To be an independent publisher is to question the world, to help make sense of it, today and tomorrow
At a time when every country in the world is affected by the pandemic, we, as independent publishers around the world, are experiencing diverse health, social and economic situations. We are facing different realities, in different timeframes: immediate risks for some sections of the population (India, Madagascar, Indonesia...); a pandemic that strikes in contexts of already established political crisis (Haiti, Egypt, Syria...); the near absence or delayed implementation of public book policies (Cameroon, Gabon...); the resilience of independent publishing houses in the face of big corporations (Australia...).... While our contexts are diverse, our concerns remain collective: fragility of independent structures, uncertainty about the future, concern about possible abuses (surveillance society, pressure on employees, online teaching and learning, etc.).
We are in perpetual questioning, trying to understand our world: what to do, how, with whom, at what pace?
We need time to understand, to comprehend – which we had planned to do by 2021, as well as our “Rethink and Celebrate” Conference. REthink: to remain a conscious and creative actor, to act, in terms of ecology, social and solidarity economy, new approaches to readers, cooperative practices between professionals, freedom of publishing, fair speech...
Read more below...
See also:
Public book policies website
Read the text in Arabic:
The International Alliance of Independent Publishers and publishers from the Spanish-language network pay tribute to the memory of the Chilean writer Luis Sepúlveda, who died on 16 April 2020 in Oviedo (Spain) as a result of the Coronavirus, after several weeks in hospital.
The Ibero-American Book Fair in Gijón, organised and directed by Luis Sepúlveda for more than a decade, was the setting for the creation of the first network of Spanish-language independent publishers, and the first meeting of Latin American independent publishers was held in 2000.
As a result, the International Alliance of Independent Publishers and the Association of Independent Publishers of Chile, now Editores de Chile, were formed.
Today we pay tribute to a man of generosity, solidarity and commitment to building a more just and humane world.
Author(s) : Djaïli Amadou AMAL
Publishing countries : Republic of Guinea, Benin, Burkina Faso, Cameroon, Ivory Coast, Mali, Morocco, Togo
Price : 3 000 FCFA ; 40 000 francs guinéens
This co-publishing bears the label “Fair Trade Book”.
Created in 2007, the “Terres solidaires” collection is a collective experience. It proposes literary texts from African authors, published by a collective of publishers in Francophone Africa, Through the principle of solidarity co-publishing, texts circulate, are available and accessible for African readers: the local book ecosystem is protected and strengthened.
The “Terres solidaires” collection is supported by the Organisation internationale de la Francophonie (OIF).
The first videos of the Conference here: Abidjan (May 2019); Santiago de Chile (October 2019)
The Conference is a process carried out over 3 years. It has commenced in 2019, with several workshops and meetings: Madrid (April 2019), Geneva (May 2019), Abidjan (May 2019), Santiago de Chile (October 2019).
The Conference will continue well into 2020… to end in 2021 in Pamplona, Basque Country.
In 2021, the Alliance will celebrate its 20 years of existence!
Follow the Conference on the Alliance website and social networks!
Convened in Santiago de Chile on the 1st, 2nd and 3rd of October 2019, during the Spring of the Book (Primavera del Libro) and the International Conference of Independent Publishers (2019-2021), the Spanish-language network of the International Alliance of Independent Publishers (IAIP) declares:
And commits towards:
The aim is to strengthen book ecosystems locally by involving all relevant actors, and to promote a book culture in our societies, a necessary condition to escape manipulation and to build democratic societies for critical and committed citizens.
We call on all independent publishers who share these statements to sign this declaration:
To sign the “Declaration of Santiago de Chile on independent publishing serving communities and diversity”, please contact the Alliance’ team.
Through a partnership with the Editores de Chile collective and publishers member of the Alliance in Latin America and Spain, more than 15 publishers from Argentina, Chile, Colombia, Equator, Spain, Mexico and Peru met in Chile, for a 2-day meeting, in the margins of the 8th Primavera del Libro.
These workshops and meetings are part of the activities of the International Conference of Independent Publishers 2019-2021: “Rethinking independent publishing, celebrating bibliodiversity!”
On this occasion, the Alliance launched, in Chile, the results of the previously unpublished analysis carried out on public book policies in Latin America.
The cross-cutting analysis of public book policies in Latin America is available in Spanish on the Alliance website, and in French in the special issue of Bibliodiversity Journal focusing on public book policies.
The activities carried out in Santiago de Chile were supported by the collective Editores de Chili, the 8th Primavera del Libro, the Ministry of Culture, Arts and Heritage of Chile, the Providencia municipality and the Providencia Cultural Funds.
The ICIP will meet to discuss a major event in the life of the Alliance: the International Conference of Independent Publishers 2019-2021!
This meeting will focus on developing the content, subjects and objectives of the Conference: several actors, structures and partners are therefore invited to the ICIP meeting, to listen to a diversity of voices, to share concerns, learn from what is done elsewhere, be challenged, discover… to broaden our horizons and build this Conference together, pushing us to rethink!
Topics under discussion include: ecology and publishing, agriculture and publishing, (ongoing) unbalanced relationships between the South and the North…
Read the programme and the list of participants here!
The Alliance thanks the Centre national du livre, la Maison des Métallos and the Fondation Charles Léopold Mayer for providing venues for our meetings.
Discover here the HotList 2019!
Thanks to a partnership with Kurt Wolff Stiftung (the German collective of independent publishers, member of the Alliance) and the Frankfurt Book Fair, independent Latin American publishers in Frankfurt will be exhibiting at the “Reading Island for Independent Publishers” stand (Hall 4.1), twenty books of various genres: novels, short stories, art books, essays, children’s literature... from Argentina, Ecuador, Chile, Colombia, Mexico!
Context:
- 2009: The members of EDINAR (a group of Argentinian independent publishers) present a selection of the best books from their list at the Buenos Aires Book Fair. This selection is then promoted in independent bookstores across Buenos Aires.
- 2010: Argentina is the guest of honour at the Frankfurt Book Fair. To make sure Argentinian independent publishing is well represented, the Argentinian independent publishers, in partnership with the Frankfurt Book Fair, present a HotList at the stand of independent German publishers, showcasing the diversity and quality of their books.
- 2017: The HotList 2017 opens to independent publishers from Latin America! Thanks to the collaboration with the collective Kurt Wolff Stiftung, a selection of about 40 titles from Argentina, Chile, Colombia, Peru, and Uruguay is exhibited in Frankfurt on the “Reading Island” (Hall 4.1 / D36).
- 2018: Following the success of the 2017 edition, the HotList 2018 is back and opens to Brazilian publishers. In addition, a thematic and international selection is launched: this year, the theme of “women’s struggle” is selected in the “WomenList”, showcasing more than 30 titles edited by independent publishing houses from all continents.
- 2019: The International Alliance of independent publishers and the Kurt Wolff Stiftung collective offer a new edition of the HotList. Some twenty books (novels, essays, children’s books, comics, art books) will be exposed at the Frankfurt Book Fair 2019. A colourful and powerful HotList this year!
Here is the 9th edition of the B Day, let yourself be hooked by the books!
Share the video of the B Day 2019!
Publishing in Persian language presents a comprehensive and current overview of publishing in Persian language, in Iran, Afghanistan, Tajikistan, Uzbekistan, but also in the diaspora in Europe and the United States.
Articles, penned by Ali Amiri, Beytolah Biniaz, Masoud Hosseinipour, Farid Moradi, Laetitia Nanquette and Dilshad Rakhimov, enable an understanding of editorial markets through historical, economic, political and cultural perspectives.
This study sheds light on the work and publishing list of several independent publishers in Persian language, and thus enabling professional and intercultural exchanges.
Publishing in Persian language is available in Persian and English, and openly accessible on the Website of the International Alliance of Independent Publishers, in PDF, ePub and MOBI formats.
Summary of the study:
• Introduction, Beytolah Biniaz
• History of publishing in Iran, Farid Moradi
• Panorama of independent publishing in Iran, Farid Moradi
• Structure of the book market in Iran, Farid Moradi
• Cultural exchanges and translations between Iran and France, Germany, the United Kingdom and the United States, Laetitia Nanquette
• Persian language publishers in Europe, Farid Moradi
• Publishing in Afghanistan, Ali Amiri
• Panorama of publishing in Tajikistan, Dilshad Rakhimov
• Publishing in Persian language in Uzbekistan, Farid Moradi and Masoud Hosseinipour
Publishing in Persian language, “État des lieux de l’édition” collection (Reports on the publishing world), International Alliance of independent publishers, 2015.
ISBN: 978-2-9519747-7-7 (Persian version)
ISBN: 978-2-9519747-8-4 (English version)
Publishing in Persian language was made possible through the support of the Prince Claus Fund. We thank all contributors, publishers, and professionals who participated to this collective endeavour –and particularly Sonbol Bahmanyar for the coordination of the study.
Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structural adjustment policies, the continuing dominance of multinational publishers (particularly in textbooks), regressive language policies, and lack of recognition by African governments of the economic and cultural importance of publishing. African publishers seek to work collectively, to harness the digital age, and to take their place in the international marketplace on equal terms, Africa’s own voice.
This article, by Walter Bgoya and Mary Jay, was originally published in Research in African Literatures, vol. 44, no. 2, Summer 2013, 17-34, published by Indiana University Press.
The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.
At the 80th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).
To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.
Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.
See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.
The bibliodiversity, in pictures!
This issue is dedicated to Andre Schiffrin, member of the Scientific Committee of the journal Bibliodiversity.
Follow this link to listen to the “Danse des mots” programme of April 18 2013, focusing on book donations. Yvan AMAR interviews Raphaël THIERRY, following the publication of the article in Africultures, April 8 2013 “Giving is not receiving. Thoughts on book donations in Africa”.
Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.
As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).
While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.
How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).
Publishing countries : Italy
From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.
Although African literary output is sold to the general public in the North, is it bought in the context of fairs dedicated to right sells? What are the necessary prerequisites to participate in these professional fairs? Would African literature find buyers?
In partnership with Bologna Children’s Book Fair, the Alliance convened eight African publishers in Bologna from the 23rd to the 27th of March 2013.
Through experience sharing and the intervention of a literary agent specialised in rights transfer (mainly at the service of small youth publishing houses), publishers will also work on the following items:
• Identify relevant catalogues for copyrights transfer;
• Develop marketing tools to better present one’s production;
• Negotiate rights and follow-up with business contacts…
Publishers will also reflect on publishing standards in the design and production of books, standards that could facilitate access to international markets while posing a production standardisation risk. How can we reconcile publishing on two levels simultaneously, addressing a local readership and also an international one?
A session of the workshop will focus on the development of an advocacy document proposing a series of recommendations aimed at book fairs to support the attendance of publishers from the South.
Finally, this meeting will be the occasion for a projects fair, a “mini Bologna” that could lead to translation proposals, rights transfers and co publishing projects. Some of these projects could thereafter be supported by the Alliance.
As an extension to this workshop, meetings with publishers and organisations supporting youth publishing were held during the Fair, providing an opportunity to concretely illustrate the reflection processes carried out over the two previous days, to better discover and understand the workings and mechanisms of a Fair such as Bologna’s. We hope that this support will enable publishers to renew and assure their participation in the long term… and ultimately, that African youth literature will be more visible on international markets.
The Alliance warmly acknowledges the support of Bologna Children’s Book Fair, Fondation de France, Centre national du livre and the Institut français of Madagascar, essential to the implementation of this workshop.
International Alliance
of Independent Publishers
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75011 Paris - France