English

Representatives from 6 European collectives (Germany, Spain, Italy, Poland, Russia and Switzerland) will meet in Paris, at the invitation of the International Committee of independent publishers (ICIP). The main objectives of this meeting are to share knowledge, discuss business issues, plan partnerships, and build the foundations for future exchanges. This is only the first step towards strengthening an independent publishing open to the world, and guaranteeing bibliodiversity.
A part of this meeting will focus on the governance of the Alliance, as well as an assessment of the Bibliodiversity Observatory, some few months after its creation in July 2016.

Bibliodiversity… it is the daily life of independent publishers, what drives them. Why make it a special day, then? To celebrate Spring Day in the Southern Hemisphere, for books to occupy public spaces, to share, connect, exchange, discuss, and have fun… Because diversity of ideas is essential to the construction of democratic societies, because independent publishers are its actors, together with authors, translators, illustrators, booksellers, librarians…

This year, some planned festivities and activities include:
• In Quebec, Mémoire d’encrier publishers, in partnership with the Maison de la Syrie (‘the House of Syria’), facilitate a Quebec-Syria literary meeting
• In Syria, Atlas Publishing convene booksellers and publishers in the heart of Damas
• In Chile, EDIN collective will distribute a list of independent publishers’ works in the country’s main libraries; filmed activities will be held throughout the day
• In Colombia, public spaces (parks, public places) will be animated by publishers from the REIC collective…
• In Italy, the independent publishers members of the FIDARE get themself heard through a call
• In Spain, the ministry of Culture is launching a campaign in favor of bibliodiversity
• In Peru, the collective of independent publishers EIP is organizing an Independent Book Fair, from 23 to 25 September, to follow on facebook
• In Argentina, the collective of independent publisers EDINAR is planning bookcrossing, literary meetings...

Follow all the activities on the Alliance website and social media.

And have a look on the official B Day 2016 video!

Year of publication of the Pan-African version: 2016, 11,5 X 19 cm
First publication in France: Grasset (2013)

Co-publishers: Apic (Algeria), Eburnie (Ivory Coast), Ikirezi (Rwanda), Jimsaan (Senegal), Ganndal (Guinea), Graines de Pensées (Togo), Le Fennec (Marocco), Proximité (Cameroon)

A Fair Trade Book co-publishing.

In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published.

Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.

Bibliodiversity is a term invented by Chilean publishers in the 1990s as a way of envisioning a different kind of publishing. In this manifesto, Susan Hawthorne provides a scathing critique of the global publishing industry set against a visionary proposal for organic publishing. She looks at free speech and fair speech, at the environmental costs of mainstream publishing and at the promises and challenges of the move to digital.

A translation from English into French followed by a co-publishing between 5 publishers in France (éditions Charles Léopold Mayer), Switzerland (éditions d’en bas), Mali (Jamana) and Cameroon (Presses universitaires d’Afrique).

From October, 19^th to 23^rd, meet the independent publishers at the Frankfurt Book Fair: more than 25 publishing houses from all around the world will be there!

You can find the publishers’ contact on the attached document. Do not wait to make an appointment!

The International Alliance of independent publishers demands that Turkish authorities immediately release publishers, authors and journalists currently detained. It is necessary to guarantee freedom of speech and publishing in Turkey. The Alliance joins the Turkish Publishers Association’s condemnation of the summary closure of publishing houses and media as a clear human rights violation, and urges the Turkish authorities to rescind those summary closures.

Through the support of the Organisation internationale de la Francophonie and the partnership established with the Ivorian publishers association (Assedi), the Alliance’s Digital Lab will convene 18 publishers from Sub-Saharan Africa from 23 to 27 May, to a workshop focusing on:
* the production and marketing of digital books (session facilitated by Gilles Colleu, Vents d’ailleurs, France);
* management of the Alliance Press web template developed by the Alliance for publishers who do not have websites (session facilitated by Mouhammed Diop, Senegalese developer and designer of Alliance Press).

The workshop follows on the series of meetings/training workshops designed and implemented by the Alliance since 2010, and is aimed at publishers in particular from French-speaking Africa. In order to share knowledge and encourage ownership, all workshops and meetings of the Alliance are complemented by factsheets published on the Digital Lab website, and personalised online tutorials.

The workshop will be held at the occasion of the Abidjan Book Fair (26-28 May, Palais de la Culture), and will provide the opportunity for publishers to share the collective stand of the Afrilivres association. The Afrilivres Prize will be awarded on that occasion, in the presence of the recipient of the 2015 prize: Valesse publishers from Ivory Coast.

After studying political sciences, Laura Aufrère was for 5 years coordinator of the French confederation gathering not-for-profit cultural professional initiatives from a variety of disciplines (music, theater, outdoor and circus, visual arts, etc.), rooted in the solidarity economy movement (UFISC). She is now a PHD student in management, looking specifically into critical approaches in the organisation theory and the digital humanities fields. She studies commons and social and solidarity economy initiatives, focusing specifically on work and labour organisation, cooperation and governance issues, and social protection. She joins the Alliance Board in 2016 and is now its President.

Vice-President of the Board of the Alliance since the General Assembly of June 20, 2011, Luc Pinhas is a former student of the École normale supérieure in Saint-Cloud. He holds a PhD in Communication Studies and teaches at Paris 13-Villetaneuse University, where he is currently in charge of a master’s degree on “Book Marketing”.

In 2017, publishers who are members of the Alliance along with academics and experts united to collectively produce some research on Public Book Policies in Latin America and in Sub-Saharan Africa. This has since been converted into a unique digital, graphic and interactive tool for informing and centralising data on the public support systems for books and reading in 22 countries.

In 2024, the International Alliance of Independent Publishers, thanks to the support of Open Society Foundation, extends this project to the Arab world for a better understanding of public authorities’ commitment to books and reading in the different countries of the Arab world. To this end, data is collected in 10 countries based on a common questionnaire. The data will then be presented on the dedicated website for each country. A cross-sectional analysis will be carried out on the basis of these data; the Alliance is looking for an author to draft this cross-sectional analysis.

Deadline to apply (equipe@alliance-editeurs.org): 13 May 2024

This unique and important work! The mapping and the analysis will be presented publicly in December 2024 or January 2025 to professionals and representatives of public authorities in the countries.

Read more here (in Arabic) / see on the right the English version for download

“It is important to understand the key role that the public procurement of books plays–similar to that of roads in a country’s development–and the related impacts of these actions on the ecosystem of books, culture, and education.

In purchasing books and socializing the processes of reading, the state’s actions may have numerous impacts. The selection of books is not only a question of quality and price, nor is it a simple technical process or an isolated action.”

This document is based on the Brevísimo manual de buenas prácticas para las compras públicas de libros (print and digital) that was included in the work of the Comisión de Compras Públicas de la Política Nacional de la Lectura y el Libro 2015-2020 (Chile), prepared by Paulo Slachevsky, coordinator of the commission. We are grateful to Germán Gacio Baquiola for his critical feedback and contributions.

Read the Manual

“Una buena política de adquisición de libros por parte del Estado tiene múltiples y significativos impactos en el desarrollo cultural, social, económico y político de un país […] Por todo ello es tan importante mejorar, incrementar, trasparentar, desconcentrar y fortalecer la presencia de autoras/es y editoriales locales en los procesos de compras públicas de libros. También analizar, revisar y diversificar constantemente las áreas en que se centran los gastos, como los libros de textos que concentran generalmente gran parte del gasto público en libros.”

Este documento reproduce, con algunas modificaciones, el Brevísimo Manual de buenas prácticas para las compras públicas de libros (en papel y en formato digital) que fue incorporado al trabajo de la Comisión de Compras Públicas - Política Nacional de la Lectura y el Libro 2015-2020 (Chile), realizado por Paulo Slachevsky (LOM Ediciones, Chile) como coordinador de la Comisión. Este manual ha sido revisado por Germán Gacio Baquiola (Editores independientes de Ecuador).

Leer el manual

Read the call for contributions for the next issue of Bibliodiversité review, to be published in October 2024.

Please contact us if you would like to submit a contribution to the Bibliodiversité review under the topic “The precariousness of independent publishing”: equipe@alliance-editeurs.org

“Co-publishing is a reminder of the extent to which solidarity is the main factor in the successful realisation of any project. It is a symbol of the strength that can be found when several publishers unite together. The book becomes much cheaper, accessible to the maximum number of readers and reaches several countries at the same time.” Lilian Thuram

For more than twenty years, independent publishing houses that are members of the International Alliance of Independent Publishers have collaborated, sharing resources and know-how and developing solidarity co-publishing.

To record and preserve this expertise, the Alliance is going back to the beginnings of solidarity co-publishing and presenting the history of a pioneering collection, “Terres solidaires”, as well as the story of the publication of one of its titles.

With this document, the Alliance also wishes to reaffirm the need for solidarity co-publishing in order to:
• disseminate texts (thereby helping expand the literary ecosystem);
• strengthen local book industries;
• make books more accessible to readers (adapted price).

Thank you very much to Armand Jamme for writing this document and to Mariette Robbes for its graphic design and illustration.

Order this issue in digital format here (in French).

Sale price (digital format - PDF): 5 euros
ISBN: 978-2-490855-51-3

Published: 23 March 2023

The Bibliodiversité review is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all previous issues of the review here (“Inclusion and Diversity in the Book Industry”, “The Alternatives. Ecology, social economy: the future of the book?”, “Minority Languages”, “Public Book Policies”, “Self-Publishing”, “Publishing and Commitment”, “Translation and Globalization”...).

Presentation
Many independent publishers and bookshops are faced with the question of the transmission of their businesses, and sometimes struggle to find someone to take them on. This not only impacts the individuals concerned. Given the extent to which, as a generation leaves the world of work, the phenomenon is gaining momentum in Europe as well as Latin America and Africa, the future of a certain idea of the book is also at stake.

But is transmission necessary? And if yes, to who, when and how? Are there differences between the transmission of a publishing house or bookshop and that of other businesses? In a sector undergoing great change, the giving up of a business in the book industry poses a broader question about the capacity for renewal of cultural organisations – of their people, practices and content – but also about the integration of legislative, societal and technological changes.

Here, a collection of texts tackles from different points of view this essential yet under-studied subject. More than a practical guide – something it appears it would be difficult to write, given the variety of situations encountered – in this issue we seek above all to share academic analyses and accounts of experiences to help us reflect on the notion of renewal and think about these transmissions.

Read an excerpt from this issue, published by ActuaLitté: the testimony of Colleen Higgs, Modjaji Books in South Africa

Contents (in French)

Solidarity co-publishing and translations contribute to the circulation of content and exchange of ideas. Solidarity co-publishing makes it possible for the activities and costs associated with publishing and printing to be shared, which means that books can be made available to wider audiences at a fair price. Solidarity co-publishing partnerships bring structure to the book market in the medium term: distributing texts in often inaccessible areas, reinforcing professional capabilities, developing catalogues, and enabling fair professional and commercial exchanges between the North and South and the development of innovative exchanges and partnerships between countries in the South. Here, independent publishers share their experiences and encourage public authorities to support and assist solidarity publishing partnerships.

Why have a Guide?
This Guide is based on ideas, discussions, round tables and workshops prior to and during the International Conference of Independent Publishers in Pamplona-Iruñea (23-26 November 2021).

The objectives of this guide are to:
• suggest lines of approach and actions for publishers who are members of the International Alliance of Independent Publishers, and to book professionals more broadly;
• help implement and put into practice the principles and values defended by the Alliance’s members;
• illustrate these principles using examples (experience, projects, ideas, etc. from professionals) which may serve as sources of inspiration.

How?
The “entries” in this Guide are thematic. Given that the intention of the Guide is to present in a practical way the principles of the Pamplona-Iruñea Declaration, the main entries are currently as follows:
• decolonial publishing
• ecological publishing
• feminist and LGBTQI+ publishing
• free publishing
• social publishing
• solidarity-based publishing

This Guide will evolve; its form is not fixed. Indeed, several of the Guide’s entries require input that will come from the work of the thematic working groups which will be tasked with making suggestions and enhancing these entries. It will then be possible to update and adapt the Guide over time in line with the evolution of practices and ideas inside the Alliance (in particular through post-conference thematic working groups).

Prerequisite
The Alliance is a unique intercultural network, whose specificity and strength lie in respect for diversity.
Kindness, curiosity, listening and respect for points of view, as well as equal opportunities for speech, must be the basis of every exchange within the Alliance. There can be no place for hate speech or non-inclusive discourse, which would be against the fundamental principles of the Alliance.
This prerequisite is the basis on which the Alliance’s members organise themselves and work together – on the creation of this Guide, among other things.

Warning
The Guide to Good Practice is intended as food for thought and discussion. It cannot commit the publishers who are members of the Alliance to all the proposals and recommendations it contains. Indeed, the International Alliance of Independent Publishers is aware of the geographical diversity of its members and, consequently, of their cultural diversity. It is also fully aware of the impossibility of implementing certain measures (e.g. on book ecology, etc.) in some countries for many reasons related to the political, social, economic, cultural environment…

Read the Guide

The ecology of the book is concerned with ideas and professional practices towards a sustainable, decolonial and geopolitical ecology of the book, involving all the actors of the world of books and taking into account their interdependence.

These ideas and practices seek to articulate several dimensions and include all the actors involved in the production of books, from creation, layout and publication to reading, including printing, distribution and sale in bookshops.

In addition to these material dimensions linked to the production of books (inputs, choice of paper, transport from the printing press), there are symbolic dimensions, which reflect on the use of books and bibliodiversity. Finally, book ecology also takes into consideration the external factors impacting on the book industry and the book market, in particular the social and environmental dynamics informing a sustainable ecological perspective.

Book ecology is therefore a concept that refers to a complex, collective and interprofessional understanding of all the practices linked to the production of books. It seeks to foster dialogue between professionals to bring about structural and thoughtful changes for greater eco-responsibility and bibliodiversity.