English

Some 17 publishers from Tunisia, Morocco, Algeria, Syria, Egypt but also from France, Côte d’Ivoire and Argentina will meet in Tunis from 12 to 14 May 2011 to discuss e-publishing in the Arab world. Further to the meetings organised in Ouagadougou in December 2010 in partnership with the Organisation Internationale de la Francophonie, the Alliance continues to debate on the opportunities of e-publishing for independent publishers and for bibliodiversity. Through the theoretical sessions and practical workshops, publishers will have a chance tackle and explore e-publishing issues in the Arab world, particularly given the topicality and the role – sometimes crucial – of the Internet and the new media in the Arab revolutions.

The study on e-publishing in developing countries, conducted by Octavio KULESZ and coordinated by the Alliance, enabled through the support of Prince Claus, will be presented on Thursday, 12 May 2011 at 4.00 pm at the Hotel Les Ambassadeurs (Tunis). This is an event not to be missed!

Rooted in African daily life, in the streets of Bamako and Conakry, in the fishing port of Cotonou, on Tunisian soil, or redolent of Afro-Brazilian heritage, the 281 tales, documentaries, albums and novels that make up the catalogue are just waiting to be discovered. Books by nine independent publishing houses from Africa (South Africa, Benin, Madagascar, Mali, Morocco, the Republic of Guinea, Rwanda, Tunisia) and from Brazil are now available in France, Belgium and Switzerland ! If you would like to diversify your stock, read in Bambara, in Arabic, in English, in Portuguese, in Kinyarwanda, in Malagasy, in French, if you are simply looking for some escapism … the solution is here … just turn the pages !

The Alliance distributes all the books contained in the catalogue in France, Belgium and Switzerland. To order, go to page 83 of the catalogue.

The “Lectures d’Afrique(s)” catalogue was developped with the support of the Ile-de-France Region.

Rooted in African daily life, in the streets of Bamako and Conakry, in the fishing port of Cotonou, on Tunisian soil, or redolent of Afro-Brazilian heritage, the 281 tales, documentaries, albums and novels that make up the catalogue are just waiting to be discovered. Books by nine independent publishing houses from Africa (South Africa, Benin, Madagascar, Mali, Morocco, the Republic of Guinea, Rwanda, Tunisia) and from Brazil are now available in France, Belgium and Switzerland!
If you would like to diversify your stock, read in Bambara, in Arabic, in English, in Portuguese, in Kinyarwanda, in Malagasy, in French, if you are simply looking for some escapism… the solution is here… just turn the pages !

The Alliance distributes all the books contained in the catalogue.

Download the catalogue here.

The “African readings” catalogue was created with the support of the Ile-de-France Region.

Ten independent publishers from ten countries will be present during the African Book Fair in Geneva from 29 April to 3 May 2011. They will participate in roundtables and workshops about digital publishing, children’s book publishing in Africa, publishing in national and local languages, etc.

This event has been initiated by the Alliance, in partnership with the Organisation internationale de la Francophonie (Institut de la Francophonie Numérique) and the SDC - Swiss Agency for Development and Cooperation.

In line with decisions taken at the 2007 International Assembly on Independent Publishers in Paris, the language network Coordinators and the Board of the Alliance have been meeting on an annual basis since 2009 (please see our November 2009 Communiqué).

On 11 October 2010, the Coordinators and the Board of the Alliance met in Paris and decided jointly to create “The International Committee of Independent Publishers” (ICIP) [...].
Because the publisher members – Allies – are the primary players in the Alliance, the members of the ICIP and the Board of the Alliance are submitting the creation of the International Committee of Independent Publishers (ICIP) to your approval.

This collection, which takes its title from an iconic verse by Fernando Pessoa, is a veritable invitation to a journey through sixteen tales by
authors from Brazil, Guinea-Bissau and Angola.

Year of publication: 2010; 224 pages; 14 X 21 cm; ISBN: 978-85-347-0294-2

Extract from the Tunisian Publishers’ Union’s communiqué, published on 21 January 2011

“The Tunisian Publishers’ Union, whose members met on Friday, 21 January, congratulates the Tunisian people, is proud of its glorious revolution and pays tribute to its martyrs, while declaring its unwavering support for the popular resistance”.

Paris, December 2010

It is with great concern that the International Alliance of Independent Publishers has noted the recent censorship of a book in Spain, and the threats made against the independent publishing house Txalaparta, member of the Alliance’s Spanish-speaking network.

The book in question, “El manual del torturador español” (The Spanish Torturer’s Manual) – by Xabier MAKAZAGA denounces the torture carried out by the Spanish police. The book was withdrawn from a public library (in the Basauri town council), following a request by a political party and certain Madrid newspapers to remove it from all libraries where it was made available to readers. However the practices described in this book support the accusations already made in reports by Amnesy International and by the UN Recorder on Human Rights. The campaign against this book has already been publicly denounced by public librarians. Furthermore the Basque Country Human Rights Observer (Behatokia) sent a letter of protest to Frank de la Rue, Special Recorder on Human Rights and Freedom of Expression with the Office of the United Nations High Commissioner for Human Rights, whose headquarters are in Geneva.

The International Alliance of independent publishers, whose objectives include defending freedom of expression and denouncing all forms of censorship, also has a duty to respond publicly when attacks or infringements are directed – for ideological reasons – against independent publishers, whose very job it is to encourage the dissemination of ideas and to contribute to forging the identity of people and their culture.

One has only to examine Txalaparta’s publishing catalogue to appreciate the vast range of literary works and essays which constitute an undeniable contribution to bibliodiversity, while reflecting a clear editorial policy.

This is why we independent publishers are appealing to the Spanish authorities to respect the work of independent publishers and to encourage respect for fundamental rights and democracy.

We also appeal to independent publishers, booksellers, librarians and readers to follow the development of this matter closely and to express their support to Txalaparta Publishing in order to defend and respect the right to information that is true and diverse.

The Spanish-language network of the International Alliance of independent publishers

On Monday, 6 December 2010, following hours of online discussions among the 9 members of the Reading Committee of the “Terres solidaires” collection (“United Lands”), the 2010 prizewinners of the collection were announced: “Trop de soleil tue l’amour”, by Mongo BETI and “Mandela et moi”, by Lewis NKOSI!
These two new joint co-publications will be launched in Africa in February 2011.

The Alliance expresses its warmest thanks to the members of the Reading Committee (see the list below) for their involvement and their enthusiastic discussions!

• Agnès ADJAHO (former manager of the Notre Dame bookshop, Bénin);

• Élisabeth DALDOUL (Elyzad Publishing, Tunisia);

• Boubacar Boris DIOP (writer, Senegal - Tunisia);

• Emmanuel DONGALA (writer, Congo- United States);

• Mariame GBA (librarian, Côte d’Ivoire);

• Sofiane HADJADJ (Barzakh Publishing, Algeria);

• Jean-Claude NABA (Sankoka & Gurli Publishing, Burkina Faso);

• François NKEME (Ifrikiya Publishing, Cameroon);

• The book club of Oujda High School (Morocco).

The “Dictionnaire de la narratologie” (“Dictionary of Narratology”) is a reference work whose objective is to facilitate the dissemination and transmission of ideas by standardising concepts among Arabic-speaking readers. It enables the refinement of the definitions offered in various essays by Arab critics, whose conceptual framework is drawn directly from the works of theoreticians of Western narratology. The Dictionary is presented in the form of a glossary of terms in use in the analysis of the narration. It also contains terms relevant to the study of narrative and enunciative narratology, terms and notions borrowed from pragmatics and discourse analysis.

Arab terms have their French and English equivalents to fulfil the needs of a readership both French-speaking (Maghreb) and English-speaking (Middle East).

The Dictionary of Narratology is intended for students and researchers, literary critics and authors.

Year of publication: September 2010, 600 pages, 16,5 X 23,5 cm, 540 concepts presented in French, English and Arabic,
ISBN: 978-9973-33-294-3

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

At the 80^th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

This issue is dedicated to Andre Schiffrin, member of the Scientific Committee of the journal Bibliodiversity.

Follow this link to listen to the “Danse des mots” programme of April 18 2013, focusing on book donations. Yvan AMAR interviews Raphaël THIERRY, following the publication of the article in Africultures, April 8 2013 “Giving is not receiving. Thoughts on book donations in Africa”.

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.