The Alliance

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities: fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

The notion of fair speech expands the idea of ‘free speech’ to incorporate the concept of justice. Indeed, in a context of media concentration, dominant powers (whether political, economic, religious, ideological, etc.) are the most represented and heard (because they are powerful or loud). Fair speech fosters speech equity for other voices that are often marginalised and/or censored to be heard. Fair speech therefore promotes an equitable access to expression (for example for women, historically marginalised groups, etc.), enabling an authentic diversity of voices. This concept was created by Betty McLellan in Unspeakable (Spinifex Press, 2010, Australia) and promoted by Susan Hawthorne in Bibliodiversity: A Manifesto for Independent Publishing (Spinifex Press, 2014, Australia).

The Dakar Declaration (December 2003) is the foundational text of the Alliance and birth certificate of the association. The Guadalajara Declaration (October 2005) is the outcome of a meeting held in Mexico between independent publishers from the Latin world.
The International Declaration of independent publishers for the protection and promotion of bibliodiversity (July 2007) was drafted and signed by the 70 publishers participating to the International Assembly of independent publishers held in Paris in 2007.
These three texts, as well as the 2014 International Declaration of independent publishers, are milestones in the history of the Alliance – they are a reminder, and bear witness to the present bearing testimony to the commitment of independent publishers, and serve as their policy guidelines.

In the eyes of an African teenager who joins the army without really knowing why, Ken Saro-Wiwa takes us into the chaos of a meaningless chaos, that of Nigerian civil war (1967-1970). Written in an extraordinary language – “rotten English” –, Sozaboy is a masterpiece of African literature; its astonishing violence and audacity have been celebrated throughout the world as a fierce plea against the madness of war.

Ken Saro-Wiwa was born in Nigeria in 1941. After studying English, he worked as a teacher in Laos. Besides writing novels and popular soap operas for television, he later created his own publishing house and was the President of the Association of Nigerian Authors for three years. As a journalist, he has been praised for his caustic pen and courageous positions. In 1995, he was sentenced to death and executed by hanging because of his militancy in favor of the Ogoni community to which he belonged.

Year of publication of the pan-African version: 2008,
294 pages,
11,5 X 19 cm

Ken Bugul’s novel is a dialogue between a daughter and her dead mother, whom she accuses of not having loved her and having preferred her sister ; it describes a relationship and a world from which love and truth seem absent. In a poetic fashion, alternating short sentences with poetry – as though pulsed by the murmur of despair – in a litany of remembrances, the author attempts to tell the ineffable pain of lost things.

Ken Bugul – whose name in Wolof means “one who is unwanted” – was born in Senegal in 1947, to a father who was a marabout (type of African shaman) and a mother who had to leave her when she was only 5 years old. She has worked as an international civil servant and now she lives in Benin. Her work, in which she combines her sense of humour with an innate talent for story-telling, is flooded with themes such as the status of women, Islam or North-South relationships. With her lucid, free and uncompromising look, she is one of the major voices in contemporary African literature.
Among her books are: La folie et la mort [Madness and Death], (Présence africaine, 2000), Rue Félix-Faure (Serpent à Plumes, 2004).

Year of publication of the pan-African version: 2008, 282 pages,
11,5 X 19 cm

The spread and consolidation of the women‘s movement in North and South over the past 30 years looks set to shape the course of social progress over the next generation. Peggy Antrobus asks

• Where are women now in the struggle against gender inequality ?
• What are the common issues that they face around the world ?
• What challenges confront the women‘s movements ?
• And what strategies are needed to meet them ?
  

The author draws on her long experience of feminist activism to set women‘s movements in their changing national and global context. Her analysis will be an invaluable aid to reflection and action for the next generation of women as they carry through the unfinished business of women‘s emancipation.
"Today the global women’s movement stands at the crossroads
between protecting hard-won gains and being swept away by the
tidal wave of globalization. It is my belief that feminist politics and praxis hold the key to addressing the threat this terrifying conjuncture poses for human security everywhere".

Peggy Antrobus was born in Jamaica. Her studies in Economics led her to a gradual commitment in the field of socioeconomic development. Working with NGOs and discovering feminism have transformed her understanding of economy and politics forever. She has worked for the UN, the Women and Development Unit (WAND) and the Development Alternatives with Women for a New Era (DAWN) network.

See English version at www.zedbooks.co.uk

As the Casablanca International Book Fair (February 9 to 17, 2008) opens its foors in Morocco, the Alliance of Independent Publishers wishes to express its deepest concerns with regard to the situation of independent book retail and, more generally, of the entire local book industry.

In A Naked Needle, with a finesse that is not lacking in nerve – the explicit reference is to none other than James Joyce’s Ulysses– Nuruddin Farah adds to the love story a stroll through the city, as well as a detailed analysis of the psychology of his characters, each of whom sees the relationships from a different viewpoint. This increases the readers’ feelings of empathy, and they will inevitably be surprised as they identifies with one or other member of this community.
This is where one of the keys to the great success of Farah’s novels lies: the power of the novelist to take us gently and firmly by the hand and make us identify with individuals who remain timeless. “Outside of time, because they are them although they could be us” – writes Abdourahman A.Waberi in the prologue.

Born in Baidoa, in what was then Italian Somalia, Nuruddin Farah grew up in Ogaden, a Somali province in eastern Ethiopia, before going off to study in India in the mid 1970s. Back in his home country, he made a name for himself in 1968 in Mogadishu as a teacher, but above all as the first novelist to use both English and Somali. A double success – unusual, certainly – which was to precipitate his exile, sealed by the military junta of Mohamed Siad Barre, who came to power in 1969.

In an excellent translation into French by Catherine Pierre-Bon and a remarkable cover design, A Naked Needle signals the editorial orientation of the “Terres d’écritures” collection, which is being published jointly by seven French-language publishers. A demanding collection of books that are destined to last, and which strongly reassert the universality of literature.

Year of publication : 2007,
260 pages,
14,5 X 22 cm

The Alliance is present at the Geneva African Book Fair (April 22 to 26, 2009) and gives you the opportunity to participate in a smart book donation operation. By buying one or several youth books produced in Africa from the African bookshop on the Fair, as well as a pre-paid envelope from the Alliance, you can mail the books yourself to a library in Africa.

The members of the Spanish-language network met at the Buenos Aires Book Fair in Argentina, from April 18 to 22, 2009. On this occasion, the representatives from 6 Latin-American collectives of independent publishers held a specific meeting to exchange their experiences.

Algiers, Tlemcen, Angers, Saint-Etienne, Firminy, Yaounde, Bamako, Philippe Dauchez, in all these cities, played of his art, theatre, as an actor, director or professor.

Once working with Albert Camus as an assistant, he was always impassioned for the integration of theatre in the City in all its forms, classical, popular, traditional... From large French scenes to Malians villages, he has always worked with the same simplicity and the same commitment. This book recalls his history, his passion for life, theatre and people, in a text which makes cross the intimacy and the universal, history and everyday life, erudite theatre and popular art. Pierre Chambert draws up us a poetic portrait of a man who put his very whole life at the service of a useful theatre.

Pierre Chambert, a poet and a writer, is an inspector-advisor for theatre and performing arts at the French Ministry of Culture and Communication. He is currently posted in Guyana, near Amazonia, its legends and its storytellers.

Year of publication: 2006, 256 pages

Invited in 1998 to a writers’ residence in Rwanda, Véronique Tadjo, from the Ivory Coast, discovered the remnants left by genocide. For collective memory’s sake, she decided to write in order to give faces, names, and lives to those that she met, whether victims or torturers. At times reporting, at times fiction, this novel gives a human perspective on one of the greatest dramas experienced by contemporary Africa. This work is a proof of literature’s ability to give a new look on the past and to help people relearn how to live together. In order that such barbarity doesn’t happen again.

From the Ivory Coast, Véronique Tadjo currently lives in South Africa. She writes books, collections of poetry, and children’s books. The “Grand Prix Littéraire d’Afrique Noire 2005” (Literary Grand Prize for sub-Saharan Africa) was awarded to her for the whole of her works.

Year of publication: 2006,
144 pages,
12 X 19 cm

Set up in Porto Alegre in 2001 in response to the Davos World Economic Forum, the World Social Forum has, with each publication, continued to flesh out, internationalize and build up its organization.
However, due to lack of information on the content of the debates, it has never succeeded in convincing the media, public opinion and politicians of its ability to put forward constructive ideas. A great many proposals have nevertheless emerged. Drawing on their memory of the previous forums, eleven editors, women and men from different regions of the world, covered the debates at Porto Alegre, for the 2005 WSF event, and collected the proposals that emerged from the eleven themes addressed. Their work demonstrates that the World Social Forum is a genuine vehicle for helping build a world community that is able to produce a significant amount of intellectual advances and put forward specific proposals based on its conviction that “another world is possible”.

Year of publication: 2006

Nathalie COOREN (French-Spanish)

Nathalie Cooren has a background in law (Master of Laws with a specialisation in European and international law) and in social sciences (Master in sociology of conflicts). After working several years in the field of international relations, where translation was an integral part of her daily life, she decided to make it her full-time job.
Several years spent abroad, particularly in Latin America, also made her aware of the importance of languages and the diversity of cultures. She translates from Spanish and English into French, for documents in the legal, institutional, political, environmental, tourism, marketing, and publishing fields, as well as books (see in particular "Guide du municipalisme : pour une ville citoyenne apaisée, ouverte”).

Danielle CHARONNET (French-Spanish)

Rachel MATTEAU MATSHA (French-English)

Rachel Matteau Matsha is senior lecturer at the Durban University of Technology (South Africa). Her research interests include book history, sociology of literature, Indian Ocean studies, and postcolonial studies. Born in Québec (Canada), she holds a BA in Literary Studies from the Université du Québec à Montréal, and a MA and PhD in African Literature from the University of the Witwatersrand in Johannesburg (South Africa). She is the author of Real and Imagined Readers. Reading, publishing and censorship under apartheid (UKZN Press, forthcoming 2018). She is collaborating with the International Alliance of independent publishers since 2013.

Volunteers come from time to time to support the permanent team of the Alliance for the implementation of the action plan of the association: we thank them very much for their involvement and their commitment!

Céline ANFOSSI
Céline Anfossi is specialised in project management and consultancy. She has worked in the book sector, mainly in coaching professionals (International Alliance of independent publishers, Fill-Interregional Federation of Books and Reading). She explores these issues through different projects and audiences (women seeking employment, students) and is particularly interested in the topic of professional integration.

Djamilatou DIALLO

Born in Tahiti, of Franco-Guinean parents, Djamilatou continued her studies in Paris in Lettres et Histoire (MA dissertation on Ancient History: “Patrons of cities in Roman Africa from the third to the fifth century: an epigraphic study”).
In the long term, Jamilatou would like to specialise in the protection and enhancement of heritage by working with different cultural organisations here or elsewhere.
Following a five-month internship at the Alliance (development of the 2018 WomenList and the HotList presented at the Frankfurt Book Fair, and the study on the textbook market in French-speaking Africa), Djamilatou is now a volunteer of the Association.

The ICIP includes the coordinators of the Alliance’s language networks; they are nominated by the members of the networks. Since 2011, the ICIP has been an essential part of governing the Alliance, representing the voice of the publishers. The ICIP meets once a year in the presence of the Board and the team of the Alliance. The agenda is based on the aspirations and objectives of the Alliance, considering above all the needs and expectations of the members.

Composition of the ICIP:

• Coordinator of the Arabic-language network: Samar Haddad, Syria (Atlas Publishing)

• Coordinators of the English-language network: Ronny Agustinus, Indonesia (Marjin Kiri) and Colleen Higgs, South Africa (Modjaji Books)

• Coordinators of the French-language network: Yasmin Issaka-Coubageat, Togo (Graines de Pensées); Dieulermesson Petit Frère, Haiti (LEGS ÉDITION) and Marie Michèle Razafintsalama, Madagascar (Jeunes malgaches)

• Coordinator of the Persian-language network: Azadeh Parsapour, UK/Iran (Nogaam)

• Coordinators of the Portuguese-language network: Carla Oliveira, Portugal (Orfeu Negro) and Sandra Tamele, Mozambique (Trinta Zero Nove)

• Coordinator of the Spanish-language network: Francisca Muñoz Méndez, Chile (Editoriales de Chile)

Click here to see the list of Alliance member publishers.