English

In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published.

Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.

Bibliodiversity is a term invented by Chilean publishers in the 1990s as a way of envisioning a different kind of publishing. In this manifesto, Susan Hawthorne provides a scathing critique of the global publishing industry set against a visionary proposal for organic publishing. She looks at free speech and fair speech, at the environmental costs of mainstream publishing and at the promises and challenges of the move to digital.

A translation from English into French followed by a co-publishing between 5 publishers in France (éditions Charles Léopold Mayer), Switzerland (éditions d’en bas), Mali (Jamana) and Cameroon (Presses universitaires d’Afrique).

From October, 19^th to 23^rd, meet the independent publishers at the Frankfurt Book Fair: more than 25 publishing houses from all around the world will be there!

You can find the publishers’ contact on the attached document. Do not wait to make an appointment!

The International Alliance of independent publishers demands that Turkish authorities immediately release publishers, authors and journalists currently detained. It is necessary to guarantee freedom of speech and publishing in Turkey. The Alliance joins the Turkish Publishers Association’s condemnation of the summary closure of publishing houses and media as a clear human rights violation, and urges the Turkish authorities to rescind those summary closures.

Through the support of the Organisation internationale de la Francophonie and the partnership established with the Ivorian publishers association (Assedi), the Alliance’s Digital Lab will convene 18 publishers from Sub-Saharan Africa from 23 to 27 May, to a workshop focusing on:
* the production and marketing of digital books (session facilitated by Gilles Colleu, Vents d’ailleurs, France);
* management of the Alliance Press web template developed by the Alliance for publishers who do not have websites (session facilitated by Mouhammed Diop, Senegalese developer and designer of Alliance Press).

The workshop follows on the series of meetings/training workshops designed and implemented by the Alliance since 2010, and is aimed at publishers in particular from French-speaking Africa. In order to share knowledge and encourage ownership, all workshops and meetings of the Alliance are complemented by factsheets published on the Digital Lab website, and personalised online tutorials.

The workshop will be held at the occasion of the Abidjan Book Fair (26-28 May, Palais de la Culture), and will provide the opportunity for publishers to share the collective stand of the Afrilivres association. The Afrilivres Prize will be awarded on that occasion, in the presence of the recipient of the 2015 prize: Valesse publishers from Ivory Coast.

After studying political sciences, Laura Aufrère was for 5 years coordinator of the French confederation gathering not-for-profit cultural professional initiatives from a variety of disciplines (music, theater, outdoor and circus, visual arts, etc.), rooted in the solidarity economy movement (UFISC). She is now a PHD student in management, looking specifically into critical approaches in the organisation theory and the digital humanities fields. She studies commons and social and solidarity economy initiatives, focusing specifically on work and labour organisation, cooperation and governance issues, and social protection. She joins the Alliance Board in 2016 and is now its President.

Vice-President of the Board of the Alliance since the General Assembly of June 20, 2011, Luc Pinhas is a former student of the École normale supérieure in Saint-Cloud. He holds a PhD in Communication Studies and teaches at Paris 13-Villetaneuse University, where he is currently in charge of a master’s degree on “Book Marketing”.

Thierry Quinqueton has long experience in the publishing world and of intercultural dialogue. He was Literary Director at the Desclée de Brouwer publishing house (France) from 1991 to 1999, and then Director of the French Cultural Center in Khartoum from 2000 to 2004. After spending four years at the French Department of Foreign Affairs (department of written documents and libraries), he was responsible from May 2009 to July 2013 for the libraries network in the Châtellerault area; from 2013 to 2017, he was in charge of the Book Office at the French Embassy in Beirut, Lebanon. Thierry Quinqueton also pursues his research on the links between market economies, public policies, and non-monetary aspects within the book economy (Law and Development of Social and Solidarity Economy - University of Poitiers). Author of “Que ferait Saul Alinsky?” (DDB, 2011), he was Chairman of the International Alliance of Independent Publishers from 2006 to 2013.

Mariette Robbes is specialized in network facilitation, public relations and project management in the associative and cultural sectors. She has worked at Katha publishing (India), at the International Association of Francophone Booksellers and the International Youth Library (Germany).
Her growing passion for “third places” and innovative ways of working and creating (fablabs, coworking, shared workshops, etc.) led her to explore new horizons. She is now working as a Network Development & Animation Manager at myCowork, in Paris.
Passionate about publishing for youth in India, she is also an associate member of the academic project DELI (Encyclopaedic Dictionary of Literatures of India). In addition, Mariette works as a freelancer (support for fundraising, graphic design and layout).

Jérôme Chevrier has been working for 20 years in the book and reading sector. As a librarian, he has worked at the Bibliothèque nationale de France, the Ministry of Culture, the Centre national du livre and the French Institute of South Africa.
He was in charge of cultural mediation at the Centre Pompidou public information library. He is currently cultural attaché in charge of the Book Department at the French Embassy in London.
He joined the Alliance Board in July 2021.

Publishing in Persian language presents a comprehensive and current overview of publishing in Persian language, in Iran, Afghanistan, Tajikistan, Uzbekistan, but also in the diaspora in Europe and the United States.
Articles, penned by Ali Amiri, Beytolah Biniaz, Masoud Hosseinipour, Farid Moradi, Laetitia Nanquette and Dilshad Rakhimov, enable an understanding of editorial markets through historical, economic, political and cultural perspectives.
This study sheds light on the work and publishing list of several independent publishers in Persian language, and thus enabling professional and intercultural exchanges.
Publishing in Persian language is available in Persian and English, and openly accessible on the Website of the International Alliance of Independent Publishers, in PDF, ePub and MOBI formats.

Summary of the study:
• Introduction, Beytolah Biniaz
• History of publishing in Iran, Farid Moradi
• Panorama of independent publishing in Iran, Farid Moradi
• Structure of the book market in Iran, Farid Moradi
• Cultural exchanges and translations between Iran and France, Germany, the United Kingdom and the United States, Laetitia Nanquette
• Persian language publishers in Europe, Farid Moradi
• Publishing in Afghanistan, Ali Amiri
• Panorama of publishing in Tajikistan, Dilshad Rakhimov
• Publishing in Persian language in Uzbekistan, Farid Moradi and Masoud Hosseinipour

Publishing in Persian language, “État des lieux de l’édition” collection (Reports on the publishing world), International Alliance of independent publishers, 2015.
ISBN: 978-2-9519747-7-7 (Persian version)
ISBN: 978-2-9519747-8-4 (English version)

Publishing in Persian language was made possible through the support of the Prince Claus Fund. We thank all contributors, publishers, and professionals who participated to this collective endeavour –and particularly Sonbol Bahmanyar for the coordination of the study.

Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structural adjustment policies, the continuing dominance of multinational publishers (particularly in textbooks), regressive language policies, and lack of recognition by African governments of the economic and cultural importance of publishing. African publishers seek to work collectively, to harness the digital age, and to take their place in the international marketplace on equal terms, Africa’s own voice.

This article, by Walter Bgoya and Mary Jay, was originally published in Research in African Literatures, vol. 44, no. 2, Summer 2013, 17-34, published by Indiana University Press.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

At the 80^th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

This issue is dedicated to Andre Schiffrin, member of the Scientific Committee of the journal Bibliodiversity.

Follow this link to listen to the “Danse des mots” programme of April 18 2013, focusing on book donations. Yvan AMAR interviews Raphaël THIERRY, following the publication of the article in Africultures, April 8 2013 “Giving is not receiving. Thoughts on book donations in Africa”.

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.