English

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

This co-publication is supported by the Fondation Lilian Thuram - Éducation contre le racisme and its partners: CASDEN and MGEN; this co-publishing bears the label “Fair Trade Book”.

Publication: April 2014 - 404 pages - 14,5 X 22 cm - printed on recycled paper -
First publication: éditions Philippe Rey, Paris, 2010.
ISBN Algeria: 978-9931-325-67-3
ISBN Benin: 978-99919-1-707-8
ISBN Burkina Faso: 978-2-913991-65-1
ISBN Cameroon: 978-9956-444-77-4
ISBN Côte d’Ivoire: 978-2-8091-0062-4
ISBN Guinea Conakry: 978-2-35045-046-9
ISBN Haïti: 978-2-89712-232-4
ISBN Madagascar: 978-2-916362-39-7
ISBN Mali: 978-99952-1-063-2
ISBN Marocco: 978-9954-419-76-2
ISBN Senegal: 978-2-914135-20-7
ISBN Togo: 978-2-916101-58-3

In “The Early Islam, from Ugarit to Samarra”, the history of a religious movement later to be known as Islam will be retold –not as it can be found in all encyclopedias, history books and TV documentaries– but as it can be inferred from the material evidence if investigated in an unbiased fashion. “Unbiased” here means that all we know –or rather only seemingly know– from the Islamic historiographic literature (the “Traditional Account/ Report”) will be ignored: first as it stems from an era several centuries after the alleged events it describes; secondly as it is mostly legendary and follows a “theological program” and thirdly as in many cases it flatly contradicts the material evidence we have on coins, inscriptions etc. The re-interpreted history will be presented in the form of the account of a journey. In some cases, words everyone would expect in a history of “early Islam” will not appear and for good reason. The term “muslim”, for example, appears only very late on in non-Islamic sources, in fact only several generations after the alleged founding of the new religion. Other words appear with different meanings, e.g. “Islām” originally does not designate a new religion, “Arabī” does not designate an ethnic group and other examples.

Publication: 2014 - 304 pages - 22 x 15 cm - ISBN: 978-3-943147-99-5
First publication: Schiler Verlag (Germany), 2006
This translation has received the support of the Prince Claus Fund.

Publication: 2014, 496 pages, 15 X 22 cm
ISBN France: 978-2-3641-303-95
ISBN Switzerland: 978-2-8290-470-4

After the first six preparatory and thematic workshops that were held from November 2012 to December 2013, the seventh and last workshop of the Assembly will take place from 30^th April to 2^nd May in Abu Dhabi, in partnership with the Abu Dhabi International Book Fair. This workshop will gather 15 publishers and digital experts around the topic: “Digital publishing: What issues for bibliodiversity in the Arab-speaking world?”. More information to come soon!

From 17^th to 22^nd September, the Cape Town meeting (South Africa) will conclude the International Assembly of independent publishers. More than 50 independent publishers from 40 countries will meet in Cape Town for an intercultural and interlinguistic event in favor of bibliodiversity.
The Assembly is organized in partnership with the Open Book festival.

For more information, get in touch with the Alliance team and download the document below.

André Schiffrin, great independent publishing figure, passed away on this Sunday 1^st December 2013 in Paris. His work and his analysis (“L’édition sans éditeurs”, “Le contrôle de la parole”…) took an essential part in the creation of the Alliance, back in the 2000s.
After running Pantheon Books (United States) during a long time, André Schiffrin left the Random House group to create in the early 90s the not-for-profit publishing house The New Press, member of the Alliance.
André Schiffrin wrote several fundamental books on independent publishing stakes, translated into many languages –as “Words and money”, the last one, copublished in the Alliance Arabic-language network by Al Intishar (Lebanon), Med Ali (Tunisia) and Atlas Publishing (Syria).

In the current context of the International Assembly of independent publishers, and remembering André Schiffrin had taken part in the Paris Assembly in 2007, the Alliance has lost a fellow traveller –his memory and his reflections will keep on being with us. Independent publishers from all over the world are paying him a tribute here.

“Walaandé, the art of sharing husband”, is a novel about the hardships women from polygamous marriages face every day. The themes discussed in the book include polygamy, woman education, discrimination and violence against women, early marriage, and repudiation.

This novel is a sound testimony of women’s lives that are deeply affected by years of emotional muzzling. A novel that completely sweeps all hopes of happy tomorrows and sinks them into a day-to-day life with its constraints, its conflicts, its pressures as well as its drama, whereby the wealthy polygamous family with its variety of female characters, exhibits external signs of wealth, but in fact faces a lot of problems.

The setting is in one of the richest muslim households in Maroua. The head of the family, a wealthy businessman, is the father of many children, has a number of domestic servants and renews his harem at will and according to his adventures.

Four wives, a dozen of children and a myriad of servants are the daily actors in a household that has the necessary comfort for a luxurious life. Alas! Walaandé is instead a portrayal of their boring existence.

Behind the golden walls and beautiful fences of this luxurious palace where perfumes, colours and flowers forecast a taste of the well-being of rich people, there is finally nothing but boredom, loneliness, despair, conspiracies and jealousy. But also, this male dictatorship, this pride of the “supreme repudiator”, this husband, once very gentle when he needed to conquer his target’s heart, had described to her a beautiful life in which he instead chained her. The same love lines to Aissatou, Djaili, Nafissa, Sakina, the same become a set of disappointments for all of them.

This novel, like any other work of art, is inspired from real life whereby lives and delights, charms and tears, worries and frustrations paralyse women energies and distort their beauties, once very irresistible. The reverse of polygamy as described in this realistic novel echoes the long muzzled sigh of many females who dreamt in their early ages of a wealthy lover with perfumed and luxurious cars, but finally find themselves trapped in the external appearance of this comfort.

Djaïli Amadou AMAL is North Cameroon’s first female author. She is a young Peulhe woman, with an Egyptian mother. These mixed origins have probably enabled her to write more freely, just to write, and, what is more, on a subject up to now taboo in her society, polygamous marriage, which is known to be closely related to the premature marriage of young girls.
Djaïli Amadou AMAL undoubtedly forms part of the elite of the new movement of regional Cameroonian authors. Her novel has already been reprinted in less than six months. She attracted great attention on a tour of Cameroon and Chad visiting the Alliance Française network to discuss the theme of polygamy.

Year of publication: 2013, 144 pages, 16,5 X 21,5 cm, ISBN: 978-614-404-419-3
First publication: 2010, éditions Ifrikiya, Cameroon

The translation and co-publishing of “Walaandé, l’art de partager un mari” have been supported by the Prince Claus Fund.

The International Committee of independent publishers (ICIP) will gather in Paris from the 17^th to the 19^th October, at the BULAC (University Library of the languages and the civilizations), for its annual meeting. What’s on for these days: publishers presentations and analysis of the first conclusions (tools and recommendations) of the workshops of the International Assembly of the independent publishers; preparation of the general meeting which will close the Assembly in Cape Town in September 2014.

After Guadalajara in November 2012, Paris and Bologna in March 2013 and Ouagadougou in June 2013, the sixth workshop of the International Assembly of Independent Publishers will be held in Frankfurt, from 13 to 15 October 2013, on the issue of “Diffusion of human and social sciences books: what innovative strategies?”.

15 publishers from Latin America, Asia, Europe and Africa will share experiences and knowledge in order to question the solutions offered by digital possibilities for the diffusion of their books, to share some tools, and to develop translation and co-publishing projects.

This workshop is organized in partnership with the Frankfurt Book Fair, and with the support of the Fondation de France, the Centre national du livre and the Goethe-Institut in South Africa.

You can follow the International Assembly of Independent Publishers here !

Publishers will also be present throughout the Frankfurt Book Fair (from 9 to 13 October) on their respective stand and / or the stand of the International Alliance of independent publishers (hall 5.0 D111)

Publishers & Books, a monthly specialized magazine, produced and published by the African Observatory of Professional Publishers (OAPE). Articles are in French and/or in English.

See here the first issue (June 2018);

And below the second issue (July 2018) and the third issue (August 2018).

Consult here the training material produced by Denis Jacquerye, typographer (Dalton Maag Ltd), as part of the workshop on digital publishing and African languages, held in Conakry (Guinea Conakry) from 20-23 November 2017.

STATEMENT
August 8, 2018

The International Alliance of Independent Publishers (IAIP), a network of 553 publishers worldwide, expresses its shock and dismay at the late-night abduction and detention of acclaimed photographer and human rights activist, Shahidul Alam, in Dhaka. Shahidul Alam has been a partner-colleague of the IAIP, in which context we have interacted with him on many occasions.

We believe that the charges against him under Section 57 of the ICT are an attempt to intimidate him by using a draconian law to stifle his right to free speech. He has been held without due legal process, and we have received disturbing reports of brutal treatment meted out to him in detention.

The right of peaceful protest, and the defence of that right, are fundamental to democracy and to upholding the rule of law. The IAIP extends its support to, and expresses solidarity with, Shahidul Alam, and reiterates its commitment to the freedom of expression in Bangladesh as well as in the rest of the world.

See here the film make by New Internationalist (UK) in support with Shahidul Alam.

Authors, publishers, booksellers, librarians and readers form what is commonly known as a “book ecosystem”, an expression that reflects the interdependence between actors in the book field. However, over the past few years, the discussions, both globally and in Europe, about re-defining the intellectual property rights, and the evolution of practices in the digital era, led to division that gradually distanced these stakeholders, with the risk of weakening the solidarity that unites them.
Fortunately, new conversations have started, more specifically about the cultural rights, opening a space where this topic can be debated and addressed from a new angle with focus on issues related to the balance of rights. Starting from the idea that fundamental rights are inseparable, it seems possible to understand author rights, cultural rights and social rights as a coherent whole. The challenge is to find an approach that would stop opposing the book professionals, to re-establish coalitions towards the conquest for new rights.
Due to their specific position, independent publishers could play an important role in framing this collective discussion in the book sector.

Lionel Maurel
A Law Degree holder, Lionel Maurel is currently a librarian at the University Paris Lumières Library. Author of the S.I.Lex blog, he specialises in Intellectual Property, Digital Law, and Cultural Law. Involved in the Commons movement, he co-founded the collective SavoirsCom1 (“Common Knowledges”) and is a member of the Strategic Orientation College of La Quadrature du Net.
Picture: thesupermath. CC-BY-SA. Source: Wikimedia Commons, remix by Guénaël Boutouillet

Read the full text!

“Publishing in African Languages: A Review of the Literature”, by Hans M. Zell, to read here !

This literature survey is an attempt to bring together some of the literature on an important and challenging, and one could well say neglected aspect of the African book sector, that of publishing in African languages, an area that greatly impacts literary production in many ways. It aims to make a small contribution to the ongoing debate about publishing of indigenous language materials, how the profile of indigenous language publishing might be enhanced – and how publishing in African languages could be conducted as a societally beneficial, sustainable, and profitable commercial activity.

Following an introductory overview of current publishing in African languages – and a discussion of its many barriers to success – it lists a total of 170 records, covering the literature (in English) published since the 1970s and through to early 2018. Fully annotated and/or with abstracts, it includes books, chapters in books and edited collections, reports, journal articles, Internet documents, theses and dissertations, as well as a number of blog postings.

To be published in African Research & Documentation. Journal of SCOLMA -The UK Libraries and Archives Group on Africa, no. 132, 2018.

© Hans Zell Publishing Consultants 2018

An unprecedented study to be published in July 2020, initiated and coordinated by the Alliance!

A sociological survey conducted by Anne-Marie Voisard, Quebec researcher (MA on strategic lawsuits against public participation and legal repression of freedom of speech from the University of Montréal) and written by Philippe Chibani-Jacquot; a historical introduction by Jean-Yves Mollier, French historian.

Since the creation of the Alliance, publishers – custodians of freedom of speech alongside journalists, authors, bloggers, booksellers, artists… – have been the whistleblowers on instances of censorship occurring in some countries. Over the past few years, we have noticed some new forms of attack on freedom of speech. In several contexts, pressures and limitations exercised on public speech are increasing. After the wave of freedom expected during the revolutions in the Arab world, the series of attacks in Africa, Europe, and in the Arab world, destabilised freedom of speech: a loss of sense, of bearings that brings us to question spaces of freedom, the reach of words and the power of the medium.

The freedom of publishing is a “category” of freedom of speech that can take different forms through various supports. The freedom of publishing pertains to the liberty to choose an author, to select or commission manuscripts, publish them, disseminate and distribute them, and put them on the market – all these activities are at the heart of publishers’ work. The threats to the freedom of publishing are precisely what the Alliance seeks to examine in this study.

In different geopolitical contexts, threatened by different forms of censorship, the Alliance’s independent publishers are committed to circulate texts and ideas, to amplify voices, even if sometimes they are in minority, to participate in building critical thinking and emancipation. It is their responsibility, both professional and civic.

Read here the presentation of the study, of the authors, the methodology...

Read here the report of the workshop on “African Book Industry”, organized by the Global Book Alliance (USAID) and the Association for the Development of Education in Africa (ADEA) in Abidjan (Ivory Coast) in January 2018.
The workshop brought together 79 key stakeholders in the African Book Publishing Industry from 22 African countries.
More information here.

Publishers from the Alliance condemn the banning of the book El desarme, la vía vasca d’Iñaki Egaña (copublished by Txalaparta, Gara journal, and Mediabask media), during its promotion on Basque radio-television.

Read here the proceedings of the colloquium on “Children’s Literature in Africa” (in French), organised by Ganndal, Conakry, November 2017.

Read the “Conclusions of the Symposium on the Challenges of the Promotion and Distribution of Books in African Languages”, organized by Ganndal publishing in Conakry (Guinea Conakry), 27-28 November 2017.