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Publishers of the Alliance present at the “Plural Africa” stand at the Youth Book and Press Fair in Montreuil (France), November 28 - December 3, 2007

Publishing countries : France

10 publishing houses from 10 different countries were indeed represented in an especially fit out 60 m² space. Five publishers were present and stayed for 6 days in tune with the fair: Russel Clarke (Jacana Media, South Africa), Béatrice Lalinon Gbado (éditions Ruisseaux d’Afrique, Benin), Marianna Warth (Pallas Editora, Brazil), Marie-Michèle Razafinstalama (éditions Prediff, Madagascar) and Paulin Assem (éditions Graines de pensées, Togo) thus participated both in setting up the stand as well as in managing it.

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Bibliodiversity 8, November, 2007

Read: The eighth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

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Foundation of the Alianza Peruana de Editores

Publishing countries : Peru

The Peruvian publishers that were present at the International Assembly in Paris last July (Germán Coronado, Ediciones PEISA and Álvaro Lasso, Estruendomudo), have participated in founding the Alianza Peruana de Editores in Lima in September. The creation of this Alliance, which gathers about twenty independent, academic and autonomous publishers, is perfectly in line with the appeal launched by signatory publishers in International Declaration of Independent Publishers for the protection and promotion of bibliodiversity (Paris, July 2007): “we call upon independent publishers everywhere in the world to join forces –whether at the national, regional, or international level– creating associations and other collective bodies which will permit us to better defend our rights, and to make our voices heard.”
According to Germán Coronado : “Esta nueva entidad gremial nace como un reflejo de lo que aconteció en París en julio pasado.” (“This new collective entity is born as a reflection of what happened in Paris last July").
The statutes of this Peruvian Alliance are available on the following link: http://alpe.wordpress.com

We wish this national association of independent publishers success in protecting and fostering bibliodiversity as well as its Latin American counterparts (AEMI in Mexico, EDINAR in Argentina, LIBRE in Brazil).

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International Declaration of Independent Publishers, 2007

75 independent publishers from more than 45 countries – including members of associations representing over 380 publishing houses – gathered in Paris in the French National Library from July 1-4, 2007 for an International Assembly on Independent Publishing. In the International Declaration of Independent Publishers, they reaffirm their intention to resist and to act with a common purpose.

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A unique meeting in favor of bibliodiversity

Publishing countries : France

International Assembly on Independent Publishing -
Paris, 1-4 July, 2007

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Independent creation publisher: a tentative definition

As the independence of publishing is increasingly discussed, we have decided to bring into debate a possible definition of the “independent creation publisher”. This tool, in the shape of a series of questions, would allow to assess the strengths and weaknesses of a publisher in terms of independence.

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Bibliodiversity 7, December, 2006

Read: The seventh issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

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A wise man passed away, tribute to Joseph Ki Zerbo

Publishing countries : Burkina Faso

We got some very bad news from Burkina Faso in the month of December: Joseph Ki-Zerbo (photo below), an eminent African historian, political activist, promoter of independence movements, and reputable author, passed away. Upon hearing the news, Marie-Agathe Amoikon Fauquembergue of Eburnie publications (Ivory Coast) responded: “À baobab has left us!”.

We would like to salute the man, author, and thinker Ki-Zerbo was. We remember the international co-publication of his last work, which he entrusted to Alliance members: “À quand l’Afrique?” (“When’s the time for Africa?”) has become a reference, the winner of the “World Citizen award” (prix RFI Citoyen du Monde), a commercial success, and is now translated into Portuguese by 4 members of our network. We would like to send our sincere condolences to his family and friends.

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New Release: Independent publishers on the attack?

What is an independent publisher? What is a “creative publisher”? Can a large group be an independent publisher? How can a publisher, in the context of concentration and financial constraints, stay independent in daily life, while maintaining its activist role?
Such are the questions that Gilles Colleu confronts in his work Independent Publishers: moving from the age of reason on to the attack? (“Éditeurs indépendants: de l’âge de raison vers l’offensive?”). Far from any caricature, Gilles uses sound and engaging reasoning based on a “certain idea” of publishing to show us some characteristics that make the creative independent publisher a major actor, and a natural defender, of book diversity.

“Independent Publishers: moving from the age of reason on to the attack?”

Alliance of Independent Publishers

Collection “État des lieux de l’édition” (“Reports on the publishing world”)

160 pages, 10 € in France

ISBN 13: 978-2-9519747-2-2

Recycled paper

Find all the information on the collection “État des lieux de l’édition”) here.

Collection État des lieux de l’édition

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RSS subscription

The Alliance of the independent publishers has just set up on its site the syndication by RSS. RSS enable you to receive on your computer the last information put on line by the Alliance of the independent publishers.

To subscribe you with wire RSS of Alliance, you just have to to copy/cut the address below in your RSS reader

http://www.alliance-editeurs.org/spip.php?page=backend

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Bibliodiversity Observatory

The Independent publisher

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

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What new book donation practices in Africa?, IFLA Congress, Lyon (France), 16-22 August 2014

At the 80th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

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Bibliodiversity

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

GIF - 1.3 Mb

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Predation

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

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Local and national languages: What opportunities for publishing?, 11 to 13 June 2013, Ouagadougou (Burkina Faso)

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

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African youth literature: what visibility on the international market?

Publishing countries : Italy

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.

Although African literary output is sold to the general public in the North, is it bought in the context of fairs dedicated to right sells? What are the necessary prerequisites to participate in these professional fairs? Would African literature find buyers?

In partnership with Bologna Children’s Book Fair, the Alliance convened eight African publishers in Bologna from the 23rd to the 27th of March 2013.

Through experience sharing and the intervention of a literary agent specialised in rights transfer (mainly at the service of small youth publishing houses), publishers will also work on the following items:
• Identify relevant catalogues for copyrights transfer;
• Develop marketing tools to better present one’s production;
• Negotiate rights and follow-up with business contacts…

Publishers will also reflect on publishing standards in the design and production of books, standards that could facilitate access to international markets while posing a production standardisation risk. How can we reconcile publishing on two levels simultaneously, addressing a local readership and also an international one?

A session of the workshop will focus on the development of an advocacy document proposing a series of recommendations aimed at book fairs to support the attendance of publishers from the South.

Finally, this meeting will be the occasion for a projects fair, a “mini Bologna” that could lead to translation proposals, rights transfers and co publishing projects. Some of these projects could thereafter be supported by the Alliance.

As an extension to this workshop, meetings with publishers and organisations supporting youth publishing were held during the Fair, providing an opportunity to concretely illustrate the reflection processes carried out over the two previous days, to better discover and understand the workings and mechanisms of a Fair such as Bologna’s. We hope that this support will enable publishers to renew and assure their participation in the long term… and ultimately, that African youth literature will be more visible on international markets.

The Alliance warmly acknowledges the support of Bologna Children’s Book Fair, Fondation de France, Centre national du livre and the Institut français of Madagascar, essential to the implementation of this workshop.

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Books donation: rethinking the system, a workshop held in 2013, in Paris (France)

Although several debates and discussions on book donations were held, very few considered, complementary to the essential point of view of librarians’ professional collectives, the point of view of publishers and booksellers.

This workshop, facilitated in the context of the International Assembly of Independent Publishers, therefore has 3 main objectives:
To question existing practices and the impact of the “donation chain” on the “book chain”, from the perspective of local librarians, publishers and booksellers;
To question, promote and “complete”, if applicable, existing benchmark tools (amongst others, the Book Donation Charter developed by the Culture and Development Association, in partnership with several structures and institutions);
To propose realistic and sustainable alternatives to “classic” book donations, enabling us, hopefully, to enrich and built on current practices, through the input of local professionals.

The Alliance wishes to express its gratitude to the Ile-de-France Region for its support and trust and BULAC (Languages and civilisation University Library) for hosting us.

The primary outcomes of this workshop are detailed below.

Also read about the workshop’s indirect impacts on book donations: An article on Africultures, a programme on RFI...

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Publishing in India

Publishing countries : India

Unlike other Asian publishing markets, like Korea or Japan, the Indian book market is nearly unknown by French children’s book publishers, though this industry is actually blooming.
The Indian book market is a very specific one: the country’s size makes book distribution difficult, many languages are spoken and written, and there is a wide gap between urban reading habits and rural ones. Independent publishers in this country adapt business strategies to these difficulties and the solutions they find are original and innovative. In view of the lack of studies and data about Indian publishing, this study is based on a certain number of interviews with booksellers, book fair directors, market specialists, illustrators, distributors, and publishers.

  • In the first part ’’Quel paysage pour l’édition indienne?’’, this study deciphers the socio-economic and statistical data in order to better understand the Indian youth readership (gender, language, economical issues, among others).
  • In the second part ’’Le monde de l’édition jeunesse’’, a typology of the different players in Indian publishing is sketched out: multinational companies, state publishing, commercial publishers, independent publishers, NGOs... what are their respective roles?
  • In the third part ’’Quelles perspectives de diffusion et de valorisation?’’, the study examines the level and the nature of exchanges between Indian publishing and worldwide youth publishing.

An exciting treatise on a little-explored subject... a must read!

Mariette ROBBES, holder of a Master 2 in the World of the Book (Aix-en-Provence University) lived for six months in India in 2009, and returns often ever since. Since 2017, she is a member of the Alliance Board. Mariette concurrently works on several textile and graphic creation projects.

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