The Alliance

“I wouldn’t have written the many books if I didn’t have publishers who were sensitive, publishers who had their own networks, publishers who worked with my philosophy of smallness is beautiful, smallness in self-organised form is largeness—it is largeness of mind, it is largeness of heart, it is largeness in terms of expanding the possibilities of humanity and the earth in a time where the dominant economy would like to shrink those possibilities.”

“If you were not as diverse as you are and if you did not publish the diversity of ideas that are necessary for our times not only would you as a publishing network not have the resilience and robustness that is needed, but wouldn’t be providing that amazing robustness to society in a period where, like monocultures are destroying the fertility of the soil and creating deserts (...)”

Read the speech by Vandana Shiva at the closing of the International Conference on Independent Publishers, Pamplona-Iruñea, 26 November 2021.

This speech is also available in audio on the Alliance’s Youtube channel.

“More than ever, the future of the book—namely its diversity and promotion of minority and alternative voices—rests on the shoulders of independent editors, who give life to the book’s cultural necessity through their commitment, convictions, and attachment to causes that break with the lone dictature of capitalism.”

“My third novel, Munyal ; les larmes de la patience (forthcoming in English translation in October 2022 as The Impatients), is now available in many Francophone African countries because of the Alliance’s ’Terres solidaires’ collection. Many African authors feature on that list, but the part that brings me the most pride is to have such a recognition from Sub-Saharan Africa, where I live and work. This is truly the spirit of diversity that is so dear to the Alliance, and what represents the values that we writers and editors must defend and promote. The Alliance plays such a fundamental role in this sense, mitigating as much as possible the issue of book distribution in Sub-Saharan Africa, particularly Francophone countries.”

Read the speech by Djaïli Amadou Amal at the closing of the International Conference on Independent Publishers, Pamplona-Iruñea, 26 November 2021.

Translated from the French by Allison M. Charette.

This speech is also available in audio on the Alliance’s Youtube channel.

The Independent Publishing Glossary is a collective project led by publishers from the Spanish-language network of the International Alliance of Independent Publishers.

It shows the meanings and definitions of words commonly used in publishing. It is an evolving project, which will be enriched over time in order to include new concepts and to take into account other proposal for definitions. The idea is not to freeze or petrify the concepts, but to open them up to enhance their multiple meanings.

Each term is signed by the person who worked on the definition. The glossary was edited by Germán Gacio Baquiola (Corredor Sur Editorial, Ecuador / Colectivo Editores independientes de Ecuador), Teresa Gottlieb, (Editorial Maitri, Chile), Paulo Slachevsky (Lom Ediciones, Chile) and Miguel Villafuerte, (Editorial Blanca, Ecuador).

1/ The Alliance, a place for experimentation and reflection through the Bibliodiversity Observatory

• Continue the analyses, reflections and advocacy via the thematic working groups set up during the 2014 Conference and set up new working groups on the themes and issues discussed during the 2021 Conference
• Providing tools and documenting international independent publishing

2/ The Alliance, a space for collaboration and sharing

• Share practices and know-how (on regional, national or even international levels, depending on the needs expressed) between publishers
• Meet and strengthen the flow of exchanges

3/ The Alliance, a tool for promoting independent publishing and the circulation of books

• Encourage the visibility and promotion of independent publishing
• Promote the circulation of works and productions of independent publishing houses

4/ The Alliance, a laboratory of alternative editorial practices

• Pursue and strengthen solidarity-based publishing partnerships (transfer of rights, translations, co-publishing projects, etc.)
• Communicate and increase awareness

5/ The Alliance, an evolving governance and operation

• REthink
• Get involved

Gathered in the city of Pamplona-Iruñea from 23 to 26 November 2021 at the fourth International Conference of Independent Publishers, organised in partnership with EDITARGI (Association of Independent Publishers of Navarre), we, the publishers of the International Alliance of Independent Publishers (IAIP), reaffirm our commitment to:

• the cultural, social and political character of books and reading;
• the democratisation of books in our societies;
• reading as an emancipatory practice that strengthens the critical thinking of citizens and stakeholders within their society.

Read the full Declaration here:

This Declaration is in line with the discussions and work of the International Alliance of Independent Publishers, in particular the Declarations of 2003, 2007 and 2014 and the 80 recommendations in favour of bibliodiversity. It will be complemented by a Guide to Good Practice (collective work in progress, for publication in the first half of 2022).

The round-table discussions of the Conference are available in replay on the Alliance’s YouTube channel.

Support bibliodiversity and independent publishing through a professional solidarity network

• Support the creation and strengthening of memberships to national and/or regional publisher collectives (including in Europe)
• Promote bibliodiversity, popularise the idea of bibliodiversity for the general public, for example through the (International Bibliodiversity Day on 21 September, )

Support the creation of national, regional and international book policies

• Create the Bibliodiversity Observatory: mapping of national book policies in Latin America, the Arab world, West Africa… and developing a bibliodiversity measurement tool
• Make independent publishers’ voice heard among public authorities (Ministries of Culture), international organisations (UNESCO, OIF, CERLALC, UEMOA, etc.), and book professionals and collectives: diffuse, promote and defend the International Declaration of independent publishers and the 80 recommendations in support of bibliodiversity

Reaffirm and defend freedom and equity of speech

• Create a censorship typology; draft advocacy plans in support of, and in solidary with, publishers

Strengthen collaborative spaces and innovate to respond to tomorrow’s changes and issues

• Develop the Digital Lab, organize workshops, and sharing of experiences and tools (on digital publishing, editorial solidarity partnerships, national and local languages publishing, etc.)
• Strengthen inter-professional collaboration (authors, librarians, booksellers, diffusers-distributors, digital actors, etc.): inter-professional meetings, joint lobbying

Reinstate equilibrium between book exporting countries and importing countries

• Manage an online resource centre, complementing the Bibliodiversity Observatory
• Modernize book donation practices: Book Donation Charter reviewed by professionals from the global South
• Participate in book fairs (collective stands in book fairs in both the global South and global North), promotion of books from the South in the North

Develop and strengthen intercultural sharing

• Develop and support copublishing/ translation projects: North-South and South-South editorial partnerships bearing the “Fair Trade Book” label, and research on economic solidarity models (social and solidarity economy)

Publishers collectively adopted the Alliance’s 2015-2018 objectives during the International Assembly of independent publishing (2012-2014). Projects and activities arise from each of these directions, and are implemented by the Alliance during the 2015-2018 period.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

During the closing meeting of the International Assembly of Independent Publishers (Cape Town, South Africa, September 18-21, 2014), 400 independent publishers from 45 countries signed the International Declaration of Independent Publishers 2014.
Collectively drafted in three languages, on September 20, 2014, the Declaration 2014 is available in several languages (French, English, Spanish, Portuguese, Arabic, Farsi, Italian, etc.).

Do not hesitate to share the Declaration and promote and strengthen bibliodiversity with us !

Read here the 80 recommendations & tools (on digital publishing, public book policies, youth literature, national and local languages publishing, solidarity publishing partnerships and “Fair Trade Books”, book donations).

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

On Monday, 6 December 2010, following hours of online discussions among the 9 members of the Reading Committee of the “Terres solidaires” collection (“United Lands”), the 2010 prizewinners of the collection were announced: “Trop de soleil tue l’amour”, by Mongo BETI and “Mandela et moi”, by Lewis NKOSI!
These two new joint co-publications will be launched in Africa in February 2011.

The Alliance expresses its warmest thanks to the members of the Reading Committee (see the list below) for their involvement and their enthusiastic discussions!

• Agnès ADJAHO (former manager of the Notre Dame bookshop, Bénin);

• Élisabeth DALDOUL (Elyzad Publishing, Tunisia);

• Boubacar Boris DIOP (writer, Senegal - Tunisia);

• Emmanuel DONGALA (writer, Congo- United States);

• Mariame GBA (librarian, Côte d’Ivoire);

• Sofiane HADJADJ (Barzakh Publishing, Algeria);

• Jean-Claude NABA (Sankoka & Gurli Publishing, Burkina Faso);

• François NKEME (Ifrikiya Publishing, Cameroon);

• The book club of Oujda High School (Morocco).

The “Dictionnaire de la narratologie” (“Dictionary of Narratology”) is a reference work whose objective is to facilitate the dissemination and transmission of ideas by standardising concepts among Arabic-speaking readers. It enables the refinement of the definitions offered in various essays by Arab critics, whose conceptual framework is drawn directly from the works of theoreticians of Western narratology. The Dictionary is presented in the form of a glossary of terms in use in the analysis of the narration. It also contains terms relevant to the study of narrative and enunciative narratology, terms and notions borrowed from pragmatics and discourse analysis.

Arab terms have their French and English equivalents to fulfil the needs of a readership both French-speaking (Maghreb) and English-speaking (Middle East).

The Dictionary of Narratology is intended for students and researchers, literary critics and authors.

Year of publication: September 2010, 600 pages, 16,5 X 23,5 cm, 540 concepts presented in French, English and Arabic,
ISBN: 978-9973-33-294-3

The International Alliance of Independent Publishers organizes from 18 to 21 December 2010 a meeting on the digital publishing in Ouagadougou (Burkina Faso), in partnership with the Organisation internationale de la Francophonie.

The English-language network next meeting will take place in Paris from 13^th to 15^th October 2010. Discussions about the network current and future projects (translation, co-publishing, book fairs, etc.) are planned.
Being in Paris will be an opportunity for the seven publishers (Spinifex in Australia, Jacana Media in South Africa, The New Press in the United States, Tulika and Women Unlimited in India and Zed Books in the United Kingdom) to meet French publishers (Actes Sud, La Fabrique...).

The Alliance language network coordinators will meet in Paris on Monday 11^th and Tuesday 12^th of October 2010. This meeting represents one of the annual appointment of the governance of the association.
Two days of exchanges and debates between the coordinators and the members of the Board of the Alliance... discover the attached programme.

Language network coordinators:

* Nouri Abid, Tunisia (Med Ali), coordinator of the Arabic-language network;

* Serge D. Kouam, Cameroon (Presses universitaires d’Afrique), coordinator of the French-language network;

* Marc Favreau, United States (The New Press), coordinator of the English-language network;

* Araken Gomes Ribeiro, Brazil (Contra Capa), coordinator of the Portuguese-language network;

* Guido Indij, Argentina (la marca editora), coordinator of the Spanish-language network.

To meet the independent publishers of the Alliance in Frankfurt, download the document below.

To contact these publishers, before or after the Fair, do not hesitate to address directly the International Alliance of Independent Publishers.

In 2010, the Prince Claus Foundation awards a prize to a publisher member of the Alliance. Indeed, the prestigious Prince Claus Award will next December pay tribute to Algeria’s Barzakh Publishing “for the way it gives concrete expression to Algerian voices, for having opened up a very necessary space for critical debates on Algerian realities, for having built a bridge between the different languages and cultures, and for having creatively dispelled the threat of the country’s cultural isolation”.

The Alliance expresses its warmest and most sincere congratulations to Selma Hellal, Sofiane Hadjadj and the whole team at Barzakh Publishing.

From 2010 International Bibliodiversity Day will be celebrated in several Latin American countries on 21 September each year. This day is deeply symbolic, representing Spring Day in the Southern hemisphere, in particular; spring with its connotations of pleasant weather, diversity, contrasting colours, vigour, flowers in bloom, transitions, love, perfume, and new beginnings.

Even though this is an international day, it was important to note that this initiative originated in the South - in Latin America – and that it bears a concrete signicance. Indeed, in defending and promoting bibliodiversity, Latin American publishers reaffirm the necessity of rebalancing the direction in which books and ideas circulate and of achieving movement in other directions, from South to North, but also from South to South.

Watch the EldíaB 2010 videos!

More information on Bibliodiversity Day Blog: http://eldiab.org/

How can Africa emerge from the impasse? Surprisingly, the author shows that Africans themselves have the means of achieving their own development. Since independence the model of development imposed on Africa by the West has been a complete failure. The author analyses the structural causes of this failure which has dragged African populations down into a spiral of poverty and violence. He shows what the West has been responsible for, without shying away from the responsibilities of Africans themselves. His multi-dimensional analysis goes on to suggest a range of innovative solutions which will allow Africans to take in hand their own development. Very persuasively, Sanou Mbaye suggests political, economic and financial reforms, legal action and a resource mobilisation plan which could bring about the true renaissance the regional populations dream of. On its own Africa will deal with its own problems and the author inspires us with hope for the future of the continent. Profoundly Pan-Africanist, he is convinced that the solidarity of the African peoples would constitute fertile ground for this radical change, which would enable them to reappropriate their identity ruined by centuries of domination and to achieve fulfilment.

Sanou MBAYE, former senior official of the African Development Bank, is a political and economic commentator. His writings on the development of African countries put forward political alternatives to what has been established in Africa by the West and its instruments: the IMF and the World Bank.

Year of publication: 2010, 222 pages, 11 X 18 cm

First large print edition: l’Atelier Publishing, 2009

After the Africans’ first heated and indignant reactions to Nicolas Sarkozy’s speech in Dakar on July 26, 2007, his declarations on the African continent’s inaction or the absence of French responsibility in its current problems deserved a well-argued response, uncluttered with any emotional diversion. In the aim of enlightening President Sarkozy, yet also his entourage and, broadly speaking, the general public, about the reality of African history, Adame Ba Konaré launched in September 2007 a noticed call to the historians’ community. This book is the product of this mobilization: 25 contributions by world-famous experts or younger researchers, both African and European, who each tackle with rigor and precision one aspect of the continent’s rich, complex and little-known history.

Year of publication of the pan-African version: 2009, 350 pages, 15,5 X 24 cm

Discover publishers’ backgrounds, get to know their work and their publications, and listen to the voice of independent publishers… by reading the exclusive publishers portraits in this section!

In partnership with the online magazine ActuaLitté, interviews with publishers member of the Alliance are regularly added here. Explore the interviews:
* Élodie Comtois (Écosociété publishers in Québec),
* Samar Haddad (Atlas Publishing in Syria),
* Marie Michèle Razafintsalama (Jeunes malgaches in Madagascar),
* Constanza Brunet (Marea Editorial in Argentina),
* Antoinette Koleva (KX Critique & Humanism in Bulgaria),
* Karine Joseph (Sirocco in Morocco),
* Colleen Higgs (Modjaji Books in South Africa),
* François Nkémé (Proximité in Cameroon),
* Aliou Sow (Ganndal, Guinea Conakry),
* Ritu Menon (Women Unlimited in India).
* Ivana Jinkings (Boitempo in Brazil),
* Sophie Bazin and Johary Ravaloson (Dodo vole in Madagascar),
* Dorota Hartwich (Format in Poland),
* Amanda Crocker (Between the Lines, Canada),
* Dieulermesson Petit Frère (LEGS Édition, Haiti),
* Corinne Fleury (Atelier des nomades, Mauritius),
* Abdulai Sila (Ku Si Mon, Guinea Bissau),
* Susan Hawthorne (Spinifex Press, Australia),
* Dan Bomboko (Elondja, Democratic Republic of Congo).

After studying at the IUT Book Trade in Aix-en-Provence, Laurence Hugues went to earn a bachelor’s degree in Literature at Trois-Rivières University in Québec, and later a Masters’ degree in Book Marketing at Paris 13-Villetaneuse University. After several professionals stays in West Africa, she joined the International Alliance of independent publishers’ team in 2007. In July 2009, Etienne GALLIAND passed on management responsabilities to Laurence HUGUES.

After a master’s degree in French Literature at the Sorbonne Nouvelle, Camille CLOAREC worked at the Maison de la Poésie in Nantes and was also the coordinator of literary life at Ciclic (the center of book, cinema and digital culture for the Loire Valley Region), before being in-charge of the book and debates office at the French Embassy in Canada. In 2019, Camille began learning Telugu (Indian language) at Inalco.
Camille joins the Alliance team in July 2020; she is in charge of the management of the the association’s language networks and the co-publishing and translation projects within the Alliance.

After studying political sciences, Laura Aufrère was for 5 years coordinator of the French confederation gathering not-for-profit cultural professional initiatives from a variety of disciplines (music, theater, outdoor and circus, visual arts, etc.), rooted in the solidarity economy movement (UFISC). She is now a PHD student in management, looking specifically into critical approaches in the organisation theory and the digital humanities fields. She studies commons and social and solidarity economy initiatives, focusing specifically on work and labour organisation, cooperation and governance issues, and social protection. She joins the Alliance Board in 2016 and is now its President.

Vice-President of the Board of the Alliance since the General Assembly of June 20, 2011, Luc Pinhas is a former student of the École normale supérieure in Saint-Cloud. He holds a PhD in Communication Studies and teaches at Paris 13-Villetaneuse University, where he is currently in charge of a master’s degree on “Book Marketing”.

Thierry Quinqueton has long experience in the publishing world and of intercultural dialogue. He was Literary Director at the Desclée de Brouwer publishing house (France) from 1991 to 1999, and then Director of the French Cultural Center in Khartoum from 2000 to 2004. After spending four years at the French Department of Foreign Affairs (department of written documents and libraries), he was responsible from May 2009 to July 2013 for the libraries network in the Châtellerault area; from 2013 to 2017, he was in charge of the Book Office at the French Embassy in Beirut, Lebanon. Thierry Quinqueton also pursues his research on the links between market economies, public policies, and non-monetary aspects within the book economy (Law and Development of Social and Solidarity Economy - University of Poitiers). Author of “Que ferait Saul Alinsky?” (DDB, 2011), he was Chairman of the International Alliance of Independent Publishers from 2006 to 2013.

Mariette Robbes is specialized in network facilitation, public relations and project management in the associative and cultural sectors. She has worked at Katha publishing (India), at the International Association of Francophone Booksellers and the International Youth Library (Germany).
Her growing passion for “third places” and innovative ways of working and creating (fablabs, coworking, shared workshops, etc.) led her to explore new horizons. She is now working as a Network Development & Animation Manager at myCowork, in Paris.
Passionate about publishing for youth in India, she is also an associate member of the academic project DELI (Encyclopaedic Dictionary of Literatures of India). In addition, Mariette works as a freelancer (support for fundraising, graphic design and layout).

Jérôme Chevrier has been working for 20 years in the book and reading sector. As a librarian, he has worked at the Bibliothèque nationale de France, the Ministry of Culture, the Centre national du livre and the French Institute of South Africa.
He was in charge of cultural mediation at the Centre Pompidou public information library. He is currently cultural attaché in charge of the Book Department at the French Embassy in London.
He joined the Alliance Board in July 2021.

A committed journalist with a special interest in international solidarity, sustainable development and human rights, David Eloy founded Altermondes in 2005, a media focusing on civil society’s actors, where he was editor-in-chief until 2016. He previously held positions in several international NGOs, including the Centre de recherche et d’information pour le développement (CRID), Peuples Solidaires – Action Aid France and the Association internationale de techniciens, experts et chercheurs (Aitec).

As an English professor with a degree in languages and comparative literature, Marielle Morin’s professional career has revolved around books, languages and research.
She has worked in the International Rights Department at the University of Chicago Press, and as a librarian at the Centre for Indian and South Asian Studies (CEIAS-EHESS). She has translated Indian literature from English (Khushwant Singh, Anita Naïr, Amruta Patil) and Bengali (Mahasweta Devi) and then went on to manage the media libraries and the book office of the French Embassy/ Institute in New Delhi first, then in Cairo, for eight years until 2014.

She is now back at the CEIAS, where she is in charge of international research projects within the research focus areas of Asia, Middle East and Muslim Worlds and African Studies.

She continues to be interested in languages, Indian literature, translation, and book history, and is an associate member of the DELI academic project (Encyclopedic Dictionary of Indian Literature).