English

Marie Hatet has been working in the field of education and culture for the past fifteen years. Currently heading an artistic and cultural education project in Paris’ La Villette Park, she is also a member of the reading committee of the Tatoulu Association (youth literature), and founding member of Les Fondeurs de Roue Association. She joined the Board of the International Alliance of independent publishers in 2014. She served on the Board of the Alliance between 2014 and 2016 and is currently a member of the Alliance’s General Assembly.

The Brazilian publishers collective LIBRE will host, on 21 and 22 May, the 3^rd edition of the Book Fair for independent publishers focusing on children’s books. Gathering 40 independent publishers, this event takes place at Tom Jobin Theater, at the Botanical Garden’s area.
On this occasion, and through the support of the Alliance, Portuguese publisher Carla Oliveira (Orfeu Negro) will go to Brazil to share her experience with Brazilian publishers, and strengthen solidary partnerships between Portugal and Brazil. Read more information here.

From 2002 to 2009, Étienne GALLIAND (founder of the Alliance) managed the association. He then created Double Ponctuation, with which the Alliance regularly collaborates. Double Ponctuation is, among other things, copublisher of the Bibliodiversity journal.

Alexandre TIPHAGNE joined the Alliance from 2002 to 2007, as manager of co-editions and the Portuguese and Spanish languages networks. From December 2012 to April 2014, Alexandre was vice-chair of Cabinet in the Ministry of Culture and Communication and technical councillor responsible of the book, and later chair of Cabinet. Formerly a parliamentary collaborator of Aurélie Filippetti at the National Assembly, he is currently in charge of Culture at Paris City Council.

Thomas WEISS worked for the Alliance between 2003 and 2006 as a logistician, administrator and Webmaster. He also coordinated co-publishing projects of the English and Arabic languages networks. In 2007, he became an independent consultant and web developer, and worked principally for the Charles Léopold Mayer Foundation, Exemole Sarl, and the Research Institute, and contributed to discussions on governance. In 2013, he joined the French IT group, Netapsys Conseil, as central director. He is currently a consultant at OCTO Technology.

Between 2008 and 2010, Nathalie CARRÉ contributed her expertise to “Terres solidaires” and “Terres d’écritures”, both solidary copublishings collections. Nathalie continued facilitating the reading committee of the “Terres solidaires” collection. She is currently a Swahili teacher at Inalco.

Sonbol REGNAULT-BAHMANYAR contributed to the Alliance between 2010 to 2012, by developing the Persian language publishers group. Sonbol is currently in Iran, where she runs a French pastry shop.

Matthieu JOULIN joined the Alliance’s team in 2011, after a master’s degree in Hispano-American Language, Literature and Civilisation at Bordeaux University and a master’s degree in Book Commercialisation at University of Paris 13-Villetaneuse. Between 2011 and 2019, Matthieu was especially in charge of the Digital Lab of the Alliance; and maintaining and supporting the Spanish and Portuguese language networks.

Clémence HEDDE worked for 10 years at the Alliance, between 2010 and 2020. After a double degree in Geography/ Book Trade in France and the United Kingdom, and experiences in different publishing houses (Autrement, La Découverte, Phaidon), Clémence Hedde was Programme Manager at the International Alliance of independent publishers, more specifically responsible for overseeing the Alliance’s French-language network and the children’s books/youth literature thematic group, coordinating international co-publishings, organisation of meetings and workshops, as well as monitoring the research initiatives of the Bibliodiversity Observatory. She is now Literary Coordinator at Ciclic, the regional Agency of the Center Val de Loire for books, images and digital culture.

Mariam PELLICER is a graduate from Sciences Politiques in Toulouse (specialising on the fight against discrimination and the struggle for equality), after an academic exchange at the University in Chile, stuying among other things, sociology of gender. Mariam’s early professional experiences were with the International Alliance of Women in Athens and then with the Fondation des Femmes in Paris.
Between 2020 and 2024, Mariam coordinated the Spanish- and Portuguese-speaking networks, the Bibliodiversity Observatory and the Alliance’s advocacy unit.

Nathalie COOREN (French-Spanish)

Nathalie Cooren has a background in law (Master of Laws with a specialisation in European and international law) and in social sciences (Master in sociology of conflicts). After working several years in the field of international relations, where translation was an integral part of her daily life, she decided to make it her full-time job.
Several years spent abroad, particularly in Latin America, also made her aware of the importance of languages and the diversity of cultures. She translates from Spanish and English into French, for documents in the legal, institutional, political, environmental, tourism, marketing, and publishing fields, as well as books (see in particular "Guide du municipalisme : pour une ville citoyenne apaisée, ouverte”).

Danielle CHARONNET (French-Spanish)

Rachel MATTEAU MATSHA (French-English)

Rachel Matteau Matsha is senior lecturer at the Durban University of Technology (South Africa). Her research interests include book history, sociology of literature, Indian Ocean studies, and postcolonial studies. Born in Québec (Canada), she holds a BA in Literary Studies from the Université du Québec à Montréal, and a MA and PhD in African Literature from the University of the Witwatersrand in Johannesburg (South Africa). She is the author of Real and Imagined Readers. Reading, publishing and censorship under apartheid (UKZN Press, forthcoming 2018). She is collaborating with the International Alliance of independent publishers since 2013.

Organised by Afrilivres Association, through the support of its partners and the support of OMEL (Malian book publishers organisation), the first edition of the African Languages Book Fair will convene professionals, academics, institutions, NGOs, and the general public for 3 days of discussions, sharing, exhibition, and sale of books in African languages. An unprecedented and unique event, not to be missed!

In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published.

Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.

Bibliodiversity is a term invented by Chilean publishers in the 1990s as a way of envisioning a different kind of publishing. In this manifesto, Susan Hawthorne provides a scathing critique of the global publishing industry set against a visionary proposal for organic publishing. She looks at free speech and fair speech, at the environmental costs of mainstream publishing and at the promises and challenges of the move to digital.

A translation from English into Arabic followed by a co-publishing between 5 publishers in Egypt (Elain publishing), in Lebanon (Dar Al Farabi and Al Intischar), in Syria (Atlas publishing) and in Tunisia (Med Ali).

In the margins of the Salon du livre et de la presse jeunesse de Seine-Saint-Denis (2-7 December 2015), the Alliance convenes, through the support of the Centre national du livre (CNL), twelve independent children’s book publishers from Africa and Europe (Benin, France, Madagascar, Morocco, Poland, Portugal, Togo). During this two-day workshop, publishers will share their experiences and knowledge of the strategies developed in terms of graphic design and illustration choices within their publishing house, which will be an occasion to address evolutions and innovations in the field of children’s books (new graphic design and digital techniques, etc.).

Extract from the Communiqué by the Alliance for a call for freedom of speech and publishing in Bangladesh, 10 November 2015:

For several months, authors, bloggers, publishers and booksellers have been the victims of violent and deadly attacks in Bangladesh.

The International Alliance of independent publishers, representing 400 independent publishers from 45 countries in the world, condemns these murderous attacks and assault on freedom of speech and publishing. The Alliance also reaffirms the essential role needing to be played by public authorities, in Bangladesh and throughout the world to enable the emancipation of its citizens, and to guarantee a public space conducive to dialogue and peace. Plurality and diversity of ideas constitute the foundation of democracy. It is urgent that the Bangladeshi government protects and supports actors in the book industry, thus safeguarding the foundations necessary for their work and freedom of speech.

ICIP, composed of 6 representatives from the Alliance’s language networks, will meet in Paris. To be discussed in this 3-day meeting: impact of the International Assembly of international publishers, and way forward; freedom of speech and publishing; copyrights in Europe and around the world; meeting with partners of the Alliance (Fondation Charles Léopold Mayer, UNESCO, Relais Culture Europe, Ministries of Culture and Foreign Affairs, Ile-de-France region, Centre national du livre, AILF, SGDL…).

Support bibliodiversity and independent publishing through a professional solidarity network

• Support the creation and strengthening of memberships to national and/or regional publisher collectives (including in Europe)
• Promote bibliodiversity, popularise the idea of bibliodiversity for the general public, for example through the (International Bibliodiversity Day on 21 September, )

Support the creation of national, regional and international book policies

• Create the Bibliodiversity Observatory: mapping of national book policies in Latin America, the Arab world, West Africa… and developing a bibliodiversity measurement tool
• Make independent publishers’ voice heard among public authorities (Ministries of Culture), international organisations (UNESCO, OIF, CERLALC, UEMOA, etc.), and book professionals and collectives: diffuse, promote and defend the International Declaration of independent publishers and the 80 recommendations in support of bibliodiversity

Reaffirm and defend freedom and equity of speech

• Create a censorship typology; draft advocacy plans in support of, and in solidary with, publishers

Strengthen collaborative spaces and innovate to respond to tomorrow’s changes and issues

• Develop the Digital Lab, organize workshops, and sharing of experiences and tools (on digital publishing, editorial solidarity partnerships, national and local languages publishing, etc.)
• Strengthen inter-professional collaboration (authors, librarians, booksellers, diffusers-distributors, digital actors, etc.): inter-professional meetings, joint lobbying

Reinstate equilibrium between book exporting countries and importing countries

• Manage an online resource centre, complementing the Bibliodiversity Observatory
• Modernize book donation practices: Book Donation Charter reviewed by professionals from the global South
• Participate in book fairs (collective stands in book fairs in both the global South and global North), promotion of books from the South in the North

Develop and strengthen intercultural sharing

• Develop and support copublishing/ translation projects: North-South and South-South editorial partnerships bearing the “Fair Trade Book” label, and research on economic solidarity models (social and solidarity economy)

Publishers collectively adopted the Alliance’s 2015-2018 objectives during the International Assembly of independent publishing (2012-2014). Projects and activities arise from each of these directions, and are implemented by the Alliance during the 2015-2018 period.

The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13^th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.

Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.

Read more here...

The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.

The Alliance Lab is built around four focus areas:

• Tools and resources for professionals
• Reflections and discussions on digital publishing, including innovative initiatives in the countries of the South (surveys and analyses);
• In situ workshops (capacity building and peer exchanges on digital matters);
• A personalised tutorial offered to member publishers of the Alliance.

The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.

Read here the pre-print version uploaded on Academia.edu 21 May 2019

Final version, to be published in two parts, in Logos: Journal of the World Publishing Community (https://brill.com/view/journals/logo/logo-overview.xml)

Part I: Volume 30 (2019): Issue 3, Part II: Volume 30 (2019): Issue 4

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

Abstract:

In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation: in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.

Read the article here (in French).

Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2).
https://doi.org/10.7202/1060972ar

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication: June 2019
The Bibliodiversity Journal is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversity Journal here: “Self-publishing”; “Committed publishing”…

Overview of the issue:
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question: does the intervention of public authorities support editorial diversity?

Contents of the ‘Public book policies issue’:

• “Introduction: action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal

• “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)

• “A relative autonomy – A comparative analysis of the room for manoeuvre
  in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)

• “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)

• “Morocco: escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)

• “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)

• “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)

• “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)

• “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

• “Publishing and public authorities: the Quebec case – Or the influence of public action on editorial independence?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)

• “Laws, public policies, institutions and measures to support books and reading
  in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)

• “From culture towards business – An analysis of a state support programme
  for local publishing in Buenos Aires: Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

Publishing & the Book in Africa: A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.

Read the pre-print version here.

To be published in The African Book Publishing Record, Volume 44, Issue 2, (May 2019)

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

African Book Industry Data & the State of African National Bibliographies:
Read the Pre-print version here.

Published in The African Book Publishing Record, Volume 44, Issue 4 (Dec 2018): 363-389.

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2018

Read here the article “Au Maghreb, il y a urgence à structurer le secteur du livre”, by Kenza Sefrioui (En toutes lettres, Marocco), published by Le Monde Afrique (8 February, 2019)

Abstract of the issue:
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about?

Contents of “Self-publishing”:

• Self-publishing: a vector of bibliodiversity? / By Sylvie Bosser, University of Paris 8

• Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne

• Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne

• Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13

• The (in)visible third party. Mentoring emerging writers: a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts

• Self-publishing: a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC

• Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links

• Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher

• Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8

A study published by African Studies Association (ASA) and African Studies Association of the UK (ASAUK), to read here!