Literature

Invited in 1998 to a writers’ residence in Rwanda, Véronique Tadjo, from the Ivory Coast, discovered the remnants left by genocide. For collective memory’s sake, she decided to write in order to give faces, names, and lives to those that she met, whether victims or torturers. At times reporting, at times fiction, this novel gives a human perspective on one of the greatest dramas experienced by contemporary Africa. This work is a proof of literature’s ability to give a new look on the past and to help people relearn how to live together. In order that such barbarity doesn’t happen again.

From the Ivory Coast, Véronique Tadjo currently lives in South Africa. She writes books, collections of poetry, and children’s books. The “Grand Prix Littéraire d’Afrique Noire 2005” (Literary Grand Prize for sub-Saharan Africa) was awarded to her for the whole of her works.

Year of publication: 2006,
144 pages,
12 X 19 cm

Chronicles of a family and a court, Festins de la détresse, plunges us into a portrait of lives that fall victim to changes in economic and social conditions, often too rapid for one human life to adapt to. Drawing from the complex tradition of African song, Aminata Sow Fall wants “to change the belief according to which food and material goods are the only things necessary to survival, and to highlight the importance of creativity and spiritual needs. These needs are even more important than material goods, which are not a sufficient basis for the dignity of a human being”.

Year of publication: 2005,
160 pages,
14,5 X 22 cm

What image does Europe project to the outside world, this Europe who is used to gazing at herself, preoccupied with her minor or major internal quarrels? We asked this question to ten African writers. Coming from the Maghreb or sub-Saharan Africa, each of them chose one particular aspect of European culture: the question of time, femininity, technology, hospitality, the cult of the dead... From Carnac, Geneva, Germany and Senegal, Africa looks at Europe.

Year of publication: 2004

Africa.
A continent of vast riches buried under countless ills...
Words, deaths and blood...
Africa is doing badly. But who says so?
Its children. Its artists. And its writers.
Thanks to Raharimanana and Soeuf Elbadawi, African voices are unmasking the truth about French Africa through short stories. Chicanery, espionage, torture and other manipulations... Anything goes.
Thirteen writers remind us that Africa is neither deaf nor dumb. They give us the latest short stories from French Africa to show again and again the reality of what is at stake in the old French colonies, which are now considered independent.

Year of publication: 2003

“Fate would have it that from a certain moment of my life, I would become a bearer of two languages, Chinese and French. Was this solely due to fate? Or did a dose of deliberate will enter into it after all? Regardless, I took up the challenge by assuming, in my own manner, both languages, all the way to the extreme consequences. Two complex languages, commonly considered ‘major’, so rich in history and culture. And above all, two such fundamentally different languages separated by the largest chasm imaginable.
Nothing surprising in what since then, at the heart of my linguistic adventure oriented toward love for an adopted language, has become a major theme: dialogue...”
F.C.

Year of publication: 2002

If we are to believe the major myths and tales, travel is part of the human adventure. Whether man embarks for good or toward a promised land (Abraham or Moses), experiences numerous tribulations before returning to his point of origin (Ulysses), takes to the road to seek wisdom through multiple encounters (Buddha) or goes off to discover terra incognita (Christopher Columbus or Marco Polo), he enriches his perception of the world.
In an era when travel is part of our daily life, Wang Yipei, writer and specialist in Western literature, very sensibly evokes the Chinese approach in which the themes of internal exile and migrations are omnipresent. Olivier Bleys, a young novelist and traveler, offers his Western perspective on the theme of travel through literature and the history of civilizations.

Year of publication: 2002

Is the theme of passion the core locus of cultural difference between East and West? Western civilization sees in passion a founding experience, emotionally, aesthetically and spiritually fundamental. Yet the East is more skeptical, reflecting Buddhist wisdom, which invites people to free themselves from passion to achieve awakening.
In a chronicle embodied in contemporary China, Ye Shuxian chooses to talk about loving passion. Codified in traditional China and repressed under the Cultural Revolution, the feeling of love is expressed more strongly today.
Michel Sauquet shows all the richness and ambiguity of the word passion in European culture: it sustains life and suffering; it absorbs, builds and destroys. Loving passion, passion of the artist as best exemplified by the character of Rimbaud; mystical passion exalted by the music of Bach.

Year of publication: 1999

For centuries, human cultures have rooted themselves in stone and monuments for utilitarian or artistic purposes, reflecting the power of kings or the greatness of gods. When first learning about Chinese architecture, what could be better than a guided visit to several emblematic monuments, such as the Great Wall, the Forbidden City, the Temple of Heaven and the Summer Palace? This is what Yang Xin provides, in a text full of detailed description. We are taught how Chinese architecture is a total art, rooted in the axes of thought: relationship with nature, permanent negotiation between the yin and yang, the empty and full, the sky and the earth. On the other side, Dom Angelico Surchamp, eminent specialist in Roman art, sets forth a panorama of the history of Western architecture, showing the gradual evolution of the temple, church and dwelling house. Little by little, space becomes organized around key values. More than the simple struggle between man and the elements or between man and material, the art of building translates a vision of the world.

Year of publication: 1999

So few people know Chinese culture, yet many are familiar with Peking duck and fried rice. Gong Gang happily explains how much, in China, the idea of beauty melds inseparably with the idea of goodness, in an association that may appear strange to a Westerner. Drinking tea, for example, invokes particular values, of clarity and limpidity, according to a broader definition of the five senses. For Paul Ariès, the issue is more controversial. Recalling the origin of good taste in the West, expressed particularly in culinary art and in restaurants, which arose in the early 19^th century with characters such as Brillat-Savarin, Mr. Ariès is alarmed by globalization and its threat to this table culture. “Can good taste coexist with modernity?” An exchange of views that will delight culinary enthusiasts.

Year of publication: 1999

There is a close relationship between the notion of beauty and that of culture, between aesthetic and humanity. “I am beautiful, o mortals, like a dream of stone” wrote Baudelaire, personifying the relationship. But is beauty truly accessible? How is beauty translated in the universe, whether Chinese or Western? From an original perspective, Zhu Cunming shows how the experience of beauty is universal but also profoundly tied to that of ugliness. Witness the temple bronzes and the dragon heads with enormous mouths, like so many hidden facets of the feeling of beauty. On the other side, Dominique Fernandez defines beauty as an experience of ambiguity. More than the cathedral, which speaks too directly of God, music in particular evokes this inaccessible intangible. Beginning with the myth of Orpheus, which runs through Western culture from Monteverdi to Jean Cocteau, Dominique Fernandez pursues the truth of beauty in an amazing meditation. A delightful, cultural read.

Year of publication: 1999