields of knowledge and culture. En toutes lettres’s experience, a young independent publishing house based in Casablanca and specialized in narrative journalism and humanities, proves the need to take the triple challenge of market, law and freedoms, and to invent new forms of solidarity between publishing, press, research and civil society, in order to rebuild a pole of production of critical thinking.

Read here the article (in French).

RELIEF – Revue électronique de littérature française 14 (1), 2020, p. 32-48
DOI : doi.org/10.18352/relief.1065
ISSN : 1873-5045 – URL : www.revue-relief.org

“Now that we have entered the 21^st century, it is difficult to dissociate the end from the means: what to say, and where to say it? Thus, we find that many authors seeking to promote debate, creativity and critical thinking, justice and equality are published by large conglomerates with multiple editorial labels. Isn’t the transformative power of these works reduced to nothing when they plunge into the workings of the entertainment industry? It is a fact that transnational corporations, whatever their field of action, are the very expression of the system that dominates us. By choosing them as publishers, do we not somehow leave the world of transformative ideas in the hands of those who lay the foundations of the model we criticise? Doesn’t that strengthen the control of big capital over the word and our daily lives? Moreover, how can we not question the cross-industry investment of the business groups that own publishing houses? And, are these investments neutral?”

In this open letter, independent publishers invite all the actors of the book industry to reflect with them on their practices and the impacts that result from them. In particular, they call on authors, academics and intellectuals to work on projects whose vocation is to transform the order of things and not to consolidate the status quo, to publish their works in independent publishing houses in their own countries, and to give preference to independent publishing houses when it comes to transferring foreign and translation rights.

As the world suffers the health, social and economic consequences of the pandemic, book ecosystems and independent publishing houses are further weakened and, for some, are trying to survive. If solidarity between creators and book professionals is one of the foundations of bibliodiversity, this solidarity is vital in the current context.

Read the letter here.
This letter is also available in Spanish, French, Arabic and Portuguese.

Download the report produced by APNET (African Publishers Network) in April 2020.

“Francophone African books are still very often published by French imprints, which can make them hard to get at home. But there is a growing push for change...

When Cameroonian author Daniel Alain Nsegbe first saw his debut novel for sale in his home city of Douala, the price was so high “you would have to ask someone to stop eating for two days in order to buy the book”. It was around 16,000 CFA francs (£20); the average monthly salary in Douala is £150. The book, Ceux qui sortent dans la nuit (Those Who Go Out at Night) was published by Grasset, a French imprint. [...]”

Read here the article by Olivia Snaije, published in The Guardian, 14 May 2020.

An unprecedented mapping of policies supporting reading and books in 22 countries, which can be consulted and downloaded online: publicbookpolicies.alliance-editeurs.org

Arising from the observation of the lack of data on public book policies in regions where the member publishers of the Alliance operate, particularly in Latin America and sub-Saharan Africa, the public book policy mapping project is the result of several years of collaboration between book and publishing professionals, academics and experts on public book policies. It relies first and foremost on the investment and involvement of the Alliance’s member publishers, who are its primary actors. It is one of the flagship projects of the Bibliodiversity Observatory.

The mapping proposes several items: one entry per country (country fact sheets listing existing mechanisms for public support for books at the national level); a regional entry (comparative data through cross-cutting analyses). It is interactive and evolving: the fact sheets presenting the institutions and national public book policies can be amended and modified as the systems evolve. This mapping is thus intended to be extended to new countries in both regions, or even to integrate a new region in the long term (the Arab world in particular). For now, the mapping exists only in Spanish and French for lack of financial means to carry out a translation into English. The Alliance hopes to find the necessary funds to translate the mapping into English soon.

The objectives of the mapping are to:
• make available data on the public book policies of the respective countries;
• offer an overview of public book policies, freely accessible, consultable and reusable by professionals and public authorities;
• promote dialogue and exchanges between public authorities and publishers;
• develop advocacy tools for independent publishers;
• contribute to the establishment and consolidation of public book policies in developing countries (among others, for a greater circulation of books and ideas, for the appropriation of digital tools by book professionals, for balanced exchanges between North and South);
• affirm the role of civil society (book professionals and particularly independent publishers) in the development and implementation of public book policies.

The Alliance warmly thanks the partners of this project: the Fondation de France and the Swiss SDC.

See the complementary issue of the Bibliodiversity journal “Public book policies”.

Press release

• « Quelles politiques publiques en faveur du livre ? », Publishers & Books, numéro spécial OAPE/AIEI, May-June, 2020
• « Quel avenir pour le livre dans l’après-Covid ? », The conversation, June 3, 2020
• “Cartografía de las políticas públicas para el libro en América latina, y en África subsahariana y Madagascar”, Valor de Cambio, June 3, 2020
• « En Afrique subsaharienne, le secteur du livre lourdement impacté par la pandémie », Le Monde Afrique, May 27, 2020
• “Mapping Book and Publishing Policy in Africa and Latin America”, Publishing Perspectives, May 21, 2020
• « Politiques publiques du livre : une cartographie en ligne pour la bibliodiversité », News Mada, May 20, 2020
• « Cartographie des politiques publiques du livre à travers 22 territoires », ActuaLitté, May 13, 2020
• « Cartographie des politiques publiques du livre », En toutes lettres, May 13, 2020
• « Cartographie des politiques publiques du livre », Fédération internationale des coalitions pour la diversité culturelle (FICDC), May 2020

If you have any questions, please do not hesitate to contact the Alliance team at: equipe@alliance-editeurs.org

Publishing & the Book in Africa: A Literature Review for 2019
The fifth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa. Extensively and critically annotated and/or with abstracts, the present list brings together new literature published during the course of 2019, a total of 156 records.

Read the pre-print version here.

The final print/online version to be published in The African Book Publishing Record, vol. 45, issue 2 (May 2020).

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

This chronological timeline sets out some of the key dates, events, and landmarks in the history and development of indigenous publishing in Sub-Saharan Africa. It also includes details of the major conferences, meetings or seminars on African publishing, held in Africa or at venues elsewhere, since 1968. An earlier version of this chronology first appeared in The African Publishing Companion: A Resource Guide, and has now been updated through to the period up to 2019, and considerably expanded to also include publication of a number of benchmark studies, conference proceedings, journals, and reference resources on the African book world.

Read here the pre-print version on Academia.edu, 21 October 2019.

Final version, to be published in African Research & Documentation. Journal of SCOLMA (The UK Libraries and Archives Group on Africa), no. 136 (2019)

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019