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The Alliance

Luc PINHAS, vice-president

Vice-President of the Board of the Alliance since the General Assembly of June 20, 2011, Luc Pinhas is a former student of the École normale supérieure in Saint-Cloud. He holds a PhD in Communication Studies and teaches at Paris 13-Villetaneuse University, where he is currently in charge of a master’s degree on “Book Marketing”.

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Thierry QUINQUETON, treasurer

Thierry Quinqueton has long experience in the publishing world and of intercultural dialogue. He was Literary Director at the Desclée de Brouwer publishing house (France) from 1991 to 1999, and then Director of the French Cultural Center in Khartoum from 2000 to 2004. After spending four years at the French Department of Foreign Affairs (department of written documents and libraries), he was responsible from May 2009 to July 2013 for the libraries network in the Châtellerault area; from 2013 to 2017, he was in charge of the Book Office at the French Embassy in Beirut, Lebanon. Thierry Quinqueton also pursues his research on the links between market economies, public policies, and non-monetary aspects within the book economy (Law and Development of Social and Solidarity Economy - University of Poitiers). Author of “Que ferait Saul Alinsky?” (DDB, 2011), he was Chairman of the International Alliance of Independent Publishers from 2006 to 2013.

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Mariette ROBBES, member of the Board

Mariette Robbes is specialized in network facilitation, public relations and project management in the associative and cultural sectors. She has worked at Katha publishing (India), at the International Association of Francophone Booksellers and the International Youth Library (Germany).
Her growing passion for “third places” and innovative ways of working and creating (fablabs, coworking, shared workshops, etc.) led her to explore new horizons. She is now working as a Network Development & Animation Manager at myCowork, in Paris.
Passionate about publishing for youth in India, she is also an associate member of the academic project DELI (Encyclopaedic Dictionary of Literatures of India). In addition, Mariette works as a freelancer (support for fundraising, graphic design and layout).

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Jérôme CHEVRIER, member of the Board

Jérôme Chevrier has been working for 20 years in the book and reading sector. As a librarian, he has worked at the Bibliothèque nationale de France, the Ministry of Culture, the Centre national du livre and the French Institute of South Africa.
He was in charge of cultural mediation at the Centre Pompidou public information library. He is currently cultural attaché in charge of the Book Department at the French Embassy in London.
He joined the Alliance Board in July 2021.

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David ELOY, member of the Board

A committed journalist with a special interest in international solidarity, sustainable development and human rights, David Eloy founded Altermondes in 2005, a media focusing on civil society’s actors, where he was editor-in-chief until 2016. He previously held positions in several international NGOs, including the Centre de recherche et d’information pour le développement (CRID), Peuples Solidaires – Action Aid France and the Association internationale de techniciens, experts et chercheurs (Aitec).

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Marielle MORIN, member of the Board

As an English professor with a degree in languages and comparative literature, Marielle Morin’s professional career has revolved around books, languages and research.
She has worked in the International Rights Department at the University of Chicago Press, and as a librarian at the Centre for Indian and South Asian Studies (CEIAS-EHESS). She has translated Indian literature from English (Khushwant Singh, Anita Naïr, Amruta Patil) and Bengali (Mahasweta Devi) and then went on to manage the media libraries and the book office of the French Embassy/ Institute in New Delhi first, then in Cairo, for eight years until 2014.

She is now back at the CEIAS, where she is in charge of international research projects within the research focus areas of Asia, Middle East and Muslim Worlds and African Studies.

She continues to be interested in languages, Indian literature, translation, and book history, and is an associate member of the DELI academic project (Encyclopedic Dictionary of Indian Literature).

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Georges LORY, member of the General Assembly

Georges Lory was cultural advisor in South Africa from 1990 to 1994, and participated to the country’s democratic transition. Between 1998 and 2008, as Director of International Affairs of Radio France Internationale, he increased the number of its FM relays in the world from 76 to 169. From 2009 to 2013, he led the general delegation of the Alliance Française in Southern Africa.
He has written three volumes of poetry (including one in Afrikaans), edited a book published by Autrement on South Africa, translated poets including Breyten Breytenbach, Antjie Krog and Lebo Mashile, novels and short stories by Nadine Gordimer, 1991 Nobel Laureate, texts by JM Coetzee, André Brink and Kopano Matlwa, as well as the Dutch writer Adriaan van Dis. He is the author of four books, mainly on South Africa.

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Hélène KLOECKNER, member of the General Assembly

Hélène Kloeckner is the founder of Beau travail, which helps organisations improve their working conditions. She is the author of a survey on textbooks in Sub-Saharan Francophone Africa, published in the Africultures journal in 2003. She has worked for more than twelve years in publishing, and collaborated with Nouvelles éditions africaines in Senegal, Dakar. As a volunteer at the Alliance since 2004, she has been particularly interested in the pan-African collection “Terres Solidaires” . She was the president of the Alliance between 2013 and 2020.

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Annie GOGAT, member of the General Assembly

Treasurer of the Alliance, Annie Gogat works for the Charles Léopold Mayer Foundation as Accounting Manager. Passionnate about integration issues and involved in her neighborhood’s school life, she finds herself naturally acting as a mediator in many situations. After spending years in Villeneuve-la-Garenne, she now lives in Bouffémont (Paris region). She was the treasurer of the Alliance between 2002 and 2020.

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Gérard AIMÉ, member of the General Assembly

Born in 1946, after obtaining a degree from the Centre de Formation des Journalistes and a postgraduate qualification in political sociology, Gérard Aimé started his career as a journalist and photo-reporter in Canada. The co-founder of Alternatives publishing and co-author of its first publications, he ran the publishing house for 35 years until its takeover by Gallimard. Today he works as a consultant for various publishing houses. Gérard Aimé was a member of the Board of the Alliance between 2011 and 2016.

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Bibliodiversity Observatory

Mapping public book policies in the Arab world

In 2017, publishers who are members of the Alliance along with academics and experts united to collectively produce some research on Public Book Policies in Latin America and in Sub-Saharan Africa. This has since been converted into a unique digital, graphic and interactive tool for informing and centralising data on the public support systems for books and reading in 22 countries.

In 2024, the International Alliance of Independent Publishers, thanks to the support of Open Society Foundation, extends this project to the Arab world for a better understanding of public authorities’ commitment to books and reading in the different countries of the Arab world. To this end, data is collected in 10 countries based on a common questionnaire. The data will then be presented on the dedicated website for each country. A cross-sectional analysis will be carried out on the basis of these data; the Alliance is looking for an author to draft this cross-sectional analysis.

Deadline to apply (equipe@alliance-editeurs.org): 13 May 2024

This unique and important work! The mapping and the analysis will be presented publicly in December 2024 or January 2025 to professionals and representatives of public authorities in the countries.

Read more here (in Arabic) / see on the right the English version for download

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Brief Manual of Best Practices for Public Book Procurement

“It is important to understand the key role that the public procurement of books plays–similar to that of roads in a country’s development–and the related impacts of these actions on the ecosystem of books, culture, and education.

In purchasing books and socializing the processes of reading, the state’s actions may have numerous impacts. The selection of books is not only a question of quality and price, nor is it a simple technical process or an isolated action.”

This document is based on the Brevísimo manual de buenas prácticas para las compras públicas de libros (print and digital) that was included in the work of the Comisión de Compras Públicas de la Política Nacional de la Lectura y el Libro 2015-2020 (Chile), prepared by Paulo Slachevsky, coordinator of the commission. We are grateful to Germán Gacio Baquiola for his critical feedback and contributions.

Read the Manual

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Manual de buenas prácticas para las compras públicas de libros

“Una buena política de adquisición de libros por parte del Estado tiene múltiples y significativos impactos en el desarrollo cultural, social, económico y político de un país […] Por todo ello es tan importante mejorar, incrementar, trasparentar, desconcentrar y fortalecer la presencia de autoras/es y editoriales locales en los procesos de compras públicas de libros. También analizar, revisar y diversificar constantemente las áreas en que se centran los gastos, como los libros de textos que concentran generalmente gran parte del gasto público en libros.”

Este documento reproduce, con algunas modificaciones, el Brevísimo Manual de buenas prácticas para las compras públicas de libros (en papel y en formato digital) que fue incorporado al trabajo de la Comisión de Compras Públicas - Política Nacional de la Lectura y el Libro 2015-2020 (Chile), realizado por Paulo Slachevsky (LOM Ediciones, Chile) como coordinador de la Comisión. Este manual ha sido revisado por Germán Gacio Baquiola (Editores independientes de Ecuador).

Leer el manual

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Precariousness of independent publishing

Read the call for contributions for the next issue of Bibliodiversité review, to be published in October 2024.

Please contact us if you would like to submit a contribution to the Bibliodiversité review under the topic “The precariousness of independent publishing”: equipe@alliance-editeurs.org

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Solidarity co-publishing: history and mechanisms (2023)

“Co-publishing is a reminder of the extent to which solidarity is the main factor in the successful realisation of any project. It is a symbol of the strength that can be found when several publishers unite together. The book becomes much cheaper, accessible to the maximum number of readers and reaches several countries at the same time.” Lilian Thuram

For more than twenty years, independent publishing houses that are members of the International Alliance of Independent Publishers have collaborated, sharing resources and know-how and developing solidarity co-publishing.

To record and preserve this expertise, the Alliance is going back to the beginnings of solidarity co-publishing and presenting the history of a pioneering collection, “Terres solidaires”, as well as the story of the publication of one of its titles.

With this document, the Alliance also wishes to reaffirm the need for solidarity co-publishing in order to:
disseminate texts (thereby helping expand the literary ecosystem);
strengthen local book industries;
make books more accessible to readers (adapted price).

Thank you very much to Armand Jamme for writing this document and to Mariette Robbes for its graphic design and illustration.

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Transmission and renewal. How do we ensure the continued existence of businesses in the book trade?

Order this issue in digital format here (in French).

Sale price (digital format - PDF): 5 euros
ISBN: 978-2-490855-51-3

Published: 23 March 2023

The Bibliodiversité review is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all previous issues of the review here (“Inclusion and Diversity in the Book Industry”, “The Alternatives. Ecology, social economy: the future of the book?”, “Minority Languages”, “Public Book Policies”, “Self-Publishing”, “Publishing and Commitment”, “Translation and Globalization”...).

Presentation
Many independent publishers and bookshops are faced with the question of the transmission of their businesses, and sometimes struggle to find someone to take them on. This not only impacts the individuals concerned. Given the extent to which, as a generation leaves the world of work, the phenomenon is gaining momentum in Europe as well as Latin America and Africa, the future of a certain idea of the book is also at stake.

But is transmission necessary? And if yes, to who, when and how? Are there differences between the transmission of a publishing house or bookshop and that of other businesses? In a sector undergoing great change, the giving up of a business in the book industry poses a broader question about the capacity for renewal of cultural organisations – of their people, practices and content – but also about the integration of legislative, societal and technological changes.

Here, a collection of texts tackles from different points of view this essential yet under-studied subject. More than a practical guide – something it appears it would be difficult to write, given the variety of situations encountered – in this issue we seek above all to share academic analyses and accounts of experiences to help us reflect on the notion of renewal and think about these transmissions.

Read an excerpt from this issue, published by ActuaLitté: the testimony of Colleen Higgs, Modjaji Books in South Africa

Contents (in French)

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Presentation

Solidarity co-publishing and translations contribute to the circulation of content and exchange of ideas. Solidarity co-publishing makes it possible for the activities and costs associated with publishing and printing to be shared, which means that books can be made available to wider audiences at a fair price. Solidarity co-publishing partnerships bring structure to the book market in the medium term: distributing texts in often inaccessible areas, reinforcing professional capabilities, developing catalogues, and enabling fair professional and commercial exchanges between the North and South and the development of innovative exchanges and partnerships between countries in the South. Here, independent publishers share their experiences and encourage public authorities to support and assist solidarity publishing partnerships.

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Guide to good practice

Why have a Guide?
This Guide is based on ideas, discussions, round tables and workshops prior to and during the International Conference of Independent Publishers in Pamplona-Iruñea (23-26 November 2021).

The objectives of this guide are to:
• suggest lines of approach and actions for publishers who are members of the International Alliance of Independent Publishers, and to book professionals more broadly;
• help implement and put into practice the principles and values defended by the Alliance’s members;
• illustrate these principles using examples (experience, projects, ideas, etc. from professionals) which may serve as sources of inspiration.

How?
The “entries” in this Guide are thematic. Given that the intention of the Guide is to present in a practical way the principles of the Pamplona-Iruñea Declaration, the main entries are currently as follows:
• decolonial publishing
• ecological publishing
• feminist and LGBTQI+ publishing
• free publishing
• social publishing
• solidarity-based publishing

This Guide will evolve; its form is not fixed. Indeed, several of the Guide’s entries require input that will come from the work of the thematic working groups which will be tasked with making suggestions and enhancing these entries. It will then be possible to update and adapt the Guide over time in line with the evolution of practices and ideas inside the Alliance (in particular through post-conference thematic working groups).

Prerequisite
The Alliance is a unique intercultural network, whose specificity and strength lie in respect for diversity.
Kindness, curiosity, listening and respect for points of view, as well as equal opportunities for speech, must be the basis of every exchange within the Alliance. There can be no place for hate speech or non-inclusive discourse, which would be against the fundamental principles of the Alliance.
This prerequisite is the basis on which the Alliance’s members organise themselves and work together – on the creation of this Guide, among other things.

Warning
The Guide to Good Practice is intended as food for thought and discussion. It cannot commit the publishers who are members of the Alliance to all the proposals and recommendations it contains. Indeed, the International Alliance of Independent Publishers is aware of the geographical diversity of its members and, consequently, of their cultural diversity. It is also fully aware of the impossibility of implementing certain measures (e.g. on book ecology, etc.) in some countries for many reasons related to the political, social, economic, cultural environment…

Read the Guide

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Presentation

The ecology of the book is concerned with ideas and professional practices towards a sustainable, decolonial and geopolitical ecology of the book, involving all the actors of the world of books and taking into account their interdependence.

These ideas and practices seek to articulate several dimensions and include all the actors involved in the production of books, from creation, layout and publication to reading, including printing, distribution and sale in bookshops.

In addition to these material dimensions linked to the production of books (inputs, choice of paper, transport from the printing press), there are symbolic dimensions, which reflect on the use of books and bibliodiversity. Finally, book ecology also takes into consideration the external factors impacting on the book industry and the book market, in particular the social and environmental dynamics informing a sustainable ecological perspective.

Book ecology is therefore a concept that refers to a complex, collective and interprofessional understanding of all the practices linked to the production of books. It seeks to foster dialogue between professionals to bring about structural and thoughtful changes for greater eco-responsibility and bibliodiversity.

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