The Alliance

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities: fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

The notion of fair speech expands the idea of ‘free speech’ to incorporate the concept of justice. Indeed, in a context of media concentration, dominant powers (whether political, economic, religious, ideological, etc.) are the most represented and heard (because they are powerful or loud). Fair speech fosters speech equity for other voices that are often marginalised and/or censored to be heard. Fair speech therefore promotes an equitable access to expression (for example for women, historically marginalised groups, etc.), enabling an authentic diversity of voices. This concept was created by Betty McLellan in Unspeakable (Spinifex Press, 2010, Australia) and promoted by Susan Hawthorne in Bibliodiversity: A Manifesto for Independent Publishing (Spinifex Press, 2014, Australia).

The Dakar Declaration (December 2003) is the foundational text of the Alliance and birth certificate of the association. The Guadalajara Declaration (October 2005) is the outcome of a meeting held in Mexico between independent publishers from the Latin world.
The International Declaration of independent publishers for the protection and promotion of bibliodiversity (July 2007) was drafted and signed by the 70 publishers participating to the International Assembly of independent publishers held in Paris in 2007.
These three texts, as well as the 2014 International Declaration of independent publishers, are milestones in the history of the Alliance – they are a reminder, and bear witness to the present bearing testimony to the commitment of independent publishers, and serve as their policy guidelines.

Symbol of progress and of the reasoning process that tirelessly seeks to explain the real and the fate of the universe, science is also an extraordinary locus of dialogue between cultures via its tendency toward the universal.

Pierre Léna, an astrophysicist, lays out a “promenade of science” mentioning questions that everyone asks themselves. Isn’t science, the search for the invisible through visible appearances, only the domain of specialists? A patient exercise in proof or an elaborate mathematical structure, maybe even a subtle relationship between truth and change?

A specialist in the human gene, Yang Huanming offers the Chinese perception of science, tied to cosmology, wisdom and the vision of the universe and the forces that drive it. He also addresses the ethical dimension in terms of the human genome.

The geography of time zones instructs us that when Paris goes to sleep, Shanghai wakes up. But if you ask a Chinese writer and a French writer to tell you what night is, they won’t talk (much) about sleep. Tang Ke Yang, a young specialist in comparative literature, and Martine Laffon, a philosopher, are too fascinated with the many facets of night to leave its riches to slumberers. The journey that they each propose to us, to the end of the night of their souls – and of their civilizations – is an invitation to see in the dark what we don’t see, to look into the night of the other to better understand him and to better understand ourselves.
They say that night illuminates. Gone is the fear of the child lost in the darkness; a mysterious alchemy emerges by which the night, as if by surprise, reveals something to us about the infinite. Tang Ke Yang and Martine Laffon have each had personal experience with it. One of them discovered in the night a “space of nonchalance in our life horsewhipped by reason”; for the other, nocturnal time reveals “what the eye and the other senses can no longer distinguish, for they have forgotten what they knew so well in the light of day.” Sleepless nights, those (so French) nights of mischief, once-forbidden nights in China when no one could stroll without special permission, nights of intoxication and nights of lucidity, nights of Pascal and Descartes when they did their best thinking, inner nights and trap-nights, nights of lamps, red lanterns and Chinese candles, nights celebrated according to Christian tradition, night of writers and poets. Based on this litany of evocations set forth by the two writers, we can categorically deny the doubt expressed in passing by Martine Laffon: “And what if night were only night?”

Year of publication: 1999

African literature in French is today better represented and better known in Europe than in Africa, where its distribution remains hampered by many obstacles. However, there are solutions, which require the mobilisation of various stakeholders in the book industry. One solution is co-publishing, based on a joint trade agreement. The publication of “L’Ombre d’Imana” by Véronique TADJO, a groundbreaking example of pan-African co-publishing, proves that it is possible, through joint action, to create the conditions necessary for a (re)appropriation by Africa of its literature. To make this possible, the Alliance is appealing to everyone, authors, publishers and institutions alike, to join forces and promote the bibliodiversity at the heart of the francophone spirit. This appeal is endorsed by many authors and book industry professionals.

This meeting, organized by Cerlalc, the Colombian Department of Education, the Book Chamber of Colombia and the Cultural affairs of the city of Bogotá, was special in that it enabled the exchange of experiences between independent publishers from Colombia, from the Alliance (Germán Coronado (Ediciones Peisa, Peru), Pablo Harari (Trilce, Uruguay), Ivana Jinkings (Boitempo, Brazil), Anne Marie Métailié (Editions Métailié, France), Paulo Slachevsky (Lom Ediciones, Chile), Marcelo Uribe (Ediciones Era, Mexico), Thierry Quinqueton, Chairman of the Alliance, and other professionals of the book sector.

An emphasis was put on the theme of new technologies (on-demand printing, Google books search, ebooks) and on their impact on the very know-how of publishers.

Two major aspects of this meeting were the formal creation of REIC (Red de Editoriales Independientes de Colombia) through the signature of its by-laws and the drafting of the Bogota Declaration (see below).

Read: The ninth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

10 publishing houses from 10 different countries were indeed represented in an especially fit out 60 m² space. Five publishers were present and stayed for 6 days in tune with the fair: Russel Clarke (Jacana Media, South Africa), Béatrice Lalinon Gbado (éditions Ruisseaux d’Afrique, Benin), Marianna Warth (Pallas Editora, Brazil), Marie-Michèle Razafinstalama (éditions Prediff, Madagascar) and Paulin Assem (éditions Graines de pensées, Togo) thus participated both in setting up the stand as well as in managing it.

Read: The eighth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

The Peruvian publishers that were present at the International Assembly in Paris last July (Germán Coronado, Ediciones PEISA and Álvaro Lasso, Estruendomudo), have participated in founding the Alianza Peruana de Editores in Lima in September. The creation of this Alliance, which gathers about twenty independent, academic and autonomous publishers, is perfectly in line with the appeal launched by signatory publishers in International Declaration of Independent Publishers for the protection and promotion of bibliodiversity (Paris, July 2007): “we call upon independent publishers everywhere in the world to join forces –whether at the national, regional, or international level– creating associations and other collective bodies which will permit us to better defend our rights, and to make our voices heard.”
According to Germán Coronado : “Esta nueva entidad gremial nace como un reflejo de lo que aconteció en París en julio pasado.” (“This new collective entity is born as a reflection of what happened in Paris last July").
The statutes of this Peruvian Alliance are available on the following link: http://alpe.wordpress.com

We wish this national association of independent publishers success in protecting and fostering bibliodiversity as well as its Latin American counterparts (AEMI in Mexico, EDINAR in Argentina, LIBRE in Brazil).

75 independent publishers from more than 45 countries – including members of associations representing over 380 publishing houses – gathered in Paris in the French National Library from July 1-4, 2007 for an International Assembly on Independent Publishing. In the International Declaration of Independent Publishers, they reaffirm their intention to resist and to act with a common purpose.

International Assembly on Independent Publishing -
Paris, 1-4 July, 2007

Nathalie COOREN (French-Spanish)

Nathalie Cooren has a background in law (Master of Laws with a specialisation in European and international law) and in social sciences (Master in sociology of conflicts). After working several years in the field of international relations, where translation was an integral part of her daily life, she decided to make it her full-time job.
Several years spent abroad, particularly in Latin America, also made her aware of the importance of languages and the diversity of cultures. She translates from Spanish and English into French, for documents in the legal, institutional, political, environmental, tourism, marketing, and publishing fields, as well as books (see in particular "Guide du municipalisme : pour une ville citoyenne apaisée, ouverte”).

Danielle CHARONNET (French-Spanish)

Rachel MATTEAU MATSHA (French-English)

Rachel Matteau Matsha is senior lecturer at the Durban University of Technology (South Africa). Her research interests include book history, sociology of literature, Indian Ocean studies, and postcolonial studies. Born in Québec (Canada), she holds a BA in Literary Studies from the Université du Québec à Montréal, and a MA and PhD in African Literature from the University of the Witwatersrand in Johannesburg (South Africa). She is the author of Real and Imagined Readers. Reading, publishing and censorship under apartheid (UKZN Press, forthcoming 2018). She is collaborating with the International Alliance of independent publishers since 2013.

Volunteers come from time to time to support the permanent team of the Alliance for the implementation of the action plan of the association: we thank them very much for their involvement and their commitment!

Céline ANFOSSI
Céline Anfossi is specialised in project management and consultancy. She has worked in the book sector, mainly in coaching professionals (International Alliance of independent publishers, Fill-Interregional Federation of Books and Reading). She explores these issues through different projects and audiences (women seeking employment, students) and is particularly interested in the topic of professional integration.

Djamilatou DIALLO

Born in Tahiti, of Franco-Guinean parents, Djamilatou continued her studies in Paris in Lettres et Histoire (MA dissertation on Ancient History: “Patrons of cities in Roman Africa from the third to the fifth century: an epigraphic study”).
In the long term, Jamilatou would like to specialise in the protection and enhancement of heritage by working with different cultural organisations here or elsewhere.
Following a five-month internship at the Alliance (development of the 2018 WomenList and the HotList presented at the Frankfurt Book Fair, and the study on the textbook market in French-speaking Africa), Djamilatou is now a volunteer of the Association.

The ICIP includes the coordinators of the Alliance’s language networks; they are nominated by the members of the networks. Since 2011, the ICIP has been an essential part of governing the Alliance, representing the voice of the publishers. The ICIP meets once a year in the presence of the Board and the team of the Alliance. The agenda is based on the aspirations and objectives of the Alliance, considering above all the needs and expectations of the members.

Composition of the ICIP:

• Coordinator of the Arabic-language network: Samar Haddad, Syria (Atlas Publishing)

• Coordinators of the English-language network: Ronny Agustinus, Indonesia (Marjin Kiri) and Colleen Higgs, South Africa (Modjaji Books)

• Coordinators of the French-language network: Yasmin Issaka-Coubageat, Togo (Graines de Pensées); Dieulermesson Petit Frère, Haiti (LEGS ÉDITION) and Marie Michèle Razafintsalama, Madagascar (Jeunes malgaches)

• Coordinator of the Persian-language network: Azadeh Parsapour, UK/Iran (Nogaam)

• Coordinators of the Portuguese-language network: Carla Oliveira, Portugal (Orfeu Negro) and Sandra Tamele, Mozambique (Trinta Zero Nove)

• Coordinator of the Spanish-language network: Francisca Muñoz Méndez, Chile (Editoriales de Chile)

Click here to see the list of Alliance member publishers.