English

The Alliance has adopted an original method of internal organization, respecting both the democratic principles and the functioning of an international network. The Alliance rests above all on its member publishers, represented by the International Committee of Independent Publishers (ICIP). It also relies on a Board – charged with upholding and respecting the publishers’ decisions – and a permanent staff.

Publisher members of the English-speaking network of the Alliance will meet with European, Iranian and Syrian colleagues, to discuss the following issues :
⁃ Situation analysis of the publishing landscape in the various countries ;
⁃ Strengthened mutual knowledge of participating independent publishers lists ;
⁃ Setting up of publishing projects between publishers from the different countries ;
⁃ Exchanges and discussions on digital publishing and freedom of publishing within publishing houses.

This meeting is facilitated through the support of Metis Publishers (Turkey), with the participation of the Chamber of Mechanical Engineers, the Turkish Publishers Association, the Hrant Dink Foundation, and UNESCO Melbourne City of Literature.

• Gijón meeting (Spain), 2000 (an initiative led by four Spanish-speaking publishers in reaction to the emergence of Spanish multinationals in Latin America)
• Creation of the Alliance project by a group of publishers and Etienne Galliand – who would become the first director of the association
• Paris meeting (France), 2001 (some few days away from the UNESCO Universal Declaration on Cultural Diversity)
• Foundation of the “Alliance of Independent Publishers Association, for Another Globalisation”, as per Law 1901 (head office in Paris) 2002
• Dakar meeting (Senegal), 2003 (Declaration of Solidarity amongst Independent Publishers)
• Guadalajara meeting (Mexico), 2005 (Declaration of independent publishers of the Latin world)
• International Assembly of Independent Publishers in Paris (France), 2007 (International Declaration of Independent Publishers to promote and strenghten bibliodiversity together)
• Name change of the association to International Alliance of independent publishers, 2008
• Creation of the International Committee of Independent Publishers (ICIP), 2009
• International Assembly of independent publishers – preparatory meetings and closing meeting in Cape Town (South Africa), 2012-2014 (International Declaration of independent publishers, to promote and strengthen bibliodiversity together, and 80 recommendations and tools in support of bibliodiversity)
• Creation of the Bibliodiversity Observatory, 2016
• Mapping public book policies in Latin America and Sub-Saharan Africa, 2020
• International Conference of Independent publishing in Pamplona-Iruñea, 2021 (Declaration ’for independent, decolonial, ecological, feminist, free, social and solidarity-based publishing’)
• Guide to good practice, 2022
• First edition of Babelica, 2022

These 80 recommendations are built on the principles upheld in the 2014 International Declaration of independent publishers, an important document promoting bibliodiversity, signed on September 20th 2014, by more than 400 independent publishers from 45 countries.

They raise the necessary prerequisites, divided by themes, for the development, maintenance and strengthening of bibliodiversity in concerned countries. Some recommendations are accompanied by tools and projects (existing or to be developed in the context of the 2015-2016 Alliance programme of activities), enabling a practical implementation of independent publishers’ proposals.

Contents of the 80 recommendations & tools in support of bibliodiversity :

* Public policies safeguarding bibliodiversity
* Proposals and actions supporting digital bibliodiversity
* The Amazon system, a threat to bibliodiversity ?
* Essential measures for publishing in local and national languages
* Methods for rethinking book donations
* Proposals and actions to develop solidarity publishing partnerships
* Activities to strengthen diversity in youth publishing

For all book actors to take ownership of these recommendations and tools, we invite you to contact us with your comments, suggestions, ideas, and proposals that could enhance and strengthen this document.

1001 activités autour du livre n’a pas pour objectif d’apprendre à lire mais celui de donner la passion du livre et de la lecture aux enfants de 2 à 11 ans et au-delà.
Comment ? En jouant, en dessinant, en inventant, en parlant, en mimant… tout cela grâce aux livres. Cet ouvrage de terrain et d’expérience, ludique et original, donne envie de dévorer tous les autres !
Un véritable outil pour les professionnels de l’éducation enfantine et pour les parents attentifs.

Initialement publié par les éditions Casterman en 2013.
Publication en Afrique subsaharienne et dans l’Océan Indien : septembre 2020.
Une adaptation spécifique pour cette coédition panafricaine a été réalisée par Philippe Brasseur ; les coéditrices et coéditeurs ont par ailleurs actualisé et adapté à leurs contextes et environnements certaines des références de l’ouvrage.

Un livre coédité par 11 maisons d’édition en Afrique subsaharienne et dans l’Océan Indien : AGO Média (Togo), Atelier des Nomades (Île Maurice), éditions Bakame (Rwanda), éditions Elondja (RDC), Ganndal (Guinée), la librairie La Farandole des livres (Niger), Gashingo (Niger), Jeunes Malgaches (Madagascar), Éditions Ntsamé (Gabon), Ruisseaux d’Afrique (Bénin) et Vallesse (Côte d’Ivoire).

Cette coédition solidaire porte le label Le livre équitable.  

Ce projet a pu se concrétiser lors d’un atelier sur la littérature jeunesse organisé par l’Alliance à Abidjan, en mai 2019, dans le cadre des Assises internationales de l’édition indépendante 2019-2021 ; il a été initié, coordonné et suivi par Corinne Fleury (Atelier des nomades). Cette cession de droits, adaptation et coédition panafricaine a reçu le soutien du Centre national du livre.

The International Alliance of independent publishers wishes you a blooming year !

Greeting card made by Mariette Robbes, member of the Board of the Alliance

Read here the 2021 programme of the Alliance and the 2020 highlights !

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence : the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers : through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

At the 80^th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries ?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries ?” (IFLA 2014), see here.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article « Bibliodiversity » on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures !

This issue is dedicated to Andre Schiffrin, member of the Scientific Committee of the journal Bibliodiversity.

Follow this link to listen to the “Danse des mots” programme of April 18 2013, focusing on book donations. Yvan AMAR interviews Raphaël THIERRY, following the publication of the article in Africultures, April 8 2013 “Giving is not receiving. Thoughts on book donations in Africa”.

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects ? How can new technologies enable them ? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions : this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include :
* raising public authorities’ awareness on the development of learning in national languages ;
* drafting practical proposals addressed to organisations working for the advancement of local languages ;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (« Lectures d’Afrique(s) ») . This fund addresses a double issue : make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.