Bibliodiversity Observatory

The Bibliodiversity Observatory collects studies, analysis, and tools produced by the Alliance, in collaboration with its partners. It is built around issues identified as priorities by independent publishers as a follow-up to the International Conferences of Independent Publishers for the 2015-2021 and 2022-2025 period.
Aimed at professionals and public authorities, the Observatory’s mission includes strengthening bibliodiversity in the various regions of the world.

As an independent, evolving and collaborative space, the Observatory’s role includes:

• a “research and analysis” pillar: resource centre focusing on major issues related to independent publishing;
• an “advocacy” pillar, including awareness and influence strategies.

The International Alliance of independent publishers acknowledges and thanks publishers and their partners (international organisations, Ministries of Culture, unions, etc.…) for their contributions and commitment to the Bibliodiversity Observatory.

Read the “Conclusions of the Symposium on the Challenges of the Promotion and Distribution of Books in African Languages”, organized by Ganndal publishing in Conakry (Guinea Conakry), 27-28 November 2017.

Read the conclusions and proposals formulated by publishers from Francophone Africa following the workshop organised by the Alliance on “Digital tools and African languages”, held in Conakry, in November 2017, thanks the support of the Organisation internationale de la Francophonie and the partnership with the house publishing Ganndal.

Feasibility study on the establishment of digital printing structures for independent publishers, by Gilles Colleu (November 2017)

Among the 80 recommendations of the International Assembly of independent publishers (2012-2014), independent publishers called on public authorities and international organisations to “contribute and support the establishment of in-country digital printers and printing facilities, on demand (including in sub-Saharan African) to promote access to books”.

The Alliance thus launched a feasibility study in 2016, on the establishment of digital printing facilities in sub-Saharan Africa and Madagascar. Above all, the aim was to find out whether digital printing is a relevant alternative, and on what conditions. To do so, the study surveys the needs of local professionals, and discusses the potentials and benefits as well as limitations inherent to digital printing, based on realities and practices of Francophone publishers from sub-Saharan Africa and Madagascar. Finally, it discusses the feasibility scenarios for the establishment of a digital printing hub.

By focusing on the technical aspect of digital printing as well as on the development potential in a Francophone African context, this study goes beyond a feasibility study and proposes reflection points on the economic and strategic models of independent publishing.

This study was supported by the International Organisation of Francophonie. A full version of the study is available to members of the Alliance.
For questions or comments, please contact the team of the Alliance.

Gilles COLLEU, author of the study
Former lecturer at the University Institute of Technology “Book Trade” in Aix-en-Provence, former Director of production and digital publishing for Actes Sud, Gilles Colleu established and manages, with Jutta Hepke, Vents d’ailleurs (La Roque d’Anthéron, France), member of the International Alliance of independent publishers. He co manages the digital printing hub Yenooa and incubator Rue des éditeurs and actively participates in the Digital Lab of the Alliance (tutorials, training).

As the Frankfurt Book Fair (11-15 October 2017) opens in a few weeks’ time, with a special focus on France and French languages, the International Alliance of independent publishers takes the opportunity to revisit some key issues for independent publishers and bibliodiversity, as expressed by 400 publishers from 50 countries, in the International Declaration of independent publishers of 2014.

France wished, in the context of Frankfurt’s invitation, to provide a space for publishers from the South and we are grateful for this opportunity. We hope this openness will contribute towards meaningful networking, discussion, and exchanges among Francophone publishers. These mutual trust and interest, at the heart of the Alliance, have indeed proven themselves over the past 15 years, leading to unprecedented co-publishing and translation projects between continents.

However, other aspects of “Frankfurt in French” are counterintuitive to this dynamic. Book donation initiatives from France to Africa are indeed planned in Frankfurt this year. More specifically, the 30 000 books to be displayed in the French Pavilion will be distributed to foreign countries after Frankfurt – and this while some twenty African publishers are invited to participate in the Fair, in an “African/Haiti” stand. As mentioned in several reports and in the Frankfurt programme (see here), book donations, while underpinned by good intentions, can disrupt the local book economy.

We therefore call on the accountability of each involved — public authorities, associations, and professionals, for these donations to be made in close collaboration with participating African publishers, but also in consultation with local African booksellers. These are the basic conditions for balanced and respectful exchanges in the actors’ respective environments.

It is critical to rethink book donation. Encouraging and supporting sustainable and fair editorial partnerships must be a priority.

We hope that the readiness to showcase Francophonie’s diversity and plurality in Frankfurt will be paralleled with constructive actions by public authorities, both in the North and South. It is indeed essential for political will to accompany a change of perspective and relations among Francophone countries.

In a joint statement published on 15 June 2017, the Association internationale des libraires francophones (AILF) and the Alliance shared their concerns and highlighted the impacts of book donations on a country’s book chain.

Part 2: Raphaël Thierry: “Book donations, but at what price, and in exchange for what? An overview on book donation practice in francophone Africa (in French)”

Pre-print version to appear in African Research & Documentation. Journal of SCOLMA (the UK Libraries and Archives Group on Africa), no.127 (2015) [Release 2017]

Read the article on EditAfrica website!

Part 1: Hans M. Zell: “Book Donation Programmes in English-speaking Africa”

Pre-print version to appear in African Research & Documentation. Journal of SCOLMA (the UK Libraries and Archives Group on Africa), no.127 (2015) [Release 2017]

Extract from the editorial note of the print issue:
«Welcome to this bumper issue of ARD. Scolma is grateful to Hans Zell and Raphaël Thierry for choosing to publish their full length study of Book Donation Programmes in Africa in our pages.
It is as they say “time for a reappraisal” and it is our hope that the ensuing debate will take place in the pages of ARD as well as online. I would therefore invite responses and feedback to this important and provocative study. Feedback from receiving libraries in Africa is particularly welcome.»
Terry Barringer, Editor, African Research & Documentation

Read the article on EditAfrica website!

Organised by Afrilivres Association, through the support of its partners and the support of OMEL (Malian book publishers organisation), the first edition of the African Languages Book Fair will convene professionals, academics, institutions, NGOs, and the general public for 3 days of discussions, sharing, exhibition, and sale of books in African languages. An unprecedented and unique event, not to be missed!

Publishing in Persian language presents a comprehensive and current overview of publishing in Persian language, in Iran, Afghanistan, Tajikistan, Uzbekistan, but also in the diaspora in Europe and the United States.
Articles, penned by Ali Amiri, Beytolah Biniaz, Masoud Hosseinipour, Farid Moradi, Laetitia Nanquette and Dilshad Rakhimov, enable an understanding of editorial markets through historical, economic, political and cultural perspectives.
This study sheds light on the work and publishing list of several independent publishers in Persian language, and thus enabling professional and intercultural exchanges.
Publishing in Persian language is available in Persian and English, and openly accessible on the Website of the International Alliance of Independent Publishers, in PDF, ePub and MOBI formats.

Summary of the study:
• Introduction, Beytolah Biniaz
• History of publishing in Iran, Farid Moradi
• Panorama of independent publishing in Iran, Farid Moradi
• Structure of the book market in Iran, Farid Moradi
• Cultural exchanges and translations between Iran and France, Germany, the United Kingdom and the United States, Laetitia Nanquette
• Persian language publishers in Europe, Farid Moradi
• Publishing in Afghanistan, Ali Amiri
• Panorama of publishing in Tajikistan, Dilshad Rakhimov
• Publishing in Persian language in Uzbekistan, Farid Moradi and Masoud Hosseinipour

Publishing in Persian language, “État des lieux de l’édition” collection (Reports on the publishing world), International Alliance of independent publishers, 2015.
ISBN: 978-2-9519747-7-7 (Persian version)
ISBN: 978-2-9519747-8-4 (English version)

Publishing in Persian language was made possible through the support of the Prince Claus Fund. We thank all contributors, publishers, and professionals who participated to this collective endeavour –and particularly Sonbol Bahmanyar for the coordination of the study.

Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structural adjustment policies, the continuing dominance of multinational publishers (particularly in textbooks), regressive language policies, and lack of recognition by African governments of the economic and cultural importance of publishing. African publishers seek to work collectively, to harness the digital age, and to take their place in the international marketplace on equal terms, Africa’s own voice.

This article, by Walter Bgoya and Mary Jay, was originally published in Research in African Literatures, vol. 44, no. 2, Summer 2013, 17-34, published by Indiana University Press.

“Co-publishing is a reminder of the extent to which solidarity is the main factor in the successful realisation of any project. It is a symbol of the strength that can be found when several publishers unite together. The book becomes much cheaper, accessible to the maximum number of readers and reaches several countries at the same time.” Lilian Thuram

For more than twenty years, independent publishing houses that are members of the International Alliance of Independent Publishers have collaborated, sharing resources and know-how and developing solidarity co-publishing.

To record and preserve this expertise, the Alliance is going back to the beginnings of solidarity co-publishing and presenting the history of a pioneering collection, “Terres solidaires”, as well as the story of the publication of one of its titles.

With this document, the Alliance also wishes to reaffirm the need for solidarity co-publishing in order to:
• disseminate texts (thereby helping expand the literary ecosystem);
• strengthen local book industries;
• make books more accessible to readers (adapted price).

Thank you very much to Armand Jamme for writing this document and to Mariette Robbes for its graphic design and illustration.

Solidarity co-publishing and translations contribute to the circulation of content and exchange of ideas. Solidarity co-publishing makes it possible for the activities and costs associated with publishing and printing to be shared, which means that books can be made available to wider audiences at a fair price. Solidarity co-publishing partnerships bring structure to the book market in the medium term: distributing texts in often inaccessible areas, reinforcing professional capabilities, developing catalogues, and enabling fair professional and commercial exchanges between the North and South and the development of innovative exchanges and partnerships between countries in the South. Here, independent publishers share their experiences and encourage public authorities to support and assist solidarity publishing partnerships.

“Francophone African books are still very often published by French imprints, which can make them hard to get at home. But there is a growing push for change...

When Cameroonian author Daniel Alain Nsegbe first saw his debut novel for sale in his home city of Douala, the price was so high “you would have to ask someone to stop eating for two days in order to buy the book”. It was around 16,000 CFA francs (£20); the average monthly salary in Douala is £150. The book, Ceux qui sortent dans la nuit (Those Who Go Out at Night) was published by Grasset, a French imprint. [...]”

Read here the article by Olivia Snaije, published in The Guardian, 14 May 2020.

These recommendations and proposals are taken from the 80 recommendations & tools in support of bibliodiversity; they are built on the principles upheld in the 2014 International Declaration of independent publishers.

These recommendations are based on the experiences and practices of the International Alliance of independent publishers: they mainly focus on publishing partnerships between publishers from the South, given that support for publishing in these countries is often weak or inexistent, and between publishers of the South and North, given that these exchanges are few.

The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13^th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.

Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.

Read more here...

A study published by African Studies Association (ASA) and African Studies Association of the UK (ASAUK), to read here!

New edition published in 2017 by la marca editora (Argentina), co-published with EDINAR (Argentina) and CERLALC.
Book initially published by CERLALC.

ISBN: 978-950-889-299-7
264 pages / 20 X 25 cm

More information.

See also below the Peruvian publication of the Manual de edición, published by La Travesía Editora, Peruvian publisher, member of the collective EIP in Peru.

Feasibility study on the establishment of digital printing structures for independent publishers, by Gilles Colleu (November 2017)

Among the 80 recommendations of the International Assembly of independent publishers (2012-2014), independent publishers called on public authorities and international organisations to “contribute and support the establishment of in-country digital printers and printing facilities, on demand (including in sub-Saharan African) to promote access to books”.

The Alliance thus launched a feasibility study in 2016, on the establishment of digital printing facilities in sub-Saharan Africa and Madagascar. Above all, the aim was to find out whether digital printing is a relevant alternative, and on what conditions. To do so, the study surveys the needs of local professionals, and discusses the potentials and benefits as well as limitations inherent to digital printing, based on realities and practices of Francophone publishers from sub-Saharan Africa and Madagascar. Finally, it discusses the feasibility scenarios for the establishment of a digital printing hub.

By focusing on the technical aspect of digital printing as well as on the development potential in a Francophone African context, this study goes beyond a feasibility study and proposes reflection points on the economic and strategic models of independent publishing.

This study was supported by the International Organisation of Francophonie. A full version of the study is available to members of the Alliance.
For questions or comments, please contact the team of the Alliance.

Gilles COLLEU, author of the study
Former lecturer at the University Institute of Technology “Book Trade” in Aix-en-Provence, former Director of production and digital publishing for Actes Sud, Gilles Colleu established and manages, with Jutta Hepke, Vents d’ailleurs (La Roque d’Anthéron, France), member of the International Alliance of independent publishers. He co manages the digital printing hub Yenooa and incubator Rue des éditeurs and actively participates in the Digital Lab of the Alliance (tutorials, training).

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities: fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

Over the past few years, the predation of large companies from the North on the book trade in Africa has undergone some partnership-related changes. An evolution of practices is observable amongst the large publishing companies from the North, who do not solely rely on local publishing houses’ acquisitions, but also on establishing partnerships with local publishers. How can we guarantee that these partnerships are balanced and fair? How can we ensure that publishers from the South do not “sell their souls” through collaborations with large companies from the North? To accompany these changes, the Alliance has drafted a handbook of practical guidelines for its members, which serves as a reminder on essential checkpoints to look out for.

Should you have comments, please do not hesitate to contact us.

The Alliance thanks Double ponctuation for writing the vademecum.

The ecology of the book is concerned with ideas and professional practices towards a sustainable, decolonial and geopolitical ecology of the book, involving all the actors of the world of books and taking into account their interdependence.

These ideas and practices seek to articulate several dimensions and include all the actors involved in the production of books, from creation, layout and publication to reading, including printing, distribution and sale in bookshops.

In addition to these material dimensions linked to the production of books (inputs, choice of paper, transport from the printing press), there are symbolic dimensions, which reflect on the use of books and bibliodiversity. Finally, book ecology also takes into consideration the external factors impacting on the book industry and the book market, in particular the social and environmental dynamics informing a sustainable ecological perspective.

Book ecology is therefore a concept that refers to a complex, collective and interprofessional understanding of all the practices linked to the production of books. It seeks to foster dialogue between professionals to bring about structural and thoughtful changes for greater eco-responsibility and bibliodiversity.

In 2017, publishers who are members of the Alliance along with academics and experts united to collectively produce some research on Public Book Policies in Latin America and in Sub-Saharan Africa. This has since been converted into a unique digital, graphic and interactive tool for informing and centralising data on the public support systems for books and reading in 22 countries.

In 2024, the International Alliance of Independent Publishers, thanks to the support of Open Society Foundation, extends this project to the Arab world for a better understanding of public authorities’ commitment to books and reading in the different countries of the Arab world. To this end, data is collected in 10 countries based on a common questionnaire. The data will then be presented on the dedicated website for each country. A cross-sectional analysis will be carried out on the basis of these data; the Alliance is looking for an author to draft this cross-sectional analysis.

Deadline to apply (equipe@alliance-editeurs.org): 31 May 2024

This unique and important work! The mapping and the analysis will be presented publicly in December 2024 or January 2025 to professionals and representatives of public authorities in the countries.

Read more here (in Arabic) / see on the right the English version for download

“It is important to understand the key role that the public procurement of books plays–similar to that of roads in a country’s development–and the related impacts of these actions on the ecosystem of books, culture, and education.

In purchasing books and socializing the processes of reading, the state’s actions may have numerous impacts. The selection of books is not only a question of quality and price, nor is it a simple technical process or an isolated action.”

This document is based on the Brevísimo manual de buenas prácticas para las compras públicas de libros (print and digital) that was included in the work of the Comisión de Compras Públicas de la Política Nacional de la Lectura y el Libro 2015-2020 (Chile), prepared by Paulo Slachevsky, coordinator of the commission. We are grateful to Germán Gacio Baquiola for his critical feedback and contributions.

Read the Manual

“Una buena política de adquisición de libros por parte del Estado tiene múltiples y significativos impactos en el desarrollo cultural, social, económico y político de un país […] Por todo ello es tan importante mejorar, incrementar, trasparentar, desconcentrar y fortalecer la presencia de autoras/es y editoriales locales en los procesos de compras públicas de libros. También analizar, revisar y diversificar constantemente las áreas en que se centran los gastos, como los libros de textos que concentran generalmente gran parte del gasto público en libros.”

Este documento reproduce, con algunas modificaciones, el Brevísimo Manual de buenas prácticas para las compras públicas de libros (en papel y en formato digital) que fue incorporado al trabajo de la Comisión de Compras Públicas - Política Nacional de la Lectura y el Libro 2015-2020 (Chile), realizado por Paulo Slachevsky (LOM Ediciones, Chile) como coordinador de la Comisión. Este manual ha sido revisado por Germán Gacio Baquiola (Editores independientes de Ecuador).

Leer el manual

Read here the IPA (International Publishers Association) support, and here the manifesto published by the Brazilian actors, to defend the book in Brazil.

Analysis of data collected in 10 countries from independent publishers and public actors, by Andrés E. Fernández Vergara (University of Chile)

This article, written in Spanish, offers a regional analysis of public policies for the development of books and reading in Spanish-speaking Latin America, from the point of view of 53 actors in the book world from 10 different countries. It takes into account the similarities and differences that exist from one country to another in the region: on the one hand, there are complex networks of institutions and book promotion mechanisms; on the other hand, there is no national policy or strategic objective. The actors interviewed highlight the difficulties they encounter in their sector today: market concentration, piracy, lack of support for indigenous languages, etc. These are all dangers that threaten bibliodiversity in the region.

Contents:

• Methodology
• Censorship and content control
• Laws, public policies and regulatory mechanisms for books and reading
• Institutions and organisations working in the fields of books and reading
• Direct support and assistance for books and reading
• Copyright Legislation
• Organisation of the profession
• Conclusion

This analysis is to be found in a special issue of the Bibliodiversity Journal on “Public book policies” available in paper and digital versions (in French).

See also the analysis on “Public book policies in sub-Saharan Africa and Madagascar” by Luc Pinhas, published in September 2019.

To complement these analyses, see the mapping of public policies and in-country support mechanisms here: publicbookpolicies.alliance-editeurs.org

Data collection in the 11 countries of sub-Saharan Africa and Madagascar as well as in Latin America, cross-sectional data analyses and online mapping were supported by the Fondation de France and the SDC Switzerland.

Cross-sectional analysis of data collected in 12 countries, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

In a comprehensive cross-sectional study that enriches our knowledge of public book policies in French-speaking sub-Saharan Africa, Luc Pinhas discusses the similarities and differences that exist between 12 countries in the region. While some very interesting developments for local book production and the local book chain should be acknowledged – cf. the preference given to local actors by the Ivorian law of 2015 – the legislative and regulatory frameworks would certainly benefit from being strengthened to support and strengthen the local book economy.

Contents:

• Preamble
• Methodology
• Introduction
• Legal framework
• Taxation and market regulation
• Professional organisation
• Administrative organisation
• Direct support for the book
• Conclusion

This analysis is to be found in a special issue of the Bibliodiversity Journal on “Public book policies” available in paper and digital versions (in French).
See also the analysis on “Public book policies in Latin America”, published in September 2019.

To complement these analyses, see the mapping of public policies and in-country support mechanisms here: publicbookpolicies.alliance-editeurs.org

Data collection in the 11 countries of sub-Saharan Africa and Madagascar as well as in Latin America, cross-sectional data analyses and online mapping were supported by the Fondation de France and the SDC Switzerland.

An unprecedented mapping of policies supporting reading and books in 22 countries, which can be consulted and downloaded online: publicbookpolicies.alliance-editeurs.org

Arising from the observation of the lack of data on public book policies in regions where the member publishers of the Alliance operate, particularly in Latin America and sub-Saharan Africa, the public book policy mapping project is the result of several years of collaboration between book and publishing professionals, academics and experts on public book policies. It relies first and foremost on the investment and involvement of the Alliance’s member publishers, who are its primary actors. It is one of the flagship projects of the Bibliodiversity Observatory.

The mapping proposes several items: one entry per country (country fact sheets listing existing mechanisms for public support for books at the national level); a regional entry (comparative data through cross-cutting analyses). It is interactive and evolving: the fact sheets presenting the institutions and national public book policies can be amended and modified as the systems evolve. This mapping is thus intended to be extended to new countries in both regions, or even to integrate a new region in the long term (the Arab world in particular). For now, the mapping exists only in Spanish and French for lack of financial means to carry out a translation into English. The Alliance hopes to find the necessary funds to translate the mapping into English soon.

The objectives of the mapping are to:
• make available data on the public book policies of the respective countries;
• offer an overview of public book policies, freely accessible, consultable and reusable by professionals and public authorities;
• promote dialogue and exchanges between public authorities and publishers;
• develop advocacy tools for independent publishers;
• contribute to the establishment and consolidation of public book policies in developing countries (among others, for a greater circulation of books and ideas, for the appropriation of digital tools by book professionals, for balanced exchanges between North and South);
• affirm the role of civil society (book professionals and particularly independent publishers) in the development and implementation of public book policies.

The Alliance warmly thanks the partners of this project: the Fondation de France and the Swiss SDC.

See the complementary issue of the Bibliodiversity journal “Public book policies”.

Press release

• « Quelles politiques publiques en faveur du livre ? », Publishers & Books, numéro spécial OAPE/AIEI, May-June, 2020
• « Quel avenir pour le livre dans l’après-Covid ? », The conversation, June 3, 2020
• “Cartografía de las políticas públicas para el libro en América latina, y en África subsahariana y Madagascar”, Valor de Cambio, June 3, 2020
• « En Afrique subsaharienne, le secteur du livre lourdement impacté par la pandémie », Le Monde Afrique, May 27, 2020
• “Mapping Book and Publishing Policy in Africa and Latin America”, Publishing Perspectives, May 21, 2020
• « Politiques publiques du livre : une cartographie en ligne pour la bibliodiversité », News Mada, May 20, 2020
• « Cartographie des politiques publiques du livre à travers 22 territoires », ActuaLitté, May 13, 2020
• « Cartographie des politiques publiques du livre », En toutes lettres, May 13, 2020
• « Cartographie des politiques publiques du livre », Fédération internationale des coalitions pour la diversité culturelle (FICDC), May 2020

If you have any questions, please do not hesitate to contact the Alliance team at: equipe@alliance-editeurs.org

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication: June 2019
The Bibliodiversité review is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversité review here: “Self-publishing”; “Committed publishing”…

Overview of the issue:
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question: does the intervention of public authorities support editorial diversity?

Contents of the ‘Public book policies issue’:

• “Introduction: action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal

• “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)

• “A relative autonomy – A comparative analysis of the room for manoeuvre
  in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)

• “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)

• “Morocco: escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)

• “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)

• “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)

• “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)

• “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

• “Publishing and public authorities: the Quebec case – Or the influence of public action on editorial independence?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)

• “Laws, public policies, institutions and measures to support books and reading
  in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)

• “From culture towards business – An analysis of a state support programme
  for local publishing in Buenos Aires: Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

Read here the article “Au Maghreb, il y a urgence à structurer le secteur du livre”, by Kenza Sefrioui (En toutes lettres, Marocco), published by Le Monde Afrique (8 February, 2019)

Authors, publishers, booksellers, librarians and readers form what is commonly known as a “book ecosystem”, an expression that reflects the interdependence between actors in the book field. However, over the past few years, the discussions, both globally and in Europe, about re-defining the intellectual property rights, and the evolution of practices in the digital era, led to division that gradually distanced these stakeholders, with the risk of weakening the solidarity that unites them.
Fortunately, new conversations have started, more specifically about the cultural rights, opening a space where this topic can be debated and addressed from a new angle with focus on issues related to the balance of rights. Starting from the idea that fundamental rights are inseparable, it seems possible to understand author rights, cultural rights and social rights as a coherent whole. The challenge is to find an approach that would stop opposing the book professionals, to re-establish coalitions towards the conquest for new rights.
Due to their specific position, independent publishers could play an important role in framing this collective discussion in the book sector.

Lionel Maurel
A Law Degree holder, Lionel Maurel is currently a librarian at the University Paris Lumières Library. Author of the S.I.Lex blog, he specialises in Intellectual Property, Digital Law, and Cultural Law. Involved in the Commons movement, he co-founded the collective SavoirsCom1 (“Common Knowledges”) and is a member of the Strategic Orientation College of La Quadrature du Net.
Picture: thesupermath. CC-BY-SA. Source: Wikimedia Commons, remix by Guénaël Boutouillet

Read the full text!

In just this past month, three prominent Iranian writers, translators, and members of the Association of Iranian Writers, Bektash Abtin, Kayvan Bazhan, and Reza Khandan Mahabadi, and journalist and sociology researcher, Khosrow Sadeghi Boroujeni, have been sentenced to prison on charges of “propaganda against the Islamic Republic of Iran, and gathering and collusion with the intent of acting against national security.”

These accusations, which have led to long prison sentences and the charges levied are false. Their objectives are to further oppress writers and the people of Iran.
At a time when the world is under crisis by the pandemic, Iran, and especially within its prisons has a very unstable environment, with the increasing spread of Coronavirus among inmates.

We as authors and scholars would like to ask you to let the voices of our fellow authors in prison be heard by the people of the world and to demand their immediate release.

• Daryoush Ashouri, Author, Translator and the Co-founder of the Association of Iranian Writers
• Ervand Abrahamian, Author and Professor Emeritus, City University of New York
• Azar Nafisi, Author
• Faraj Sarkohi, Writer, Journalist, Literature Critic; A Member of German Pen; The Recipient of Kurt-Tucholsky-prize; World Association of Newspapers’ Golden Pen of Freedom Award and World Press Freedom
• Hero by International Press Institute
• Akram Pedramnia, Author, Translator; A Member of Pen Canada; the Recipient of James Joyce Foundation Scholar
• Moniro Ravanipour, Author
• Mohsen Yalfani, Author and Translator
• Nasim Khaksar, Author and Critic
• Reza Allamehzadeh, Moviemaker and Writer
• Morad Farhadpour, Author, Translator and Critical Theorist
• Akbar Masoumbaigi, Author, Translator and a Member of the Association of Iranian Writers
• Babak Ahmadi, Author, Translator and Philosophy Researcher
• Peyman Vahabzadeh, Author and Professor, University of Victoria
• Sohrab Behdad, Denison University, USA
• Farshin Kazeminia, Pierre and Marie Curie University (Paris 6)
• Amir Kianpour, PhD Candidate, University of Paris 8 Vincennes-Saint-Denis
• Mehran Mostafavi, Sacly University (Paris), Professor
• Iman Ganji, PhD in Art Philosophy and Philosophy Researcher, Free University of Berlin
• Mehrdad Darvishpour, Senior Lecturer and Associate Professor, Sociologist, Mälardalen University
• Farhad Nomani, Professor Emeritus of Economics, The American University of Paris
• Soheil Asefi, Journalist and PhD student in History, The Graduate Center, The City University of New York (CUNY)
• Saeed Hariri, Moderator, Toronto Book Club
• Azadeh Parsapour, Translator, Editor and Publisher
• Arash Kia, Faculty of Institute for Healthcare Delivery Science, Icahn School of Medicine at Mount Sinai, New York

STATEMENT
August 8, 2018

The International Alliance of Independent Publishers (IAIP), a network of 553 publishers worldwide, expresses its shock and dismay at the late-night abduction and detention of acclaimed photographer and human rights activist, Shahidul Alam, in Dhaka. Shahidul Alam has been a partner-colleague of the IAIP, in which context we have interacted with him on many occasions.

We believe that the charges against him under Section 57 of the ICT are an attempt to intimidate him by using a draconian law to stifle his right to free speech. He has been held without due legal process, and we have received disturbing reports of brutal treatment meted out to him in detention.

The right of peaceful protest, and the defence of that right, are fundamental to democracy and to upholding the rule of law. The IAIP extends its support to, and expresses solidarity with, Shahidul Alam, and reiterates its commitment to the freedom of expression in Bangladesh as well as in the rest of the world.

See here the film make by New Internationalist (UK) in support with Shahidul Alam.

An unprecedented study to be published in July 2020, initiated and coordinated by the Alliance!

A sociological survey conducted by Anne-Marie Voisard, Quebec researcher (MA on strategic lawsuits against public participation and legal repression of freedom of speech from the University of Montréal) and written by Philippe Chibani-Jacquot; a historical introduction by Jean-Yves Mollier, French historian.

Since the creation of the Alliance, publishers – custodians of freedom of speech alongside journalists, authors, bloggers, booksellers, artists… – have been the whistleblowers on instances of censorship occurring in some countries. Over the past few years, we have noticed some new forms of attack on freedom of speech. In several contexts, pressures and limitations exercised on public speech are increasing. After the wave of freedom expected during the revolutions in the Arab world, the series of attacks in Africa, Europe, and in the Arab world, destabilised freedom of speech: a loss of sense, of bearings that brings us to question spaces of freedom, the reach of words and the power of the medium.

The freedom of publishing is a “category” of freedom of speech that can take different forms through various supports. The freedom of publishing pertains to the liberty to choose an author, to select or commission manuscripts, publish them, disseminate and distribute them, and put them on the market – all these activities are at the heart of publishers’ work. The threats to the freedom of publishing are precisely what the Alliance seeks to examine in this study.

In different geopolitical contexts, threatened by different forms of censorship, the Alliance’s independent publishers are committed to circulate texts and ideas, to amplify voices, even if sometimes they are in minority, to participate in building critical thinking and emancipation. It is their responsibility, both professional and civic.

Read here the presentation of the study, of the authors, the methodology...

Publishers from the Alliance condemn the banning of the book El desarme, la vía vasca d’Iñaki Egaña (copublished by Txalaparta, Gara journal, and Mediabask media), during its promotion on Basque radio-television.

Call for proposal – looking for an author

The Alliance aims to produce an unprecedented study about freedom of publishing, listening to independent publishers about the following questions:
• What are the different infringements of freedom of publishing that independent publishers confront in their countries?
• How do they face these threats in their daily professional life?
• How do the publishers resist, preserve, and defend their freedom of publishing? How do they circumvent censorship?
• Are publishers more vulnerable today than they used to be? Have there been some significant changes in recent years?
• From the point of view of the publishers, is there a limit to freedom of publishing (and freedom of expression)?
The study will be written in French. If you are interested in conducting this study, please send your proposal to the Alliance team before 13 March 2017.}

The International Alliance of independent publishers demands that Turkish authorities immediately release publishers, authors and journalists currently detained. It is necessary to guarantee freedom of speech and publishing in Turkey. The Alliance joins the Turkish Publishers Association’s condemnation of the summary closure of publishing houses and media as a clear human rights violation, and urges the Turkish authorities to rescind those summary closures.

Extract from the Communiqué by the Alliance for a call for freedom of speech and publishing in Bangladesh, 10 November 2015:

For several months, authors, bloggers, publishers and booksellers have been the victims of violent and deadly attacks in Bangladesh.

The International Alliance of independent publishers, representing 400 independent publishers from 45 countries in the world, condemns these murderous attacks and assault on freedom of speech and publishing. The Alliance also reaffirms the essential role needing to be played by public authorities, in Bangladesh and throughout the world to enable the emancipation of its citizens, and to guarantee a public space conducive to dialogue and peace. Plurality and diversity of ideas constitute the foundation of democracy. It is urgent that the Bangladeshi government protects and supports actors in the book industry, thus safeguarding the foundations necessary for their work and freedom of speech.

Paris, December 2010

It is with great concern that the International Alliance of Independent Publishers has noted the recent censorship of a book in Spain, and the threats made against the independent publishing house Txalaparta, member of the Alliance’s Spanish-speaking network.

The book in question, “El manual del torturador español” (The Spanish Torturer’s Manual) – by Xabier MAKAZAGA denounces the torture carried out by the Spanish police. The book was withdrawn from a public library (in the Basauri town council), following a request by a political party and certain Madrid newspapers to remove it from all libraries where it was made available to readers. However the practices described in this book support the accusations already made in reports by Amnesy International and by the UN Recorder on Human Rights. The campaign against this book has already been publicly denounced by public librarians. Furthermore the Basque Country Human Rights Observer (Behatokia) sent a letter of protest to Frank de la Rue, Special Recorder on Human Rights and Freedom of Expression with the Office of the United Nations High Commissioner for Human Rights, whose headquarters are in Geneva.

The International Alliance of independent publishers, whose objectives include defending freedom of expression and denouncing all forms of censorship, also has a duty to respond publicly when attacks or infringements are directed – for ideological reasons – against independent publishers, whose very job it is to encourage the dissemination of ideas and to contribute to forging the identity of people and their culture.

One has only to examine Txalaparta’s publishing catalogue to appreciate the vast range of literary works and essays which constitute an undeniable contribution to bibliodiversity, while reflecting a clear editorial policy.

This is why we independent publishers are appealing to the Spanish authorities to respect the work of independent publishers and to encourage respect for fundamental rights and democracy.

We also appeal to independent publishers, booksellers, librarians and readers to follow the development of this matter closely and to express their support to Txalaparta Publishing in order to defend and respect the right to information that is true and diverse.

The Spanish-language network of the International Alliance of independent publishers

In view of the worrying situation in Iran and the attacks on freedom of expression, the publishers of the Alliance wish to express their solidarity with their Iranian colleagues. They demand the right to publish freely and call for increased cultural and editorial exchanges with Iran.

An incredible censorship attempt is endangering the very existence of the publisher Écosociété (Quebec – Canada); more than 60 publishers from 30 countries have declared their undivided support for the Quebec publisher and are calling on the pinstigators of the “Noir Canada” affair to respect the rights of freedom of expression and publication.

Why have a Guide?
This Guide is based on ideas, discussions, round tables and workshops prior to and during the International Conference of Independent Publishers in Pamplona-Iruñea (23-26 November 2021).

The objectives of this guide are to:
• suggest lines of approach and actions for publishers who are members of the International Alliance of Independent Publishers, and to book professionals more broadly;
• help implement and put into practice the principles and values defended by the Alliance’s members;
• illustrate these principles using examples (experience, projects, ideas, etc. from professionals) which may serve as sources of inspiration.

How?
The “entries” in this Guide are thematic. Given that the intention of the Guide is to present in a practical way the principles of the Pamplona-Iruñea Declaration, the main entries are currently as follows:
• decolonial publishing
• ecological publishing
• feminist and LGBTQI+ publishing
• free publishing
• social publishing
• solidarity-based publishing

This Guide will evolve; its form is not fixed. Indeed, several of the Guide’s entries require input that will come from the work of the thematic working groups which will be tasked with making suggestions and enhancing these entries. It will then be possible to update and adapt the Guide over time in line with the evolution of practices and ideas inside the Alliance (in particular through post-conference thematic working groups).

Prerequisite
The Alliance is a unique intercultural network, whose specificity and strength lie in respect for diversity.
Kindness, curiosity, listening and respect for points of view, as well as equal opportunities for speech, must be the basis of every exchange within the Alliance. There can be no place for hate speech or non-inclusive discourse, which would be against the fundamental principles of the Alliance.
This prerequisite is the basis on which the Alliance’s members organise themselves and work together – on the creation of this Guide, among other things.

Warning
The Guide to Good Practice is intended as food for thought and discussion. It cannot commit the publishers who are members of the Alliance to all the proposals and recommendations it contains. Indeed, the International Alliance of Independent Publishers is aware of the geographical diversity of its members and, consequently, of their cultural diversity. It is also fully aware of the impossibility of implementing certain measures (e.g. on book ecology, etc.) in some countries for many reasons related to the political, social, economic, cultural environment…

Read the Guide

The Independent Publishing Glossary is a collective project led by publishers from the Spanish-language network of the International Alliance of Independent Publishers.

It shows the meanings and definitions of words commonly used in publishing. It is an evolving project, which will be enriched over time in order to include new concepts and to take into account other proposal for definitions. The idea is not to freeze or petrify the concepts, but to open them up to enhance their multiple meanings.

Each term is signed by the person who worked on the definition. The glossary was edited by Germán Gacio Baquiola (Corredor Sur Editorial, Ecuador / Colectivo Editores independientes de Ecuador), Teresa Gottlieb, (Editorial Maitri, Chile), Paulo Slachevsky (Lom Ediciones, Chile) and Miguel Villafuerte, (Editorial Blanca, Ecuador).

“Now that we have entered the 21^st century, it is difficult to dissociate the end from the means: what to say, and where to say it? Thus, we find that many authors seeking to promote debate, creativity and critical thinking, justice and equality are published by large conglomerates with multiple editorial labels. Isn’t the transformative power of these works reduced to nothing when they plunge into the workings of the entertainment industry? It is a fact that transnational corporations, whatever their field of action, are the very expression of the system that dominates us. By choosing them as publishers, do we not somehow leave the world of transformative ideas in the hands of those who lay the foundations of the model we criticise? Doesn’t that strengthen the control of big capital over the word and our daily lives? Moreover, how can we not question the cross-industry investment of the business groups that own publishing houses? And, are these investments neutral?”

In this open letter, independent publishers invite all the actors of the book industry to reflect with them on their practices and the impacts that result from them. In particular, they call on authors, academics and intellectuals to work on projects whose vocation is to transform the order of things and not to consolidate the status quo, to publish their works in independent publishing houses in their own countries, and to give preference to independent publishing houses when it comes to transferring foreign and translation rights.

As the world suffers the health, social and economic consequences of the pandemic, book ecosystems and independent publishing houses are further weakened and, for some, are trying to survive. If solidarity between creators and book professionals is one of the foundations of bibliodiversity, this solidarity is vital in the current context.

Read the letter here.
This letter is also available in Spanish, French, Arabic and Portuguese.

Re|Shaping Cultural Policies 2018 (UNESCO 2005 Convention Global Report)
Creativity at the Heart of Development
Excerpt from the foreword:
“This new UNESCO Global Report ‘Re|Shaping Cultural Policies’ is an invaluable tool for the implementation of the 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions. This Convention, now ratified by 146 Parties, including the European Union, is leading UNESCO’s efforts to strengthen capacities for the creation, production, and dissemination of cultural goods, services, and activities. States are supported in their sovereign right to implement public policies for the development of strong and dynamic cultural and creative industry sectors. UNESCO is committed to developing more effective and sustainable public policies in these areas.
Our roadmap is clear and requires the cooperation of governments and non-governmental actors in four key areas: strengthening governance for culture, improving the conditions for the mobility of artists, integrating culture in sustainable development strategies, and promoting human rights and fundamental freedoms. These four goals are closely linked to the 2030 Agenda for Sustainable Development.”

Audrey Azoulay
Director-General of UNESCO

Read the report here.

Octavio Kulesz, member of the Digital Lab of the Alliance is the author of Chapter 3 of the report: “Cultural Policies in the Age of Platforms”.

The sixth ordinary session of the Conference of Parties->https://en.unesco.org/creativity/convention/governing-bodies/conferences/6th-ordinary-session] to the Convention on the Protection and Promotion of the Diversity of Cultural Expressions (Paris, UNESCO 12 - 15 June 2017) has approved the Operational Guidelines on the Implementation of the Convention in the Digital Environment.

Read the operational guidelines in English here.

Read the text of the Convention.
Read the Operational Guidelines of the Convention here.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

Year of publication: 2006, 288 pages, 15 x 21 cm, ISBN 978-2-9519747-3-9

Far from being a caricature, developing a reasoning based on his personal conception of publishing, Gilles Colleu explores some of the characteristics of a typical independent publisher.
What do we mean by independent publisher? Are they necessarily small concerns? Can a major group be independent? In a context of concentration and increasing dominance of financial considerations, how can publishers remain independent while playing their crucial role of putting fresh ideas forward?

Gilles Colleu is a former student of Jean-Marie Bouvaist and has taught alongside him on the Master course at Villetaneuse University. He is now an associate professor in the publishing professions department of the IUT in Aix-en-Provence. He founded the Vents d’ailleurs publishing house and manages it with Jutta Hepke, and for the past 20 years has acted as a consultant to publishers.

In this work, he stresses his conviction that publishing needs to be rooted in a long cycle of cultivation, to build a coherent catalogue and long-lasting business.

NB: pages 94 to 97 of this work feature a full, fresh definition of independent publishing, suggested by the International Alliance of Independent Publishers.

Year of publication: 2006, 160 pages, 15 x 21 cm, ISBN 10: 2-9519747-2-8; ISBN 13: 978-2-9519747-2-2

Download the format epub here!