English

The result of a remarkable three-year-long investigation that took award-winning journalist and documentary filmmaker Marie-Monique Robin across four continents (North and South America, Europe, and Asia), The World According to Monsanto tells the little-known yet shocking story of this agribusiness giant—the world’s leading producer of GMOs (genetically modified organisms)—and how its new “green” face is no less malign than its PCB- and Agent Orange–soaked past.

Robin reports that, following its long history of manufacturing hazardous chemicals and lethal herbicides, Monsanto is now marketing itself as a “life sciences” company, seemingly convinced about the virtues of sustainable development. However, Monsanto now controls the majority of the yield of the world’s genetically modified corn and soy—ingredients found in more than 95 percent of American households—and its alarming legal and political tactics to maintain this monopoly are the subject of worldwide concern.

Released to great acclaim and controversy in France, throughout Europe, and in Latin America alongside the documentary film of the same name, The World According to Monsanto is sure to change the way we think about food safety and the corporate control of our food supply.

Marie-Monique Robin is an award-winning French journalist and filmmaker. She received the 1995 Albert-Londres Prize, awarded to investigative journalists in France. She is the director and producer of over thirty documentaries and investigative reports filmed in Latin America, Africa, Europe, and Asia. She lives outside of Paris. George Holoch has translated more than twenty books, including Notes on the Occupation (The New Press). He lives in Hinesburg, Vermont.

Year of publication: 2010 ; 384 pages

Back from Tunis, where the Arabic-language network meeting was held, the Alliance publishes the first outcomes of this meeting. Here you will find the network’s translation and joint co-publishing projects, the next steps towards the development of the Arabic-language network, the creation of specialised training, etc.

The International Alliance of Independent Publishers calls on all international solidarity organisations to mobilise in Haiti. The Alliance will do do its outmost to support Haitian book professionals in the long-term, particularly librarians, publishers and booksellers, by joining forces with existing and future stakeholders in Haiti.

The importance of culture should be considered in the reconstruction process. In the Haïtian context, where symbolism has a special place, reinventing Haïti also involves supporting the arts and culture, particularly books and authors that promote the people’s complex and fascinating identity. A people cut off from its culture is a dead people.

Rodney Saint-Éloi, author and publisher member of the International Alliance of Independent Publishers

Four years after the International Assembly on Independent Publishing in Paris in July 2007, we are delighted to be bringing together the Arabic-language network of the Alliance in Tunisia, during the Tunis International Book Fair.

The Alliance organizes a round table open to professionals, focussing on publishing and cultural diversity, at the heart of the Tunis International Book Fair on Monday 26 April at 4.00 pm.

The Afrilivres Association elected – during its Extraordinary Annual General Meeting on Tuesday, 16 March 2010 via an online forum – a new Committee. For the Alliance, the results of this AGM constitute the beginning of a restructuration of the Pan-African Association. The communiqué issued jointly by the two associations calls on institutions and all friends of Afrilivres to express their renewed confidence.

For more information: www.afrilivres.net

To access the youth catalogues, click here and here.

These catalogues are available from the Alliance. Contact us telephonically or by email for all enquiries and orders.

The notion of fair speech expands the idea of ‘free speech’ to incorporate the concept of justice. Indeed, in a context of media concentration, dominant powers (whether political, economic, religious, ideological, etc.) are the most represented and heard (because they are powerful or loud). Fair speech fosters speech equity for other voices that are often marginalised and/or censored to be heard. Fair speech therefore promotes an equitable access to expression (for example for women, historically marginalised groups, etc.), enabling an authentic diversity of voices. This concept was created by Betty McLellan in Unspeakable (Spinifex Press, 2010, Australia) and promoted by Susan Hawthorne in Bibliodiversity: A Manifesto for Independent Publishing (Spinifex Press, 2014, Australia).

The International Alliance of Independent Publishers calls on all international solidarity organisations to mobilise in Haiti. The Alliance will do do its outmost to support Haitian book professionals in the long-term, particularly librarians, publishers and booksellers, by joining forces with existing and future stakeholders in Haiti.

The importance of culture should be considered in the reconstruction process. In the Haïtian context, where symbolism has a special place, reinventing Haïti also involves supporting the arts and culture, particularly books and authors that promote the people’s complex and fascinating identity. A people cut off from its culture is a dead people.

Rodney Saint-Éloi, author and publisher member of the International Alliance of Independent Publishers

Ousmane Sy describes his journey, that of a negotiator extraordinaire, moving between action and reflection, between Africa and the world, between the past and the future. In this work from his lively and unapologetic pen dipped in personal experience, Ousmane Sy sets out real alternatives: an authentic decentralisation, a radical reform of the state, regional integration achieved by the people, the rethinking of international aid. What he offers us is a real project for Mali and Africa.

Ousmane SY is a doctor of economic and social development. He was a researcher at the Rural Economic Institute and headed up the UNDP programme in Mail, then piloted the Mission for Centralisation and Institutional Reform in Mali, before joining the governement as Minister of Territorial Adminstration and Local Communities, which gives him the opportunity to put his theoretical work into political practice. He has also created his own centre of expertise and advice, the Centre of Political and Institutional Expertise in Africa (CPIEA). Since 2002 he has been a coordinator for the Alliance for the Rethinking of Governance in Africa.

Preface: Pierre CALAME

Year of publication: 2009, 224 pages, 14 X 21,5 cm, ISBN: 978-2-84377-149-1

The Spanish-language network and the Portuguse-language network of the Alliance met in Rio de Janeiro (Brazil) from 25 till 27 November 2009, during “la Primavera dos livros”. These meetings allowed both networks to build their respective initiative programme for 2010-2011 but also to strengthen the “regionalisation” of the Alliance, through an inter-network meeting.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

At the 80^th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

This issue is dedicated to Andre Schiffrin, member of the Scientific Committee of the journal Bibliodiversity.

Follow this link to listen to the “Danse des mots” programme of April 18 2013, focusing on book donations. Yvan AMAR interviews Raphaël THIERRY, following the publication of the article in Africultures, April 8 2013 “Giving is not receiving. Thoughts on book donations in Africa”.

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.