The Alliance

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities: fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

The notion of fair speech expands the idea of ‘free speech’ to incorporate the concept of justice. Indeed, in a context of media concentration, dominant powers (whether political, economic, religious, ideological, etc.) are the most represented and heard (because they are powerful or loud). Fair speech fosters speech equity for other voices that are often marginalised and/or censored to be heard. Fair speech therefore promotes an equitable access to expression (for example for women, historically marginalised groups, etc.), enabling an authentic diversity of voices. This concept was created by Betty McLellan in Unspeakable (Spinifex Press, 2010, Australia) and promoted by Susan Hawthorne in Bibliodiversity: A Manifesto for Independent Publishing (Spinifex Press, 2014, Australia).

The Dakar Declaration (December 2003) is the foundational text of the Alliance and birth certificate of the association. The Guadalajara Declaration (October 2005) is the outcome of a meeting held in Mexico between independent publishers from the Latin world.
The International Declaration of independent publishers for the protection and promotion of bibliodiversity (July 2007) was drafted and signed by the 70 publishers participating to the International Assembly of independent publishers held in Paris in 2007.
These three texts, as well as the 2014 International Declaration of independent publishers, are milestones in the history of the Alliance – they are a reminder, and bear witness to the present bearing testimony to the commitment of independent publishers, and serve as their policy guidelines.

The International Alliance of independent publishers is a professional collective that brings together more than 800 independent publishing houses in 60 countries around the world. Created as an association in 2002, it is composed of 6 language networks (English, Arabic, French, Spanish, Portuguese and Persian) and thematic groups. Members of the Alliance are publishing houses and publisher collectives.
The Alliance’s activities promote and strengthen bibliodiversity (cultural diversity applied to the world of the book).

In alignment with its mission, the Alliance created a Bibliodiversity Observatory that gathers studies, analysis and tools produced by the Alliance, aimed at professionals and public authorities. The Observatory’s objectives include assessing and strengthening bibliodiversity in the world.

The Alliance also hosts and facilitates international meetings and thematic workshops (for example on children’s book publishing, digital publishing, etc.), enabling independent publishers from various continents to exchange ideas and initiate collaborations. These meetings support increasing capacity through peer sharing, an aspect developed in particular around the issue of digital publishing in the context of the Digital Lab.
The Alliance supports international publishing projects (co-publishing, translation, copyright transfers, etc.), for greater circulation of texts and fair access to books for readers.

In 2022, the Alliance launched a first-of-its-kind initiative: the first edition of Babelica, an international online Book Fair of Independent Publishing, which takes place once a year, on 21 September (International Bibliodiversity Day).

• Gijón meeting (Spain), 2000 (an initiative led by four Spanish-speaking publishers in reaction to the emergence of Spanish multinationals in Latin America)
• Creation of the Alliance project by a group of publishers and Etienne Galliand – who would become the first director of the association
• Paris meeting (France), 2001 (some few days away from the UNESCO Universal Declaration on Cultural Diversity)
• Foundation of the “Alliance of Independent Publishers Association, for Another Globalisation”, as per Law 1901 (head office in Paris) 2002
• Dakar meeting (Senegal), 2003 (Declaration of Solidarity amongst Independent Publishers)
• Guadalajara meeting (Mexico), 2005 (Declaration of independent publishers of the Latin world)
• International Assembly of Independent Publishers in Paris (France), 2007 (International Declaration of Independent Publishers to promote and strenghten bibliodiversity together)
• Name change of the association to International Alliance of independent publishers, 2008
• Creation of the International Committee of Independent Publishers (ICIP), 2009
• International Assembly of independent publishers – preparatory meetings and closing meeting in Cape Town (South Africa), 2012-2014 (International Declaration of independent publishers, to promote and strengthen bibliodiversity together, and 80 recommendations and tools in support of bibliodiversity)
• Creation of the Bibliodiversity Observatory, 2016
• Mapping public book policies in Latin America and Sub-Saharan Africa, 2020
• International Conference of Independent publishing in Pamplona-Iruñea, 2021 (Declaration ’for independent, decolonial, ecological, feminist, free, social and solidarity-based publishing’)
• Guide to good practice, 2022
• First edition of Babelica, 2022

Two top-level researchers – a French geophysicist and a Chinese philosopher – talking about death: quite daunting for a reader unaccustomed to academic language. Not to fear. Professor Tang Yijie, president of the Academy of Chinese Culture, and Xavier Le Pichon, professor at the Collège de France, talk about their fathers, mothers, brothers and sisters, about their beliefs and their faith. Above all, about life.
Tang Yijie and Xavier Le Pichon have met several times to discuss the essential issues of existence. These two texts thus do not present a simple comparison. They respond to each other, with a nearly pedagogical concern for addressing the other’s culture and for presenting – and questioning – the most representative features of their own civilizations.

Although he considers the place of Christian culture within European culture to be “no doubt excessive,” Xavier Le Pichon chooses to approach the mystery of death from his personal perspective as a Catholic. In the European context, he lucidly shows the extent to which death – formerly incorporated into life and a reminder that “the fate of man is eternal happiness” – has become, through the centuries and with the advance of medicine, an event that is increasingly tied to the pain of living. A passage toward the light, yes, but at so high a cost! Impressive, for example, are these words written by his father on the approach of death: “Death is the most important act of life; it is like the seal affixed to a letter written with so many tears, so much blood and suffering. It is the crowning achievement of life.”

Year of publication: 1999

When we learn that a “Grand Diviner” existed long ago during the Middle Kingdom, a sort of oneiromantic secretary of state placed at the head of an “office of divination,” and when we read what Jin Siyan writes on the role of dreams in her own life, we understand that for the Chinese, dreams are a serious affair. Is it for the sake of counterpoint that Maurice Bellet rues the difficulty of Western man – “this dreamer who does not know himself” – to do the same? Not quite. Philosopher, psychoanalyst, priest and occasional novelist, Maurice Bellet knows and loves dreams after having worked with and on them for other people and for himself and after having long studied their creative value. Although he mentions himself only rarely in his contribution to this book, his analyses and parables reveal his true essence, as they contain much more experience than abstract speculation.
Jin Siyan attaches no more importance to the detached speculation of life. Formerly a teacher at the University of Beijing, lecturer at ENA and professor of Chinese civilization and comparative literature at the University of Artois, her interest is in recounting. She recounts the everyday dreams of her happy rural childhood, those of the legends and myths of ancient China; she describes ghosts and what the dream was in such troubled times as the Cultural Revolution.
For very different reasons, the two writers discuss the dream as mediator. For Maurice Bellet’s Western man, built on divisions – soul/body, subject/object – the dream is a sort of interface “at the junction of mind and body.”
For the Chinese, generally unfamiliar with this type of opposition, the dream is nevertheless an emissary. “It moves unhindered, Jin Siyan tells us, oscillating between the worlds of yin and yang.”

Year of publication: 1999

Symbol of progress and of the reasoning process that tirelessly seeks to explain the real and the fate of the universe, science is also an extraordinary locus of dialogue between cultures via its tendency toward the universal.

Pierre Léna, an astrophysicist, lays out a “promenade of science” mentioning questions that everyone asks themselves. Isn’t science, the search for the invisible through visible appearances, only the domain of specialists? A patient exercise in proof or an elaborate mathematical structure, maybe even a subtle relationship between truth and change?

A specialist in the human gene, Yang Huanming offers the Chinese perception of science, tied to cosmology, wisdom and the vision of the universe and the forces that drive it. He also addresses the ethical dimension in terms of the human genome.

The geography of time zones instructs us that when Paris goes to sleep, Shanghai wakes up. But if you ask a Chinese writer and a French writer to tell you what night is, they won’t talk (much) about sleep. Tang Ke Yang, a young specialist in comparative literature, and Martine Laffon, a philosopher, are too fascinated with the many facets of night to leave its riches to slumberers. The journey that they each propose to us, to the end of the night of their souls – and of their civilizations – is an invitation to see in the dark what we don’t see, to look into the night of the other to better understand him and to better understand ourselves.
They say that night illuminates. Gone is the fear of the child lost in the darkness; a mysterious alchemy emerges by which the night, as if by surprise, reveals something to us about the infinite. Tang Ke Yang and Martine Laffon have each had personal experience with it. One of them discovered in the night a “space of nonchalance in our life horsewhipped by reason”; for the other, nocturnal time reveals “what the eye and the other senses can no longer distinguish, for they have forgotten what they knew so well in the light of day.” Sleepless nights, those (so French) nights of mischief, once-forbidden nights in China when no one could stroll without special permission, nights of intoxication and nights of lucidity, nights of Pascal and Descartes when they did their best thinking, inner nights and trap-nights, nights of lamps, red lanterns and Chinese candles, nights celebrated according to Christian tradition, night of writers and poets. Based on this litany of evocations set forth by the two writers, we can categorically deny the doubt expressed in passing by Martine Laffon: “And what if night were only night?”

Year of publication: 1999

African literature in French is today better represented and better known in Europe than in Africa, where its distribution remains hampered by many obstacles. However, there are solutions, which require the mobilisation of various stakeholders in the book industry. One solution is co-publishing, based on a joint trade agreement. The publication of “L’Ombre d’Imana” by Véronique TADJO, a groundbreaking example of pan-African co-publishing, proves that it is possible, through joint action, to create the conditions necessary for a (re)appropriation by Africa of its literature. To make this possible, the Alliance is appealing to everyone, authors, publishers and institutions alike, to join forces and promote the bibliodiversity at the heart of the francophone spirit. This appeal is endorsed by many authors and book industry professionals.

This meeting, organized by Cerlalc, the Colombian Department of Education, the Book Chamber of Colombia and the Cultural affairs of the city of Bogotá, was special in that it enabled the exchange of experiences between independent publishers from Colombia, from the Alliance (Germán Coronado (Ediciones Peisa, Peru), Pablo Harari (Trilce, Uruguay), Ivana Jinkings (Boitempo, Brazil), Anne Marie Métailié (Editions Métailié, France), Paulo Slachevsky (Lom Ediciones, Chile), Marcelo Uribe (Ediciones Era, Mexico), Thierry Quinqueton, Chairman of the Alliance, and other professionals of the book sector.

An emphasis was put on the theme of new technologies (on-demand printing, Google books search, ebooks) and on their impact on the very know-how of publishers.

Two major aspects of this meeting were the formal creation of REIC (Red de Editoriales Independientes de Colombia) through the signature of its by-laws and the drafting of the Bogota Declaration (see below).

Read: The ninth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

10 publishing houses from 10 different countries were indeed represented in an especially fit out 60 m² space. Five publishers were present and stayed for 6 days in tune with the fair: Russel Clarke (Jacana Media, South Africa), Béatrice Lalinon Gbado (éditions Ruisseaux d’Afrique, Benin), Marianna Warth (Pallas Editora, Brazil), Marie-Michèle Razafinstalama (éditions Prediff, Madagascar) and Paulin Assem (éditions Graines de pensées, Togo) thus participated both in setting up the stand as well as in managing it.

Read: The eighth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

The Peruvian publishers that were present at the International Assembly in Paris last July (Germán Coronado, Ediciones PEISA and Álvaro Lasso, Estruendomudo), have participated in founding the Alianza Peruana de Editores in Lima in September. The creation of this Alliance, which gathers about twenty independent, academic and autonomous publishers, is perfectly in line with the appeal launched by signatory publishers in International Declaration of Independent Publishers for the protection and promotion of bibliodiversity (Paris, July 2007): “we call upon independent publishers everywhere in the world to join forces –whether at the national, regional, or international level– creating associations and other collective bodies which will permit us to better defend our rights, and to make our voices heard.”
According to Germán Coronado : “Esta nueva entidad gremial nace como un reflejo de lo que aconteció en París en julio pasado.” (“This new collective entity is born as a reflection of what happened in Paris last July").
The statutes of this Peruvian Alliance are available on the following link: http://alpe.wordpress.com

We wish this national association of independent publishers success in protecting and fostering bibliodiversity as well as its Latin American counterparts (AEMI in Mexico, EDINAR in Argentina, LIBRE in Brazil).

Discover publishers’ backgrounds, get to know their work and their publications, and listen to the voice of independent publishers… by reading the exclusive publishers portraits in this section!

In partnership with the online magazine ActuaLitté, interviews with publishers member of the Alliance are regularly added here. Explore the interviews:
* Élodie Comtois (Écosociété publishers in Québec),
* Samar Haddad (Atlas Publishing in Syria),
* Marie Michèle Razafintsalama (Jeunes malgaches in Madagascar),
* Constanza Brunet (Marea Editorial in Argentina),
* Antoinette Koleva (KX Critique & Humanism in Bulgaria),
* Karine Joseph (Sirocco in Morocco),
* Colleen Higgs (Modjaji Books in South Africa),
* François Nkémé (Proximité in Cameroon),
* Aliou Sow (Ganndal, Guinea Conakry),
* Ritu Menon (Women Unlimited in India).
* Ivana Jinkings (Boitempo in Brazil),
* Sophie Bazin and Johary Ravaloson (Dodo vole in Madagascar),
* Dorota Hartwich (Format in Poland),
* Amanda Crocker (Between the Lines, Canada),
* Dieulermesson Petit Frère (LEGS Édition, Haiti),
* Corinne Fleury (Atelier des nomades, Mauritius),
* Abdulai Sila (Ku Si Mon, Guinea Bissau),
* Susan Hawthorne (Spinifex Press, Australia),
* Dan Bomboko (Elondja, Democratic Republic of Congo).

After studying at the IUT Book Trade in Aix-en-Provence, Laurence Hugues went to earn a bachelor’s degree in Literature at Trois-Rivières University in Québec, and later a Masters’ degree in Book Marketing at Paris 13-Villetaneuse University. After several professionals stays in West Africa, she joined the International Alliance of independent publishers’ team in 2007. In July 2009, Etienne GALLIAND passed on management responsabilities to Laurence HUGUES.

After a master’s degree in French Literature at the Sorbonne Nouvelle, Camille CLOAREC worked at the Maison de la Poésie in Nantes and was also the coordinator of literary life at Ciclic (the center of book, cinema and digital culture for the Loire Valley Region), before being in-charge of the book and debates office at the French Embassy in Canada. In 2019, Camille began learning Telugu (Indian language) at Inalco.
Camille joins the Alliance team in July 2020; she is in charge of the management of the the association’s language networks and the co-publishing and translation projects within the Alliance.

After studying political sciences, Laura Aufrère was for 5 years coordinator of the French confederation gathering not-for-profit cultural professional initiatives from a variety of disciplines (music, theater, outdoor and circus, visual arts, etc.), rooted in the solidarity economy movement (UFISC). She is now a PHD student in management, looking specifically into critical approaches in the organisation theory and the digital humanities fields. She studies commons and social and solidarity economy initiatives, focusing specifically on work and labour organisation, cooperation and governance issues, and social protection. She joins the Alliance Board in 2016 and is now its President.

Vice-President of the Board of the Alliance since the General Assembly of June 20, 2011, Luc Pinhas is a former student of the École normale supérieure in Saint-Cloud. He holds a PhD in Communication Studies and teaches at Paris 13-Villetaneuse University, where he is currently in charge of a master’s degree on “Book Marketing”.

Thierry Quinqueton has long experience in the publishing world and of intercultural dialogue. He was Literary Director at the Desclée de Brouwer publishing house (France) from 1991 to 1999, and then Director of the French Cultural Center in Khartoum from 2000 to 2004. After spending four years at the French Department of Foreign Affairs (department of written documents and libraries), he was responsible from May 2009 to July 2013 for the libraries network in the Châtellerault area; from 2013 to 2017, he was in charge of the Book Office at the French Embassy in Beirut, Lebanon. Thierry Quinqueton also pursues his research on the links between market economies, public policies, and non-monetary aspects within the book economy (Law and Development of Social and Solidarity Economy - University of Poitiers). Author of “Que ferait Saul Alinsky?” (DDB, 2011), he was Chairman of the International Alliance of Independent Publishers from 2006 to 2013.

Mariette Robbes is specialized in network facilitation, public relations and project management in the associative and cultural sectors. She has worked at Katha publishing (India), at the International Association of Francophone Booksellers and the International Youth Library (Germany).
Her growing passion for “third places” and innovative ways of working and creating (fablabs, coworking, shared workshops, etc.) led her to explore new horizons. She is now working as a Network Development & Animation Manager at myCowork, in Paris.
Passionate about publishing for youth in India, she is also an associate member of the academic project DELI (Encyclopaedic Dictionary of Literatures of India). In addition, Mariette works as a freelancer (support for fundraising, graphic design and layout).

Jérôme Chevrier has been working for 20 years in the book and reading sector. As a librarian, he has worked at the Bibliothèque nationale de France, the Ministry of Culture, the Centre national du livre and the French Institute of South Africa.
He was in charge of cultural mediation at the Centre Pompidou public information library. He is currently cultural attaché in charge of the Book Department at the French Embassy in London.
He joined the Alliance Board in July 2021.

A committed journalist with a special interest in international solidarity, sustainable development and human rights, David Eloy founded Altermondes in 2005, a media focusing on civil society’s actors, where he was editor-in-chief until 2016. He previously held positions in several international NGOs, including the Centre de recherche et d’information pour le développement (CRID), Peuples Solidaires – Action Aid France and the Association internationale de techniciens, experts et chercheurs (Aitec).

As an English professor with a degree in languages and comparative literature, Marielle Morin’s professional career has revolved around books, languages and research.
She has worked in the International Rights Department at the University of Chicago Press, and as a librarian at the Centre for Indian and South Asian Studies (CEIAS-EHESS). She has translated Indian literature from English (Khushwant Singh, Anita Naïr, Amruta Patil) and Bengali (Mahasweta Devi) and then went on to manage the media libraries and the book office of the French Embassy/ Institute in New Delhi first, then in Cairo, for eight years until 2014.

She is now back at the CEIAS, where she is in charge of international research projects within the research focus areas of Asia, Middle East and Muslim Worlds and African Studies.

She continues to be interested in languages, Indian literature, translation, and book history, and is an associate member of the DELI academic project (Encyclopedic Dictionary of Indian Literature).