English

The Alliance

International Conference of Independent publishers 2019-2021

The “Conference”, a snapshot of independent publishing worldwide
Since the creation of the International Alliance of independent publishers (an international network of 750 independent publishers from 55 countries around the world) in 2002, the “International Assemblies/ Conferences” have been held every four to eight years and bring together some 100 independent publishers from around the world : in 2003 in Dakar (Senegal) ; in 2007 in Paris (France) ; in 2014 in Cape Town (South Africa) and in 2021 in Pamplona-Iruña (Province of Navarre/ Spain).

They represent a landmark moment for international independent publishers, bringing together actors from all continents – they collectively provide a portrait of global independent publishing (Latin America, Africa, Asia, Europe, the Arab world and Oceania). They are a unique space for debate, meetings, and reflection on independent publishing – with no other equivalent worldwide.

Celebrate and REthink in 2021...
Between 2017 and 2018, when the Alliance network was planning and launching the 2019-2021 conference, the goals of this event were obvious : celebrating bibliodiversity and the work of independent publishers, REthinking the solidarity practices that we build through perseverance and determination, but also the relationships with other book professionals, and the relationships with readers.

This is obvious in view of the progress made since the last meeting in 2012-2014, but also in view of the experience of the Alliance, which celebrates its 20th anniversary in 2021.

2020, a global health crisis, a year of transformation
While the consequences of the health crisis are still difficult to assess in detail from an economic, social, and political vantage point, REthinking remains obvious but also becomes a necessity.
Why are independent publishers important actors in this period of crisis ? How do they accompany societal transformations and transitions at work ? What are the tools and practices that they put in place to apprehend the realities of tomorrow, to understand them ? In what ways do books and the ideas they convey help defend and preserve the diversity of creations, points of view, ideas ?

“Tomorrow’s” independent publishing ?
This Conference is thus a moment of documentation on the state of the world, an international mapping of the movements of transition and/or interruption.
Its objective is to question and inform discussions on the role of books – of ideas – as a social and emancipatory trajectory.
It is a space for reflection, sharing of experiences and practical know-hows concerning the issues of today and tomorrow : ecology, social economy, inclusive publishing, cultural platforming...
Finally, the Conference is a space of solidarity, trust, human relationships, and dialogues between cultures.

Process and phases of the Conference
The Conference of the Alliance is built of our own accord over a long period of time, against the often-frantic rhythm that has become the norm. It follows a common thread that has been running for 20 years within the Alliance : the issues defended by the Alliance since its creation are always prominent (solidarity, equity of relations, rebalancing of flows, circulation of ideas, local creations and productions, fair speech, ecological concerns...). These are the foundations on which the independent publishing movement is based and are addressed considering contemporary issues and debates.

They are built collectively, based on the work carried out since the 2021-2014 conference and the 80 ensuing recommendations, from feedback from professionals in the field of books, from monitoring independent publishing throughout the world, from regular dialogue with other cultural actors, but also from observation of practices, trends, and alternatives that emerge here and there.

The Conference is built on two levels (public and “internal”), which feed each other and are complementary.
A public level with an aim to meet, discuss, learn – which is embodied by meetings open to all (book professionals, readers, cultural actors, academics, civil society movements, etc.). It is about taking advantage of the space that the Alliance is to REthink practices, question the relationship of independent publishers to the current world, explore themes, allow each other utopias, look together to the future.
An internal level (focused on the Alliance network) to formulate recommendations and tools, to elaborate objectives for the upcoming period, to define and refine the governance of the network.

The conference is structured around working groups and thematic workshops set up since the 2012-2014 Conference of the Alliance (1/on public book policies ; 2/on the freedom of publishing ; 3/ on digital publishing ; 4/on publishing in local and national languages ; 5/on solidarity-based editorial partnerships ; 6/on the impacts of book donation practices).

Concretely, for the Alliance network, the aim is to achieve the following results for the period 2022-2025 :
• Recommendations (based on the 80 recommendations from the previous Conference but also in the context of the current crisis)
• Objectives and action plan for the period 2022-2025
• Adjustments and validation/ endorsement of the governance of the association

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An international selection of music, films and books : in 2021, let’s celebrate bibliodiversity together !

In 2021, we would like to share with you the highlights and cultural inspirations of the independent publishers who make up the strength of our network : international playlists and selections of music, books and films recommended by the members of the Alliance.

To be discovered every week on our social media (Facebook ; Twitter ; Youtube and Instagram) and throughout the year on the Alliance website...

Follow us to broaden your musical, literary and cinematographic horizons !

On Youtube, listen to the Alliance’s international playlist for 2021 and see all the recommendations of Alliance members below.

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The International Alliance of independent publishers calls for the release of Anges Félix N’Dakpri, president of the Association of publishers of Côte d’Ivoire (Assedi), November 9, 2020

The International Alliance of independent publishers – representing 750 publishers in 55 countries around the world – calls for the release of Anges Félix N’Dakpri, president of the Association of publishers of Côte d’Ivoire (Assedi)

President of the Association of publishers of Côte d’Ivoire (Assedi) and General commissioner of the Abidjan International Book Fair (SILA), Anges Félix N’Dakpri was kidnapped on October 25 in Abidjan (see press release from several professional associations issued on October 27, 2020).

For some weeks, Côte d’Ivoire has been prey to strong political tensions in the context of the presidential elections.
Several local sources and international medias report arrests and pressure on opposition figures as well as journalists covering the events.

The kidnapping of Anges Félix N’Dakpri by armed men from his home in Abidjan on Sunday, October 25 occurs against a backdrop of violence, threats and restrictions on freedom of expression. According to his relatives, he would be now held at the MACA (Abidjan House of Arrest and Correction).

The International Alliance of independent publishers calls for an end to the arbitrary detention of Anges Félix N’Dakpri and invites professionals from the book industry, medias and human rights associations to relay this call.

Signatories

Members of the International Commitee of Independent Publishers

  • Élisabeth DALDOUL, elyzad, Tunisia, coordinator of the French-speaking network
  • ASSEM Mawuto Paulin, AGO Média, Togo, vice-coordinator of the French-speaking network
  • Jean-Claude NABA, Sankofa & Gurli, Burkina Faso, vice-coordinator of the French-speaking network
  • Samar HADDAD, Atlas for Publishing & Distribution, Syria, coordinator of the Arabic-speaking network
  • Colleen HIGGS, Modjaji Books, South Africa, coordinator of the English-speaking network
  • Ronny AGUSTINUS, Marjin Kiri Publisher, Indonesia, vice-coordinator of the English-speaking network
  • Paulo SLACHEVSKY, Lom Ediciones, Chile, coordinator of the Spanish-speaking network
  • Carla OLIVEIRA, Orfeu Negro, Portugal, coordinator of the Portuguese-speaking network
  • Mariana WARTH, Pallas Editora, Brazil, coordinator of the Portuguese-speaking network

Publishers members of the French-speaking network of the Alliance

  • Sulaiman ADEBOWALE, Amalion, Senegal
  • Marie-Agathe AMOIKON FAUQUEMBERGUE, Éburnie, Côte d’Ivoire
  • Ibrahima AYA, éditions Tombouctou, Mali
  • Dominique BAZIN, éditions Dodo vole, Madagascar
  • Bichr BENNANI, Tarik éditions, Morocco
  • Karim BEN SMAIL, Fédération tunisienne des éditeurs, Tunisia
  • Pierre BERTRAND, Couleur Livres, Belgium
  • Nadine BESNARD, Cauris Livres, Mali
  • Layla CHAOUNI, éditions Le Fennec, Morocco
  • Karim CHIKH, éditions Apic, Algeria
  • Gilles COLLEU, Vents d’ailleurs, France
  • Élodie COMTOIS, Écosociété, Québec, Canada
  • Camille DELTOMBE, Les éditions de l’Atelier, France
  • Serge D. KOUAM, Presses universitaires d’Afrique, Cameroon
  • Mical DREHI LOROUGNON, Édilis, Côte d’Ivoire
  • Aline DURIEZ-JABLONKA, éditions Charles Léopold Mayer, France
  • Tchotcho Christiane ÉKUÉ, Graines de Pensées, Togo
  • Nadia ESSALMI, Yomad, Morocco
  • Corinne FLEURY, L’Atelier des Nomades, Mauritius et France
  • Sékou FOFANA, éditions Donniya, Mali
  • Charlotte GOURE, Les éditions de l’Atelier, France
  • Sofiane HADJADJ, barzakh éditions, Algeria
  • Selma HELLAL, barzakh éditions, Algeria
  • Jutta HEPKE, Vents d’ailleurs, France
  • Marie Paule HUET, éditions Ganndal, Guinea
  • Yasmîn ISSAKA-COUBAGEAT, Graines de Pensées, Togo
  • Karine JOSEPH, Éditions du Sirocco, Morocco
  • Hamidou KONATÉ, Éditions Jamana, Mali
  • Thérèse KOUDOU, Édilis, Côte d’Ivoire
  • Julien LUCCHINI, Les éditions de l’Atelier, France
  • Seydou Nourou NDIAYE, éditions Papyrus Afrique, Senegal
  • François NKEME, Éditions Proximité, Cameroon
  • Sylvie NTSAME, éditions Ntsame, Gabon
  • Safaa OUALI, éditions Le Fennec, Morocco
  • Dieulermesson PETIT-FRÈRE, LEGS éditions, Haiti
  • Mirline PIERRE, LEGS éditions, Haiti
  • Isabelle PIVERT, éditions du Sextant, France
  • Marie Michèle RAZAFINTSALAMA, Jeunes Malgaches, Madagascar
  • Jean RICHARD, éditions d’en bas, Switzerland
  • Rodney SAINT-ÉLOI, Mémoire d’encrier, Quebec, Canada
  • Kenza SEFRIOUI, En toutes lettres, Morocco
  • Aliou SOW, éditions Ganndal, Guinea
  • Roger TAVERNIER, éditions Zellige, France
  • Samia ZENNADI, éditions Apic, Algeria

Representatives of the Board and the permanent team of the International Alliance of independent publishers

  • Laura AUFRÈRE
  • Camille CLOAREC
  • David ELOY
  • Laurence HUGUES
  • Georges LORY
  • Mariam PELLICER
  • Luc PINHAS
  • Thierry QUINQUETON
  • Mariette ROBBES

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Call for the release of Iranian Authors, October 2020

In just this past month, three prominent Iranian writers, translators, and members of the Association of Iranian Writers, Bektash Abtin, Kayvan Bazhan, and Reza Khandan Mahabadi, and journalist and sociology researcher, Khosrow Sadeghi Boroujeni, have been sentenced to prison on charges of “propaganda against the Islamic Republic of Iran, and gathering and collusion with the intent of acting against national security.”

These accusations, which have led to long prison sentences and the charges levied are false. Their objectives are to further oppress writers and the people of Iran.
At a time when the world is under crisis by the pandemic, Iran, and especially within its prisons has a very unstable environment, with the increasing spread of Coronavirus among inmates.

We as authors and scholars would like to ask you to let the voices of our fellow authors in prison be heard by the people of the world and to demand their immediate release.

  • Daryoush Ashouri, Author, Translator and the Co-founder of the Association of Iranian Writers
  • Ervand Abrahamian, Author and Professor Emeritus, City University of New York
  • Azar Nafisi, Author
  • Faraj Sarkohi, Writer, Journalist, Literature Critic ; A Member of German Pen ; The Recipient of Kurt-Tucholsky-prize ; World Association of Newspapers’ Golden Pen of Freedom Award and World Press Freedom
  • Hero by International Press Institute
  • Akram Pedramnia, Author, Translator ; A Member of Pen Canada ; the Recipient of James Joyce Foundation Scholar
  • Moniro Ravanipour, Author
  • Mohsen Yalfani, Author and Translator
  • Nasim Khaksar, Author and Critic
  • Reza Allamehzadeh, Moviemaker and Writer
  • Morad Farhadpour, Author, Translator and Critical Theorist
  • Akbar Masoumbaigi, Author, Translator and a Member of the Association of Iranian Writers
  • Babak Ahmadi, Author, Translator and Philosophy Researcher
  • Peyman Vahabzadeh, Author and Professor, University of Victoria
  • Sohrab Behdad, Denison University, USA
  • Farshin Kazeminia, Pierre and Marie Curie University (Paris 6)
  • Amir Kianpour, PhD Candidate, University of Paris 8 Vincennes-Saint-Denis
  • Mehran Mostafavi, Sacly University (Paris), Professor
  • Iman Ganji, PhD in Art Philosophy and Philosophy Researcher, Free University of Berlin
  • Mehrdad Darvishpour, Senior Lecturer and Associate Professor, Sociologist, Mälardalen University
  • Farhad Nomani, Professor Emeritus of Economics, The American University of Paris
  • Soheil Asefi, Journalist and PhD student in History, The Graduate Center, The City University of New York (CUNY)
  • Saeed Hariri, Moderator, Toronto Book Club
  • Azadeh Parsapour, Translator, Editor and Publisher
  • Arash Kia, Faculty of Institute for Healthcare Delivery Science, Icahn School of Medicine at Mount Sinai, New York

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Latin America and Arab World HotList, 2020 !

This year, on the occasion of the Frankfurt Book Fair (14-18 October), two HotLists will be presented... virtually !

The Latin American HotList - 4th edition : a selection of titles from more than 35 independent Latin American publishing houses from 8 countries (Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, Peru, Uruguay) and from all genres : literature, humanities, youth/ children’s literature, comics... Find the Latin American HotList 2020 online here ! Previous HotLists are also online, here.

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The Arab World HotList - a very first : while the Arab world shares a language, the Arabic language, which has cemented its culture over centuries, it is far from being the only one. From the Maghreb to the Mashreq, from the Horn of Africa to Cham, this immense space covers a diversity of realities. Linguistic diversity is therefore inherent to it. More than 30 independent publishing houses from 7 countries (Algeria, Egypt, Lebanon, Morocco, Qatar, Syria and Tunisia) offer you an immersion in the literature, humanities and children’s literature of the Arab world ! Through this HotList, the independent publishers of the Arab world invite you to discover the 1001 facets of literary and intellectual creativity of their country, online here !

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The HotLists, while offering an opportunity to discover the creativity of independent publishers, are also tools facilitating the exchange of rights : books and authors are presented in the original language of the book and in English, the contacts of publishing houses are easily accessible and up to date – these lists are thus to be consulted and used throughout the year !

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VAT Changes for Books in Brazil, August 2020

Read here the IPA (International Publishers Association) support, and here the manifesto published by the Brazilian actors, to defend the book in Brazil.

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International Day of Bibliodiversity, 21 September 2020

During this unusual year, independent publishers around the world are celebrating the 10th anniversary of the International Day of Bibliodiversity (B Day) on September 21, which is also Spring Day in the Southern Hemisphere.

© video : Daniel Aguilera and his team (Chili)
© music : Chill Acoustic, licencia de atribución de Creative Commons, proveída por Oak Studios.

A day to honour independent publishing and bibliodiversity, not to be missed !

See the previous videos here.

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Le dodo aux plumes d’or

Auteur(s) : Corinne FLEURY (texte) ; Sébastien PELON (illustrations)
Pays de parution : Côte d’Ivoire, Maurice

Dans un village de l’île Maurice vit le dodo aux plumes d’or. Son fabuleux pouvoir attire la convoitise des villageois. Le dodo est menaceì. Seule la bonne femme Mimine décide de le protéger. Mais saura-t-elle déjouer les ruses des cupides villageois ?

Une coédition panafricaine réunissant l’Atelier des nomades (Île Maurice) et les éditions Éburnie (Côte d’Ivoire).

Date de publication : septembre 2020

Cette coédition solidaire est issue d’un atelier sur la littérature jeunesse organisé par l’Alliance à Abidjan, en mai 2019, dans le cadre des Assises internationales de l’édition indépendante 2019-2021. Elle a reçu le soutien de l’Agence française de développement.

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Contes de l’Île Maurice

Auteur(s) : Shenaz PATEL (texte) ; Sébastien PELON (illustrations)
Pays de parution : Côte d’Ivoire, Maurice

Comment Tizan a transformé une sauterelle en vache ? Pourquoi un éléphant et une baleine sont convaincus qu’un petit lièvre est beaucoup plus fort qu’eux ? Autour de Tizan, du compère jaco, du lièvre et des personnages populaires de la tradition orale mauricienne, ce recueil réunit 9 contes rusés et drôles pour découvrir une île Maurice remplie de malice.

Une coédition panafricaine réunissant l’Atelier des nomades (Île Maurice) et les éditions Éburnie (Côte d’Ivoire).

Date de publication : septembre 2020

Cette coédition solidaire est issue d’un atelier sur la littérature jeunesse organisé par l’Alliance à Abidjan, en mai 2019, dans le cadre des Assises internationales de l’édition indépendante 2019-2021. Elle a reçu le soutien de l’Agence française de développement.

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Bibliodiversity Observatory

“Terres solidaires” collection

The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.

Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.

Read more here...

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Digital Lab

The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.

The Alliance Lab is built around four focus areas :

  • Tools and resources for professionals
  • Reflections and discussions on digital publishing, including innovative initiatives in the countries of the South (surveys and analyses) ;
  • In situ workshops (capacity building and peer exchanges on digital matters) ;
  • A personalised tutorial offered to member publishers of the Alliance.

The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.

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Publishing in Africa : Where Are We Now ? An Update for 2019, by Hans M. Zell

Read here the pre-print version uploaded on Academia.edu 21 May 2019

Final version, to be published in two parts, in Logos : Journal of the World Publishing Community (https://brill.com/view/journals/logo/logo-overview.xml)

Part I : Volume 30 (2019) : Issue 3, Part II : Volume 30 (2019) : Issue 4

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

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Les éditeurs d’Afrique francophone sur l’échiquier du « glocal » (1980-2019), by Raphaël Thierry

Abstract :

In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation : in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.

Read the article here (in French).

Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2).
https://doi.org/10.7202/1060972ar

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Public book policies (Bibliodiversity Journal)

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication : June 2019
The Bibliodiversity Journal is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversity Journal here : “Self-publishing” ; “Committed publishing”…

Overview of the issue :
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question : does the intervention of public authorities support editorial diversity ?

Contents of the ‘Public book policies issue’ :

  • “Introduction : action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal
  • “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)
  • “A relative autonomy – A comparative analysis of the room for manoeuvre
    in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)
  • “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)
  • “Morocco : escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)
  • “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)
  • “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)
  • “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)
  • “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)
  • “Publishing and public authorities : the Quebec case – Or the influence of public action on editorial independence ?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)
  • “Laws, public policies, institutions and measures to support books and reading
    in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)
  • “From culture towards business – An analysis of a state support programme
    for local publishing in Buenos Aires : Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

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Publishing & the Book in Africa : A Literature Review for 2018, by Hans M. Zell

Publishing & the Book in Africa : A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.

Read the pre-print version here.

To be published in The African Book Publishing Record, Volume 44, Issue 2, (May 2019)

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

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African Book Industry Data & the State of African National Bibliographies, by Hans M. Zell

African Book Industry Data & the State of African National Bibliographies :
Read the Pre-print version here.

Published in The African Book Publishing Record, Volume 44, Issue 4 (Dec 2018) : 363-389.

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2018

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Self-publishing (January 2019) / Coordinated by Sylvie Bosser

Abstract of the issue :
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity ?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about ?

Contents of “Self-publishing” :

  • Self-publishing : a vector of bibliodiversity ? / By Sylvie Bosser, University of Paris 8
  • Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne
  • Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne
  • Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13
  • The (in)visible third party. Mentoring emerging writers : a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts
  • Self-publishing : a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC
  • Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links
  • Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher
  • Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8

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