English

An incredible censorship attempt is endangering the very existence of the publisher Écosociété (Quebec – Canada); more than 60 publishers from 30 countries have declared their undivided support for the Quebec publisher and are calling on the pinstigators of the “Noir Canada” affair to respect the rights of freedom of expression and publication.

Click here to see the list of Alliance member publishers.

The Dakar Declaration (December 2003) is the foundational text of the Alliance and birth certificate of the association. The Guadalajara Declaration (October 2005) is the outcome of a meeting held in Mexico between independent publishers from the Latin world.
The International Declaration of independent publishers for the protection and promotion of bibliodiversity (July 2007) was drafted and signed by the 70 publishers participating to the International Assembly of independent publishers held in Paris in 2007.
These three texts, as well as the 2014 International Declaration of independent publishers, are milestones in the history of the Alliance – they are a reminder, and bear witness to the present bearing testimony to the commitment of independent publishers, and serve as their policy guidelines.

Do you want your collection to diversify? Are you fond of youth literature?
Set out to discover African youth literature thanks to an exclusive selection of books published in Africa: colofur, sometimes bilingual quality books, with engaging characters and extraordinary adventures.

These books are available from the Alliance, get in touch with us for any request or any order.

In the eyes of an African teenager who joins the army without really knowing why, Ken Saro-Wiwa takes us into the chaos of a meaningless chaos, that of Nigerian civil war (1967-1970). Written in an extraordinary language – “rotten English” –, Sozaboy is a masterpiece of African literature; its astonishing violence and audacity have been celebrated throughout the world as a fierce plea against the madness of war.

Ken Saro-Wiwa was born in Nigeria in 1941. After studying English, he worked as a teacher in Laos. Besides writing novels and popular soap operas for television, he later created his own publishing house and was the President of the Association of Nigerian Authors for three years. As a journalist, he has been praised for his caustic pen and courageous positions. In 1995, he was sentenced to death and executed by hanging because of his militancy in favor of the Ogoni community to which he belonged.

Year of publication of the pan-African version: 2008,
294 pages,
11,5 X 19 cm

Ken Bugul’s novel is a dialogue between a daughter and her dead mother, whom she accuses of not having loved her and having preferred her sister ; it describes a relationship and a world from which love and truth seem absent. In a poetic fashion, alternating short sentences with poetry – as though pulsed by the murmur of despair – in a litany of remembrances, the author attempts to tell the ineffable pain of lost things.

Ken Bugul – whose name in Wolof means “one who is unwanted” – was born in Senegal in 1947, to a father who was a marabout (type of African shaman) and a mother who had to leave her when she was only 5 years old. She has worked as an international civil servant and now she lives in Benin. Her work, in which she combines her sense of humour with an innate talent for story-telling, is flooded with themes such as the status of women, Islam or North-South relationships. With her lucid, free and uncompromising look, she is one of the major voices in contemporary African literature.
Among her books are: La folie et la mort [Madness and Death], (Présence africaine, 2000), Rue Félix-Faure (Serpent à Plumes, 2004).

Year of publication of the pan-African version: 2008, 282 pages,
11,5 X 19 cm

The spread and consolidation of the women‘s movement in North and South over the past 30 years looks set to shape the course of social progress over the next generation. Peggy Antrobus asks

• Where are women now in the struggle against gender inequality ?
• What are the common issues that they face around the world ?
• What challenges confront the women‘s movements ?
• And what strategies are needed to meet them ?
  

The author draws on her long experience of feminist activism to set women‘s movements in their changing national and global context. Her analysis will be an invaluable aid to reflection and action for the next generation of women as they carry through the unfinished business of women‘s emancipation.
"Today the global women’s movement stands at the crossroads
between protecting hard-won gains and being swept away by the
tidal wave of globalization. It is my belief that feminist politics and praxis hold the key to addressing the threat this terrifying conjuncture poses for human security everywhere".

Peggy Antrobus was born in Jamaica. Her studies in Economics led her to a gradual commitment in the field of socioeconomic development. Working with NGOs and discovering feminism have transformed her understanding of economy and politics forever. She has worked for the UN, the Women and Development Unit (WAND) and the Development Alternatives with Women for a New Era (DAWN) network.

See English version at www.zedbooks.co.uk

As the Casablanca International Book Fair (February 9 to 17, 2008) opens its foors in Morocco, the Alliance of Independent Publishers wishes to express its deepest concerns with regard to the situation of independent book retail and, more generally, of the entire local book industry.

In A Naked Needle, with a finesse that is not lacking in nerve – the explicit reference is to none other than James Joyce’s Ulysses– Nuruddin Farah adds to the love story a stroll through the city, as well as a detailed analysis of the psychology of his characters, each of whom sees the relationships from a different viewpoint. This increases the readers’ feelings of empathy, and they will inevitably be surprised as they identifies with one or other member of this community.
This is where one of the keys to the great success of Farah’s novels lies: the power of the novelist to take us gently and firmly by the hand and make us identify with individuals who remain timeless. “Outside of time, because they are them although they could be us” – writes Abdourahman A.Waberi in the prologue.

Born in Baidoa, in what was then Italian Somalia, Nuruddin Farah grew up in Ogaden, a Somali province in eastern Ethiopia, before going off to study in India in the mid 1970s. Back in his home country, he made a name for himself in 1968 in Mogadishu as a teacher, but above all as the first novelist to use both English and Somali. A double success – unusual, certainly – which was to precipitate his exile, sealed by the military junta of Mohamed Siad Barre, who came to power in 1969.

In an excellent translation into French by Catherine Pierre-Bon and a remarkable cover design, A Naked Needle signals the editorial orientation of the “Terres d’écritures” collection, which is being published jointly by seven French-language publishers. A demanding collection of books that are destined to last, and which strongly reassert the universality of literature.

Year of publication : 2007,
260 pages,
14,5 X 22 cm

The Alliance is present at the Geneva African Book Fair (April 22 to 26, 2009) and gives you the opportunity to participate in a smart book donation operation. By buying one or several youth books produced in Africa from the African bookshop on the Fair, as well as a pre-paid envelope from the Alliance, you can mail the books yourself to a library in Africa.

Throughout 46 well-documented pages and based on an extensive in-the-field investigation, Stéphane Marill has produced this remarkable analysis of “Publishing in Côte d’Ivoire: a study of the educational sector subjected to offers to tender”. This comprehensive overview comprises an all-new step-by-step guide for publishers wishing to apply for school publishing tenders (read also this article).

This study, available in Spanish, was carried out as an International Alliance of independent publishers exclusive by Elena Enríquez Fuentes (Mexico) in 2008.

Her work demonstrates that there is a considerable bias in the trading of books between Spain and Latin America. This assertion is based on the analysis of exports and imports between Spain and Latin America in 2006 and 2007.

As the official campaign for the next European elections is being launched, the Alliance has decided to get involved in a positive fashion by formulating three proposals that would be very simple to implement.

These proposals have furthermore been published on the website http://challengeforeurope.blogactiv.eu, with dozens of others, on the initiative of the Charles Léopold Mayer Foundation in the framework of its “What kind of Europe do we want?” program. Let us hope this impressive corpus of proposals will be a profitable inspiration to the EU’s future elected representatives!

An incredible censorship attempt is endangering the very existence of the publisher Écosociété (Quebec – Canada); more than 60 publishers from 30 countries have declared their undivided support for the Quebec publisher and are calling on the pinstigators of the “Noir Canada” affair to respect the rights of freedom of expression and publication.

Through a step-by-step approach, with examples and a pedagogical method, Stéphane Marill gives a precious “vade mecum” for any publisher wishing to respond to a call for tenders in the school textbook industry.

Why did the large majority of European countries choose to protect the book, setting its price through trade agreements or legal measures? How were these protection mechanisms, which make the book into a cultural exception permitted by the European Commission, gradually implemented? Markus Gerlach offers a broad analysis the price-fixing of books in Europe: he begins by relating the background of this measure and then analyzes the economic effects. In the end he shows the extent to which the price-fixing of books, apart from its cultural and economic importance, also assumes an eminently political dimension.

“Protéger le livre” by Markus Gerlach (in French) - available in Spanish (“Cómo proteger el libro”), in Portuguese (“Proteger o livro”) and in Italian (“Proteggere il libro”).

Year of publication: 2006, 160 pages, 15 x 21 cm, ISBN 10: 2-9519747-2-8; ISBN 13: 978-2-9519747-2-2

Year of publication: 2006, 288 pages, 15 x 21 cm, ISBN 978-2-9519747-3-9

Far from being a caricature, developing a reasoning based on his personal conception of publishing, Gilles Colleu explores some of the characteristics of a typical independent publisher.
What do we mean by independent publisher? Are they necessarily small concerns? Can a major group be independent? In a context of concentration and increasing dominance of financial considerations, how can publishers remain independent while playing their crucial role of putting fresh ideas forward?

Gilles Colleu is a former student of Jean-Marie Bouvaist and has taught alongside him on the Master course at Villetaneuse University. He is now an associate professor in the publishing professions department of the IUT in Aix-en-Provence. He founded the Vents d’ailleurs publishing house and manages it with Jutta Hepke, and for the past 20 years has acted as a consultant to publishers.

In this work, he stresses his conviction that publishing needs to be rooted in a long cycle of cultivation, to build a coherent catalogue and long-lasting business.

NB: pages 94 to 97 of this work feature a full, fresh definition of independent publishing, suggested by the International Alliance of Independent Publishers.

Year of publication: 2006, 160 pages, 15 x 21 cm, ISBN 10: 2-9519747-2-8; ISBN 13: 978-2-9519747-2-2

A thorough report by Luc Pinhas, in French

Why do books have such restricted circulation in the French-speaking world? Which way does the flow go and which are one-way streets? What current legislation encourages publishing and the marketing of works? Are public policies sufficient? What setbacks are encountered in the marketing of works? Luc Pinhas draws a comprehensive portrait of the state of publishing, including legislation, circulation, distribution and marketing of books in the French-speaking world. This dossier, featuring entries on many themes and geographic locations, provides a complete overview of local realities, illustrated with telling examples. After analysing measures that states, associations and syndicates of publishing and book-store professionals have implemented, the author puts forward some proposals to fuel a much-needed debate. To achieve this and to hear what the main players had to say, especially with regard to the South, a fruitful survey was conducted at the Ouagadougou book fair in November 2004, in partnership with the international Association of French-speaking Bookstore Managers (AILF) - [http://www.librairesfrancophones.org/]

Year of publication: 2005, 288 pages, 15 X 21 cm, ISBN: 978-2-9519747-1-X

African literature in French is today better represented and better known in Europe than in Africa, where its distribution remains hampered by many obstacles. However, there are solutions, which require the mobilisation of various stakeholders in the book industry. One solution is co-publishing, based on a joint trade agreement. The publication of “L’Ombre d’Imana” by Véronique TADJO, a groundbreaking example of pan-African co-publishing, proves that it is possible, through joint action, to create the conditions necessary for a (re)appropriation by Africa of its literature. To make this possible, the Alliance is appealing to everyone, authors, publishers and institutions alike, to join forces and promote the bibliodiversity at the heart of the francophone spirit. This appeal is endorsed by many authors and book industry professionals.