English

In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published.

Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.

Bibliodiversity is a term invented by Chilean publishers in the 1990s as a way of envisioning a different kind of publishing. In this manifesto, Susan Hawthorne provides a scathing critique of the global publishing industry set against a visionary proposal for organic publishing. She looks at free speech and fair speech, at the environmental costs of mainstream publishing and at the promises and challenges of the move to digital.

A translation from English into French followed by a co-publishing between 5 publishers in France (éditions Charles Léopold Mayer), Switzerland (éditions d’en bas), Mali (Jamana) and Cameroon (Presses universitaires d’Afrique).

From October, 19^th to 23^rd, meet the independent publishers at the Frankfurt Book Fair: more than 25 publishing houses from all around the world will be there!

You can find the publishers’ contact on the attached document. Do not wait to make an appointment!

The International Alliance of independent publishers demands that Turkish authorities immediately release publishers, authors and journalists currently detained. It is necessary to guarantee freedom of speech and publishing in Turkey. The Alliance joins the Turkish Publishers Association’s condemnation of the summary closure of publishing houses and media as a clear human rights violation, and urges the Turkish authorities to rescind those summary closures.

Through the support of the Organisation internationale de la Francophonie and the partnership established with the Ivorian publishers association (Assedi), the Alliance’s Digital Lab will convene 18 publishers from Sub-Saharan Africa from 23 to 27 May, to a workshop focusing on:
* the production and marketing of digital books (session facilitated by Gilles Colleu, Vents d’ailleurs, France);
* management of the Alliance Press web template developed by the Alliance for publishers who do not have websites (session facilitated by Mouhammed Diop, Senegalese developer and designer of Alliance Press).

The workshop follows on the series of meetings/training workshops designed and implemented by the Alliance since 2010, and is aimed at publishers in particular from French-speaking Africa. In order to share knowledge and encourage ownership, all workshops and meetings of the Alliance are complemented by factsheets published on the Digital Lab website, and personalised online tutorials.

The workshop will be held at the occasion of the Abidjan Book Fair (26-28 May, Palais de la Culture), and will provide the opportunity for publishers to share the collective stand of the Afrilivres association. The Afrilivres Prize will be awarded on that occasion, in the presence of the recipient of the 2015 prize: Valesse publishers from Ivory Coast.

After studying political sciences, Laura Aufrère was for 5 years coordinator of the French confederation gathering not-for-profit cultural professional initiatives from a variety of disciplines (music, theater, outdoor and circus, visual arts, etc.), rooted in the solidarity economy movement (UFISC). She is now a PHD student in management, looking specifically into critical approaches in the organisation theory and the digital humanities fields. She studies commons and social and solidarity economy initiatives, focusing specifically on work and labour organisation, cooperation and governance issues, and social protection. She joins the Alliance Board in 2016 and is now its President.

Vice-President of the Board of the Alliance since the General Assembly of June 20, 2011, Luc Pinhas is a former student of the École normale supérieure in Saint-Cloud. He holds a PhD in Communication Studies and teaches at Paris 13-Villetaneuse University, where he is currently in charge of a master’s degree on “Book Marketing”.

Thierry Quinqueton has long experience in the publishing world and of intercultural dialogue. He was Literary Director at the Desclée de Brouwer publishing house (France) from 1991 to 1999, and then Director of the French Cultural Center in Khartoum from 2000 to 2004. After spending four years at the French Department of Foreign Affairs (department of written documents and libraries), he was responsible from May 2009 to July 2013 for the libraries network in the Châtellerault area; from 2013 to 2017, he was in charge of the Book Office at the French Embassy in Beirut, Lebanon. Thierry Quinqueton also pursues his research on the links between market economies, public policies, and non-monetary aspects within the book economy (Law and Development of Social and Solidarity Economy - University of Poitiers). Author of “Que ferait Saul Alinsky?” (DDB, 2011), he was Chairman of the International Alliance of Independent Publishers from 2006 to 2013.

Mariette Robbes is specialized in network facilitation, public relations and project management in the associative and cultural sectors. She has worked at Katha publishing (India), at the International Association of Francophone Booksellers and the International Youth Library (Germany).
Her growing passion for “third places” and innovative ways of working and creating (fablabs, coworking, shared workshops, etc.) led her to explore new horizons. She is now working as a Network Development & Animation Manager at myCowork, in Paris.
Passionate about publishing for youth in India, she is also an associate member of the academic project DELI (Encyclopaedic Dictionary of Literatures of India). In addition, Mariette works as a freelancer (support for fundraising, graphic design and layout).

Jérôme Chevrier has been working for 20 years in the book and reading sector. As a librarian, he has worked at the Bibliothèque nationale de France, the Ministry of Culture, the Centre national du livre and the French Institute of South Africa.
He was in charge of cultural mediation at the Centre Pompidou public information library. He is currently cultural attaché in charge of the Book Department at the French Embassy in London.
He joined the Alliance Board in July 2021.

Although several debates and discussions on book donations were held, very few considered, complementary to the essential point of view of librarians’ professional collectives, the point of view of publishers and booksellers.

This workshop, facilitated in the context of the International Assembly of Independent Publishers, therefore has 3 main objectives:
• To question existing practices and the impact of the “donation chain” on the “book chain”, from the perspective of local librarians, publishers and booksellers;
• To question, promote and “complete”, if applicable, existing benchmark tools (amongst others, the Book Donation Charter developed by the Culture and Development Association, in partnership with several structures and institutions);
• To propose realistic and sustainable alternatives to “classic” book donations, enabling us, hopefully, to enrich and built on current practices, through the input of local professionals.

The Alliance wishes to express its gratitude to the Ile-de-France Region for its support and trust and BULAC (Languages and civilisation University Library) for hosting us.

The primary outcomes of this workshop are detailed below.

Also read about the workshop’s indirect impacts on book donations: An article on Africultures, a programme on RFI...

Unlike other Asian publishing markets, like Korea or Japan, the Indian book market is nearly unknown by French children’s book publishers, though this industry is actually blooming.
The Indian book market is a very specific one: the country’s size makes book distribution difficult, many languages are spoken and written, and there is a wide gap between urban reading habits and rural ones. Independent publishers in this country adapt business strategies to these difficulties and the solutions they find are original and innovative. In view of the lack of studies and data about Indian publishing, this study is based on a certain number of interviews with booksellers, book fair directors, market specialists, illustrators, distributors, and publishers.

• In the first part ’’Quel paysage pour l’édition indienne?’’, this study deciphers the socio-economic and statistical data in order to better understand the Indian youth readership (gender, language, economical issues, among others).

• In the second part ’’Le monde de l’édition jeunesse’’, a typology of the different players in Indian publishing is sketched out: multinational companies, state publishing, commercial publishers, independent publishers, NGOs... what are their respective roles?

• In the third part ’’Quelles perspectives de diffusion et de valorisation?’’, the study examines the level and the nature of exchanges between Indian publishing and worldwide youth publishing.

An exciting treatise on a little-explored subject... a must read!

Mariette ROBBES, holder of a Master 2 in the World of the Book (Aix-en-Provence University) lived for six months in India in 2009, and returns often ever since. Since 2017, she is a member of the Alliance Board. Mariette concurrently works on several textile and graphic creation projects.

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities: fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

Download the format epub here!