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Workshop “Creation and graphic design in children’s book publishing”, Paris, 27-29 November 2016

Few days before the Seine-Saint-Denis children’s Book Fair in Montreuil (30 November-5 December 2016), twelve children’s book publishers and graphic designers from Benin, Brazil, France, Madagascar, Morocco, Portugal, and Togo will gather for a workshop on creation and graphic design in children’s book publishing. Through knowledge sharing, the participants will work on their on-going projects, tackling issues like text/images layout, pictures processing, specificity of bilingual books, tones and colours tones on books cover...

The workshop aims at :

  • opening new horizons, discovering new approaches, not being stuck with some frames and norms ;
  • questioning knowledge and professional practices of the publishers and of the graphic designers ;
  • collectively finding resources and solutions to solve some obstacles ;
  • sharing some existing (or to-be-created) tools ;
  • reinforcing professional partnerships between African, Brazilian and European publishers.

This workshop follows the workshop organized in November 2015 (Graphic design in children’s book publishing - Africa/Europe perspectives). It is supported by the Centre national du livre, the French Institute of Brazil, and the French Institute of Madagascar. All participants agreed to volunteer their services – we thank them once again.

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European collectives and International Committee of independent publishers meeting, Paris, 15-17 October 2016

Representatives from 6 European collectives (Germany, Spain, Italy, Poland, Russia and Switzerland) will meet in Paris, at the invitation of the International Committee of independent publishers (ICIP). The main objectives of this meeting are to share knowledge, discuss business issues, plan partnerships, and build the foundations for future exchanges. This is only the first step towards strengthening an independent publishing open to the world, and guaranteeing bibliodiversity.
A part of this meeting will focus on the governance of the Alliance, as well as an assessment of the Bibliodiversity Observatory, some few months after its creation in July 2016.

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International Bibliodiversity Day, 21 September 2016

Bibliodiversity… it is the daily life of independent publishers, what drives them. Why make it a special day, then ? To celebrate Spring Day in the Southern Hemisphere, for books to occupy public spaces, to share, connect, exchange, discuss, and have fun… Because diversity of ideas is essential to the construction of democratic societies, because independent publishers are its actors, together with authors, translators, illustrators, booksellers, librarians…

This year, some planned festivities and activities include :
In Quebec, Mémoire d’encrier publishers, in partnership with the Maison de la Syrie (‘the House of Syria’), facilitate a Quebec-Syria literary meeting
In Syria, Atlas Publishing convene booksellers and publishers in the heart of Damas
In Chile, EDIN collective will distribute a list of independent publishers’ works in the country’s main libraries ; filmed activities will be held throughout the day
In Colombia, public spaces (parks, public places) will be animated by publishers from the REIC collective
In Italy, the independent publishers members of the FIDARE get themself heard through a call
In Spain, the ministry of Culture is launching a campaign in favor of bibliodiversity
In Peru, the collective of independent publishers EIP is organizing an Independent Book Fair, from 23 to 25 September, to follow on facebook
In Argentina, the collective of independent publisers EDINAR is planning bookcrossing, literary meetings...

Follow all the activities on the Alliance website and social media.

And have a look on the official B Day 2016 video !

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La Saison de l’Ombre

Auteur(s) : Léonora MIANO
Pays de parution : République de Guinée, Cameroun, Côte d’Ivoire, Maroc, Rwanda, Sénégal, Togo
Langue(s) : français
Prix : 2 500 FCFA ; 600 DA ; 45 DM ; 35 000 GNF ; 3 500 RWF

« Elles marchent côte à côte, serrées l’une contre l’autre, avancent à petits pas vers jedu. La végétation les empêche d’aller plus vite. Elles ne se sont pas munies d’un coutelas, pour trancher les branches rebelles. D’ailleurs, elles ont tout leur temps. Il en est ainsi, lorsqu’on ignore où l’on va : point n’est besoin de se hâter... De quoi s’inquiéter quand on a tout perdu ? »
Dire, avec les mots les plus justes, l’interminable douleur de ceux qui restent après le départ du grand « poisson de fer » des étrangers aux « pieds de poule », tel est le mérite de ce roman de Léonora Miano. Rarement un roman a su nous faire vivre avec autant d’émotion le désespoir et le désarroi des familles frappées en pleine nuit par le feu prédateur des négriers.

Née à Douala (Cameroun) en 1973, Léonora Miano vit en France depuis 1991. L’Intérieur de la Nuit, son premier roman, est paru en 2005. Une dizaine d’autres ont suivi depuis lors, recevant de nombreuses distinctions littéraires. Son écriture s’attache aux expériences subsahariennes et afrodescendantes, les inscrivant dans la conscience du monde. La Saison de l’Ombre a reçu le prix Femina 2013.

Date de publication de la version panafricaine : 2016, 11,5 X 19 cm
Édition première en France : Grasset (2013)

Une coédition solidaire « Le livre équitable ».

Collection Terres solidaires

Créée en 2007, la collection « Terres solidaires » est une expérience collective. Elle propose des textes littéraires d’autrices et auteurs africain.e.s, édités par un collectif de maisons d’édition en Afrique francophone. Grâce au principe de la coédition solidaire, les textes circulent, sont disponibles et accessibles pour les lecteurs africains ; l’écosystème du livre local est préservé et renforcé.
La collection « Terres solidaires » est soutenue par l’Organisation internationale de la Francophonie (OIF).

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Bibliodiversité. Manifeste pour une édition indépendante

Auteur(s) : Susan Hawthorne ; Agnès El Kaïm (trad.)
Pays de parution : Cameroun, France, Mali, Suisse
Langue(s) : français
Prix : 9 € ; 10 CHF ; 3000 FCFA

« Un système économique et social est en état d’équilibre
dynamique lorsque des voix différentes peuvent être entendues ».

Inspiré de la notion de biodiversité, le terme « bibliodiversité » fait référence à un ensemble de publications variées dans le paysage éditorial, représentatives d’un système culturel équilibré où toutes les voix peuvent s’exprimer. Aujourd’hui, l’uniformisation des médias et la concentration des secteurs de l’édition et de la librairie favorisent le développement d’une culture standardisée et soumise, à grand renfort de campagnes marketing, à des exigences de rentabilité plus que d’originalité et de qualité. En quête d’une autre voix, les petits éditeurs indépendants entendent bien maintenir la diversité culturelle.

S’inspirant de son propre parcours, l’auteure, militante féministe australienne et éditrice indépendante engagée, fait ici le lien entre l’évolution de la place de la femme dans notre société et la bibliodiversité, entre l’oppression des femmes et celle
des créations à la marge, dédaignées par les poids lourds de l’édition. À l’heure du numérique et de l’autopublication, elle rappelle les fonctions indispensables de relecture et de mise en forme assurées par l’éditeur, qui garantissent la qualité d’un
ouvrage. Elle s’attache aussi à mettre en avant les talents d’innovation des petites structures indépendantes, développant une nouvelle forme d’ « écologie de l’édition » en marge des grosses structures vers une véritable bibliodiversité du XXIe siècle.

Une traduction de l’anglais vers le français, couplée à une coédition solidaire entre 4 éditeurs en France (éditions Charles Léopold Mayer), en Suisse (éditions d’en bas), au Mali (Jamana) et au Cameroun (Presses universitaires d’Afrique).

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The independent publishers at the Frankfurt Book Fair 2016 !

From October, 19th to 23rd, meet the independent publishers at the Frankfurt Book Fair : more than 25 publishing houses from all around the world will be there !

You can find the publishers’ contact on the attached document. Do not wait to make an appointment !

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Call for freedom of speech and publishing in Turkey, 22 August 2016

The International Alliance of independent publishers demands that Turkish authorities immediately release publishers, authors and journalists currently detained. It is necessary to guarantee freedom of speech and publishing in Turkey. The Alliance joins the Turkish Publishers Association’s condemnation of the summary closure of publishing houses and media as a clear human rights violation, and urges the Turkish authorities to rescind those summary closures.

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Digital workshop in Abidjan (Ivory Coast), 23-27 May 2016 – during the Abidjan Book Fair (26-28 May)

Through the support of the Organisation internationale de la Francophonie and the partnership established with the Ivorian publishers association (Assedi), the Alliance’s Digital Lab will convene 18 publishers from Sub-Saharan Africa from 23 to 27 May, to a workshop focusing on :
* the production and marketing of digital books (session facilitated by Gilles Colleu, Vents d’ailleurs, France) ;
* management of the Alliance Press web template developed by the Alliance for publishers who do not have websites (session facilitated by Mouhammed Diop, Senegalese developer and designer of Alliance Press).

The workshop follows on the series of meetings/training workshops designed and implemented by the Alliance since 2010, and is aimed at publishers in particular from French-speaking Africa. In order to share knowledge and encourage ownership, all workshops and meetings of the Alliance are complemented by factsheets published on the Digital Lab website, and personalised online tutorials.

The workshop will be held at the occasion of the Abidjan Book Fair (26-28 May, Palais de la Culture), and will provide the opportunity for publishers to share the collective stand of the Afrilivres association. The Afrilivres Prize will be awarded on that occasion, in the presence of the recipient of the 2015 prize : Valesse publishers from Ivory Coast.

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Laura AUFRERE, president

After studying political sciences, Laura Aufrère was for 5 years coordinator of the French confederation gathering not-for-profit cultural professional initiatives from a variety of disciplines (music, theater, outdoor and circus, visual arts, etc.), rooted in the solidarity economy movement (UFISC). She is now a PHD student in management, looking specifically into critical approaches in the organisation theory and the digital humanities fields. She studies commons and social and solidarity economy initiatives, focusing specifically on work and labour organisation, cooperation and governance issues, and social protection. She joins the Alliance Board in 2016 and is now its President.

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Bibliodiversity Observatory

The Independent publisher

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence : the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers : through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

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What new book donation practices in Africa ?, IFLA Congress, Lyon (France), 16-22 August 2014

At the 80th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries ?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries ?” (IFLA 2014), see here.

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Bibliodiversity

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article « Bibliodiversity » on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures !

GIF - 1.3 Mo

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Predation

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

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Local and national languages : What opportunities for publishing ?, 11 to 13 June 2013, Ouagadougou (Burkina Faso)

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects ? How can new technologies enable them ? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions : this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include :
* raising public authorities’ awareness on the development of learning in national languages ;
* drafting practical proposals addressed to organisations working for the advancement of local languages ;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

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African youth literature : what visibility on the international market ?

Pays de parution : Italie

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (« Lectures d’Afrique(s) ») . This fund addresses a double issue : make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.

Although African literary output is sold to the general public in the North, is it bought in the context of fairs dedicated to right sells ? What are the necessary prerequisites to participate in these professional fairs ? Would African literature find buyers ?

In partnership with Bologna Children’s Book Fair, the Alliance convened eight African publishers in Bologna from the 23rd to the 27th of March 2013.

Through experience sharing and the intervention of a literary agent specialised in rights transfer (mainly at the service of small youth publishing houses), publishers will also work on the following items :
• Identify relevant catalogues for copyrights transfer ;
• Develop marketing tools to better present one’s production ;
• Negotiate rights and follow-up with business contacts…

Publishers will also reflect on publishing standards in the design and production of books, standards that could facilitate access to international markets while posing a production standardisation risk. How can we reconcile publishing on two levels simultaneously, addressing a local readership and also an international one ?

A session of the workshop will focus on the development of an advocacy document proposing a series of recommendations aimed at book fairs to support the attendance of publishers from the South.

Finally, this meeting will be the occasion for a projects fair, a “mini Bologna” that could lead to translation proposals, rights transfers and co publishing projects. Some of these projects could thereafter be supported by the Alliance.

As an extension to this workshop, meetings with publishers and organisations supporting youth publishing were held during the Fair, providing an opportunity to concretely illustrate the reflection processes carried out over the two previous days, to better discover and understand the workings and mechanisms of a Fair such as Bologna’s. We hope that this support will enable publishers to renew and assure their participation in the long term… and ultimately, that African youth literature will be more visible on international markets.

The Alliance warmly acknowledges the support of Bologna Children’s Book Fair, Fondation de France, Centre national du livre and the Institut français of Madagascar, essential to the implementation of this workshop.

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Books donation : rethinking the system, a workshop held in 2013, in Paris (France)

Although several debates and discussions on book donations were held, very few considered, complementary to the essential point of view of librarians’ professional collectives, the point of view of publishers and booksellers.

This workshop, facilitated in the context of the International Assembly of Independent Publishers, therefore has 3 main objectives :
To question existing practices and the impact of the “donation chain” on the “book chain”, from the perspective of local librarians, publishers and booksellers ;
To question, promote and “complete”, if applicable, existing benchmark tools (amongst others, the Book Donation Charter developed by the Culture and Development Association, in partnership with several structures and institutions) ;
To propose realistic and sustainable alternatives to “classic” book donations, enabling us, hopefully, to enrich and built on current practices, through the input of local professionals.

The Alliance wishes to express its gratitude to the Ile-de-France Region for its support and trust and BULAC (Languages and civilisation University Library) for hosting us.

The primary outcomes of this workshop are detailed below.

Also read about the workshop’s indirect impacts on book donations : An article on Africultures, a programme on RFI...

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Publishing in India

Pays de parution : Inde

Unlike other Asian publishing markets, like Korea or Japan, the Indian book market is nearly unknown by French children’s book publishers, though this industry is actually blooming.
The Indian book market is a very specific one : the country’s size makes book distribution difficult, many languages are spoken and written, and there is a wide gap between urban reading habits and rural ones. Independent publishers in this country adapt business strategies to these difficulties and the solutions they find are original and innovative. In view of the lack of studies and data about Indian publishing, this study is based on a certain number of interviews with booksellers, book fair directors, market specialists, illustrators, distributors, and publishers.

  • In the first part ’’Quel paysage pour l’édition indienne ?’’, this study deciphers the socio-economic and statistical data in order to better understand the Indian youth readership (gender, language, economical issues, among others).
  • In the second part ’’Le monde de l’édition jeunesse’’, a typology of the different players in Indian publishing is sketched out : multinational companies, state publishing, commercial publishers, independent publishers, NGOs... what are their respective roles ?
  • In the third part ’’Quelles perspectives de diffusion et de valorisation ?’’, the study examines the level and the nature of exchanges between Indian publishing and worldwide youth publishing.

An exciting treatise on a little-explored subject... a must read !

Mariette ROBBES, holder of a Master 2 in the World of the Book (Aix-en-Provence University) lived for six months in India in 2009, and returns often ever since. Since 2017, she is a member of the Alliance Board. Mariette concurrently works on several textile and graphic creation projects.

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