A co-publishing of the English-speaking network: Forough publications in Germany and Khavaran publishing in France.
Book translated from German into Persian.
Year of publication: 2012 ; Date de publication : 2012 ; ISBN: 978-3-943147-15-5
Author(s) : Hamed Abdel SAMAD ;
Traduit par B. BINIAZ
Publishing countries : Germany, France
Language(s) :
Farsi
A co-publishing of the English-speaking network: Forough publications in Germany and Khavaran publishing in France.
Book translated from German into Persian.
Year of publication: 2012 ; Date de publication : 2012 ; ISBN: 978-3-943147-15-5
Author(s) : Vandana SHIVA
Publishing countries : South Africa, Australia, India
Language(s) :
English
Price : Rs. 375 (India) / $AUD: 32.95
Wars in the 21st century are wars against the earth; against natural resources like water, soil, forests, minerals, seeds. The global corporate economy based on the idea of limitless growth has become a war economy and the means it uses are instruments of war. Trade wars. Waters wars. Food wars.
In a compelling and rigorously documented exposition, Vandana Shiva demolishes the myths propagated by corporate globalisation in its pursuit of profit and power, by demonstrating its flawed assumptions and devastating fallouts.
Consumerism lubricates the war against the earth, corporate control violates all ethical and ecological limits. It promotes technologies of production based on genetic engineering, geo-engineering and toxins; industrial development that entails the enforced appropriation of land, rivers, mountains; agribusinesses that deplete nature’s diversity; land-grab in Africa, Asia, South America. Exploitation of this order incurs the kind of ecological and economic debt that is unsustainable, unbailable and unbearable.
Making Peace with the Earth outlines how a paradigm shift to earth-centred politics and economics is our only chance of survival; and how collective resistance to corporate exploitation can open the way to a new environmentalism of interdependence and earth democracy.
Vandana SHIVA is a world-renowned environmental thinker and activist, a leader in the International Forum on Globalisation (IFG) along with Ralph NADER and Jeremy RIFKIN, and of the Slow Food Movement. Director of Navdanya and of the Research Foundation for Science, Technology and Natural Resource Policy, and a tireless crusader for farmers’, peasants’ and women’s rights, she is the author and editor of a score of influential books.
Vandana Shiva is the recipient of over 20 international awards, among them the Right Livelihood Award (1993); Medal of the Presidency of the Italian Republic (1998); the Horizon 3000 Award (Austria, 2001); Save the World Award (2009); Sydney Peace Prize (2010); Calgary Peace Prize (Canada, 2011); the Thomas Merton Award (2011); and the John Lennon-Yoko Ono Grant for Peace.
Vandana Shiva is currently working on a three-year project with the Government of Bhutan on how to achieve their objective of becoming an organic sovereign country, the first in the world.
Vandana SHIVA received the Fukuoka Grand Prize Laureate, 2012.
Year of publication: 2012; 267 pages; ISBN: 81-88965-75-8 (India) / ISBN: 9781875559275 (Australia)
Australian cover of the co-publishing.
Author(s) : Penny JOHNSON;
Raja SHEHADEH (Eds.)
Publishing countries : Australia, India
Language(s) :
English
Price : Rs. 395 (Women Unlimited, India)
A co-publication of the Alliance’s English-langage network. Two co-publishers : Spinifex (Australia), Women Unlimited (India).
Abstract:
“Palestine-in-exile,” says Rana Barakat, “is an idea, a love, a goal, a movement, a massacre, a march, a parade, a poem, a thesis, a novel and, yes, a commodity, as well as a people scattered, displaced, dispossessed and determined.”
How do Palestinians live, imagine and reflect on home and exile in this period of a stateless and transitory Palestine, a deeply contested and crisis-ridden national project, and a sharp escalation in Israeli state violence and accompanying Palestinian oppression? How can exile and home be written?
In this volume of new writing fifteen innovative and outstanding Palestinian writers—essayists, poets, novelists, critics, artists and memoirists—respond with their reflections, experiences, memories and polemics. What is it like, in the words of Lila Abu-Lughod, to be “drafted into being Palestinian?” What happens when you take your American children, as Sharif Elmusa does, to the refugee camp where you were raised? And how can you convince, as Suad Amiry attempts to do, a weary airport official to continue searching for a code for a country that isn’t recognised?
Contributors probe the past through unconventional memories, reflecting on 1948 when it all began. But they are also deeply interested in beginnings, imagining, in the words of Mischa Hiller, “a Palestine that reflects who we are now and who we hope to become”. Their contributions—poignant, humorous, intimate, reflective, intensely political—make for an offering that is remarkable for the candour and grace with which it explores the many individual and collective experiences of waiting, living for, and seeking Palestine.
Editors:
Penny Johnson is an independent researcher who works closely with the Institute of Women’s Studies at Birzeit University, where she edits the Review of Women’s Studies. Recent writing and research on Palestine has focused on weddings and wars, wives of political prisoners, and young Palestinians’ talk about proper and improper marriages. She is an Associate Editor of the Jerusalem Quarterly.
Raja Shehadeh is a Palestinian lawyer and writer who lives in Ramallah. He is the founder of the pioneering non-partisan human rights organisation, Al Haq, an affiliate of the International Commission of Jurists, and the author of several books about international law, human rights and the Middle East. He is also the author of the award-winning Palestinian Walks and A Rift in Time: Travels with My Ottoman Uncle. His new book, Occupation Diaries, is published in August 2012.
Endorsements:
“How can an essentially sad story give such pleasure? The answer is in these narratives: these stories, memoirs, poems are a pleasure and an education; personal, vivid, original, sometimes witty, always accomplished and always honest. They are a testimonial to the human spirit, and to the growing contribution of Palestine to literature.” —Ahdaf Soueif
ISBN: 81-88965-73-1 (Women Unlimited, India), 978-1-74219-823-1 (Spinifex, Australia).
The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities: fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities; and a distribution of works on a broader scale by adjusting prices for each geographic zone.
Publishing countries : Tunisia
The publishers who met in Tunis wished it to be known that these meetings took place in a peaceful and secure environment. The warm welcome we were given, despite the curfew then in place, enabled us to organise meetings of a high standard, from both a professional and a human perspective.
We wished to show our solidarity with our Tunisian partners in this way, by inviting associations, NGOs, organisations and institutions, tourists and the simply curious to rediscover Tunisia – a Tunisia where freedom is in the air.
Following the publication of the study on digital publishing in developing countries carried out by Octavio Kulesz, the Alliance is launching its digital Laboratory, in partnership with the Prins Claus Fund and the International organization of La Francophonie.
Integrated to the resources center of the Alliance, the Lab is a participative platform dedicated to discussions on digital issues for the publishers members of the Alliance.
Apart from a blog and a twitter (@digisouth) about digital innovations in developing countries, the Lab is also offering to the members a private digital space for experimentation and training.
Author(s) : Lewis NKOSI ;
préface de Véronique TADJO
Publishing countries : Algeria, Burkina Faso, Cameroon, Congo, Ivory Coast, Mali, Morocco, Rwanda, Togo, Tunisia
Language(s) :
French
Price : 2 500 FCFA ; 400 DA ; 45 DM ; 8 DT ; 3 300 RWF
The young Zulu Dumisani Gumede grows up in the pastoral setting of the mountains of South Africa. This irresistible seducer has two obsessions: sex and an utter adoration of Nelson Mandela, the mythical ANC leader then the talk of the country and to this young man the essence of courage and virility. Originally published in 2006, “Mandela’s ego” looks back at South Africa under the apartheid regime. A brave and unusual coming-of-age novel, combining delightful anecdotes about the everyday life of the Zulu community with scenes of violence, family, social and political, in a country in torment. Wisdom and humour rub shoulders in this fable, a homage to the great Mandela.
Lewis NKOSI was born in Durban (South Africa) in 1926. A journalist, he taught literature at various universities. The author of many essays on culture and South African literature, plays and novels, he was awarded numerous literary prizes. He died in Johannesburg in September 2010.
Year of publication of the Pan-African version: 2011, 360 pages, 11,5 X 19 cm
Created in 2007, the “Terres solidaires” collection is a collective experience. It proposes literary texts from African authors, published by a collective of publishers in Francophone Africa, Through the principle of solidarity co-publishing, texts circulate, are available and accessible for African readers: the local book ecosystem is protected and strengthened.
The “Terres solidaires” collection is supported by the Organisation internationale de la Francophonie (OIF).
Author(s) : Mongo BETI ;
préface d'Odile TOBNER
Publishing countries : Algeria, Burkina Faso, Cameroon, Congo, Ivory Coast, Mali, Morocco, Rwanda, Togo, Tunisia
Language(s) :
French
Price : 2 500 FCFA ; 400 DA ; 45 DM ; 8 DT ; 3 300 RWF
Zam, a committed political journalist, has been the victim of a theft: his entire valuable collection of jazz records has been stolen. The following day he discovers a dead body in his cupboard. There follows a succession of events during which Zam – more in tune with the simple pleasures of life – slowly realises that a plot is being hatched against him. So he decides to conduct an investigation which rapidly turns into a nightmare, where shady policemen get mixed up with corrupt politicians, where foreign diplomats lurk while the secret services let loose. “Trop de soleil tue l’amour” – the first volume of an incomplete trilogy – belongs to the tradition of literary farce that, through humour, denounces the tragedy of an Africa caught in the snares of its many contradictions and endless meddling.
Writer, essayist, bookseller, editor, militant citizen, Mongo BETI – born in 1932 in Cameroon – has for half a century been at the heart of the struggle for an Africa free from the tragedies of colonisation and independence confiscated. Author of an important body of work and considered one of Africa’s major writers, Mongo BETI died in October 2001.
Year of publication of the Pan-African version: 2011, 372 pages, 11,5 X 19 cm
Created in 2007, the “Terres solidaires” collection is a collective experience. It proposes literary texts from African authors, published by a collective of publishers in Francophone Africa, Through the principle of solidarity co-publishing, texts circulate, are available and accessible for African readers: the local book ecosystem is protected and strengthened.
The “Terres solidaires” collection is supported by the Organisation internationale de la Francophonie (OIF).
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These recommendations and proposals are taken from the 80 recommendations & tools in support of bibliodiversity; they are built on the principles upheld in the 2014 International Declaration of independent publishers.
These recommendations are based on the experiences and practices of the International Alliance of independent publishers: they mainly focus on publishing partnerships between publishers from the South, given that support for publishing in these countries is often weak or inexistent, and between publishers of the South and North, given that these exchanges are few.
The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.
Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.
The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.
The Alliance Lab is built around four focus areas:
The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.
Read here the pre-print version uploaded on Academia.edu 21 May 2019
Final version, to be published in two parts, in Logos: Journal of the World Publishing Community (https://brill.com/view/journals/logo/logo-overview.xml)
Part I: Volume 30 (2019): Issue 3, Part II: Volume 30 (2019): Issue 4
Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019
Abstract:
In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation: in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.
Read the article here (in French).
Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2).
https://doi.org/10.7202/1060972ar
Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.
Publication: June 2019
The Bibliodiversity Journal is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversity Journal here: “Self-publishing”; “Committed publishing”…
Overview of the issue:
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question: does the intervention of public authorities support editorial diversity?
Contents of the ‘Public book policies issue’:
Publishing & the Book in Africa: A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.
Read the pre-print version here.
To be published in The African Book Publishing Record, Volume 44, Issue 2, (May 2019)
Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019
African Book Industry Data & the State of African National Bibliographies:
Read the Pre-print version here.
Published in The African Book Publishing Record, Volume 44, Issue 4 (Dec 2018): 363-389.
Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2018
Read here the article “Au Maghreb, il y a urgence à structurer le secteur du livre”, by Kenza Sefrioui (En toutes lettres, Marocco), published by Le Monde Afrique (8 February, 2019)
Abstract of the issue:
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about?
Contents of “Self-publishing”:
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