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Upcoming celebrations in the second half of 2019...

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  • The 2nd meeting of the International Conference of Independent Publishers 2019-2021 in Chile, bringing together Spanish-language (Spain and Latin America) in Santiago de Chile, on 1 and 2 October 2019. This meeting will be followed by the Primavera del libro (Spring of the book) from October 3 to 6, offering an opportunity to showcase the mapping and analysis of public book policies in Latin America.

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  • Meeting of the International Committee of Independent Publishers, 12-14 October 2019, in Paris: one of the objectives of the ICIP will be to map out the next International Conference of Independent Publishers and to deliberate on the choice of city where the closing meeting will take place in 2021. The steps to come in 2020 and 2021 are under way... and will be announced in the second half of 2019.
  • Frankfurt Book Fair, 16-20 October 2019: among other activities, the 3rd edition of the Latin American Hotlist; the “Nonfiction Editor’s Networking Event” (19 October), on the theme: “Publishing Serious Nonfiction: It’s a Woman’s World” with the participation of Muge Sokmen (Metis Publishers in Turkey) and Kenza Sefrioui (En toutes lettres in Morocco).
  • Publication of the next title of the “Terres solidaires” collection: Munyal, les larmes de la patience, by Djaïli Amadou Amal, originally published by Proximité in Cameroon; reissued by 8 publishers in French-speaking Africa. Djaïli Amadou Amal received for this title the Orange du livre en Afrique award!

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Can Islam still be saved? (آیا اسلام‌ را می‌توان نجات داد؟)

Author(s) : Hamed ABDEL-SAMAD ; Mouhanad KHORCHIDE ; B. BINIAZ (translation)
Publishing countries : Germany, Canada, France
Language(s) : Farsi
Price : 15 €

Hamed Abdel-Samad and Mouhanad Khorchide discuss controversially central issues of the religion of Islam. They address burning issues such as sharia, violence, jihad, freedom of expression, human rights, the role of women and religion in democracy. Can Islam still be saved? is a polemic that allows two different perspectives on the future of Islam in the western states.

Publishers from the Persian network of the Alliance have translated and co-published this book in Farsi: Forough Book (Germany), Naakojaa (France), Khavaran (France), Pooya Verlag (Germany), Pegah Publishing (Canada).

2018 - 332 pages - ISBN : 978-3-96531-007-0

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Video of workshops - International Conference of Independent Publishers (2019-2021)

The first Conference workshops were held in Abidjan (Ivory Coast) in May 2019 during the International Book Fair of Abidjan, and brought together 40 French-speaking publishers, as well as representatives of the Portuguese and Arabic-speaking networks.

Here the video!

Youth literature and typography were the main focus of these workshops. A mapping of publishing public policies in sub-Saharan Africa and Madagascar (the Alliance’s flagship project since the last Conference of 2012-2014) was also presented on this occasion. The next workshops will most probably be held in Chile in September 2019, gathering mainly Latin American and Spanish publishers - a mapping of publishing public policies in Latin America will also be presented on this occasion.

The complete program of the International Conference 2019-2021 will be available in a few months!
For any questions, contact the Alliance’ team (equipe@alliance-editeurs.org).

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Tehran Book Fair Uncensored, Europe and North America, April-May 2019

For its 4th edition, the Tehran Book Fair Uncensored will move in the following countries: United Kingdom, France, Germany, Austria, Denmark, Sweden, Netherlands, Belgium, United States, Canada...

For the fourth year, Farsi publishers outside of Iran, organize the Uncensored Tehran Book Fair, all around the world. The goal is to provide an opportunity for the authors, whose works are censored in Iran, to speak out freely and present their works. Each year many authors and publishers in Europe, Canada, and the United States meet their readers and discuss the status of persian literature all around the world. This is an unique opportunity to know, support, and promote the uncensored persian literature.

More information here: https://uncensoredbook.com/

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Laurence HUGUES

After studying at the IUT Book Trade in Aix-en-Provence, Laurence Hugues went to earn a bachelor’s degree in Literature at Trois-Rivières University in Québec, and later a Masters’ degree in Book Marketing at Paris 13-Villetaneuse University. After several professionals stays in West Africa, she joined the International Alliance of independent publishers’ team in 2007. In July 2009, Etienne GALLIAND passed on management responsabilities to Laurence HUGUES.

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“Shifting the limits”, independent publishers meeting in Madrid (Spain), 4-5 April 2019

Two days of discussions, reflections and workshops to which will participate, amongst others, LOM Ediciones (Chile), En toutes lettres (Morocco), Metis Publishers (Turkey), Critique and Humanism (Bulgaria), Masarykova Univerzita (Czech Republic), éditions d’en bas (Switzerland), Sophie Noël (University Paris 13)… these sessions are organised by La Oveja Roja (member of the Alliance), in partnership with Contrabandos bookshop. Topics include book ecosystem, other forms of production, community of readers…
Consult the programme here!

The meeting will be followed by the second edition of the Political and Critical Books Fair.

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Indie Book Day, 30 March, 2019!

On Saturday 30 March, 2019, it is the Indie Book Day!

Independent publishers and booksellers propose readers to celebrate Indie Book Day. The principle is simple: you just need to go in your favourite independent bookshop, to buy a book published by an independent publisher. Then, you are invited to share a picture of the book on the social networks (Facebook, Twitter, Instagram…), with the hashtag #indiebookday.

Indie Book Day aims to highlight the creativity, diversity and dynamism of independent publishing and make readers aware of the essential aim played by independent bookshops in favour of bibliodiversity.

Indie Book Day website: www.indiebookday.de/english

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The programme 2019 & an overview 2018 !

To read here, the 2019 programme and an overview of the activities carried out in 2018.

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Bibliodiversidad. Un manifiesto para la edición independiente

Author(s) : Susan HAWTHORNE
Publishing countries : Argentina

En un mundo globalizado, las megacorporaciones editoriales solo se preocupan por los números, por lo semejante, por seguir fórmulas ya probadas en sus últimos éxitos de ventas. Se espera que cada libro pague su propia producción junto con las externalidades del proceso de publicación, tales como la infraestructura y el sueldo de los ceo. Bajo esa óptica, los libros que se demoran más en “despegar”, pero que poseen una larga vida y son capaces de cambiar las normas sociales, tienen menos probabilidades de publicarse.

Los editores independientes apuestan por una forma diferente de hacer las cosas. Buscan un compromiso distinto con la sociedad y se preocupan por reflejar el lugar y el espíritu de sus comunidades. “Bibliodiversidad” es un término creado por editores independientes en los años noventa para darle un nombre a esta forma diferente de pensar la edición. En este manifiesto, Susan Hawthorne nos ofrece una crítica mordaz a la industria editorial global, que contrapone a una propuesta visionaria para la publicación “orgánica”. En un contexto de predominio de las grandes corporaciones, Bibliodiversidad marca las diferencias entre los conceptos de libertad de expresión y de “discurso justo” y pone en perspectiva las promesas y los desafíos de la transición al mundo digital.

ISBN: 978-950-889-322-2 - 15 x 21 cm - 120 páginas

Bibliodiversidad, en francés
Bibliodiversidad, en árabe
Bibliodiversidad, en aléman

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Bibliodiversity Observatory

Publishing in Persian Language, a groundbreaking study on publishing in the Persian language

Publishing in Persian language presents a comprehensive and current overview of publishing in Persian language, in Iran, Afghanistan, Tajikistan, Uzbekistan, but also in the diaspora in Europe and the United States.
Articles, penned by Ali Amiri, Beytolah Biniaz, Masoud Hosseinipour, Farid Moradi, Laetitia Nanquette and Dilshad Rakhimov, enable an understanding of editorial markets through historical, economic, political and cultural perspectives.
This study sheds light on the work and publishing list of several independent publishers in Persian language, and thus enabling professional and intercultural exchanges.
Publishing in Persian language is available in Persian and English, and openly accessible on the Website of the International Alliance of Independent Publishers, in PDF, ePub and MOBI formats.

Summary of the study:
• Introduction, Beytolah Biniaz
• History of publishing in Iran, Farid Moradi
• Panorama of independent publishing in Iran, Farid Moradi
• Structure of the book market in Iran, Farid Moradi
• Cultural exchanges and translations between Iran and France, Germany, the United Kingdom and the United States, Laetitia Nanquette
• Persian language publishers in Europe, Farid Moradi
• Publishing in Afghanistan, Ali Amiri
• Panorama of publishing in Tajikistan, Dilshad Rakhimov
• Publishing in Persian language in Uzbekistan, Farid Moradi and Masoud Hosseinipour

Publishing in Persian language, “État des lieux de l’édition” collection (Reports on the publishing world), International Alliance of independent publishers, 2015.
ISBN: 978-2-9519747-7-7 (Persian version)
ISBN: 978-2-9519747-8-4 (English version)

Publishing in Persian language was made possible through the support of the Prince Claus Fund. We thank all contributors, publishers, and professionals who participated to this collective endeavour –and particularly Sonbol Bahmanyar for the coordination of the study.

Collection État des lieux de l’édition

Read the study in MOBI format_in Persian

Read the study in MOBI format_in English

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Publishing in Africa: From independence to the present day, by Walter Bgoya and Mary Jay, 2013

Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structural adjustment policies, the continuing dominance of multinational publishers (particularly in textbooks), regressive language policies, and lack of recognition by African governments of the economic and cultural importance of publishing. African publishers seek to work collectively, to harness the digital age, and to take their place in the international marketplace on equal terms, Africa’s own voice.

This article, by Walter Bgoya and Mary Jay, was originally published in Research in African Literatures, vol. 44, no. 2, Summer 2013, 17-34, published by Indiana University Press.

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The Independent publisher

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

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What new book donation practices in Africa?, IFLA Congress, Lyon (France), 16-22 August 2014

At the 80th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

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Bibliodiversity

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

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Predation

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

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Local and national languages: What opportunities for publishing?, 11 to 13 June 2013, Ouagadougou (Burkina Faso)

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

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African youth literature: what visibility on the international market?

Publishing countries : Italy

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.

Although African literary output is sold to the general public in the North, is it bought in the context of fairs dedicated to right sells? What are the necessary prerequisites to participate in these professional fairs? Would African literature find buyers?

In partnership with Bologna Children’s Book Fair, the Alliance convened eight African publishers in Bologna from the 23rd to the 27th of March 2013.

Through experience sharing and the intervention of a literary agent specialised in rights transfer (mainly at the service of small youth publishing houses), publishers will also work on the following items:
• Identify relevant catalogues for copyrights transfer;
• Develop marketing tools to better present one’s production;
• Negotiate rights and follow-up with business contacts…

Publishers will also reflect on publishing standards in the design and production of books, standards that could facilitate access to international markets while posing a production standardisation risk. How can we reconcile publishing on two levels simultaneously, addressing a local readership and also an international one?

A session of the workshop will focus on the development of an advocacy document proposing a series of recommendations aimed at book fairs to support the attendance of publishers from the South.

Finally, this meeting will be the occasion for a projects fair, a “mini Bologna” that could lead to translation proposals, rights transfers and co publishing projects. Some of these projects could thereafter be supported by the Alliance.

As an extension to this workshop, meetings with publishers and organisations supporting youth publishing were held during the Fair, providing an opportunity to concretely illustrate the reflection processes carried out over the two previous days, to better discover and understand the workings and mechanisms of a Fair such as Bologna’s. We hope that this support will enable publishers to renew and assure their participation in the long term… and ultimately, that African youth literature will be more visible on international markets.

The Alliance warmly acknowledges the support of Bologna Children’s Book Fair, Fondation de France, Centre national du livre and the Institut français of Madagascar, essential to the implementation of this workshop.

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