The Alliance

“I wouldn’t have written the many books if I didn’t have publishers who were sensitive, publishers who had their own networks, publishers who worked with my philosophy of smallness is beautiful, smallness in self-organised form is largeness—it is largeness of mind, it is largeness of heart, it is largeness in terms of expanding the possibilities of humanity and the earth in a time where the dominant economy would like to shrink those possibilities.”

“If you were not as diverse as you are and if you did not publish the diversity of ideas that are necessary for our times not only would you as a publishing network not have the resilience and robustness that is needed, but wouldn’t be providing that amazing robustness to society in a period where, like monocultures are destroying the fertility of the soil and creating deserts (...)”

Read the speech by Vandana Shiva at the closing of the International Conference on Independent Publishers, Pamplona-Iruñea, 26 November 2021.

This speech is also available in audio on the Alliance’s Youtube channel.

“More than ever, the future of the book—namely its diversity and promotion of minority and alternative voices—rests on the shoulders of independent editors, who give life to the book’s cultural necessity through their commitment, convictions, and attachment to causes that break with the lone dictature of capitalism.”

“My third novel, Munyal ; les larmes de la patience (forthcoming in English translation in October 2022 as The Impatients), is now available in many Francophone African countries because of the Alliance’s ’Terres solidaires’ collection. Many African authors feature on that list, but the part that brings me the most pride is to have such a recognition from Sub-Saharan Africa, where I live and work. This is truly the spirit of diversity that is so dear to the Alliance, and what represents the values that we writers and editors must defend and promote. The Alliance plays such a fundamental role in this sense, mitigating as much as possible the issue of book distribution in Sub-Saharan Africa, particularly Francophone countries.”

Read the speech by Djaïli Amadou Amal at the closing of the International Conference on Independent Publishers, Pamplona-Iruñea, 26 November 2021.

Translated from the French by Allison M. Charette.

This speech is also available in audio on the Alliance’s Youtube channel.

The Independent Publishing Glossary is a collective project led by publishers from the Spanish-language network of the International Alliance of Independent Publishers.

It shows the meanings and definitions of words commonly used in publishing. It is an evolving project, which will be enriched over time in order to include new concepts and to take into account other proposal for definitions. The idea is not to freeze or petrify the concepts, but to open them up to enhance their multiple meanings.

Each term is signed by the person who worked on the definition. The glossary was edited by Germán Gacio Baquiola (Corredor Sur Editorial, Ecuador / Colectivo Editores independientes de Ecuador), Teresa Gottlieb, (Editorial Maitri, Chile), Paulo Slachevsky (Lom Ediciones, Chile) and Miguel Villafuerte, (Editorial Blanca, Ecuador).

1/ The Alliance, a place for experimentation and reflection through the Bibliodiversity Observatory

• Continue the analyses, reflections and advocacy via the thematic working groups set up during the 2014 Conference and set up new working groups on the themes and issues discussed during the 2021 Conference
• Providing tools and documenting international independent publishing

2/ The Alliance, a space for collaboration and sharing

• Share practices and know-how (on regional, national or even international levels, depending on the needs expressed) between publishers
• Meet and strengthen the flow of exchanges

3/ The Alliance, a tool for promoting independent publishing and the circulation of books

• Encourage the visibility and promotion of independent publishing
• Promote the circulation of works and productions of independent publishing houses

4/ The Alliance, a laboratory of alternative editorial practices

• Pursue and strengthen solidarity-based publishing partnerships (transfer of rights, translations, co-publishing projects, etc.)
• Communicate and increase awareness

5/ The Alliance, an evolving governance and operation

• REthink
• Get involved

Gathered in the city of Pamplona-Iruñea from 23 to 26 November 2021 at the fourth International Conference of Independent Publishers, organised in partnership with EDITARGI (Association of Independent Publishers of Navarre), we, the publishers of the International Alliance of Independent Publishers (IAIP), reaffirm our commitment to:

• the cultural, social and political character of books and reading;
• the democratisation of books in our societies;
• reading as an emancipatory practice that strengthens the critical thinking of citizens and stakeholders within their society.

Read the full Declaration here:

This Declaration is in line with the discussions and work of the International Alliance of Independent Publishers, in particular the Declarations of 2003, 2007 and 2014 and the 80 recommendations in favour of bibliodiversity. It will be complemented by a Guide to Good Practice (collective work in progress, for publication in the first half of 2022).

The round-table discussions of the Conference are available in replay on the Alliance’s YouTube channel.

Support bibliodiversity and independent publishing through a professional solidarity network

• Support the creation and strengthening of memberships to national and/or regional publisher collectives (including in Europe)
• Promote bibliodiversity, popularise the idea of bibliodiversity for the general public, for example through the (International Bibliodiversity Day on 21 September, )

Support the creation of national, regional and international book policies

• Create the Bibliodiversity Observatory: mapping of national book policies in Latin America, the Arab world, West Africa… and developing a bibliodiversity measurement tool
• Make independent publishers’ voice heard among public authorities (Ministries of Culture), international organisations (UNESCO, OIF, CERLALC, UEMOA, etc.), and book professionals and collectives: diffuse, promote and defend the International Declaration of independent publishers and the 80 recommendations in support of bibliodiversity

Reaffirm and defend freedom and equity of speech

• Create a censorship typology; draft advocacy plans in support of, and in solidary with, publishers

Strengthen collaborative spaces and innovate to respond to tomorrow’s changes and issues

• Develop the Digital Lab, organize workshops, and sharing of experiences and tools (on digital publishing, editorial solidarity partnerships, national and local languages publishing, etc.)
• Strengthen inter-professional collaboration (authors, librarians, booksellers, diffusers-distributors, digital actors, etc.): inter-professional meetings, joint lobbying

Reinstate equilibrium between book exporting countries and importing countries

• Manage an online resource centre, complementing the Bibliodiversity Observatory
• Modernize book donation practices: Book Donation Charter reviewed by professionals from the global South
• Participate in book fairs (collective stands in book fairs in both the global South and global North), promotion of books from the South in the North

Develop and strengthen intercultural sharing

• Develop and support copublishing/ translation projects: North-South and South-South editorial partnerships bearing the “Fair Trade Book” label, and research on economic solidarity models (social and solidarity economy)

Publishers collectively adopted the Alliance’s 2015-2018 objectives during the International Assembly of independent publishing (2012-2014). Projects and activities arise from each of these directions, and are implemented by the Alliance during the 2015-2018 period.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

During the closing meeting of the International Assembly of Independent Publishers (Cape Town, South Africa, September 18-21, 2014), 400 independent publishers from 45 countries signed the International Declaration of Independent Publishers 2014.
Collectively drafted in three languages, on September 20, 2014, the Declaration 2014 is available in several languages (French, English, Spanish, Portuguese, Arabic, Farsi, Italian, etc.).

Do not hesitate to share the Declaration and promote and strengthen bibliodiversity with us !

Read here the 80 recommendations & tools (on digital publishing, public book policies, youth literature, national and local languages publishing, solidarity publishing partnerships and “Fair Trade Books”, book donations).

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article «Bibliodiversity» on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

Dos universitarios de alto vuelo – un geofísico francés y un filósofo chino – hablando de la muerte, esto podría asustar a un lector poco hecho al lenguaje académico. Pues que aborde este libro tranquilo. De lo que nos hablan aquí el profesor Yang Yijie, presidente de la Academia de Cultura China y Xavier Le Pichon, profesor en el Collège de France, es de su padre, de su madre, de sus hermanos y hermanas, de sus convicciones y de su fe. Se trata ante todo de la vida.
Tang Yijie y Xavier Le Pichon han tenido ocasión de encontrarse y de dialogar sobre los asuntos esenciales de la existencia. Pero estos dos textos no resultan de una simple yuxtaposición. Ambos se responden mutuamente, con un afán casi pedagógico por dirigirse a la cultura del otro, para destacar (y cuestionar) los rasgos más representativos de su propia civilización.

Incluso si se considera que el lugar que ocupa la cultura cristiana en la cultura europea es “sin duda excesiva”, Xavier Le Pichon elige tratar el misterio de la muerte desde su perspectiva: la católica. Desde su lucidez, nos muestra en qué medida la muerte – antaño incorporada a la vida, y recordatorio de que “el destino del hombre es la felicidad eterna” – se ha convertido en Europa a lo largo de los siglos, y gracias a los progresos de la medicina, en un acontecimiento cada vez más vinculado al dolor de la vida. Un paso, en efecto, hacia la luz, ¡aunque a un precio muy elevado! Impresionante por ejemplo las palabras escritas por su padre evocando su cercana muerte: “La muerte es el acto más importante de la vida; es como el sello que cierra la carta con tantas lágrimas, sangre y sufrimiento. Es como la coronación de la vida”.

Fecha de publicación: 1999

Cuando sabemos que antaño existía en el Imperio del Medio un “Gran Augurio“, una especie de secretario de Estado oniromántico, situado a la cabeza de un “servicio de la adivinación”, y cuando leemos lo que aquí escribe Jin Siyan sobre la función del sueño en su propia vida, comprendemos que para los chinos el sueño es un asunto que se toman en serio. ¿Será que en contrapunto Maurice Bellet deplora la dificultad del hombre occidental – “este soñador que no se conoce a sí mismo” – para hacer lo mismo? No sólo eso. Filósofo, psicoanalista, cura y a veces novelista, Maurice Bellet conoce y ama el sueño por haberlo acompañado y trabajado en los demás y en él mismo, y por haber estudiado durante mucho tiempo su valor creativo. E incluso si, en su contribución a este libro, habla muy poco de él mismo, sus análisis y sus parábolas le revelan con profundidad, ya que están más cargadas de experiencia que de especulación abstracta.
Jin Siyan no se preocupa demasiado por la especulación liberada de la vida. Antiguo profesor en la Universidad de Pekín, Maestro de Conferencias en la ENA y profesor de civilización china y de literatura comparada en la Universidad de Artois, lo que quiere hacer aquí es ante todo narrar. Nos narra los sueños del día a día de su infancia rural y feliz, los de las leyendas y de los mitos de la China antigua, narra los fantasmas y lo que fue el sueño de épocas tan enturbiadas como la de la Revolución Cultural.
Por motivos muy diferentes, los dos autores evocan aquí el sueño como un mediador. Para el hombre occidental descrito por Maurice Bellet, construido a partir de escisiones - alma/cuerpo, sujeto/objeto – el sueño es una suerte de interfaz “en la unión del espíritu y del cuerpo”.
Para los chinos, quienes generalmente desconocen este tipo de oposiciones, el sueño es sin embargo, en este caso también, un paso. “Procede sin trabas, nos dice Jin Siyan, oscilando entre los mundos del ying y del yang“.

Fecha de publicación: 1999

Símbolo del progreso, del trabajo de la razón, que intenta explicar incansablemente lo real y el destino del universo, la ciencia es además un extraordinario lugar para el diálogo entre las culturas, por su vocación a tender hacia lo universal.

Astrofísico, Pierre LÉNA propone en primer lugar un “paseo por la ciencia”, evocando las cuestiones que cada uno se plantea. ¿No es la ciencia, acosada por lo invisible a través de la apariencia de lo visible, un asunto de especialistas? ¿Un paciente ejercicio de la prueba o una hermosa construcción matemática, e incluso la relación sutil entre la verdad y el cambio?

Especialista en el gen humano, YANG Huanming nos ofrece desde su punto de vista la percepción china de la ciencia, vinculada a la cosmología, a la sabiduría y a la visión del universo y de las fuerzas que la animan. Se plantea a su vez la pregunta de la dimensión ética a partir del genoma humano.

La geografía de los husos horarios nos enseña que cuando París duerme, Shangai se despierta. Pero pida a un escritor chino y a un escritor francés que le hablen de la noche, no le hablarán del sueño, o muy poco. Tang Ke Yang, joven especialista en literatura comparada, y Martine Laffon, filósofa, tienen demasiada fascinación por la riqueza multiforme de la noche para dejársela a los roncadores. Y el viaje que cada uno nos propone, en torno a la noche en sí – y a su civilización – es una invitación a ver, en la oscuridad, lo que no solemos ver, a contemplar la noche del otro para comprenderse mejor, para comprenderse a uno mismo mejor.
Y es que, según nos dicen, la noche ilumina. Una vez superado el miedo del niño perdido en la oscuridad, se produce una misteriosa alquimia, a través de la cual, la noche, como por sorpresa, nos revela algo del infinito. Tang Ke Yang y Martine Laffon han hecho de ella una experiencia personal, uno descubre en la noche este “espacio de indolencia en nuestra vida fustigada por la razón”, y el otro, para quien el tiempo nocturno da a “conocer lo que el ojo y el resto de sentidos no pueden distinguir, ya que éstos han olvidado lo que sabían tan bien a la luz del día”. Noches en blanco, noches pícaras muy francesas, noches antaño prohibidas en China, donde nadie podía deambular sin un permiso especial, noches de embriaguez y noches de clarividencia, noches de Pascal y de Descartes, durante las que creaban lo mejor de su pensamiento, noches interiores y noches trampas, noches de luminaria, farolillos rojos y farolillos chinos, noches festejadas de la tradición cristiana, noche de escritores y de poetas. De esta selección de evocaciones propuestas por nuestros dos autores podemos obtener un desmentido categórico ante la duda expresada en torno a una página por Martine Laffon: “¿Y si la noche sólo fuera la noche?“

Fecha de publicación: 1999

African literature in French is today better represented and better known in Europe than in Africa, where its distribution remains hampered by many obstacles. However, there are solutions, which require the mobilisation of various stakeholders in the book industry. One solution is co-publishing, based on a joint trade agreement. The publication of «L’Ombre d’Imana» by Véronique TADJO, a groundbreaking example of pan-African co-publishing, proves that it is possible, through joint action, to create the conditions necessary for a (re)appropriation by Africa of its literature. To make this possible, the Alliance is appealing to everyone, authors, publishers and institutions alike, to join forces and promote the bibliodiversity at the heart of the francophone spirit. This appeal is endorsed by many authors and book industry professionals.

This meeting, organized by Cerlalc, the Colombian Department of Education, the Book Chamber of Colombia and the Cultural affairs of the city of Bogotá, was special in that it enabled the exchange of experiences between independent publishers from Colombia, from the Alliance (Germán Coronado (Ediciones Peisa, Peru), Pablo Harari (Trilce, Uruguay), Ivana Jinkings (Boitempo, Brazil), Anne Marie Métailié (Editions Métailié, France), Paulo Slachevsky (Lom Ediciones, Chile), Marcelo Uribe (Ediciones Era, Mexico), Thierry Quinqueton, Chairman of the Alliance, and other professionals of the book sector.

An emphasis was put on the theme of new technologies (on-demand printing, Google books search, ebooks) and on their impact on the very know-how of publishers.

Two major aspects of this meeting were the formal creation of REIC (Red de Editoriales Independientes de Colombia) through the signature of its by-laws and the drafting of the Bogota Declaration (see below).

Read: The ninth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

10 publishing houses from 10 different countries were indeed represented in an especially fit out 60 m² space. Five publishers were present and stayed for 6 days in tune with the fair: Russel Clarke (Jacana Media, South Africa), Béatrice Lalinon Gbado (éditions Ruisseaux d’Afrique, Benin), Marianna Warth (Pallas Editora, Brazil), Marie-Michèle Razafinstalama (éditions Prediff, Madagascar) and Paulin Assem (éditions Graines de pensées, Togo) thus participated both in setting up the stand as well as in managing it.

Read: The eighth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

The Peruvian publishers that were present at the International Assembly in Paris last July (Germán Coronado, Ediciones PEISA and Álvaro Lasso, Estruendomudo), have participated in founding the Alianza Peruana de Editores in Lima in September. The creation of this Alliance, which gathers about twenty independent, academic and autonomous publishers, is perfectly in line with the appeal launched by signatory publishers in International Declaration of Independent Publishers for the protection and promotion of bibliodiversity (Paris, July 2007): «we call upon independent publishers everywhere in the world to join forces –whether at the national, regional, or international level– creating associations and other collective bodies which will permit us to better defend our rights, and to make our voices heard.»
According to Germán Coronado : “Esta nueva entidad gremial nace como un reflejo de lo que aconteció en París en julio pasado.” (“This new collective entity is born as a reflection of what happened in Paris last July").
The statutes of this Peruvian Alliance are available on the following link: http://alpe.wordpress.com

We wish this national association of independent publishers success in protecting and fostering bibliodiversity as well as its Latin American counterparts (AEMI in Mexico, EDINAR in Argentina, LIBRE in Brazil).

Discover publishers’ backgrounds, get to know their work and their publications, and listen to the voice of independent publishers… by reading the exclusive publishers portraits in this section!

In partnership with the online magazine ActuaLitté, interviews with publishers member of the Alliance are regularly added here. Explore the interviews:
* Élodie Comtois (Écosociété publishers in Québec),
* Samar Haddad (Atlas Publishing in Syria),
* Marie Michèle Razafintsalama (Jeunes malgaches in Madagascar),
* Constanza Brunet (Marea Editorial in Argentina),
* Antoinette Koleva (KX Critique & Humanism in Bulgaria),
* Karine Joseph (Sirocco in Morocco),
* Colleen Higgs (Modjaji Books in South Africa),
* François Nkémé (Proximité in Cameroon),
* Aliou Sow (Ganndal, Guinea Conakry),
* Ritu Menon (Women Unlimited in India).
* Ivana Jinkings (Boitempo in Brazil),
* Sophie Bazin and Johary Ravaloson (Dodo vole in Madagascar),
* Dorota Hartwich (Format in Poland),
* Amanda Crocker (Between the Lines, Canada),
* Dieulermesson Petit Frère (LEGS Édition, Haiti),
* Corinne Fleury (Atelier des nomades, Mauritius),
* Abdulai Sila (Ku Si Mon, Guinea Bissau),
* Susan Hawthorne (Spinifex Press, Australia),
* Dan Bomboko (Elondja, Democratic Republic of Congo).

After studying at the IUT Book Trade in Aix-en-Provence, Laurence Hugues went to earn a bachelor’s degree in Literature at Trois-Rivières University in Québec, and later a Masters’ degree in Book Marketing at Paris 13-Villetaneuse University. After several professionals stays in West Africa, she joined the International Alliance of independent publishers’ team in 2007. In July 2009, Etienne GALLIAND passed on management responsabilities to Laurence HUGUES.

After a master’s degree in French Literature at the Sorbonne Nouvelle, Camille CLOAREC worked at the Maison de la Poésie in Nantes and was also the coordinator of literary life at Ciclic (the center of book, cinema and digital culture for the Loire Valley Region), before being in-charge of the book and debates office at the French Embassy in Canada. In 2019, Camille began learning Telugu (Indian language) at Inalco.
Camille joins the Alliance team in July 2020; she is in charge of the management of the the association’s language networks and the co-publishing and translation projects within the Alliance.

After studying political sciences, Laura Aufrère was for 5 years coordinator of the French confederation gathering not-for-profit cultural professional initiatives from a variety of disciplines (music, theater, outdoor and circus, visual arts, etc.), rooted in the solidarity economy movement (UFISC). She is now a PHD student in management, looking specifically into critical approaches in the organisation theory and the digital humanities fields. She studies commons and social and solidarity economy initiatives, focusing specifically on work and labour organisation, cooperation and governance issues, and social protection. She joins the Alliance Board in 2016 and is now its President.

Vice-President of the Board of the Alliance since the General Assembly of June 20, 2011, Luc Pinhas is a former student of the École normale supérieure in Saint-Cloud. He holds a PhD in Communication Studies and teaches at Paris 13-Villetaneuse University, where he is currently in charge of a master’s degree on “Book Marketing”.

Thierry Quinqueton has long experience in the publishing world and of intercultural dialogue. He was Literary Director at the Desclée de Brouwer publishing house (France) from 1991 to 1999, and then Director of the French Cultural Center in Khartoum from 2000 to 2004. After spending four years at the French Department of Foreign Affairs (department of written documents and libraries), he was responsible from May 2009 to July 2013 for the libraries network in the Châtellerault area; from 2013 to 2017, he was in charge of the Book Office at the French Embassy in Beirut, Lebanon. Thierry Quinqueton also pursues his research on the links between market economies, public policies, and non-monetary aspects within the book economy (Law and Development of Social and Solidarity Economy - University of Poitiers). Author of «Que ferait Saul Alinsky?» (DDB, 2011), he was Chairman of the International Alliance of Independent Publishers from 2006 to 2013.

Mariette Robbes is specialized in network facilitation, public relations and project management in the associative and cultural sectors. She has worked at Katha publishing (India), at the International Association of Francophone Booksellers and the International Youth Library (Germany).
Her growing passion for “third places” and innovative ways of working and creating (fablabs, coworking, shared workshops, etc.) led her to explore new horizons. She is now working as a Network Development & Animation Manager at myCowork, in Paris.
Passionate about publishing for youth in India, she is also an associate member of the academic project DELI (Encyclopaedic Dictionary of Literatures of India). In addition, Mariette works as a freelancer (support for fundraising, graphic design and layout).

Jérôme Chevrier has been working for 20 years in the book and reading sector. As a librarian, he has worked at the Bibliothèque nationale de France, the Ministry of Culture, the Centre national du livre and the French Institute of South Africa.
He was in charge of cultural mediation at the Centre Pompidou public information library. He is currently cultural attaché in charge of the Book Department at the French Embassy in London.
He joined the Alliance Board in July 2021.

A committed journalist with a special interest in international solidarity, sustainable development and human rights, David Eloy founded Altermondes in 2005, a media focusing on civil society’s actors, where he was editor-in-chief until 2016. He previously held positions in several international NGOs, including the Centre de recherche et d’information pour le développement (CRID), Peuples Solidaires – Action Aid France and the Association internationale de techniciens, experts et chercheurs (Aitec).

As an English professor with a degree in languages and comparative literature, Marielle Morin’s professional career has revolved around books, languages and research.
She has worked in the International Rights Department at the University of Chicago Press, and as a librarian at the Centre for Indian and South Asian Studies (CEIAS-EHESS). She has translated Indian literature from English (Khushwant Singh, Anita Naïr, Amruta Patil) and Bengali (Mahasweta Devi) and then went on to manage the media libraries and the book office of the French Embassy/ Institute in New Delhi first, then in Cairo, for eight years until 2014.

She is now back at the CEIAS, where she is in charge of international research projects within the research focus areas of Asia, Middle East and Muslim Worlds and African Studies.

She continues to be interested in languages, Indian literature, translation, and book history, and is an associate member of the DELI academic project (Encyclopedic Dictionary of Indian Literature).