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The Alliance

Pamplona-Iruñea Declaration ’for independent, decolonial, ecological, feminist, free, social and solidarity-based publishing’

Gathered in the city of Pamplona-Iruñea from 23 to 26 November 2021 at the fourth International Conference of Independent Publishers, organised in partnership with EDITARGI (Association of Independent Publishers of Navarre), we, the publishers of the International Alliance of Independent Publishers (IAIP), reaffirm our commitment to :

  • the cultural, social and political character of books and reading ;
  • the democratisation of books in our societies ;
  • reading as an emancipatory practice that strengthens the critical thinking of citizens and stakeholders within their society.

Read the full Declaration here :

This Declaration is in line with the discussions and work of the International Alliance of Independent Publishers, in particular the Declarations of 2003, 2007 and 2014 and the 80 recommendations in favour of bibliodiversity. It will be complemented by a Guide to Good Practice (collective work in progress, for publication in the first half of 2022).

The round-table discussions of the Conference are available in replay on the Alliance’s YouTube channel.

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For a decolonial, ecological, feminist, free, social and solidarity-based independent publishing : preliminary conclusions of the Pamplona-Iruñea Conference and perspectives !

Illustrations and video : Mariette Robbes (https://marietterobbes.fr/)

The International Conference of Independent Publishers held in Pamplona-Iruñea brought together more than 100 book professionals from 40 countries and was attended by more than 300 participants connected to the Babelica platform.
6 round-table discussions and 3 collective workshops in 4 languages of communication ; B2B meetings ; closing speeches by Vandana Shiva and Djaïli Amadou Amal...

The round-table discussions of the Conference are available in replay on the Alliance’s YouTube channel.

The conclusions of the Conference are currently being drafted and will be available on the Alliance’s website in early 2022. They will present the highlights of the Conference, the proposals and recommendations of the independent publishers for REthinking, and the Alliance’s perspectives for the period 2022-2025.

The declaration of the Conference “For an independent, decolonial, ecological, feminist, free, social and solidarity-based publishing” is also being finalised (proofread by the different networks of the Alliance, in several languages). This declaration will be completed by a guide of good practices - the first drafts of this guide were elaborated during the Conference and are the object of a collective work within the Alliance, for publication during the first quarter of 2022.

The photos and press review of the Conference can already be found here !

The Alliance would like to thank once again all the partners of the Conference (see here) and especially the association EDITARGI, co-organiser of this unique meeting !

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Follow the International Conference of Independent Publishers in Pamplona (23-26 November, 2021) on Babelica, the Alliance’s virtual space

International Conference of Independent Publishers, round tables and workshops : the international independent publishing online on Babelica !

All information about the Pamplona Conference is available on Babelica in English, French, Spanish and Basque.

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A literary and multilingual sound card : Happy B-Day and happy 20th birthday to the Alliance !

On 21 September, we are celebrating bibliodiversity and also the 20th birthday of the Alliance !

The publishers are offering you a literary world tour in more than 30 countries : 45 readings in 25 languages to listen to and watch here !

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A big thank you to all of you for this gift ; thanks also to Naima Éditions for making this map.

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Children’s Books Hotlist

The Children’s Book HotList highlights children’s books from independent publishers in Africa, Latin America and Europe. It is launched during the 2021 Bologna Children’s Book Fair, on June 14.

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Comprising books from 16 countries, 36 publishing houses and 14 categories, this HotList represents the richness and diversity of independent publishing for youth and children’s literature.

You can find a book by searching its country, publisher or literary genre. If you are interested in a book, please do get in touch with its publisher.

We wish you a great discovery !

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HotList Arab world

While the Arab world shares a language, the Arabic language, which has cemented its culture over centuries, it is far from being the only one. From the Maghreb to the Mashreq, from the Horn of Africa to Cham, this immense space covers a diversity of realities. Linguistic diversity is therefore inherent to it.

More than 30 independent publishing houses from 7 countries (Algeria, Egypt, Lebanon, Morocco, Qatar, Syria and Tunisia) and 9 languages offer you an immersion in the literature, humanities and children’s literature of the Arab world !

Through this HotList, available in Arabic and English, the independent publishers of the Arab world invite you to discover the 1001 facets of literary and intellectual creativity of their country.

Discover the HotList Arab world here !

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The Arabic Language Network expresses its strong condemnation of the forced deportation campaign of Palestinians from the « Sheikh Jarrah neighborhood » in East Jerusalem, May 11, 2021

The Arabic Language Network of the International Alliance of Independent Publishers expresses its strong condemnation of the forced deportation campaign of Palestinians from the « Sheikh Jarrah neighborhood » in East Jerusalem, and the systematic violence and persecution led by the government of Benjamin Netanyahu against Jerusalemites in particular and the Palestinians in general in restoring the « apartheid » policies that the world seeks to overcome.

Read here the entire open letter from the Arabic Language Network of the Alliance.

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Des fourmis dans la bouche

Auteur(s) : Khadi HANE
Pays de parution : Algérie, Burkina Faso, Cameroun, Côte d’Ivoire, Guinée, Mali, Maroc, Togo
Langue(s) : français
Prix : 50 dirhams marocains ; 750 dinars algériens ; 45 000 francs guinées ; 3 000 FCFA

Gratteurs d’écailles dans une poissonnerie, vendeurs ambulants de montres de pacotille ou de statuettes en bois, journaliers payés au noir pour décharger des sacs d’un camion, hommes à tout faire d’un commerçant pakistanais qui revendait des pots de crème à l’hydroquinone censés procurer aux nègres l’éclat d’une peau blanche, la leur ne faisant plus l’affaire. Sur le marché Dejean, on trouvait de tout...

Née au Mali, Khadîja élève seule quatre enfants à Paris, dans le quartier de Château-Rouge. Pétrie de double culture, musulmane mais le doute chevillé au corps, elle se retrouve exclue de sa communauté du fait de sa liaison avec Jacques, le père de son fils métis.
Cercle après cercle, depuis ses voisines maliennes jusqu’aux patriarches du foyer Sonacotra et à ses propres enfants, Khadîja passe en jugement. Mais cette absurde comparution, où Africains et Européens rivalisent dans la bêtise et l’injustice, réveille en elle une force et un humour inattendus.
Tableau intense de Château-Rouge, Des fourmis dans la bouche est porté par une écriture inventive au ton très singulier, fondée sur la double appartenance. Un roman qui dit la difficile liberté d’une femme africaine en France.

Khadi Hane est née à Dakar en 1962. Venue en France pour poursuivre ses études, elle vit aujourd’hui à Paris. En 1998, elle publie son premier roman, Sous le regard des étoiles (Nouvelles éditions africaines du Sénégal). Suivent, entre autres, Le collier de paille (2002), Ma sale peau noire, Il y en a trop dans les rues de Paris (2005), Des fourmis dans la bouche (Denoël, 2011) pour lequel elle reçoit le Prix Thyde Monnier 2012 de la Société des Gens de lettres, et Demain, si Dieu le veut (Joëlle Losfeld, 2015).

Coéditeurs  : Apic (Algérie), Eburnie (Côte d’Ivoire), Ganndal (Guinée Conakry), Graines de Pensées (Togo), Le Fennec (Maroc), Proximité (Cameroun), Sankofa & Gurli (Burkina Faso) et Tombouctou (Mali)
Date de publication de la version panafricaine : 2021, 11,5 X 19 cm
Édition première en France : Éditions Denoël, 2011
Maquettage pour le collectif de maisons d’édition : éditions Apic (Algérie)
Choix de la couverture et corrections : le collectif de maisons d’édition
Impression commune en Algérie pour l’Algérie, la Guinée, le Togo, le Burkina Faso et le Mali. Transport des exemplaires d’Algérie vers le Mali par avion puis dispatch dans les différents pays par voie routière.
Impressions locales directement dans les pays pour la Côte d’Ivoire, le Maroc et le Cameroun.

Cette coédition solidaire porte le label Le livre équitable.

Collection Terres solidaires

Créée en 2007, la collection « Terres solidaires » est une expérience collective. Elle propose des textes littéraires d’autrices et auteurs africain.e.s, édités par un collectif de maisons d’édition en Afrique francophone. Grâce au principe de la coédition solidaire, les textes circulent, sont disponibles et accessibles pour les lecteurs africains ; l’écosystème du livre local est préservé et renforcé.
La collection « Terres solidaires » est soutenue par l’Organisation internationale de la Francophonie (OIF).

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International Conference of Independent Publishers, Pamplona-Iruñea, 23-26 November, 2021

To find out more about the participants, practical information and to follow the Conference online, go to Babelica, the Alliance’s virtual space !

Consult the program below and register now !

To participate in the Conference, click here.

The Conference is organized by the International Alliance of Independent Publishers and the Association of Independent Publishers of Navarre, EDITARGI.

Physical meetings, virtual window, sound archives
The meetings can be followed in streaming (via the virtual space Babelica or the Alliance’s YouTube channel). They will also be recorded and may be the subject of audiovisual editing, depending on the agreement with the participants. The conclusions of the roundtables and workshops will be disseminated afterwards to all participants.

Bibliodiversity ambassadors !
Bibliodiversity ambassadors are public figures who have agreed to amplify the voices of independent publishers, to accompany the reflections and practices of publishers, to defend and support bibliodiversity. The personalities solicited will be revealed in the coming weeks !

Presence of international independent publishers at the Navarra Book Fair (25-28 November, 2021), organized by the Association EDITARGI
A collective stand dedicated to the invited international publishers will present the variety and diversity of independent production internationally. This collective stand will be a meeting place for readers but also a space for sales/ purchases/ trade of copyrights between invited and local professionals.

Calendar 2021 of the Alliance and the Pamplona Meetings

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Bibliodiversity Observatory

The Independent publisher

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence : the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers : through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

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What new book donation practices in Africa ?, IFLA Congress, Lyon (France), 16-22 August 2014

At the 80th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries ?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries ?” (IFLA 2014), see here.

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Bibliodiversity

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article « Bibliodiversity » on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures !

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Predation

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

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Local and national languages : What opportunities for publishing ?, 11 to 13 June 2013, Ouagadougou (Burkina Faso)

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects ? How can new technologies enable them ? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions : this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include :
* raising public authorities’ awareness on the development of learning in national languages ;
* drafting practical proposals addressed to organisations working for the advancement of local languages ;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

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African youth literature : what visibility on the international market ?

Pays de parution : Italie

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (« Lectures d’Afrique(s) ») . This fund addresses a double issue : make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.

Although African literary output is sold to the general public in the North, is it bought in the context of fairs dedicated to right sells ? What are the necessary prerequisites to participate in these professional fairs ? Would African literature find buyers ?

In partnership with Bologna Children’s Book Fair, the Alliance convened eight African publishers in Bologna from the 23rd to the 27th of March 2013.

Through experience sharing and the intervention of a literary agent specialised in rights transfer (mainly at the service of small youth publishing houses), publishers will also work on the following items :
• Identify relevant catalogues for copyrights transfer ;
• Develop marketing tools to better present one’s production ;
• Negotiate rights and follow-up with business contacts…

Publishers will also reflect on publishing standards in the design and production of books, standards that could facilitate access to international markets while posing a production standardisation risk. How can we reconcile publishing on two levels simultaneously, addressing a local readership and also an international one ?

A session of the workshop will focus on the development of an advocacy document proposing a series of recommendations aimed at book fairs to support the attendance of publishers from the South.

Finally, this meeting will be the occasion for a projects fair, a “mini Bologna” that could lead to translation proposals, rights transfers and co publishing projects. Some of these projects could thereafter be supported by the Alliance.

As an extension to this workshop, meetings with publishers and organisations supporting youth publishing were held during the Fair, providing an opportunity to concretely illustrate the reflection processes carried out over the two previous days, to better discover and understand the workings and mechanisms of a Fair such as Bologna’s. We hope that this support will enable publishers to renew and assure their participation in the long term… and ultimately, that African youth literature will be more visible on international markets.

The Alliance warmly acknowledges the support of Bologna Children’s Book Fair, Fondation de France, Centre national du livre and the Institut français of Madagascar, essential to the implementation of this workshop.

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Books donation : rethinking the system, a workshop held in 2013, in Paris (France)

Although several debates and discussions on book donations were held, very few considered, complementary to the essential point of view of librarians’ professional collectives, the point of view of publishers and booksellers.

This workshop, facilitated in the context of the International Assembly of Independent Publishers, therefore has 3 main objectives :
To question existing practices and the impact of the “donation chain” on the “book chain”, from the perspective of local librarians, publishers and booksellers ;
To question, promote and “complete”, if applicable, existing benchmark tools (amongst others, the Book Donation Charter developed by the Culture and Development Association, in partnership with several structures and institutions) ;
To propose realistic and sustainable alternatives to “classic” book donations, enabling us, hopefully, to enrich and built on current practices, through the input of local professionals.

The Alliance wishes to express its gratitude to the Ile-de-France Region for its support and trust and BULAC (Languages and civilisation University Library) for hosting us.

The primary outcomes of this workshop are detailed below.

Also read about the workshop’s indirect impacts on book donations : An article on Africultures, a programme on RFI...

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Publishing in India

Pays de parution : Inde

Unlike other Asian publishing markets, like Korea or Japan, the Indian book market is nearly unknown by French children’s book publishers, though this industry is actually blooming.
The Indian book market is a very specific one : the country’s size makes book distribution difficult, many languages are spoken and written, and there is a wide gap between urban reading habits and rural ones. Independent publishers in this country adapt business strategies to these difficulties and the solutions they find are original and innovative. In view of the lack of studies and data about Indian publishing, this study is based on a certain number of interviews with booksellers, book fair directors, market specialists, illustrators, distributors, and publishers.

  • In the first part ’’Quel paysage pour l’édition indienne ?’’, this study deciphers the socio-economic and statistical data in order to better understand the Indian youth readership (gender, language, economical issues, among others).
  • In the second part ’’Le monde de l’édition jeunesse’’, a typology of the different players in Indian publishing is sketched out : multinational companies, state publishing, commercial publishers, independent publishers, NGOs... what are their respective roles ?
  • In the third part ’’Quelles perspectives de diffusion et de valorisation ?’’, the study examines the level and the nature of exchanges between Indian publishing and worldwide youth publishing.

An exciting treatise on a little-explored subject... a must read !

Mariette ROBBES, holder of a Master 2 in the World of the Book (Aix-en-Provence University) lived for six months in India in 2009, and returns often ever since. Since 2017, she is a member of the Alliance Board. Mariette concurrently works on several textile and graphic creation projects.

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