The Alliance

“I wouldn’t have written the many books if I didn’t have publishers who were sensitive, publishers who had their own networks, publishers who worked with my philosophy of smallness is beautiful, smallness in self-organised form is largeness—it is largeness of mind, it is largeness of heart, it is largeness in terms of expanding the possibilities of humanity and the earth in a time where the dominant economy would like to shrink those possibilities.”

“If you were not as diverse as you are and if you did not publish the diversity of ideas that are necessary for our times not only would you as a publishing network not have the resilience and robustness that is needed, but wouldn’t be providing that amazing robustness to society in a period where, like monocultures are destroying the fertility of the soil and creating deserts (...)”

Read the speech by Vandana Shiva at the closing of the International Conference on Independent Publishers, Pamplona-Iruñea, 26 November 2021.

This speech is also available in audio on the Alliance’s Youtube channel.

“More than ever, the future of the book—namely its diversity and promotion of minority and alternative voices—rests on the shoulders of independent editors, who give life to the book’s cultural necessity through their commitment, convictions, and attachment to causes that break with the lone dictature of capitalism.”

“My third novel, Munyal ; les larmes de la patience (forthcoming in English translation in October 2022 as The Impatients), is now available in many Francophone African countries because of the Alliance’s ’Terres solidaires’ collection. Many African authors feature on that list, but the part that brings me the most pride is to have such a recognition from Sub-Saharan Africa, where I live and work. This is truly the spirit of diversity that is so dear to the Alliance, and what represents the values that we writers and editors must defend and promote. The Alliance plays such a fundamental role in this sense, mitigating as much as possible the issue of book distribution in Sub-Saharan Africa, particularly Francophone countries.”

Read the speech by Djaïli Amadou Amal at the closing of the International Conference on Independent Publishers, Pamplona-Iruñea, 26 November 2021.

Translated from the French by Allison M. Charette.

This speech is also available in audio on the Alliance’s Youtube channel.

The Independent Publishing Glossary is a collective project led by publishers from the Spanish-language network of the International Alliance of Independent Publishers.

It shows the meanings and definitions of words commonly used in publishing. It is an evolving project, which will be enriched over time in order to include new concepts and to take into account other proposal for definitions. The idea is not to freeze or petrify the concepts, but to open them up to enhance their multiple meanings.

Each term is signed by the person who worked on the definition. The glossary was edited by Germán Gacio Baquiola (Corredor Sur Editorial, Ecuador / Colectivo Editores independientes de Ecuador), Teresa Gottlieb, (Editorial Maitri, Chile), Paulo Slachevsky (Lom Ediciones, Chile) and Miguel Villafuerte, (Editorial Blanca, Ecuador).

1/ The Alliance, a place for experimentation and reflection through the Bibliodiversity Observatory

• Continue the analyses, reflections and advocacy via the thematic working groups set up during the 2014 Conference and set up new working groups on the themes and issues discussed during the 2021 Conference
• Providing tools and documenting international independent publishing

2/ The Alliance, a space for collaboration and sharing

• Share practices and know-how (on regional, national or even international levels, depending on the needs expressed) between publishers
• Meet and strengthen the flow of exchanges

3/ The Alliance, a tool for promoting independent publishing and the circulation of books

• Encourage the visibility and promotion of independent publishing
• Promote the circulation of works and productions of independent publishing houses

4/ The Alliance, a laboratory of alternative editorial practices

• Pursue and strengthen solidarity-based publishing partnerships (transfer of rights, translations, co-publishing projects, etc.)
• Communicate and increase awareness

5/ The Alliance, an evolving governance and operation

• REthink
• Get involved

Gathered in the city of Pamplona-Iruñea from 23 to 26 November 2021 at the fourth International Conference of Independent Publishers, organised in partnership with EDITARGI (Association of Independent Publishers of Navarre), we, the publishers of the International Alliance of Independent Publishers (IAIP), reaffirm our commitment to:

• the cultural, social and political character of books and reading;
• the democratisation of books in our societies;
• reading as an emancipatory practice that strengthens the critical thinking of citizens and stakeholders within their society.

Read the full Declaration here:

This Declaration is in line with the discussions and work of the International Alliance of Independent Publishers, in particular the Declarations of 2003, 2007 and 2014 and the 80 recommendations in favour of bibliodiversity. It will be complemented by a Guide to Good Practice (collective work in progress, for publication in the first half of 2022).

The round-table discussions of the Conference are available in replay on the Alliance’s YouTube channel.

Support bibliodiversity and independent publishing through a professional solidarity network

• Support the creation and strengthening of memberships to national and/or regional publisher collectives (including in Europe)
• Promote bibliodiversity, popularise the idea of bibliodiversity for the general public, for example through the (International Bibliodiversity Day on 21 September, )

Support the creation of national, regional and international book policies

• Create the Bibliodiversity Observatory: mapping of national book policies in Latin America, the Arab world, West Africa… and developing a bibliodiversity measurement tool
• Make independent publishers’ voice heard among public authorities (Ministries of Culture), international organisations (UNESCO, OIF, CERLALC, UEMOA, etc.), and book professionals and collectives: diffuse, promote and defend the International Declaration of independent publishers and the 80 recommendations in support of bibliodiversity

Reaffirm and defend freedom and equity of speech

• Create a censorship typology; draft advocacy plans in support of, and in solidary with, publishers

Strengthen collaborative spaces and innovate to respond to tomorrow’s changes and issues

• Develop the Digital Lab, organize workshops, and sharing of experiences and tools (on digital publishing, editorial solidarity partnerships, national and local languages publishing, etc.)
• Strengthen inter-professional collaboration (authors, librarians, booksellers, diffusers-distributors, digital actors, etc.): inter-professional meetings, joint lobbying

Reinstate equilibrium between book exporting countries and importing countries

• Manage an online resource centre, complementing the Bibliodiversity Observatory
• Modernize book donation practices: Book Donation Charter reviewed by professionals from the global South
• Participate in book fairs (collective stands in book fairs in both the global South and global North), promotion of books from the South in the North

Develop and strengthen intercultural sharing

• Develop and support copublishing/ translation projects: North-South and South-South editorial partnerships bearing the “Fair Trade Book” label, and research on economic solidarity models (social and solidarity economy)

Publishers collectively adopted the Alliance’s 2015-2018 objectives during the International Assembly of independent publishing (2012-2014). Projects and activities arise from each of these directions, and are implemented by the Alliance during the 2015-2018 period.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

During the closing meeting of the International Assembly of Independent Publishers (Cape Town, South Africa, September 18-21, 2014), 400 independent publishers from 45 countries signed the International Declaration of Independent Publishers 2014.
Collectively drafted in three languages, on September 20, 2014, the Declaration 2014 is available in several languages (French, English, Spanish, Portuguese, Arabic, Farsi, Italian, etc.).

Do not hesitate to share the Declaration and promote and strengthen bibliodiversity with us !

Read here the 80 recommendations & tools (on digital publishing, public book policies, youth literature, national and local languages publishing, solidarity publishing partnerships and “Fair Trade Books”, book donations).

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

With the collaboration of Jean LIBERMAN

The decoding of the new terrorism, which hit the USA with full force for the first time, shows that it is inseparable from the transformation of the world and the establishment of a type of global power that is more inhuman than ever. In effect, the worldwide neoliberal economic policy implemented by the financial sphere has completely distorted the human promises of globalization. Misery, mass exclusion and humiliation are the counterpart of the accelerated commoditization of a growing proportion of human activities. Kamikaze fanaticism, bred among destitute peoples, cannot be separated from the financialization of the world, its network-based information-sharing and its “dirty money” financing that is built into the system.

Ignoring this diagnosis, the neo-liberal leadership, in particular the United States, still refuses to take the well-known measures that would drain the breeding ground of hyperterrorist barbarity.

As the fallout from the Seattle meeting of the World Trade Organization (WTO) continues, John Madeley explores some key questions about the free trade that it advocates: Will free trade in food help or hinder the abolition of world hunger? Who benefits first? The poor? Or the transnational corporations? Will free trade help Third World farmers find new international markets? How can countries – North and South, rich and poor – protect their farmers?...

In English: “Hungry for Trade”, Zed Books Publishers

Year of publication: 2002

Farmers around the world are being pressured by half a dozen giant corporations to grow genetically engineered crops. What are the possible downsides for them, particularly for those hundreds of millions of farmers living in developing countries? On their environment? On their health? On their independence? On their traditional export crops? On their access to the marketplaces of their own countries? This important book comes out of a dialogue between farmers’ representatives and experts.

Available in English: “Brave New Seeds” ; Zed Books Publishers

Year of publication : 2004

Europe is arising. For the last fifty years, step by step, a new geographical space and political entity have been forming. Among the sites of memory devoted to the recent history of Europe, the Jean Monnet Foundation, in Lausanne, has a number of archives with rare texts that allow people to follow and better understand how the idea of the European Union gained momentum across the years, both before and during World War II. Its documents are the core of this collection. The texts presented in this volume are used to shed new light on the “European institutional machinery.” This angle shows that the construction of modern Europe was not necessarily “technocratic,” but rather, like any original project, the result of trial and error, hesitations, conflicts that are often forgotten today, and a real dynamic.

Year of publication: 2001

Is the theme of passion the core locus of cultural difference between East and West? Western civilization sees in passion a founding experience, emotionally, aesthetically and spiritually fundamental. Yet the East is more skeptical, reflecting Buddhist wisdom, which invites people to free themselves from passion to achieve awakening.
In a chronicle embodied in contemporary China, Ye Shuxian chooses to talk about loving passion. Codified in traditional China and repressed under the Cultural Revolution, the feeling of love is expressed more strongly today.
Michel Sauquet shows all the richness and ambiguity of the word passion in European culture: it sustains life and suffering; it absorbs, builds and destroys. Loving passion, passion of the artist as best exemplified by the character of Rimbaud; mystical passion exalted by the music of Bach.

Year of publication: 1999

For centuries, human cultures have rooted themselves in stone and monuments for utilitarian or artistic purposes, reflecting the power of kings or the greatness of gods. When first learning about Chinese architecture, what could be better than a guided visit to several emblematic monuments, such as the Great Wall, the Forbidden City, the Temple of Heaven and the Summer Palace? This is what Yang Xin provides, in a text full of detailed description. We are taught how Chinese architecture is a total art, rooted in the axes of thought: relationship with nature, permanent negotiation between the yin and yang, the empty and full, the sky and the earth. On the other side, Dom Angelico Surchamp, eminent specialist in Roman art, sets forth a panorama of the history of Western architecture, showing the gradual evolution of the temple, church and dwelling house. Little by little, space becomes organized around key values. More than the simple struggle between man and the elements or between man and material, the art of building translates a vision of the world.

Year of publication: 1999

So few people know Chinese culture, yet many are familiar with Peking duck and fried rice. Gong Gang happily explains how much, in China, the idea of beauty melds inseparably with the idea of goodness, in an association that may appear strange to a Westerner. Drinking tea, for example, invokes particular values, of clarity and limpidity, according to a broader definition of the five senses. For Paul Ariès, the issue is more controversial. Recalling the origin of good taste in the West, expressed particularly in culinary art and in restaurants, which arose in the early 19^th century with characters such as Brillat-Savarin, Mr. Ariès is alarmed by globalization and its threat to this table culture. “Can good taste coexist with modernity?” An exchange of views that will delight culinary enthusiasts.

Year of publication: 1999

There is a close relationship between the notion of beauty and that of culture, between aesthetic and humanity. “I am beautiful, o mortals, like a dream of stone” wrote Baudelaire, personifying the relationship. But is beauty truly accessible? How is beauty translated in the universe, whether Chinese or Western? From an original perspective, Zhu Cunming shows how the experience of beauty is universal but also profoundly tied to that of ugliness. Witness the temple bronzes and the dragon heads with enormous mouths, like so many hidden facets of the feeling of beauty. On the other side, Dominique Fernandez defines beauty as an experience of ambiguity. More than the cathedral, which speaks too directly of God, music in particular evokes this inaccessible intangible. Beginning with the myth of Orpheus, which runs through Western culture from Monteverdi to Jean Cocteau, Dominique Fernandez pursues the truth of beauty in an amazing meditation. A delightful, cultural read.

Year of publication: 1999

While Europeans are in a struggle or in forced coexistence with nature, the Chinese are, according to Confucian tradition, in symbiosis, in communion, mutually dependent. “We look at each other, the sky and I, without tiring”, sings the famous poet Li Po, cited by Yue Dai Yun. In the countless legends recounted by Yue Dai Yun, man is or becomes nature: how many young girls and (formerly human) gods or goddesses have been transformed into hills and their tears into streams? Mountains, river water and the immensity of seas are not things in China, but living realities that teach man time, death and the insurmountable. As a result, says Yue Dai Yun, we must “not force ourselves or, worse, oppose nature, but rather adapt to ourselves.” For many Chinese people, nature is the source, not the object, of intellectual thought. There is nothing like climbing, for example, to think: “The succession of mountains has no limits for the Chinese, for it represents the elevation of their mind and the expansion of their thought.” Let us not seek out the East-West opposition throughout these two texts. Doesn’t the aforementioned Chinese veneration for high reliefs correspond to our own tradition, that of the Sinai and the Thabor, not to mention the mount of the well-known Sermon? Would our mystics argue when the Chinese say, according to Yue Dai Yun: “There are mountains beyond the mountains; there is another world beyond ours”? And does China have a monopoly on wonder? The magic of nature’s products, which Miao women take to market in autumn, these wild, dazzling red fruits, these leaves of palm – Aristotle also knew this magic. His ideas, according to Anne Sauvagnargues, “were always limpid, full of rocks, animals, men and the starry sky that we observe at night when we lie on the ground.”
Reading these two very different, very literary texts, the reader learns about visions of the world and of nature that were often inherited from the distant past. Distant? Not really! The story of saving the moon", in which Yue Dai Yun heroically took part in her childhood, tells us how much traditional myths permeate men and women today and just may give them the strength to fight for a less despoiled nature

Year of publication: 1999

The Alliance has adopted an original method of internal organization, respecting both the democratic principles and the functioning of an international network. The Alliance rests above all on its member publishers, represented by the International Committee of Independent Publishers (ICIP). It also relies on a Board – charged with upholding and respecting the publishers’ decisions – and a permanent staff.