English

The touring “Tehran Book Fair, Uncensored”, organized in May in the same time as Tehran Book Fair in Iran, will occur for the third year, thanks to Farsi-speaking publishing houses based in Europe and North America.

Publishers, authors, and translators from and into Farsi are thus gathering in several cities in Europe and North America to circulate Farsi books (especially some censored in Iran) and books about Iran (in French, English, German…).

A special occasion to know a literature that has escaped from the censors. A free literature. Some muzzled voices that express themselves.

From May 4 to 27, 2018, the Tehran Book Fair Uncensored will occur in:

• London (UK), May 4-6, at the Library for Iranian Studies
• Markham (Ontario, Canada), May 5, at Bamdad Book Store
• Cologne (Germany), May 8-9, at Forough Book Store
• Hamburg (Germany), May 10, at Rothenbaumchaussee 34
• Paris (France), 11-12 May, at the Charles Léopold Mayer Fondation (Paris 11)
• Paris (France), May 13, at the Palais de la Femme (Paris 12)
• Bremen (Germany)
• Berlin (Germany)
• Copenhagen (Denmark)

Other places and dates planned in the end of May will be updated on the website Uncensored book. More details: +33 (0)1 72 40 84 40 / www.uncensoredbook.com.

Read here the article published by Publishing Perspectives, on May 16, 2018.

Some resources to know more on the subject:

• Publishing in Persian language, a study realised by the Alliance in 2015
• “To be an Iranian publisher in France”, testimony by Tinouche Nazmjou (Naakojaa/éditions du non-où publishing house), February 2016 (in French)

Publishers from the Alliance condemn the banning of the book El desarme, la vía vasca d’Iñaki Egaña (copublished by Txalaparta, Gara journal, and Mediabask media), during its promotion on Basque radio-television.

On Saturday 24 March, independent publishers and booksellers propose readers to celebrate Indie Book Day. The principle is simple: you just need to go in your favourite independent bookshop, to buy a book published by an independent publisher. Then, you are invited to share a picture of the book on the social networks (Facebook, Twitter, Instagram…), with the hashtag #indiebookday.

Indie Book Day aims to highlight the creativity, diversity and dynamism of independent publishing and make readers aware of the essential aim played by independent bookshops in favour of bibliodiversity.

Created in 2013 in Germany by the Hamburg-based publishing house Mairisch Verlag –member of the German association of independent publishers Kurt Wolff Stiftung, the Indie Book Day has first met a great success in Germany, and then has been celebrated also in other countries – like the UK, Italy, Portugal, and Brazil. For this special occasion, independent bookshops promote the event (posters in their bookshops, specific campaign on the social networks). To help readers to make their choice, specific spaces can be proposed in the bookshop to focus on the diversity of independent publishing.

In 2018, the Kurt Wolff Stiftung (Germany), the ODEI (Italy) and the International Alliance of independent publishers (550 publishers from more than 52 countries around the world) keep fostering the Indie Book Day.

Indie Book Day website: www.indiebookday.de/english

Indie Book Day was created in 2013, by German independent publishers; since last year, it has been celebrated in other countries, thanks to independent publishers collectives and the Alliance.

How it works: On the third Sunday of March, readers are invited to visit an independent bookshop, buy a book published by an independent publisher, and post a picture of the book on social media with the hashtag #indiebookday. Booksellers and publishers can then organize a common campaign ahead of the event, to inform their communities (posters in the bookshops, information on social media and websites, etc.).

Find here Indie Book Day logos and more information on the official Indie Book Day website.

Bibliodiversity Day was created in 2010 by Latin American publisher members of the Alliance.

Since then, it has happened every year in numerous countries, especially in Latin America. On September 21, the first day of spring for the southern hemisphere, publishers, booksellers, book professionals and readers are invited to celebrate independent publishing and bibliodiversity.

How it works: All ideas and activities are welcome, coming from publishing houses, collectives of independent publishers, book professionals, and readers: bookcrossing, literary picnics, professional meetings, public readings, radio broadcasts, newspaper articles…

See here the literary and multilingual sound card for B-Day 2021 (and the Alliance’s 20^th anniversary).

Download B Day logos and visit the blog here.

Watch all B Day videos here->https://eldiab.org/videos-oficiales/.

• Instagram: https://www.instagram.com/indpub/
• Facebook: https://www.facebook.com/bibliodiversidad/

New edition published in 2017 by la marca editora (Argentina), co-published with EDINAR (Argentina) and CERLALC.
Book initially published by CERLALC.

ISBN: 978-950-889-299-7
264 pages / 20 X 25 cm

More information.

See also below the Peruvian publication of the Manual de edición, published by La Travesía Editora, Peruvian publisher, member of the collective EIP in Peru.

Children’s illustrated book – bilingual French-Malagasy edition
Translated from Portuguese (Brazil) into French by Joana Cabral, translated into Malagasy by Veloniaina Rabakoly

Éditions Jeunes Malgaches, 2014, 32 pages.
Original edition: Pallas Editora (Brazil)

ISBN: 978-2 916362-42-7

Selling price: 16 0000 Ar (4 €)

This book is the result of several meetings between publishers who are members of the International Alliance of Independent Publishers (“Children’s literature” group of the Alliance), at book fairs (collective stand for young readers) and through workshops on children’s books. These opportunities of sharing mutual knowledge, know-how, and discussions foster unprecedented editorial partnerships. By supporting and promoting these partnerships, the members of the Alliance participate in the circulation of texts and ideas from one continent to another, but also from one language to another. Through these solidarity-based editorial partnerships, translation flows that are still “rare” are being developed, for example here from Brazilian Portuguese to Malagasy.

Translated from Portuguese (Brazil) into French by Flavio Corrêa de Mello

Ruisseaux d’Afrique (Benin), 2012; 37 pages
Original edition: Pallas Editora (Brazil)

After Ouagadougou, Tunis, Dakar, Abidjan ... it is in Conakry – UNESCO World Book Capital in 2017 – that will be held the next digital workshop of the Alliance, bringing together more than 15 publishers from West Africa, Central Africa and Madagascar. This workshop, facilitated by publishers and typographers, will explore digital tools to solve the typographical problems encountered in the production of books in local languages.

This workshop is supported by the International Organization of the Francophonie and is held thanks to the partnership with Ganndal publishers, a member of the Alliance in Guinea Conakry.

Ganndal publishing, who are celebrating their 25^th year in 2017, are also organizing several activities during this period, to be held at the Centre culturel franco-guinéen. Publishers participating in the workshop will participate to some of these events, and will speak at the symposium on children’s literature in Africa:
• Colloquium on children’s literature in Africa: 22 to 23 November
• Children Book Fair: from 23 to 26 November
• Colloquium on the challenges related to the promotion and distributing of books in African languages: 27 and 28 November
Overview of the activities and programme here.

The ecology of the book is concerned with ideas and professional practices towards a sustainable, decolonial and geopolitical ecology of the book, involving all the actors of the world of books and taking into account their interdependence.

These ideas and practices seek to articulate several dimensions and include all the actors involved in the production of books, from creation, layout and publication to reading, including printing, distribution and sale in bookshops.

In addition to these material dimensions linked to the production of books (inputs, choice of paper, transport from the printing press), there are symbolic dimensions, which reflect on the use of books and bibliodiversity. Finally, book ecology also takes into consideration the external factors impacting on the book industry and the book market, in particular the social and environmental dynamics informing a sustainable ecological perspective.

Book ecology is therefore a concept that refers to a complex, collective and interprofessional understanding of all the practices linked to the production of books. It seeks to foster dialogue between professionals to bring about structural and thoughtful changes for greater eco-responsibility and bibliodiversity.

About the project:
‘Publishing & Book Culture in Africa’ is a new project headed by Caroline Davis, Associate Professor in Publishing, Department of Information Studies, Centre for Publishing, at University College London. With the support of a British Academy Mid-Career Fellowship – and in association with Beth le Roux, Associate Professor of Publishing Studies at the University of Pretoria in South Africa – the intention is to set up a virtual network bringing together publishing researchers/educators across Africa. The network will serve as a platform of linking researchers, as well as a way of accessing databases of information about publishing in Africa; and to provide information about ongoing and past projects and open-access publications and research resources, including those generated by current research projects. A responsive and mobile-friendly project website ’Publishing & Book Culture in Africa’ is shortly to be launched.

As part of a wide range of resources to be made available, Hans Zell was commissioned to create the Repository, and which is now freely accessible in a Pilot edition on the Hans Zell web pages for a limited period of time. The final version will be hosted on the Network’s website later in the year.

Read more here.

Access the Pilot edition here

Read the content here:

• Introduction
• Kenya: Muthoni Garland; †Marjorie Oludhe Macgoye; Ruth Makotsi
• Liberia: Elma Shaw
• Mozambique: Sandra Tamele
• Nigeria: Enajite Efemuaye; †Irene Fatayi-Williams; Azafi Omolabi-Ogosi; Mabel Segun
• South Africa: Michele Betty; Henrietta Dax; Dorothy Dyer; Vangile Gantsho; Eve Gray; Veronica Klipp; Elizabeth le Roux; Alison Lowry; Gill Moodie; Alice Wairimū Nderitū; Lorato Trok; Elitha van der Sandt
• Uganda: Nyana Kakoma; Crystal Rutangye; Hilda Twongyeirwe
• Zambia: Fay Gadsden
• Zimbabwe: Kathy Bond-Stewart; Trish Mbanga; Emma O’Beirne

Available in a pre-print version at: https://www.academia.edu/76616001/Women_in_African_Publishing_and_the_Book_Trade_A_Series_of_Profiles_Series_II

Pre-print version uploaded on Academia.edu April 2022
Final print/online version to appear in The African Book Publishing Record,
Volume 48, Issue 2, (June 2022) https://www.degruyter.com/view/j/abpr

Copyright © Hans Zell Publishing Consultants 2022

Read here the Serie I: Women in African Publishing and the Book Trade: A Series of Profiles, by Hans M. Zell, October 2020

The Independent Publishing Glossary is a collective project led by publishers from the Spanish-language network of the International Alliance of Independent Publishers.

It shows the meanings and definitions of words commonly used in publishing. It is an evolving project, which will be enriched over time in order to include new concepts and to take into account other proposal for definitions. The idea is not to freeze or petrify the concepts, but to open them up to enhance their multiple meanings.

Each term is signed by the person who worked on the definition. The glossary was edited by Germán Gacio Baquiola (Corredor Sur Editorial, Ecuador / Colectivo Editores independientes de Ecuador), Teresa Gottlieb, (Editorial Maitri, Chile), Paulo Slachevsky (Lom Ediciones, Chile) and Miguel Villafuerte, (Editorial Blanca, Ecuador).

To order this title digitally (in French), it’s here!
Sales price (digital copy – PDF version): 5 Euros
ISBN: 978-2-490855-27-8

Publication: February 2022

Presentation
The world of books and writing is not necessarily diverse. Like all places of power, whether real or symbolic, it does not escape the forms of exclusion and predation that can be observed elsewhere in society.
By deliberately favouring a plurality of approaches to the question of inclusion, this issue of the journal attempts to explore a multidimensional phenomenon. Thus, whether through feminism, indigenousness, the LGBTQ+ movement or by considering those excluded from the written word, the authors question the inclusive capacity of this sector.
Beyond the observations, they propose practical examples (collected in France, Quebec, Belgium, Spain, India...) to promote inclusion: the establishment of a gender editor within an editorial office, the creation of a native publishing house, the management of bookshops, publishing houses or feminist or gay journals, the reflection of librarians on the conditions of reception of minorities, etc.
Little by little, thanks to these many initiatives, often without wanting to polemicise or to whitewash issues, professionals are fighting discrimination daily and promoting the expression of real diversity.

“Bibliodiversité” is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all the other issues of the journal here (“The alternatives. Ecology, social economy : the future of the book ?”, “Minority languages”, "Public book policies”, “Self-publishing”, “Publishing and commitment”, “Translation and Globalization”...)

Discover publishers’ backgrounds, get to know their work and their publications, and listen to the voice of independent publishers… by reading the exclusive publishers portraits in this section!

In partnership with the online magazine ActuaLitté, interviews with publishers member of the Alliance are regularly added here. Explore the interviews:
* Élodie Comtois (Écosociété publishers in Québec),
* Samar Haddad (Atlas Publishing in Syria),
* Marie Michèle Razafintsalama (Jeunes malgaches in Madagascar),
* Constanza Brunet (Marea Editorial in Argentina),
* Antoinette Koleva (KX Critique & Humanism in Bulgaria),
* Karine Joseph (Sirocco in Morocco),
* Colleen Higgs (Modjaji Books in South Africa),
* François Nkémé (Proximité in Cameroon),
* Aliou Sow (Ganndal, Guinea Conakry),
* Ritu Menon (Women Unlimited in India).
* Ivana Jinkings (Boitempo in Brazil),
* Sophie Bazin and Johary Ravaloson (Dodo vole in Madagascar),
* Dorota Hartwich (Format in Poland),
* Amanda Crocker (Between the Lines, Canada),
* Dieulermesson Petit Frère (LEGS Édition, Haiti),
* Corinne Fleury (Atelier des nomades, Mauritius),
* Abdulai Sila (Ku Si Mon, Guinea Bissau),
* Susan Hawthorne (Spinifex Press, Australia),
* Dan Bomboko (Elondja, Democratic Republic of Congo).

To order this title digitally, it’s here!
Sales price (digital copy – PDF version): 5 Euros
ISBN: 978-2-490855-11-7

Sales price (hardcopy): 15 Euros
Format: 14,5 X 21 cm; 236 pages
ISBN: 978-2-490855-10-0

Publication: February 2021

Bibliodiversité is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all the other issues of the journal here (“Minority languages”, "Public book policies”, “Self-publishing”, “Publishing and commitment”, “Translation and Globalization”...)

Presentation
At a time when environmental concerns are becoming more and more important and when traditional production patterns are increasingly being questioned, is there such a thing as an ecological, responsible and solidarity book?
At a time when a significant proportion of printed books end up unread and when the physical flow of books generates significant greenhouse gas emissions, printers, publishers, booksellers and distributors are questioning their practices and the impact they have.
They are proposing alternatives to the dominant system to respond to these challenges – and thus define the future of the book?

In just this past month, three prominent Iranian writers, translators, and members of the Association of Iranian Writers, Bektash Abtin, Kayvan Bazhan, and Reza Khandan Mahabadi, and journalist and sociology researcher, Khosrow Sadeghi Boroujeni, have been sentenced to prison on charges of “propaganda against the Islamic Republic of Iran, and gathering and collusion with the intent of acting against national security.”

These accusations, which have led to long prison sentences and the charges levied are false. Their objectives are to further oppress writers and the people of Iran.
At a time when the world is under crisis by the pandemic, Iran, and especially within its prisons has a very unstable environment, with the increasing spread of Coronavirus among inmates.

We as authors and scholars would like to ask you to let the voices of our fellow authors in prison be heard by the people of the world and to demand their immediate release.

• Daryoush Ashouri, Author, Translator and the Co-founder of the Association of Iranian Writers
• Ervand Abrahamian, Author and Professor Emeritus, City University of New York
• Azar Nafisi, Author
• Faraj Sarkohi, Writer, Journalist, Literature Critic; A Member of German Pen; The Recipient of Kurt-Tucholsky-prize; World Association of Newspapers’ Golden Pen of Freedom Award and World Press Freedom
• Hero by International Press Institute
• Akram Pedramnia, Author, Translator; A Member of Pen Canada; the Recipient of James Joyce Foundation Scholar
• Moniro Ravanipour, Author
• Mohsen Yalfani, Author and Translator
• Nasim Khaksar, Author and Critic
• Reza Allamehzadeh, Moviemaker and Writer
• Morad Farhadpour, Author, Translator and Critical Theorist
• Akbar Masoumbaigi, Author, Translator and a Member of the Association of Iranian Writers
• Babak Ahmadi, Author, Translator and Philosophy Researcher
• Peyman Vahabzadeh, Author and Professor, University of Victoria
• Sohrab Behdad, Denison University, USA
• Farshin Kazeminia, Pierre and Marie Curie University (Paris 6)
• Amir Kianpour, PhD Candidate, University of Paris 8 Vincennes-Saint-Denis
• Mehran Mostafavi, Sacly University (Paris), Professor
• Iman Ganji, PhD in Art Philosophy and Philosophy Researcher, Free University of Berlin
• Mehrdad Darvishpour, Senior Lecturer and Associate Professor, Sociologist, Mälardalen University
• Farhad Nomani, Professor Emeritus of Economics, The American University of Paris
• Soheil Asefi, Journalist and PhD student in History, The Graduate Center, The City University of New York (CUNY)
• Saeed Hariri, Moderator, Toronto Book Club
• Azadeh Parsapour, Translator, Editor and Publisher
• Arash Kia, Faculty of Institute for Healthcare Delivery Science, Icahn School of Medicine at Mount Sinai, New York

Women in African Publishing and the Book Trade: A Series of Profiles, by Hans M. Zell, October 2020

Read here the content:

• Ghana: Deborah Ahenkorah; Ama Dadson; Akoss Offori-Mensah
• Kenya: Serah Mwangi; Janet Njoroge; Lily Nyariki; †Asenath Bole Odaga
• Namibia: Jane Katjavivi
• Nigeria: Bibi Bakare-Yusuf; †Flora Nwapa; Anwuli Ojogwu; Oluronke Orimalade; Lola Shoneyin
• Rwanda: Louise Umutoni
• South Africa: Colleen Higgs; Bridget Impey; Thabiso Mahlape; Monica Seeber; Annari van der Merwe; Zukiswa Wanner
• Tanzania: Elieshi Lema
• Uganda: Goretti Kyomuhendo
• Zimbabwe: Jane Morris; Irene Staunton

This pre-print version uploaded on Academia.edu on 12 October 2020
Final print/online version to appear in The African Book Publishing Record,Volume 47, Issue 1, (March 2021) - https://www.degruyter.com/view/j/abpr

Copyright © Hans Zell Publishing Consultants 2020

Read here the IPA (International Publishers Association) support, and here the manifesto published by the Brazilian actors, to defend the book in Brazil.