Actividades

In “The Early Islam, from Ugarit to Samarra”, the history of a religious movement later to be known as Islam will be retold –not as it can be found in all encyclopedias, history books and TV documentaries– but as it can be inferred from the material evidence if investigated in an unbiased fashion. “Unbiased” here means that all we know –or rather only seemingly know– from the Islamic historiographic literature (the “Traditional Account/ Report”) will be ignored: first as it stems from an era several centuries after the alleged events it describes; secondly as it is mostly legendary and follows a “theological program” and thirdly as in many cases it flatly contradicts the material evidence we have on coins, inscriptions etc. The re-interpreted history will be presented in the form of the account of a journey. In some cases, words everyone would expect in a history of “early Islam” will not appear and for good reason. The term “muslim”, for example, appears only very late on in non-Islamic sources, in fact only several generations after the alleged founding of the new religion. Other words appear with different meanings, e.g. “Islām” originally does not designate a new religion, “Arabī” does not designate an ethnic group and other examples.

Publication: 2014 - 304 pages - 22 x 15 cm - ISBN: 978-3-943147-99-5
First publication: Schiler Verlag (Germany), 2006
This translation has received the support of the Prince Claus Fund.

The translation and the co-publishing of “Estudios culturales” have been supported by the Prince Claus Fund.

Publication: 2013, 136 pages, 16 X 23 cm
ISBN (Uruguay): 978-9974-32-613-2
ISBN (Argentina): 978-950-889-226-3
First publication: 2012

Diez lecciones sobre estudios culturales

Version Argentine (la marca editora)

Chilean version of “El comercio justo”

The new edition of “À quand l’Afrique”, launched some years after Professor Joseph Ki-Zerbo untimely death in 2006, addresses the relevance and insightfulness of his thoughts. It is simultaneously published in Africa, Europe, Canada and Haiti.

This new edition includes notes compiled by Pallas Publishers from Brazil, for the Portuguese translation of this book. These notes were translated into French by Caroline Sordia.

Date of first edition: 2004; new edition: 2013; 240 pages; paperback; ISBN France: 9782708241626; ISBN Switzerland: 9782829004568; ISBN Quebec: 9782897120337

This co-publishing bears the label “Fair Trade Book”.

Copublishers and the Alliance wish to thank Mr Claude Calame, Director of studies at Paris EHESS and the Swiss Development and Cooperation Agency for their valuable support.

The tobacco manufacturers’ gimmicks, some lies perpetrated about the Mediator, the chemical industry’s hidden truths on Biphenyl A, etc. In short, public health related scandals abound. Although there has never been scientific confirmation of these products’ harmfulness, the precaution principle should prevail. And today, we face a similar situation relatively to MSGs.

Noting the public authorities’ refusal in playing a leading a role, and the gaps, conflict of interests and other gimmicks aimed at impeding independent research and transparency regarding the adverse effects of MSG’s, the Committee of Independent Research and Information on Genetic Engineering (CRII-GEN) decided to carry out an experimentation that is a first in the field.

In her book, Corinne LEPAGE relates the saga surrounding this experience, and how it forms part of the history of MSGs in Europe and the perspectives for civil society participation. It proposes a new expertise model, that is pluralist, multidisciplinary and opposing, based on experts responsibilities and policies, and in which citizens find their rightful place.

Summary extract of Charles Léopold Mayer Publishers website.

Publisher: Il leone verde
Publication date: 2013; 140 pages; ISBN: 9788865800669

Words and Money, initially published in 2010 by Verso publishers (United Kingdom) was translated and published in France by La Fabrique (L’argent et les mots). The book is now available in Arabic, co-published by three publishing houses: Al Intishar (Lebanon), Med Ali (Tunisia) and Atlas Publishing (Syria). This co publishing project bears the “Fair Trade book” logo.

Read the presentation of the book on the Verso books website.

A co-publishing of the English-speaking network: Forough publications in Germany and Khavaran publishing in France.
Book translated from German into Persian.

Year of publication: 2012 ; Date de publication : 2012 ; ISBN: 978-3-943147-15-5

Wars in the 21^st century are wars against the earth; against natural resources like water, soil, forests, minerals, seeds. The global corporate economy based on the idea of limitless growth has become a war economy and the means it uses are instruments of war. Trade wars. Waters wars. Food wars.

In a compelling and rigorously documented exposition, Vandana Shiva demolishes the myths propagated by corporate globalisation in its pursuit of profit and power, by demonstrating its flawed assumptions and devastating fallouts.
Consumerism lubricates the war against the earth, corporate control violates all ethical and ecological limits. It promotes technologies of production based on genetic engineering, geo-engineering and toxins; industrial development that entails the enforced appropriation of land, rivers, mountains; agribusinesses that deplete nature’s diversity; land-grab in Africa, Asia, South America. Exploitation of this order incurs the kind of ecological and economic debt that is unsustainable, unbailable and unbearable.
Making Peace with the Earth outlines how a paradigm shift to earth-centred politics and economics is our only chance of survival; and how collective resistance to corporate exploitation can open the way to a new environmentalism of interdependence and earth democracy.

Vandana SHIVA is a world-renowned environmental thinker and activist, a leader in the International Forum on Globalisation (IFG) along with Ralph NADER and Jeremy RIFKIN, and of the Slow Food Movement. Director of Navdanya and of the Research Foundation for Science, Technology and Natural Resource Policy, and a tireless crusader for farmers’, peasants’ and women’s rights, she is the author and editor of a score of influential books.
Vandana Shiva is the recipient of over 20 international awards, among them the Right Livelihood Award (1993); Medal of the Presidency of the Italian Republic (1998); the Horizon 3000 Award (Austria, 2001); Save the World Award (2009); Sydney Peace Prize (2010); Calgary Peace Prize (Canada, 2011); the Thomas Merton Award (2011); and the John Lennon-Yoko Ono Grant for Peace.
Vandana Shiva is currently working on a three-year project with the Government of Bhutan on how to achieve their objective of becoming an organic sovereign country, the first in the world.

Vandana SHIVA received the Fukuoka Grand Prize Laureate, 2012.

Year of publication: 2012; 267 pages; ISBN: 81-88965-75-8 (India) / ISBN: 9781875559275 (Australia)

Couverture version Australie

Australian cover of the co-publishing.

The “Dictionnaire de la narratologie” (“Dictionary of Narratology”) is a reference work whose objective is to facilitate the dissemination and transmission of ideas by standardising concepts among Arabic-speaking readers. It enables the refinement of the definitions offered in various essays by Arab critics, whose conceptual framework is drawn directly from the works of theoreticians of Western narratology. The Dictionary is presented in the form of a glossary of terms in use in the analysis of the narration. It also contains terms relevant to the study of narrative and enunciative narratology, terms and notions borrowed from pragmatics and discourse analysis.

Arab terms have their French and English equivalents to fulfil the needs of a readership both French-speaking (Maghreb) and English-speaking (Middle East).

The Dictionary of Narratology is intended for students and researchers, literary critics and authors.

Year of publication: September 2010, 600 pages, 16,5 X 23,5 cm, 540 concepts presented in French, English and Arabic,
ISBN: 978-9973-33-294-3

How can Africa emerge from the impasse? Surprisingly, the author shows that Africans themselves have the means of achieving their own development. Since independence the model of development imposed on Africa by the West has been a complete failure. The author analyses the structural causes of this failure which has dragged African populations down into a spiral of poverty and violence. He shows what the West has been responsible for, without shying away from the responsibilities of Africans themselves. His multi-dimensional analysis goes on to suggest a range of innovative solutions which will allow Africans to take in hand their own development. Very persuasively, Sanou Mbaye suggests political, economic and financial reforms, legal action and a resource mobilisation plan which could bring about the true renaissance the regional populations dream of. On its own Africa will deal with its own problems and the author inspires us with hope for the future of the continent. Profoundly Pan-Africanist, he is convinced that the solidarity of the African peoples would constitute fertile ground for this radical change, which would enable them to reappropriate their identity ruined by centuries of domination and to achieve fulfilment.

Sanou MBAYE, former senior official of the African Development Bank, is a political and economic commentator. His writings on the development of African countries put forward political alternatives to what has been established in Africa by the West and its instruments: the IMF and the World Bank.

Year of publication: 2010, 222 pages, 11 X 18 cm

First large print edition: l’Atelier Publishing, 2009

A co-publication of the Alliance’s English-langage network. Two co-publishers : Spinifex (Australia), Women Unlimited (India).

Abstract:

“Palestine-in-exile,” says Rana Barakat, “is an idea, a love, a goal, a movement, a massacre, a march, a parade, a poem, a thesis, a novel and, yes, a commodity, as well as a people scattered, displaced, dispossessed and determined.”
How do Palestinians live, imagine and reflect on home and exile in this period of a stateless and transitory Palestine, a deeply contested and crisis-ridden national project, and a sharp escalation in Israeli state violence and accompanying Palestinian oppression? How can exile and home be written?
In this volume of new writing fifteen innovative and outstanding Palestinian writers—essayists, poets, novelists, critics, artists and memoirists—respond with their reflections, experiences, memories and polemics. What is it like, in the words of Lila Abu-Lughod, to be “drafted into being Palestinian?” What happens when you take your American children, as Sharif Elmusa does, to the refugee camp where you were raised? And how can you convince, as Suad Amiry attempts to do, a weary airport official to continue searching for a code for a country that isn’t recognised?
Contributors probe the past through unconventional memories, reflecting on 1948 when it all began. But they are also deeply interested in beginnings, imagining, in the words of Mischa Hiller, “a Palestine that reflects who we are now and who we hope to become”. Their contributions—poignant, humorous, intimate, reflective, intensely political—make for an offering that is remarkable for the candour and grace with which it explores the many individual and collective experiences of waiting, living for, and seeking Palestine.

Editors:
Penny Johnson is an independent researcher who works closely with the Institute of Women’s Studies at Birzeit University, where she edits the Review of Women’s Studies. Recent writing and research on Palestine has focused on weddings and wars, wives of political prisoners, and young Palestinians’ talk about proper and improper marriages. She is an Associate Editor of the Jerusalem Quarterly.
Raja Shehadeh is a Palestinian lawyer and writer who lives in Ramallah. He is the founder of the pioneering non-partisan human rights organisation, Al Haq, an affiliate of the International Commission of Jurists, and the author of several books about international law, human rights and the Middle East. He is also the author of the award-winning Palestinian Walks and A Rift in Time: Travels with My Ottoman Uncle. His new book, Occupation Diaries, is published in August 2012.

Endorsements:
“How can an essentially sad story give such pleasure? The answer is in these narratives: these stories, memoirs, poems are a pleasure and an education; personal, vivid, original, sometimes witty, always accomplished and always honest. They are a testimonial to the human spirit, and to the growing contribution of Palestine to literature.” —Ahdaf Soueif

ISBN: 81-88965-73-1 (Women Unlimited, India), 978-1-74219-823-1 (Spinifex, Australia).

The young Zulu Dumisani Gumede grows up in the pastoral setting of the mountains of South Africa. This irresistible seducer has two obsessions: sex and an utter adoration of Nelson Mandela, the mythical ANC leader then the talk of the country and to this young man the essence of courage and virility. Originally published in 2006, “Mandela’s ego” looks back at South Africa under the apartheid regime. A brave and unusual coming-of-age novel, combining delightful anecdotes about the everyday life of the Zulu community with scenes of violence, family, social and political, in a country in torment. Wisdom and humour rub shoulders in this fable, a homage to the great Mandela.

Lewis NKOSI was born in Durban (South Africa) in 1926. A journalist, he taught literature at various universities. The author of many essays on culture and South African literature, plays and novels, he was awarded numerous literary prizes. He died in Johannesburg in September 2010.

Year of publication of the Pan-African version: 2011, 360 pages, 11,5 X 19 cm

A Fair Trade Book co-publishing.

Zam, a committed political journalist, has been the victim of a theft: his entire valuable collection of jazz records has been stolen. The following day he discovers a dead body in his cupboard. There follows a succession of events during which Zam – more in tune with the simple pleasures of life – slowly realises that a plot is being hatched against him. So he decides to conduct an investigation which rapidly turns into a nightmare, where shady policemen get mixed up with corrupt politicians, where foreign diplomats lurk while the secret services let loose. “Trop de soleil tue l’amour” – the first volume of an incomplete trilogy – belongs to the tradition of literary farce that, through humour, denounces the tragedy of an Africa caught in the snares of its many contradictions and endless meddling.

Writer, essayist, bookseller, editor, militant citizen, Mongo BETI – born in 1932 in Cameroon – has for half a century been at the heart of the struggle for an Africa free from the tragedies of colonisation and independence confiscated. Author of an important body of work and considered one of Africa’s major writers, Mongo BETI died in October 2001.

Year of publication of the Pan-African version: 2011, 372 pages, 11,5 X 19 cm

A Fair Trade Book co-publishing.

A man – despite being a staunch opponent of animism – confides to a former party comrade: “I was bewitched by my paternal uncle”. Another, Likibi, is tried for having prevented the rain from falling on his village: accused of being a fetishist, he is executed. A factory watchman praises the communist Revolution without understanding a single word; his zeal will have fatal consequences for him. With bitter irony and a tone of detachment, this collection of eight short stories describes the collapse of new African states and the disillusionment that followed independence. So many portraits of men and women that Emmanuel Dongala succeeds in depicting convincingly and with humanity. The style is faux naïf, the situations sometimes bizarre... and even if the author indulges in flights of fancy – related to his passion for jazz – the overall impression remains pessimistic behind the bittersweet humour of the writing.

Born in 1941, Emmanuel Dongala grew up in Congo-Brazzaville and now lives in the United States. He is the author of many novels, including “Les petits garçons naissent aussi des étoiles” (“Boys Also Come From Stars”) and “Johnny Chien Méchant” (“Mean Dog Johnny”), publishing by Serpent à plumes.

Year of publication of the pan-African version: 2009, 204 pages, 11,5 X 19 cm

A corpse in a bunker: that of the Head of state, N’Zo Nikiema. A mystery: the murder of little Kaveena, only daughter of the late president’s mistress. Colonel Asante Kroma, chief of police, will have to disentangle the dark mysteries of a system he was part of. “Kaveena”, a long monologue, clear-sighted and desperate, speaks relentlessly of Africa bruised at the hands of local and foreign politicians, brutal, greedy, merciless. A brave novel that pulls no punches.

Born in 1946, the Senegalese author Boubacar Boris Diop has achieved renown as a major contemporary African writer. He has written several novels, including “Murambi, Le livre des ossements” published by Stock in 1997 and “Doomi Golo”, written in Wolof (Papyrus, 2003) and published in France by Philippe Rey publishing en 2009.

Year of publication of the pan-African version: 2009, 382 pages, 11,5 X 19 cm

In the eyes of an African teenager who joins the army without really knowing why, Ken Saro-Wiwa takes us into the chaos of a meaningless chaos, that of Nigerian civil war (1967-1970). Written in an extraordinary language – “rotten English” –, Sozaboy is a masterpiece of African literature; its astonishing violence and audacity have been celebrated throughout the world as a fierce plea against the madness of war.

Ken Saro-Wiwa was born in Nigeria in 1941. After studying English, he worked as a teacher in Laos. Besides writing novels and popular soap operas for television, he later created his own publishing house and was the President of the Association of Nigerian Authors for three years. As a journalist, he has been praised for his caustic pen and courageous positions. In 1995, he was sentenced to death and executed by hanging because of his militancy in favor of the Ogoni community to which he belonged.

Year of publication of the pan-African version: 2008,
294 pages,
11,5 X 19 cm

Ken Bugul’s novel is a dialogue between a daughter and her dead mother, whom she accuses of not having loved her and having preferred her sister ; it describes a relationship and a world from which love and truth seem absent. In a poetic fashion, alternating short sentences with poetry – as though pulsed by the murmur of despair – in a litany of remembrances, the author attempts to tell the ineffable pain of lost things.

Ken Bugul – whose name in Wolof means “one who is unwanted” – was born in Senegal in 1947, to a father who was a marabout (type of African shaman) and a mother who had to leave her when she was only 5 years old. She has worked as an international civil servant and now she lives in Benin. Her work, in which she combines her sense of humour with an innate talent for story-telling, is flooded with themes such as the status of women, Islam or North-South relationships. With her lucid, free and uncompromising look, she is one of the major voices in contemporary African literature.
Among her books are: La folie et la mort [Madness and Death], (Présence africaine, 2000), Rue Félix-Faure (Serpent à Plumes, 2004).

Year of publication of the pan-African version: 2008, 282 pages,
11,5 X 19 cm

In A Naked Needle, with a finesse that is not lacking in nerve – the explicit reference is to none other than James Joyce’s Ulysses– Nuruddin Farah adds to the love story a stroll through the city, as well as a detailed analysis of the psychology of his characters, each of whom sees the relationships from a different viewpoint. This increases the readers’ feelings of empathy, and they will inevitably be surprised as they identifies with one or other member of this community.
This is where one of the keys to the great success of Farah’s novels lies: the power of the novelist to take us gently and firmly by the hand and make us identify with individuals who remain timeless. “Outside of time, because they are them although they could be us” – writes Abdourahman A.Waberi in the prologue.

Born in Baidoa, in what was then Italian Somalia, Nuruddin Farah grew up in Ogaden, a Somali province in eastern Ethiopia, before going off to study in India in the mid 1970s. Back in his home country, he made a name for himself in 1968 in Mogadishu as a teacher, but above all as the first novelist to use both English and Somali. A double success – unusual, certainly – which was to precipitate his exile, sealed by the military junta of Mohamed Siad Barre, who came to power in 1969.

In an excellent translation into French by Catherine Pierre-Bon and a remarkable cover design, A Naked Needle signals the editorial orientation of the “Terres d’écritures” collection, which is being published jointly by seven French-language publishers. A demanding collection of books that are destined to last, and which strongly reassert the universality of literature.

Year of publication : 2007,
260 pages,
14,5 X 22 cm

Algiers, Tlemcen, Angers, Saint-Etienne, Firminy, Yaounde, Bamako, Philippe Dauchez, in all these cities, played of his art, theatre, as an actor, director or professor.

Once working with Albert Camus as an assistant, he was always impassioned for the integration of theatre in the City in all its forms, classical, popular, traditional... From large French scenes to Malians villages, he has always worked with the same simplicity and the same commitment. This book recalls his history, his passion for life, theatre and people, in a text which makes cross the intimacy and the universal, history and everyday life, erudite theatre and popular art. Pierre Chambert draws up us a poetic portrait of a man who put his very whole life at the service of a useful theatre.

Pierre Chambert, a poet and a writer, is an inspector-advisor for theatre and performing arts at the French Ministry of Culture and Communication. He is currently posted in Guyana, near Amazonia, its legends and its storytellers.

Year of publication: 2006, 256 pages

Translated from Portuguese (Brazil) into French by Flavio Corrêa de Mello

Ruisseaux d’Afrique (Benin), 2012; 37 pages
Original edition: Pallas Editora (Brazil)

Rooted in African daily life, in the streets of Bamako and Conakry, in the fishing port of Cotonou, on Tunisian soil, or redolent of Afro-Brazilian heritage, the 281 tales, documentaries, albums and novels that make up the catalogue are just waiting to be discovered. Books by nine independent publishing houses from Africa (South Africa, Benin, Madagascar, Mali, Morocco, the Republic of Guinea, Rwanda, Tunisia) and from Brazil are now available in France, Belgium and Switzerland!
If you would like to diversify your stock, read in Bambara, in Arabic, in English, in Portuguese, in Kinyarwanda, in Malagasy, in French, if you are simply looking for some escapism… the solution is here… just turn the pages !

The Alliance distributes all the books contained in the catalogue.

Download the catalogue here.

The “African readings” catalogue was created with the support of the Ile-de-France Region.

This collection, which takes its title from an iconic verse by Fernando Pessoa, is a veritable invitation to a journey through sixteen tales by
authors from Brazil, Guinea-Bissau and Angola.

Year of publication: 2010; 224 pages; 14 X 21 cm; ISBN: 978-85-347-0294-2

To access the youth catalogues, click here and here.

These catalogues are available from the Alliance. Contact us telephonically or by email for all enquiries and orders.

This poetical text, writing by Béatrice LALINON GBADO, is a real homage for Woman, a wonderfull poem illustrated by several senegalese artists working with the technic of “under-glass”.

Year of publication : 2006,
48 pages,
24 X 24 cm

1001 activités autour du livre is not about learning to read but about giving children from 2 to 11 years old and beyond a passion for books and reading. How can you achieve this? By playing, drawing, inventing, talking, miming... all thanks to books. This playful and original work of practice and experience makes you want to devour all the others! An authentic tool for child education professionals and attentive parents.

Initially published by Éditions Casterman in 2013.
Date of publication (Pan-African version): September 2020
A specific adaptation for this pan-African co-publishing has been made by Philippe Brasseur; the co-publishers have also updated and adapted to their contexts and environments some of the references of the book.

A book co-published by 11 publishing houses in sub-Saharan Africa and the Indian Ocean: AGO Média (Togo), Atelier des Nomades (Mauritius), Editions Bakame (Rwanda), Editions Elondja (DRC), Ganndal (Guinea), La Farandole des livres bookstore (Niger), Gashingo (Niger), Jeunes Malgaches (Madagascar), Editions Ntsamé (Gabon), Ruisseaux d’Afrique (Benin) and Vallesse (Ivory Coast).

This co-publishing bears the label “Fair Trade Book”.

This solidarity co-publishing is the result of a workshop on children’s literature organised by the Alliance in Abidjan in May 2019, as part of the International Conference of Independent Publishers 2019-2021. It received the support of the Centre national du livre.