English

Wars in the 21^st century are wars against the earth; against natural resources like water, soil, forests, minerals, seeds. The global corporate economy based on the idea of limitless growth has become a war economy and the means it uses are instruments of war. Trade wars. Waters wars. Food wars.

In a compelling and rigorously documented exposition, Vandana Shiva demolishes the myths propagated by corporate globalisation in its pursuit of profit and power, by demonstrating its flawed assumptions and devastating fallouts.
Consumerism lubricates the war against the earth, corporate control violates all ethical and ecological limits. It promotes technologies of production based on genetic engineering, geo-engineering and toxins; industrial development that entails the enforced appropriation of land, rivers, mountains; agribusinesses that deplete nature’s diversity; land-grab in Africa, Asia, South America. Exploitation of this order incurs the kind of ecological and economic debt that is unsustainable, unbailable and unbearable.
Making Peace with the Earth outlines how a paradigm shift to earth-centred politics and economics is our only chance of survival; and how collective resistance to corporate exploitation can open the way to a new environmentalism of interdependence and earth democracy.

Vandana SHIVA is a world-renowned environmental thinker and activist, a leader in the International Forum on Globalisation (IFG) along with Ralph NADER and Jeremy RIFKIN, and of the Slow Food Movement. Director of Navdanya and of the Research Foundation for Science, Technology and Natural Resource Policy, and a tireless crusader for farmers’, peasants’ and women’s rights, she is the author and editor of a score of influential books.
Vandana Shiva is the recipient of over 20 international awards, among them the Right Livelihood Award (1993); Medal of the Presidency of the Italian Republic (1998); the Horizon 3000 Award (Austria, 2001); Save the World Award (2009); Sydney Peace Prize (2010); Calgary Peace Prize (Canada, 2011); the Thomas Merton Award (2011); and the John Lennon-Yoko Ono Grant for Peace.
Vandana Shiva is currently working on a three-year project with the Government of Bhutan on how to achieve their objective of becoming an organic sovereign country, the first in the world.

Vandana SHIVA received the Fukuoka Grand Prize Laureate, 2012.

Year of publication: 2012; 267 pages; ISBN: 81-88965-75-8 (India) / ISBN: 9781875559275 (Australia)

Couverture version Australie

Australian cover of the co-publishing.

A co-publication of the Alliance’s English-langage network. Two co-publishers : Spinifex (Australia), Women Unlimited (India).

Abstract:

“Palestine-in-exile,” says Rana Barakat, “is an idea, a love, a goal, a movement, a massacre, a march, a parade, a poem, a thesis, a novel and, yes, a commodity, as well as a people scattered, displaced, dispossessed and determined.”
How do Palestinians live, imagine and reflect on home and exile in this period of a stateless and transitory Palestine, a deeply contested and crisis-ridden national project, and a sharp escalation in Israeli state violence and accompanying Palestinian oppression? How can exile and home be written?
In this volume of new writing fifteen innovative and outstanding Palestinian writers—essayists, poets, novelists, critics, artists and memoirists—respond with their reflections, experiences, memories and polemics. What is it like, in the words of Lila Abu-Lughod, to be “drafted into being Palestinian?” What happens when you take your American children, as Sharif Elmusa does, to the refugee camp where you were raised? And how can you convince, as Suad Amiry attempts to do, a weary airport official to continue searching for a code for a country that isn’t recognised?
Contributors probe the past through unconventional memories, reflecting on 1948 when it all began. But they are also deeply interested in beginnings, imagining, in the words of Mischa Hiller, “a Palestine that reflects who we are now and who we hope to become”. Their contributions—poignant, humorous, intimate, reflective, intensely political—make for an offering that is remarkable for the candour and grace with which it explores the many individual and collective experiences of waiting, living for, and seeking Palestine.

Editors:
Penny Johnson is an independent researcher who works closely with the Institute of Women’s Studies at Birzeit University, where she edits the Review of Women’s Studies. Recent writing and research on Palestine has focused on weddings and wars, wives of political prisoners, and young Palestinians’ talk about proper and improper marriages. She is an Associate Editor of the Jerusalem Quarterly.
Raja Shehadeh is a Palestinian lawyer and writer who lives in Ramallah. He is the founder of the pioneering non-partisan human rights organisation, Al Haq, an affiliate of the International Commission of Jurists, and the author of several books about international law, human rights and the Middle East. He is also the author of the award-winning Palestinian Walks and A Rift in Time: Travels with My Ottoman Uncle. His new book, Occupation Diaries, is published in August 2012.

Endorsements:
“How can an essentially sad story give such pleasure? The answer is in these narratives: these stories, memoirs, poems are a pleasure and an education; personal, vivid, original, sometimes witty, always accomplished and always honest. They are a testimonial to the human spirit, and to the growing contribution of Palestine to literature.” —Ahdaf Soueif

ISBN: 81-88965-73-1 (Women Unlimited, India), 978-1-74219-823-1 (Spinifex, Australia).

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities: fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

15 publishers from 8 countries (Algeria, Argentina, Côte d’Ivoire, Egypt, France, Morocco, Tunisia, Syria) met in Tunis, from 12 to 15 May 2011, to discuss e-publishing. The meeting was organised by the International Alliance of Independent Publishers, with the support of the Organisation Internationale de la Francophonie.

The publishers who met in Tunis wished it to be known that these meetings took place in a peaceful and secure environment. The warm welcome we were given, despite the curfew then in place, enabled us to organise meetings of a high standard, from both a professional and a human perspective.

We wished to show our solidarity with our Tunisian partners in this way, by inviting associations, NGOs, organisations and institutions, tourists and the simply curious to rediscover Tunisia – a Tunisia where freedom is in the air.

Following the publication of the study on digital publishing in developing countries carried out by Octavio Kulesz, the Alliance is launching its digital Laboratory, in partnership with the Prins Claus Fund and the International organization of La Francophonie.

Integrated to the resources center of the Alliance, the Lab is a participative platform dedicated to discussions on digital issues for the publishers members of the Alliance.
Apart from a blog and a twitter (@digisouth) about digital innovations in developing countries, the Lab is also offering to the members a private digital space for experimentation and training.

The young Zulu Dumisani Gumede grows up in the pastoral setting of the mountains of South Africa. This irresistible seducer has two obsessions: sex and an utter adoration of Nelson Mandela, the mythical ANC leader then the talk of the country and to this young man the essence of courage and virility. Originally published in 2006, “Mandela’s ego” looks back at South Africa under the apartheid regime. A brave and unusual coming-of-age novel, combining delightful anecdotes about the everyday life of the Zulu community with scenes of violence, family, social and political, in a country in torment. Wisdom and humour rub shoulders in this fable, a homage to the great Mandela.

Lewis NKOSI was born in Durban (South Africa) in 1926. A journalist, he taught literature at various universities. The author of many essays on culture and South African literature, plays and novels, he was awarded numerous literary prizes. He died in Johannesburg in September 2010.

Year of publication of the Pan-African version: 2011, 360 pages, 11,5 X 19 cm

A Fair Trade Book co-publishing.

Zam, a committed political journalist, has been the victim of a theft: his entire valuable collection of jazz records has been stolen. The following day he discovers a dead body in his cupboard. There follows a succession of events during which Zam – more in tune with the simple pleasures of life – slowly realises that a plot is being hatched against him. So he decides to conduct an investigation which rapidly turns into a nightmare, where shady policemen get mixed up with corrupt politicians, where foreign diplomats lurk while the secret services let loose. “Trop de soleil tue l’amour” – the first volume of an incomplete trilogy – belongs to the tradition of literary farce that, through humour, denounces the tragedy of an Africa caught in the snares of its many contradictions and endless meddling.

Writer, essayist, bookseller, editor, militant citizen, Mongo BETI – born in 1932 in Cameroon – has for half a century been at the heart of the struggle for an Africa free from the tragedies of colonisation and independence confiscated. Author of an important body of work and considered one of Africa’s major writers, Mongo BETI died in October 2001.

Year of publication of the Pan-African version: 2011, 372 pages, 11,5 X 19 cm

A Fair Trade Book co-publishing.

About the project:
‘Publishing & Book Culture in Africa’ is a new project headed by Caroline Davis, Associate Professor in Publishing, Department of Information Studies, Centre for Publishing, at University College London. With the support of a British Academy Mid-Career Fellowship – and in association with Beth le Roux, Associate Professor of Publishing Studies at the University of Pretoria in South Africa – the intention is to set up a virtual network bringing together publishing researchers/educators across Africa. The network will serve as a platform of linking researchers, as well as a way of accessing databases of information about publishing in Africa; and to provide information about ongoing and past projects and open-access publications and research resources, including those generated by current research projects. A responsive and mobile-friendly project website ’Publishing & Book Culture in Africa’ is shortly to be launched.

As part of a wide range of resources to be made available, Hans Zell was commissioned to create the Repository, and which is now freely accessible in a Pilot edition on the Hans Zell web pages for a limited period of time. The final version will be hosted on the Network’s website later in the year.

Read more here.

Access the Pilot edition here

Read the content here:

• Introduction
• Kenya: Muthoni Garland; †Marjorie Oludhe Macgoye; Ruth Makotsi
• Liberia: Elma Shaw
• Mozambique: Sandra Tamele
• Nigeria: Enajite Efemuaye; †Irene Fatayi-Williams; Azafi Omolabi-Ogosi; Mabel Segun
• South Africa: Michele Betty; Henrietta Dax; Dorothy Dyer; Vangile Gantsho; Eve Gray; Veronica Klipp; Elizabeth le Roux; Alison Lowry; Gill Moodie; Alice Wairimū Nderitū; Lorato Trok; Elitha van der Sandt
• Uganda: Nyana Kakoma; Crystal Rutangye; Hilda Twongyeirwe
• Zambia: Fay Gadsden
• Zimbabwe: Kathy Bond-Stewart; Trish Mbanga; Emma O’Beirne

Available in a pre-print version at: https://www.academia.edu/76616001/Women_in_African_Publishing_and_the_Book_Trade_A_Series_of_Profiles_Series_II

Pre-print version uploaded on Academia.edu April 2022
Final print/online version to appear in The African Book Publishing Record,
Volume 48, Issue 2, (June 2022) https://www.degruyter.com/view/j/abpr

Copyright © Hans Zell Publishing Consultants 2022

Read here the Serie I: Women in African Publishing and the Book Trade: A Series of Profiles, by Hans M. Zell, October 2020

The Independent Publishing Glossary is a collective project led by publishers from the Spanish-language network of the International Alliance of Independent Publishers.

It shows the meanings and definitions of words commonly used in publishing. It is an evolving project, which will be enriched over time in order to include new concepts and to take into account other proposal for definitions. The idea is not to freeze or petrify the concepts, but to open them up to enhance their multiple meanings.

Each term is signed by the person who worked on the definition. The glossary was edited by Germán Gacio Baquiola (Corredor Sur Editorial, Ecuador / Colectivo Editores independientes de Ecuador), Teresa Gottlieb, (Editorial Maitri, Chile), Paulo Slachevsky (Lom Ediciones, Chile) and Miguel Villafuerte, (Editorial Blanca, Ecuador).

To order this title digitally (in French), it’s here!
Sales price (digital copy – PDF version): 5 Euros
ISBN: 978-2-490855-27-8

Publication: February 2022

Presentation
The world of books and writing is not necessarily diverse. Like all places of power, whether real or symbolic, it does not escape the forms of exclusion and predation that can be observed elsewhere in society.
By deliberately favouring a plurality of approaches to the question of inclusion, this issue of the journal attempts to explore a multidimensional phenomenon. Thus, whether through feminism, indigenousness, the LGBTQ+ movement or by considering those excluded from the written word, the authors question the inclusive capacity of this sector.
Beyond the observations, they propose practical examples (collected in France, Quebec, Belgium, Spain, India...) to promote inclusion: the establishment of a gender editor within an editorial office, the creation of a native publishing house, the management of bookshops, publishing houses or feminist or gay journals, the reflection of librarians on the conditions of reception of minorities, etc.
Little by little, thanks to these many initiatives, often without wanting to polemicise or to whitewash issues, professionals are fighting discrimination daily and promoting the expression of real diversity.

“Bibliodiversité” is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all the other issues of the journal here (“The alternatives. Ecology, social economy : the future of the book ?”, “Minority languages”, "Public book policies”, “Self-publishing”, “Publishing and commitment”, “Translation and Globalization”...)

Discover publishers’ backgrounds, get to know their work and their publications, and listen to the voice of independent publishers… by reading the exclusive publishers portraits in this section!

In partnership with the online magazine ActuaLitté, interviews with publishers member of the Alliance are regularly added here. Explore the interviews:
* Élodie Comtois (Écosociété publishers in Québec),
* Samar Haddad (Atlas Publishing in Syria),
* Marie Michèle Razafintsalama (Jeunes malgaches in Madagascar),
* Constanza Brunet (Marea Editorial in Argentina),
* Antoinette Koleva (KX Critique & Humanism in Bulgaria),
* Karine Joseph (Sirocco in Morocco),
* Colleen Higgs (Modjaji Books in South Africa),
* François Nkémé (Proximité in Cameroon),
* Aliou Sow (Ganndal, Guinea Conakry),
* Ritu Menon (Women Unlimited in India).
* Ivana Jinkings (Boitempo in Brazil),
* Sophie Bazin and Johary Ravaloson (Dodo vole in Madagascar),
* Dorota Hartwich (Format in Poland),
* Amanda Crocker (Between the Lines, Canada),
* Dieulermesson Petit Frère (LEGS Édition, Haiti),
* Corinne Fleury (Atelier des nomades, Mauritius),
* Abdulai Sila (Ku Si Mon, Guinea Bissau),
* Susan Hawthorne (Spinifex Press, Australia),
* Dan Bomboko (Elondja, Democratic Republic of Congo).

To order this title digitally, it’s here!
Sales price (digital copy – PDF version): 5 Euros
ISBN: 978-2-490855-11-7

Sales price (hardcopy): 15 Euros
Format: 14,5 X 21 cm; 236 pages
ISBN: 978-2-490855-10-0

Publication: February 2021

“Bibliodiversité” is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all the other issues of the journal here (“Minority languages”, "Public book policies”, “Self-publishing”, “Publishing and commitment”, “Translation and Globalization”...)

Presentation
At a time when environmental concerns are becoming more and more important and when traditional production patterns are increasingly being questioned, is there such a thing as an ecological, responsible and solidarity book?
At a time when a significant proportion of printed books end up unread and when the physical flow of books generates significant greenhouse gas emissions, printers, publishers, booksellers and distributors are questioning their practices and the impact they have.
They are proposing alternatives to the dominant system to respond to these challenges – and thus define the future of the book?

In just this past month, three prominent Iranian writers, translators, and members of the Association of Iranian Writers, Bektash Abtin, Kayvan Bazhan, and Reza Khandan Mahabadi, and journalist and sociology researcher, Khosrow Sadeghi Boroujeni, have been sentenced to prison on charges of “propaganda against the Islamic Republic of Iran, and gathering and collusion with the intent of acting against national security.”

These accusations, which have led to long prison sentences and the charges levied are false. Their objectives are to further oppress writers and the people of Iran.
At a time when the world is under crisis by the pandemic, Iran, and especially within its prisons has a very unstable environment, with the increasing spread of Coronavirus among inmates.

We as authors and scholars would like to ask you to let the voices of our fellow authors in prison be heard by the people of the world and to demand their immediate release.

• Daryoush Ashouri, Author, Translator and the Co-founder of the Association of Iranian Writers
• Ervand Abrahamian, Author and Professor Emeritus, City University of New York
• Azar Nafisi, Author
• Faraj Sarkohi, Writer, Journalist, Literature Critic; A Member of German Pen; The Recipient of Kurt-Tucholsky-prize; World Association of Newspapers’ Golden Pen of Freedom Award and World Press Freedom
• Hero by International Press Institute
• Akram Pedramnia, Author, Translator; A Member of Pen Canada; the Recipient of James Joyce Foundation Scholar
• Moniro Ravanipour, Author
• Mohsen Yalfani, Author and Translator
• Nasim Khaksar, Author and Critic
• Reza Allamehzadeh, Moviemaker and Writer
• Morad Farhadpour, Author, Translator and Critical Theorist
• Akbar Masoumbaigi, Author, Translator and a Member of the Association of Iranian Writers
• Babak Ahmadi, Author, Translator and Philosophy Researcher
• Peyman Vahabzadeh, Author and Professor, University of Victoria
• Sohrab Behdad, Denison University, USA
• Farshin Kazeminia, Pierre and Marie Curie University (Paris 6)
• Amir Kianpour, PhD Candidate, University of Paris 8 Vincennes-Saint-Denis
• Mehran Mostafavi, Sacly University (Paris), Professor
• Iman Ganji, PhD in Art Philosophy and Philosophy Researcher, Free University of Berlin
• Mehrdad Darvishpour, Senior Lecturer and Associate Professor, Sociologist, Mälardalen University
• Farhad Nomani, Professor Emeritus of Economics, The American University of Paris
• Soheil Asefi, Journalist and PhD student in History, The Graduate Center, The City University of New York (CUNY)
• Saeed Hariri, Moderator, Toronto Book Club
• Azadeh Parsapour, Translator, Editor and Publisher
• Arash Kia, Faculty of Institute for Healthcare Delivery Science, Icahn School of Medicine at Mount Sinai, New York

Women in African Publishing and the Book Trade: A Series of Profiles, by Hans M. Zell, October 2020

Read here the content:

• Ghana: Deborah Ahenkorah; Ama Dadson; Akoss Offori-Mensah
• Kenya: Serah Mwangi; Janet Njoroge; Lily Nyariki; †Asenath Bole Odaga
• Namibia: Jane Katjavivi
• Nigeria: Bibi Bakare-Yusuf; †Flora Nwapa; Anwuli Ojogwu; Oluronke Orimalade; Lola Shoneyin
• Rwanda: Louise Umutoni
• South Africa: Colleen Higgs; Bridget Impey; Thabiso Mahlape; Monica Seeber; Annari van der Merwe; Zukiswa Wanner
• Tanzania: Elieshi Lema
• Uganda: Goretti Kyomuhendo
• Zimbabwe: Jane Morris; Irene Staunton

This pre-print version uploaded on Academia.edu on 12 October 2020
Final print/online version to appear in The African Book Publishing Record,Volume 47, Issue 1, (March 2021) - https://www.degruyter.com/view/j/abpr

Copyright © Hans Zell Publishing Consultants 2020

Read here the IPA (International Publishers Association) support, and here the manifesto published by the Brazilian actors, to defend the book in Brazil.

Analysis of data collected in 10 countries from independent publishers and public actors, by Andrés E. Fernández Vergara (University of Chile)

This article, written in Spanish, offers a regional analysis of public policies for the development of books and reading in Spanish-speaking Latin America, from the point of view of 53 actors in the book world from 10 different countries. It takes into account the similarities and differences that exist from one country to another in the region: on the one hand, there are complex networks of institutions and book promotion mechanisms; on the other hand, there is no national policy or strategic objective. The actors interviewed highlight the difficulties they encounter in their sector today: market concentration, piracy, lack of support for indigenous languages, etc. These are all dangers that threaten bibliodiversity in the region.

Contents:

• Methodology
• Censorship and content control
• Laws, public policies and regulatory mechanisms for books and reading
• Institutions and organisations working in the fields of books and reading
• Direct support and assistance for books and reading
• Copyright Legislation
• Organisation of the profession
• Conclusion

This analysis is to be found in a special issue of the Bibliodiversity Journal on “Public book policies” available in paper and digital versions (in French).

See also the analysis on “Public book policies in sub-Saharan Africa and Madagascar” by Luc Pinhas, published in September 2019.

To complement these analyses, see the mapping of public policies and in-country support mechanisms here: publicbookpolicies.alliance-editeurs.org

Data collection in the 11 countries of sub-Saharan Africa and Madagascar as well as in Latin America, cross-sectional data analyses and online mapping were supported by the Fondation de France and the SDC Switzerland.