The Alliance

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article « Bibliodiversity » on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures !

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities : fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale ; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities ; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

The notion of fair speech expands the idea of ‘free speech’ to incorporate the concept of justice. Indeed, in a context of media concentration, dominant powers (whether political, economic, religious, ideological, etc.) are the most represented and heard (because they are powerful or loud). Fair speech fosters speech equity for other voices that are often marginalised and/or censored to be heard. Fair speech therefore promotes an equitable access to expression (for example for women, historically marginalised groups, etc.), enabling an authentic diversity of voices. This concept was created by Betty McLellan in Unspeakable (Spinifex Press, 2010, Australia) and promoted by Susan Hawthorne in Bibliodiversity : A Manifesto for Independent Publishing (Spinifex Press, 2014, Australia).

The Dakar Declaration (December 2003) is the foundational text of the Alliance and birth certificate of the association. The Guadalajara Declaration (October 2005) is the outcome of a meeting held in Mexico between independent publishers from the Latin world.
The International Declaration of independent publishers for the protection and promotion of bibliodiversity (July 2007) was drafted and signed by the 70 publishers participating to the International Assembly of independent publishers held in Paris in 2007.
These three texts, as well as the 2014 International Declaration of independent publishers, are milestones in the history of the Alliance – they are a reminder, and bear witness to the present bearing testimony to the commitment of independent publishers, and serve as their policy guidelines.

Bibliodiversity… it is the daily life of independent publishers, what drives them. Why make it a special day, then ? To celebrate Spring Day in the Southern Hemisphere, for books to occupy public spaces, to share, connect, exchange, discuss, and have fun… Because diversity of ideas is essential to the construction of democratic societies, because independent publishers are its actors, together with authors, translators, illustrators, booksellers, librarians…

This year, some planned festivities and activities include :
• In Quebec, Mémoire d’encrier publishers, in partnership with the Maison de la Syrie (‘the House of Syria’), facilitate a Quebec-Syria literary meeting
• In Syria, Atlas Publishing convene booksellers and publishers in the heart of Damas
• In Chile, EDIN collective will distribute a list of independent publishers’ works in the country’s main libraries ; filmed activities will be held throughout the day
• In Colombia, public spaces (parks, public places) will be animated by publishers from the REIC collective…
• In Italy, the independent publishers members of the FIDARE get themself heard through a call
• In Spain, the ministry of Culture is launching a campaign in favor of bibliodiversity
• In Peru, the collective of independent publishers EIP is organizing an Independent Book Fair, from 23 to 25 September, to follow on facebook
• In Argentina, the collective of independent publisers EDINAR is planning bookcrossing, literary meetings...

Follow all the activities on the Alliance website and social media.

And have a look on the official B Day 2016 video !

« Elles marchent côte à côte, serrées l’une contre l’autre, avancent à petits pas vers jedu. La végétation les empêche d’aller plus vite. Elles ne se sont pas munies d’un coutelas, pour trancher les branches rebelles. D’ailleurs, elles ont tout leur temps. Il en est ainsi, lorsqu’on ignore où l’on va : point n’est besoin de se hâter... De quoi s’inquiéter quand on a tout perdu ? »
Dire, avec les mots les plus justes, l’interminable douleur de ceux qui restent après le départ du grand « poisson de fer » des étrangers aux « pieds de poule », tel est le mérite de ce roman de Léonora Miano. Rarement un roman a su nous faire vivre avec autant d’émotion le désespoir et le désarroi des familles frappées en pleine nuit par le feu prédateur des négriers.

Née à Douala (Cameroun) en 1973, Léonora Miano vit en France depuis 1991. L’Intérieur de la Nuit, son premier roman, est paru en 2005. Une dizaine d’autres ont suivi depuis lors, recevant de nombreuses distinctions littéraires. Son écriture s’attache aux expériences subsahariennes et afrodescendantes, les inscrivant dans la conscience du monde. La Saison de l’Ombre a reçu le prix Femina 2013.

Date de publication de la version panafricaine : 2016, 11,5 X 19 cm
Édition première en France : Grasset (2013)

Une coédition solidaire « Le livre équitable ».

« Un système économique et social est en état d’équilibre
dynamique lorsque des voix différentes peuvent être entendues ».

Inspiré de la notion de biodiversité, le terme « bibliodiversité » fait référence à un ensemble de publications variées dans le paysage éditorial, représentatives d’un système culturel équilibré où toutes les voix peuvent s’exprimer. Aujourd’hui, l’uniformisation des médias et la concentration des secteurs de l’édition et de la librairie favorisent le développement d’une culture standardisée et soumise, à grand renfort de campagnes marketing, à des exigences de rentabilité plus que d’originalité et de qualité. En quête d’une autre voix, les petits éditeurs indépendants entendent bien maintenir la diversité culturelle.

S’inspirant de son propre parcours, l’auteure, militante féministe australienne et éditrice indépendante engagée, fait ici le lien entre l’évolution de la place de la femme dans notre société et la bibliodiversité, entre l’oppression des femmes et celle
des créations à la marge, dédaignées par les poids lourds de l’édition. À l’heure du numérique et de l’autopublication, elle rappelle les fonctions indispensables de relecture et de mise en forme assurées par l’éditeur, qui garantissent la qualité d’un
ouvrage. Elle s’attache aussi à mettre en avant les talents d’innovation des petites structures indépendantes, développant une nouvelle forme d’ « écologie de l’édition » en marge des grosses structures vers une véritable bibliodiversité du XXI^e siècle.

Une traduction de l’anglais vers le français, couplée à une coédition solidaire entre 4 éditeurs en France (éditions Charles Léopold Mayer), en Suisse (éditions d’en bas), au Mali (Jamana) et au Cameroun (Presses universitaires d’Afrique).

From October, 19th to 23rd, meet the independent publishers at the Frankfurt Book Fair : more than 25 publishing houses from all around the world will be there !

You can find the publishers’ contact on the attached document. Do not wait to make an appointment !

The International Alliance of independent publishers demands that Turkish authorities immediately release publishers, authors and journalists currently detained. It is necessary to guarantee freedom of speech and publishing in Turkey. The Alliance joins the Turkish Publishers Association’s condemnation of the summary closure of publishing houses and media as a clear human rights violation, and urges the Turkish authorities to rescind those summary closures.

Through the support of the Organisation internationale de la Francophonie and the partnership established with the Ivorian publishers association (Assedi), the Alliance’s Digital Lab will convene 18 publishers from Sub-Saharan Africa from 23 to 27 May, to a workshop focusing on :
* the production and marketing of digital books (session facilitated by Gilles Colleu, Vents d’ailleurs, France) ;
* management of the Alliance Press web template developed by the Alliance for publishers who do not have websites (session facilitated by Mouhammed Diop, Senegalese developer and designer of Alliance Press).

The workshop follows on the series of meetings/training workshops designed and implemented by the Alliance since 2010, and is aimed at publishers in particular from French-speaking Africa. In order to share knowledge and encourage ownership, all workshops and meetings of the Alliance are complemented by factsheets published on the Digital Lab website, and personalised online tutorials.

The workshop will be held at the occasion of the Abidjan Book Fair (26-28 May, Palais de la Culture), and will provide the opportunity for publishers to share the collective stand of the Afrilivres association. The Afrilivres Prize will be awarded on that occasion, in the presence of the recipient of the 2015 prize : Valesse publishers from Ivory Coast.

The Brazilian publishers collective LIBRE will host, on 21 and 22 May, the 3rd edition of the Book Fair for independent publishers focusing on children’s books. Gathering 40 independent publishers, this event takes place at Tom Jobin Theater, at the Botanical Garden’s area.
On this occasion, and through the support of the Alliance, Portuguese publisher Carla Oliveira (Orfeu Negro) will go to Brazil to share her experience with Brazilian publishers, and strengthen solidary partnerships between Portugal and Brazil. Read more information here.

Organised by Afrilivres Association, through the support of its partners and the support of OMEL (Malian book publishers organisation), the first edition of the African Languages Book Fair will convene professionals, academics, institutions, NGOs, and the general public for 3 days of discussions, sharing, exhibition, and sale of books in African languages. An unprecedented and unique event, not to be missed !

Une traduction de l’anglais vers l’arabe, couplée à une coédition solidaire entre 5 éditeurs en Égypte (Elain publishing), au Liban (Dar Al Farabi et Al Intishar), en Syrie (Atlas publishing) et en Tunisie (Med Ali).

Nathalie COOREN (French-Spanish)

Nathalie Cooren has a background in law (Master of Laws with a specialisation in European and international law) and in social sciences (Master in sociology of conflicts). After working several years in the field of international relations, where translation was an integral part of her daily life, she decided to make it her full-time job.
Several years spent abroad, particularly in Latin America, also made her aware of the importance of languages and the diversity of cultures. She translates from Spanish and English into French, for documents in the legal, institutional, political, environmental, tourism, marketing, and publishing fields, as well as books (see in particular "Guide du municipalisme : pour une ville citoyenne apaisée, ouverte”).

Danielle CHARONNET (French-Spanish)

Rachel MATTEAU MATSHA (French-English)

Rachel Matteau Matsha is senior lecturer at the Durban University of Technology (South Africa). Her research interests include book history, sociology of literature, Indian Ocean studies, and postcolonial studies. Born in Québec (Canada), she holds a BA in Literary Studies from the Université du Québec à Montréal, and a MA and PhD in African Literature from the University of the Witwatersrand in Johannesburg (South Africa). She is the author of Real and Imagined Readers. Reading, publishing and censorship under apartheid (UKZN Press, forthcoming 2018). She is collaborating with the International Alliance of independent publishers since 2013.

Volunteers come from time to time to support the permanent team of the Alliance for the implementation of the action plan of the association : we thank them very much for their involvement and their commitment !

Céline ANFOSSI
Céline Anfossi is specialised in project management and consultancy. She has worked in the book sector, mainly in coaching professionals (International Alliance of independent publishers, Fill-Interregional Federation of Books and Reading). She explores these issues through different projects and audiences (women seeking employment, students) and is particularly interested in the topic of professional integration.

Djamilatou DIALLO

Born in Tahiti, of Franco-Guinean parents, Djamilatou continued her studies in Paris in Lettres et Histoire (MA dissertation on Ancient History : “Patrons of cities in Roman Africa from the third to the fifth century : an epigraphic study”).
In the long term, Jamilatou would like to specialise in the protection and enhancement of heritage by working with different cultural organisations here or elsewhere.
Following a five-month internship at the Alliance (development of the 2018 WomenList and the HotList presented at the Frankfurt Book Fair, and the study on the textbook market in French-speaking Africa), Djamilatou is now a volunteer of the Association.

The ICIP includes the coordinators of the Alliance’s language networks ; they are nominated by the members of the networks. Since 2011, the ICIP has been an essential part of governing the Alliance, representing the voice of the publishers. The ICIP meets once a year in the presence of the Board and the team of the Alliance. The agenda is based on the aspirations and objectives of the Alliance, considering above all the needs and expectations of the members.

Composition of the ICIP :

• Coordinator of the Arabic-language network : Samar Haddad, Syria (Atlas Publishing)

• Coordinators of the English-language network : Ronny Agustinus, Indonesia (Marjin Kiri) and Colleen Higgs, South Africa (Modjaji Books)

• Coordinators of the French-language network : Yasmin Issaka-Coubageat, Togo (Graines de Pensées) ; Dieulermesson Petit Frère, Haiti (LEGS ÉDITION) and Marie Michèle Razafintsalama, Madagascar (Jeunes malgaches)

• Coordinator of the Persian-language network : Azadeh Parsapour, UK/Iran (Nogaam)

• Coordinators of the Portuguese-language network : Carla Oliveira, Portugal (Orfeu Negro) and Sandra Tamele, Mozambique (Trinta Zero Nove)

• Coordinator of the Spanish-language network : Francisca Muñoz Méndez, Chile (Editoriales de Chile)

Click here to see the list of Alliance member publishers.