English

A pan-African solidarity co-publication: Éburnie (Côte d’Ivoire), Elondja (Democratic Republic of Congo), Sawa (Mali), Ruisseaux d’Afrique (Benin)

A pan-African solidarity co-publication: Éburnie (Côte d’Ivoire), Sawa (Mali), Ruisseaux d’Afrique (Benin)

A pan-African solidarity co-publication: Éburnie (Côte d’Ivoire), Ganndal (Guinea), Sawa (Mali), Nstame (Gabon), Ruisseaux d’Afrique (Benin), Sankofa & Gurli (Burkina Faso)

Thanks to a partnership between the Fondation Lilian Thuram - Éducation contre le racisme and the International Alliance of Independent Publishers, 11 publishing houses in French-speaking Africa are co-publishing La pensée blanche, originally published by Editions Philippe Rey (France).

La pensée blanche is available in the following countries: Algeria (Apic), Benin (Ruisseaux d’Afrique), Burkina Faso (Sankofa & Gurli), Cameroon (Presses universitaires d’Afrique), Côte d’Ivoire (Éburnie), Gabon (Éditions Nstame), Guinea (Ganndal), Mali (Jamana), Morocco (Le Fennec), Senegal (Papyrus d’Afrique), Togo (Graines de Pensées).

Publication date: November 2023
Format: 14,5 X 22 cm; 320 pages

Listen to Lilian Thuram’s interview here at Babelica, the international fair for independent online publishing, on September 20, 2023.

Co-publishers: Amalion (Senegal), Apic (Algeria), Atelier des nomades (Mauritius), Ganndal (Guinea), Graines de Pensées (Togo), Le Fennec (Morocco), Proximité (Cameroon), Sankofa & Gurli (Burkina Faso)
Year of publication of the Pan-African version : 2023, 11,5 X 19 cm
© Elyzad, 2021.

A Fair Trade Book co-publishing.

The International online Book Fair of Independent Publishing was held from 20 to 22 September. The Babelica programme (readings in Arabic, Creole, Mapuche, etc.; round tables on artificial intelligence, decolonial ecology, inclusive publishing, cartoneras in Latin America, translation in the Arab world, solidarity co-publishing, etc.; meetings with Lilian Thuram and Vandana Shiva, etc.) can be (re)viewed and (re)listened to in replay on the Alliance’s YouTube channel.

The Babelica Book Fair (bringing together over 90 publishers from around the world) is available online throughout the year, until the next edition of Babelica in 2024!

The International Alliance of Independent Publishers would once again like to thank Babelica’s partners (Campus AFD and the Organisation internationale de la Francophonie); Maxime Guedj (PCFH Studio) and Thibault Daumain, who designed and developed the Babelica platform; all the speakers; the team of interpreters and everyone else who contributed to the success of this second edition!

The ICIP’s annual meeting, a key opportunity to build the Alliance’s 2024 action plan and also to review the operation, organisation and associative life of the association, will bring together all the coordinators of the language networks for a 3-day meeting.

A session open to all Alliance members is scheduled for 25 October, from 2pm to 4pm (French time).

The programme is available here

Decades of Israeli occupation and settler colonialism on Palestinian land reached new heights with the recent IDF attacks on Gaza. As per this writing, more than 2,200 Palestinians have died (including 724 children) and more than 1 million Gazans have been ordered to evacuate the north.

In the midst of this grave humanitarian crisis, it is very important to give voice to the opressed through all mediums of expressions, including books and literature. Ironically, the Frankfurt Book Fair —as the biggest annual book fair in the world— has done the opposite. The awarding ceremony for Palestinian author Adania Shibli, whose novel “Minor Details” was to receive 2023 Literaturpreis, was cancelled unilaterally by the Fair, in their decision to “make Jewish and Israeli voices especially visible at the book fair” and to “stand with complete solidarity on the side of Israel”.

This one-sideness is unacceptable, as the Frankfurt Book Fair should be a free and impartial forum to open dialogues and debates without violence. We, publishers from International Alliance of Independent Publishers, condemn the Frankfurt Book Fair’s decision to cancel the award ceremony for Adania Shibli, and demand that Palestinian voices be given the same visibility and respect as other voices at the Fair.

Signatories
This list is not exhaustive (and is updated as and when necessary)

Nouri Abid, Med Ali (Tunisia)
Sandra Abrano, Bandeirola (Brazil)
Tomaz Adour, Vermelho Marinho (Brazil)
Marwan Adwan, Mamdouh Adwan Publishing (Syria-UAE)
Ronny Agustinus, Marjin Kiri (Indonesia)
Cauê Ameni, Autonomia Literária and Jacobin Brazil (Brazil)
Ibrahima Aya, Éditions Tombouctou (Mali)
Clô Barcellos, Libretos (Brazil)
Flávia Bonfim, Movimento Contínuo (Brazil)
Jorge Breogan, Sundermann (Brazil)
Sebastian Budgen, Verso Books (United Kingdom)
Barbara Caretta-Debays, Écosociété (Quebec / Canada)
João Carneiro, Tomo (Brazil)
Chiara Cazzato, Tempesta editore (Italia)
Haroldo Ceravolo, Alameda (Brazil)
Indira Chandrasekhar, Tulika Books (India)
Layla Chaouni, Le Fennec (Morocco)
Reza Chavoshi, Dena books (Netherlands)
Sergio Covelli, EPUBBoo (Italia)
Amanda Crocker, Between the lines (Canada)
Élisabeth Daldoul, elyzad (Tunisia)
Róisín Davis, Haymarket Books (United States)
Héctor Dinsmann, Libros de la Araucaria (Argentina)
Serge Dontchueng Kouam, Presses universitaires d’Afrique (Cameroon)
Éric Dusabimana, Bakame (Rwanda)
Mohamed El-Baaly, Sefsafa Publishing (Egypt)
Fatma El Boudy, Elain Publishing (Egypt)
Yara El-Ghadban, Mémoire d’encrier (Quebec / Canada)
Luiz Fernando Emediato, Geração (Brazil)
Whaner Endo, W4 Editora (Brazil)
Letícia Esteban, Gato Sueco (Spain)
Zygmunt Antoni Filipecki Jr., Mauad (Brazil)
Corinne Fleury, Atelier des nomades (Mauritius / France)
Pedro Fonseca, Âyiné (Brazil)
Fernando Diego Garcia, Libros del Zorro Rojo (Spain)
Germán Gacio Baquiola, Editores independientes de Ecuador (Ecuador)
Pauline Gagnon, Écosociété (Quebec / Canada)
Müge Gursoy Sökmen, Metis Publishers (Turkey)
Daniela Gutfreund, Lugar de ler (Brazil)
Samar Haddad, Atlas Publishing (Syria)
Susan Hawthorne, Spinifex Press (Australia)
Selma Hellal / Sofiane Hadjajd, Editions Barzakh (Algeria)
Colleen Higgs, Modjaji Books (South Africa)
Ivana Jinkings, Boitempo (Brazil)
Hassan Khalil, Al Farabi (Lebanon)
Renate Klein, Spinifex Press (Australia)
Elisa Labanca, Buckfast Edizioni (Italia)
Alessandro Labonia, CSA (Italia)
Daniel Louzada, Da Vinci (Brazil)
Adriana Maciel, Numa (Brazil)
Stella Magliani-Belkacem, La Fabrique (France)
Lizandra Magon, Jandaíra (Brazil)
Alexandre Martins Fontes, WMF Martins Fontes (Brazil)
Maria Beatriz Medina, Banco del livro (Venezuela)
Daniela Mena, GAM (Italia)
Ione Meloni Nassar, Mercuryo Jovem (Brazil)
Raquel Menezes, Oficina Raquel (Brazil)
Ritu Menon, Women Unlimited (India)
Lilah Mercader, Éditions Dent-de-lion (Canada)
Anita Molino, Il leone verde (Italia)
Rosana MontÁlverne, Aletria (Brazil)
Nabil Mroueh, Al Intishar Al Arabi (Lebanon)
Francisca Muñoz Méndez, Editoriales de Chile (Chile)
David Murray, Écosociété (Quebec / Canada)
Renata Nakano, Quindim (Brazil)
Maira Nassif, Relicário (Brazil)
Denise Natale, Papagaio (Brazil)
Carla Oliveira, Orfeu Negro (Portugal)
Maria Osório, Babel (Colombia)
Safaa Ouali, Le Fennec (Morocco)
Marco Paganini, AltreVoci (Italia)
Mary Lou Paris, Terceiro Nome (Brazil)
Simone Paulino, Nós and Nossa (Brazil, France)
Dieulermesson PetitFrère, LEGS Édition (Haiti)
Mirline Pierre, LEGS Édition (Haiti)
Dolores Prades, Instituto Emília (Brazil)
Naiara Raggiotti, Carochinha (Brazil)
Marie Michèle Razafinstlama, Jeunes malgaches (Madagascar)
Anahita Redisiu, Forough Verlag (Germany)
Rodney Saint-Éloi, Mémoire d’encrier (Quebec / Canada)
Kenza Sefrioui, En toutes lettres (Morocco)
Alfonso Serrano, La Oveja Roja (Spain)
Abdulai Sila, Ku Si Mon Editora (Guinea Bissau)
Paulo Slachevsky, LOM ediciones (Chile)
Aliou Sow, Éditions Ganndal (Guinea)
Simón Vásquez, Verso Libros (Spain)
Catia Ventura, Ventura Edizioni (Italia)
Marisol Vera, Editorial Cuarto Propio (Chile)
Miguel Villafuerte, Editorial Blanca (Ecuador)
Cristina Warth, Pallas Editora (Brazil)
Mariana Warth, Pallas Editora (Brazil)
Riccardo Zanello, Tempesta editore (Italia)
Habib Zoghbi, La Maison du livre (Tunisia)
Rosa Maria Zuccherato, Nova Alexandria (Brazil)

Babelica, the international book fair of independent publishing, is online!

Find more than 85 publishing houses from 40 countries in the “Publishers” space; a diverse range of titles (in fields including human and social sciences, literature and children’s books) in a multitude of languages in the “Books” space; and 22 events that will take place between 20 and 22 September on the Babelica platform (see “Program”).

Don’t miss the opportunity for exchanges of rights on 21 September 2023 at 4 pm (UTC+2), where publishing houses who are members of the Alliance will present 1 or 2 titles from their catalogues to attendees. This event is open to everyone.

See you on 20 September at 10am (UTC+2) for the opening of Babelica!

“I wouldn’t have written the many books if I didn’t have publishers who were sensitive, publishers who had their own networks, publishers who worked with my philosophy of smallness is beautiful, smallness in self-organised form is largeness—it is largeness of mind, it is largeness of heart, it is largeness in terms of expanding the possibilities of humanity and the earth in a time where the dominant economy would like to shrink those possibilities.”

“If you were not as diverse as you are and if you did not publish the diversity of ideas that are necessary for our times not only would you as a publishing network not have the resilience and robustness that is needed, but wouldn’t be providing that amazing robustness to society in a period where, like monocultures are destroying the fertility of the soil and creating deserts (...)”

Read the speech by Vandana Shiva at the closing of the International Conference on Independent Publishers, Pamplona-Iruñea, 26 November 2021.

This speech is also available in audio on the Alliance’s Youtube channel.

Publishing in Persian language presents a comprehensive and current overview of publishing in Persian language, in Iran, Afghanistan, Tajikistan, Uzbekistan, but also in the diaspora in Europe and the United States.
Articles, penned by Ali Amiri, Beytolah Biniaz, Masoud Hosseinipour, Farid Moradi, Laetitia Nanquette and Dilshad Rakhimov, enable an understanding of editorial markets through historical, economic, political and cultural perspectives.
This study sheds light on the work and publishing list of several independent publishers in Persian language, and thus enabling professional and intercultural exchanges.
Publishing in Persian language is available in Persian and English, and openly accessible on the Website of the International Alliance of Independent Publishers, in PDF, ePub and MOBI formats.

Summary of the study:
• Introduction, Beytolah Biniaz
• History of publishing in Iran, Farid Moradi
• Panorama of independent publishing in Iran, Farid Moradi
• Structure of the book market in Iran, Farid Moradi
• Cultural exchanges and translations between Iran and France, Germany, the United Kingdom and the United States, Laetitia Nanquette
• Persian language publishers in Europe, Farid Moradi
• Publishing in Afghanistan, Ali Amiri
• Panorama of publishing in Tajikistan, Dilshad Rakhimov
• Publishing in Persian language in Uzbekistan, Farid Moradi and Masoud Hosseinipour

Publishing in Persian language, “État des lieux de l’édition” collection (Reports on the publishing world), International Alliance of independent publishers, 2015.
ISBN: 978-2-9519747-7-7 (Persian version)
ISBN: 978-2-9519747-8-4 (English version)

Publishing in Persian language was made possible through the support of the Prince Claus Fund. We thank all contributors, publishers, and professionals who participated to this collective endeavour –and particularly Sonbol Bahmanyar for the coordination of the study.

Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structural adjustment policies, the continuing dominance of multinational publishers (particularly in textbooks), regressive language policies, and lack of recognition by African governments of the economic and cultural importance of publishing. African publishers seek to work collectively, to harness the digital age, and to take their place in the international marketplace on equal terms, Africa’s own voice.

This article, by Walter Bgoya and Mary Jay, was originally published in Research in African Literatures, vol. 44, no. 2, Summer 2013, 17-34, published by Indiana University Press.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

At the 80^th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

This issue is dedicated to Andre Schiffrin, member of the Scientific Committee of the journal Bibliodiversity.

Follow this link to listen to the “Danse des mots” programme of April 18 2013, focusing on book donations. Yvan AMAR interviews Raphaël THIERRY, following the publication of the article in Africultures, April 8 2013 “Giving is not receiving. Thoughts on book donations in Africa”.

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.