English

The Alliance

International Conference of Independent publishers 2019-2021

The “Conference”, a snapshot of independent publishing worldwide
Since the creation of the International Alliance of independent publishers (an international network of 750 independent publishers from 55 countries around the world) in 2002, the “International Assemblies/ Conferences” have been held every four to eight years and bring together some 100 independent publishers from around the world : in 2003 in Dakar (Senegal) ; in 2007 in Paris (France) ; in 2014 in Cape Town (South Africa) and in 2021 in Pamplona-Iruña (Province of Navarre/ Spain).

They represent a landmark moment for international independent publishers, bringing together actors from all continents – they collectively provide a portrait of global independent publishing (Latin America, Africa, Asia, Europe, the Arab world and Oceania). They are a unique space for debate, meetings, and reflection on independent publishing – with no other equivalent worldwide.

Celebrate and REthink in 2021...
Between 2017 and 2018, when the Alliance network was planning and launching the 2019-2021 conference, the goals of this event were obvious : celebrating bibliodiversity and the work of independent publishers, REthinking the solidarity practices that we build through perseverance and determination, but also the relationships with other book professionals, and the relationships with readers.

This is obvious in view of the progress made since the last meeting in 2012-2014, but also in view of the experience of the Alliance, which celebrates its 20th anniversary in 2021.

2020, a global health crisis, a year of transformation
While the consequences of the health crisis are still difficult to assess in detail from an economic, social, and political vantage point, REthinking remains obvious but also becomes a necessity.
Why are independent publishers important actors in this period of crisis ? How do they accompany societal transformations and transitions at work ? What are the tools and practices that they put in place to apprehend the realities of tomorrow, to understand them ? In what ways do books and the ideas they convey help defend and preserve the diversity of creations, points of view, ideas ?

“Tomorrow’s” independent publishing ?
This Conference is thus a moment of documentation on the state of the world, an international mapping of the movements of transition and/or interruption.
Its objective is to question and inform discussions on the role of books – of ideas – as a social and emancipatory trajectory.
It is a space for reflection, sharing of experiences and practical know-hows concerning the issues of today and tomorrow : ecology, social economy, inclusive publishing, cultural platforming...
Finally, the Conference is a space of solidarity, trust, human relationships, and dialogues between cultures.

Process and phases of the Conference
The Conference of the Alliance is built of our own accord over a long period of time, against the often-frantic rhythm that has become the norm. It follows a common thread that has been running for 20 years within the Alliance : the issues defended by the Alliance since its creation are always prominent (solidarity, equity of relations, rebalancing of flows, circulation of ideas, local creations and productions, fair speech, ecological concerns...). These are the foundations on which the independent publishing movement is based and are addressed considering contemporary issues and debates.

They are built collectively, based on the work carried out since the 2021-2014 conference and the 80 ensuing recommendations, from feedback from professionals in the field of books, from monitoring independent publishing throughout the world, from regular dialogue with other cultural actors, but also from observation of practices, trends, and alternatives that emerge here and there.

The Conference is built on two levels (public and “internal”), which feed each other and are complementary.
A public level with an aim to meet, discuss, learn – which is embodied by meetings open to all (book professionals, readers, cultural actors, academics, civil society movements, etc.). It is about taking advantage of the space that the Alliance is to REthink practices, question the relationship of independent publishers to the current world, explore themes, allow each other utopias, look together to the future.
An internal level (focused on the Alliance network) to formulate recommendations and tools, to elaborate objectives for the upcoming period, to define and refine the governance of the network.

The conference is structured around working groups and thematic workshops set up since the 2012-2014 Conference of the Alliance (1/on public book policies ; 2/on the freedom of publishing ; 3/ on digital publishing ; 4/on publishing in local and national languages ; 5/on solidarity-based editorial partnerships ; 6/on the impacts of book donation practices).

Concretely, for the Alliance network, the aim is to achieve the following results for the period 2022-2025 :
• Recommendations (based on the 80 recommendations from the previous Conference but also in the context of the current crisis)
• Objectives and action plan for the period 2022-2025
• Adjustments and validation/ endorsement of the governance of the association

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An international selection of music, films and books : in 2021, let’s celebrate bibliodiversity together !

In 2021, we would like to share with you the highlights and cultural inspirations of the independent publishers who make up the strength of our network : international playlists and selections of music, books and films recommended by the members of the Alliance.

To be discovered every week on our social media (Facebook ; Twitter ; Youtube and Instagram) and throughout the year on the Alliance website...

Follow us to broaden your musical, literary and cinematographic horizons !

On Youtube, listen to the Alliance’s international playlist for 2021 and see all the recommendations of Alliance members below.

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The International Alliance of independent publishers calls for the release of Anges Félix N’Dakpri, president of the Association of publishers of Côte d’Ivoire (Assedi), November 9, 2020

The International Alliance of independent publishers – representing 750 publishers in 55 countries around the world – calls for the release of Anges Félix N’Dakpri, president of the Association of publishers of Côte d’Ivoire (Assedi)

President of the Association of publishers of Côte d’Ivoire (Assedi) and General commissioner of the Abidjan International Book Fair (SILA), Anges Félix N’Dakpri was kidnapped on October 25 in Abidjan (see press release from several professional associations issued on October 27, 2020).

For some weeks, Côte d’Ivoire has been prey to strong political tensions in the context of the presidential elections.
Several local sources and international medias report arrests and pressure on opposition figures as well as journalists covering the events.

The kidnapping of Anges Félix N’Dakpri by armed men from his home in Abidjan on Sunday, October 25 occurs against a backdrop of violence, threats and restrictions on freedom of expression. According to his relatives, he would be now held at the MACA (Abidjan House of Arrest and Correction).

The International Alliance of independent publishers calls for an end to the arbitrary detention of Anges Félix N’Dakpri and invites professionals from the book industry, medias and human rights associations to relay this call.

Signatories

Members of the International Commitee of Independent Publishers

  • Élisabeth DALDOUL, elyzad, Tunisia, coordinator of the French-speaking network
  • ASSEM Mawuto Paulin, AGO Média, Togo, vice-coordinator of the French-speaking network
  • Jean-Claude NABA, Sankofa & Gurli, Burkina Faso, vice-coordinator of the French-speaking network
  • Samar HADDAD, Atlas for Publishing & Distribution, Syria, coordinator of the Arabic-speaking network
  • Colleen HIGGS, Modjaji Books, South Africa, coordinator of the English-speaking network
  • Ronny AGUSTINUS, Marjin Kiri Publisher, Indonesia, vice-coordinator of the English-speaking network
  • Paulo SLACHEVSKY, Lom Ediciones, Chile, coordinator of the Spanish-speaking network
  • Carla OLIVEIRA, Orfeu Negro, Portugal, coordinator of the Portuguese-speaking network
  • Mariana WARTH, Pallas Editora, Brazil, coordinator of the Portuguese-speaking network

Publishers members of the French-speaking network of the Alliance

  • Sulaiman ADEBOWALE, Amalion, Senegal
  • Marie-Agathe AMOIKON FAUQUEMBERGUE, Éburnie, Côte d’Ivoire
  • Ibrahima AYA, éditions Tombouctou, Mali
  • Dominique BAZIN, éditions Dodo vole, Madagascar
  • Bichr BENNANI, Tarik éditions, Morocco
  • Karim BEN SMAIL, Fédération tunisienne des éditeurs, Tunisia
  • Pierre BERTRAND, Couleur Livres, Belgium
  • Nadine BESNARD, Cauris Livres, Mali
  • Layla CHAOUNI, éditions Le Fennec, Morocco
  • Karim CHIKH, éditions Apic, Algeria
  • Gilles COLLEU, Vents d’ailleurs, France
  • Élodie COMTOIS, Écosociété, Québec, Canada
  • Camille DELTOMBE, Les éditions de l’Atelier, France
  • Serge D. KOUAM, Presses universitaires d’Afrique, Cameroon
  • Mical DREHI LOROUGNON, Édilis, Côte d’Ivoire
  • Aline DURIEZ-JABLONKA, éditions Charles Léopold Mayer, France
  • Tchotcho Christiane ÉKUÉ, Graines de Pensées, Togo
  • Nadia ESSALMI, Yomad, Morocco
  • Corinne FLEURY, L’Atelier des Nomades, Mauritius et France
  • Sékou FOFANA, éditions Donniya, Mali
  • Charlotte GOURE, Les éditions de l’Atelier, France
  • Sofiane HADJADJ, barzakh éditions, Algeria
  • Selma HELLAL, barzakh éditions, Algeria
  • Jutta HEPKE, Vents d’ailleurs, France
  • Marie Paule HUET, éditions Ganndal, Guinea
  • Yasmîn ISSAKA-COUBAGEAT, Graines de Pensées, Togo
  • Karine JOSEPH, Éditions du Sirocco, Morocco
  • Hamidou KONATÉ, Éditions Jamana, Mali
  • Thérèse KOUDOU, Édilis, Côte d’Ivoire
  • Julien LUCCHINI, Les éditions de l’Atelier, France
  • Seydou Nourou NDIAYE, éditions Papyrus Afrique, Senegal
  • François NKEME, Éditions Proximité, Cameroon
  • Sylvie NTSAME, éditions Ntsame, Gabon
  • Safaa OUALI, éditions Le Fennec, Morocco
  • Dieulermesson PETIT-FRÈRE, LEGS éditions, Haiti
  • Mirline PIERRE, LEGS éditions, Haiti
  • Isabelle PIVERT, éditions du Sextant, France
  • Marie Michèle RAZAFINTSALAMA, Jeunes Malgaches, Madagascar
  • Jean RICHARD, éditions d’en bas, Switzerland
  • Rodney SAINT-ÉLOI, Mémoire d’encrier, Quebec, Canada
  • Kenza SEFRIOUI, En toutes lettres, Morocco
  • Aliou SOW, éditions Ganndal, Guinea
  • Roger TAVERNIER, éditions Zellige, France
  • Samia ZENNADI, éditions Apic, Algeria

Representatives of the Board and the permanent team of the International Alliance of independent publishers

  • Laura AUFRÈRE
  • Camille CLOAREC
  • David ELOY
  • Laurence HUGUES
  • Georges LORY
  • Mariam PELLICER
  • Luc PINHAS
  • Thierry QUINQUETON
  • Mariette ROBBES

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Call for the release of Iranian Authors, October 2020

In just this past month, three prominent Iranian writers, translators, and members of the Association of Iranian Writers, Bektash Abtin, Kayvan Bazhan, and Reza Khandan Mahabadi, and journalist and sociology researcher, Khosrow Sadeghi Boroujeni, have been sentenced to prison on charges of “propaganda against the Islamic Republic of Iran, and gathering and collusion with the intent of acting against national security.”

These accusations, which have led to long prison sentences and the charges levied are false. Their objectives are to further oppress writers and the people of Iran.
At a time when the world is under crisis by the pandemic, Iran, and especially within its prisons has a very unstable environment, with the increasing spread of Coronavirus among inmates.

We as authors and scholars would like to ask you to let the voices of our fellow authors in prison be heard by the people of the world and to demand their immediate release.

  • Daryoush Ashouri, Author, Translator and the Co-founder of the Association of Iranian Writers
  • Ervand Abrahamian, Author and Professor Emeritus, City University of New York
  • Azar Nafisi, Author
  • Faraj Sarkohi, Writer, Journalist, Literature Critic ; A Member of German Pen ; The Recipient of Kurt-Tucholsky-prize ; World Association of Newspapers’ Golden Pen of Freedom Award and World Press Freedom
  • Hero by International Press Institute
  • Akram Pedramnia, Author, Translator ; A Member of Pen Canada ; the Recipient of James Joyce Foundation Scholar
  • Moniro Ravanipour, Author
  • Mohsen Yalfani, Author and Translator
  • Nasim Khaksar, Author and Critic
  • Reza Allamehzadeh, Moviemaker and Writer
  • Morad Farhadpour, Author, Translator and Critical Theorist
  • Akbar Masoumbaigi, Author, Translator and a Member of the Association of Iranian Writers
  • Babak Ahmadi, Author, Translator and Philosophy Researcher
  • Peyman Vahabzadeh, Author and Professor, University of Victoria
  • Sohrab Behdad, Denison University, USA
  • Farshin Kazeminia, Pierre and Marie Curie University (Paris 6)
  • Amir Kianpour, PhD Candidate, University of Paris 8 Vincennes-Saint-Denis
  • Mehran Mostafavi, Sacly University (Paris), Professor
  • Iman Ganji, PhD in Art Philosophy and Philosophy Researcher, Free University of Berlin
  • Mehrdad Darvishpour, Senior Lecturer and Associate Professor, Sociologist, Mälardalen University
  • Farhad Nomani, Professor Emeritus of Economics, The American University of Paris
  • Soheil Asefi, Journalist and PhD student in History, The Graduate Center, The City University of New York (CUNY)
  • Saeed Hariri, Moderator, Toronto Book Club
  • Azadeh Parsapour, Translator, Editor and Publisher
  • Arash Kia, Faculty of Institute for Healthcare Delivery Science, Icahn School of Medicine at Mount Sinai, New York

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Latin America and Arab World HotList, 2020 !

This year, on the occasion of the Frankfurt Book Fair (14-18 October), two HotLists will be presented... virtually !

The Latin American HotList - 4th edition : a selection of titles from more than 35 independent Latin American publishing houses from 8 countries (Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, Peru, Uruguay) and from all genres : literature, humanities, youth/ children’s literature, comics... Find the Latin American HotList 2020 online here ! Previous HotLists are also online, here.

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The Arab World HotList - a very first : while the Arab world shares a language, the Arabic language, which has cemented its culture over centuries, it is far from being the only one. From the Maghreb to the Mashreq, from the Horn of Africa to Cham, this immense space covers a diversity of realities. Linguistic diversity is therefore inherent to it. More than 30 independent publishing houses from 7 countries (Algeria, Egypt, Lebanon, Morocco, Qatar, Syria and Tunisia) offer you an immersion in the literature, humanities and children’s literature of the Arab world ! Through this HotList, the independent publishers of the Arab world invite you to discover the 1001 facets of literary and intellectual creativity of their country, online here !

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The HotLists, while offering an opportunity to discover the creativity of independent publishers, are also tools facilitating the exchange of rights : books and authors are presented in the original language of the book and in English, the contacts of publishing houses are easily accessible and up to date – these lists are thus to be consulted and used throughout the year !

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VAT Changes for Books in Brazil, August 2020

Read here the IPA (International Publishers Association) support, and here the manifesto published by the Brazilian actors, to defend the book in Brazil.

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International Day of Bibliodiversity, 21 September 2020

During this unusual year, independent publishers around the world are celebrating the 10th anniversary of the International Day of Bibliodiversity (B Day) on September 21, which is also Spring Day in the Southern Hemisphere.

© video : Daniel Aguilera and his team (Chili)
© music : Chill Acoustic, licencia de atribución de Creative Commons, proveída por Oak Studios.

A day to honour independent publishing and bibliodiversity, not to be missed !

See the previous videos here.

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Le dodo aux plumes d’or

Auteur(s) : Corinne FLEURY (texte) ; Sébastien PELON (illustrations)
Pays de parution : Côte d’Ivoire, Maurice

Dans un village de l’île Maurice vit le dodo aux plumes d’or. Son fabuleux pouvoir attire la convoitise des villageois. Le dodo est menaceì. Seule la bonne femme Mimine décide de le protéger. Mais saura-t-elle déjouer les ruses des cupides villageois ?

Une coédition panafricaine réunissant l’Atelier des nomades (Île Maurice) et les éditions Éburnie (Côte d’Ivoire).

Date de publication : septembre 2020

Cette coédition solidaire est issue d’un atelier sur la littérature jeunesse organisé par l’Alliance à Abidjan, en mai 2019, dans le cadre des Assises internationales de l’édition indépendante 2019-2021. Elle a reçu le soutien de l’Agence française de développement.

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Contes de l’Île Maurice

Auteur(s) : Shenaz PATEL (texte) ; Sébastien PELON (illustrations)
Pays de parution : Côte d’Ivoire, Maurice

Comment Tizan a transformé une sauterelle en vache ? Pourquoi un éléphant et une baleine sont convaincus qu’un petit lièvre est beaucoup plus fort qu’eux ? Autour de Tizan, du compère jaco, du lièvre et des personnages populaires de la tradition orale mauricienne, ce recueil réunit 9 contes rusés et drôles pour découvrir une île Maurice remplie de malice.

Une coédition panafricaine réunissant l’Atelier des nomades (Île Maurice) et les éditions Éburnie (Côte d’Ivoire).

Date de publication : septembre 2020

Cette coédition solidaire est issue d’un atelier sur la littérature jeunesse organisé par l’Alliance à Abidjan, en mai 2019, dans le cadre des Assises internationales de l’édition indépendante 2019-2021. Elle a reçu le soutien de l’Agence française de développement.

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Bibliodiversity Observatory

The Independent publisher

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence : the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers : through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

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What new book donation practices in Africa ?, IFLA Congress, Lyon (France), 16-22 August 2014

At the 80th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries ?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries ?” (IFLA 2014), see here.

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Bibliodiversity

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article « Bibliodiversity » on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures !

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Predation

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

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Local and national languages : What opportunities for publishing ?, 11 to 13 June 2013, Ouagadougou (Burkina Faso)

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects ? How can new technologies enable them ? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions : this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include :
* raising public authorities’ awareness on the development of learning in national languages ;
* drafting practical proposals addressed to organisations working for the advancement of local languages ;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

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African youth literature : what visibility on the international market ?

Pays de parution : Italie

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (« Lectures d’Afrique(s) ») . This fund addresses a double issue : make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.

Although African literary output is sold to the general public in the North, is it bought in the context of fairs dedicated to right sells ? What are the necessary prerequisites to participate in these professional fairs ? Would African literature find buyers ?

In partnership with Bologna Children’s Book Fair, the Alliance convened eight African publishers in Bologna from the 23rd to the 27th of March 2013.

Through experience sharing and the intervention of a literary agent specialised in rights transfer (mainly at the service of small youth publishing houses), publishers will also work on the following items :
• Identify relevant catalogues for copyrights transfer ;
• Develop marketing tools to better present one’s production ;
• Negotiate rights and follow-up with business contacts…

Publishers will also reflect on publishing standards in the design and production of books, standards that could facilitate access to international markets while posing a production standardisation risk. How can we reconcile publishing on two levels simultaneously, addressing a local readership and also an international one ?

A session of the workshop will focus on the development of an advocacy document proposing a series of recommendations aimed at book fairs to support the attendance of publishers from the South.

Finally, this meeting will be the occasion for a projects fair, a “mini Bologna” that could lead to translation proposals, rights transfers and co publishing projects. Some of these projects could thereafter be supported by the Alliance.

As an extension to this workshop, meetings with publishers and organisations supporting youth publishing were held during the Fair, providing an opportunity to concretely illustrate the reflection processes carried out over the two previous days, to better discover and understand the workings and mechanisms of a Fair such as Bologna’s. We hope that this support will enable publishers to renew and assure their participation in the long term… and ultimately, that African youth literature will be more visible on international markets.

The Alliance warmly acknowledges the support of Bologna Children’s Book Fair, Fondation de France, Centre national du livre and the Institut français of Madagascar, essential to the implementation of this workshop.

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Books donation : rethinking the system, a workshop held in 2013, in Paris (France)

Although several debates and discussions on book donations were held, very few considered, complementary to the essential point of view of librarians’ professional collectives, the point of view of publishers and booksellers.

This workshop, facilitated in the context of the International Assembly of Independent Publishers, therefore has 3 main objectives :
To question existing practices and the impact of the “donation chain” on the “book chain”, from the perspective of local librarians, publishers and booksellers ;
To question, promote and “complete”, if applicable, existing benchmark tools (amongst others, the Book Donation Charter developed by the Culture and Development Association, in partnership with several structures and institutions) ;
To propose realistic and sustainable alternatives to “classic” book donations, enabling us, hopefully, to enrich and built on current practices, through the input of local professionals.

The Alliance wishes to express its gratitude to the Ile-de-France Region for its support and trust and BULAC (Languages and civilisation University Library) for hosting us.

The primary outcomes of this workshop are detailed below.

Also read about the workshop’s indirect impacts on book donations : An article on Africultures, a programme on RFI...

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Publishing in India

Pays de parution : Inde

Unlike other Asian publishing markets, like Korea or Japan, the Indian book market is nearly unknown by French children’s book publishers, though this industry is actually blooming.
The Indian book market is a very specific one : the country’s size makes book distribution difficult, many languages are spoken and written, and there is a wide gap between urban reading habits and rural ones. Independent publishers in this country adapt business strategies to these difficulties and the solutions they find are original and innovative. In view of the lack of studies and data about Indian publishing, this study is based on a certain number of interviews with booksellers, book fair directors, market specialists, illustrators, distributors, and publishers.

  • In the first part ’’Quel paysage pour l’édition indienne ?’’, this study deciphers the socio-economic and statistical data in order to better understand the Indian youth readership (gender, language, economical issues, among others).
  • In the second part ’’Le monde de l’édition jeunesse’’, a typology of the different players in Indian publishing is sketched out : multinational companies, state publishing, commercial publishers, independent publishers, NGOs... what are their respective roles ?
  • In the third part ’’Quelles perspectives de diffusion et de valorisation ?’’, the study examines the level and the nature of exchanges between Indian publishing and worldwide youth publishing.

An exciting treatise on a little-explored subject... a must read !

Mariette ROBBES, holder of a Master 2 in the World of the Book (Aix-en-Provence University) lived for six months in India in 2009, and returns often ever since. Since 2017, she is a member of the Alliance Board. Mariette concurrently works on several textile and graphic creation projects.

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