English

Two days of discussions, reflections and workshops to which will participate, amongst others, LOM Ediciones (Chile), En toutes lettres (Morocco), Metis Publishers (Turkey), Critique and Humanism (Bulgaria), Masarykova Univerzita (Czech Republic), éditions d’en bas (Switzerland), Sophie Noël (University Paris 13)… these sessions are organised by La Oveja Roja (member of the Alliance), in partnership with Contrabandos bookshop. Topics include book ecosystem, other forms of production, community of readers…
Consult the programme here !

The meeting will be followed by the second edition of the Political and Critical Books Fair.

On Saturday 30 March, 2019, it is the Indie Book Day !

Independent publishers and booksellers propose readers to celebrate Indie Book Day. The principle is simple : you just need to go in your favourite independent bookshop, to buy a book published by an independent publisher. Then, you are invited to share a picture of the book on the social networks (Facebook, Twitter, Instagram…), with the hashtag #indiebookday.

Indie Book Day aims to highlight the creativity, diversity and dynamism of independent publishing and make readers aware of the essential aim played by independent bookshops in favour of bibliodiversity.

Indie Book Day website : www.indiebookday.de/english

To read here, the 2019 programme and an overview of the activities carried out in 2018.

En un mundo globalizado, las megacorporaciones editoriales solo se preocupan por los números, por lo semejante, por seguir fórmulas ya probadas en sus últimos éxitos de ventas. Se espera que cada libro pague su propia producción junto con las externalidades del proceso de publicación, tales como la infraestructura y el sueldo de los ceo. Bajo esa óptica, los libros que se demoran más en “despegar”, pero que poseen una larga vida y son capaces de cambiar las normas sociales, tienen menos probabilidades de publicarse.

Los editores independientes apuestan por una forma diferente de hacer las cosas. Buscan un compromiso distinto con la sociedad y se preocupan por reflejar el lugar y el espíritu de sus comunidades. “Bibliodiversidad” es un término creado por editores independientes en los años noventa para darle un nombre a esta forma diferente de pensar la edición. En este manifiesto, Susan Hawthorne nos ofrece una crítica mordaz a la industria editorial global, que contrapone a una propuesta visionaria para la publicación “orgánica”. En un contexto de predominio de las grandes corporaciones, Bibliodiversidad marca las diferencias entre los conceptos de libertad de expresión y de “discurso justo” y pone en perspectiva las promesas y los desafíos de la transición al mundo digital.

ISBN : 978-950-889-322-2 - 15 x 21 cm - 120 páginas

Bibliodiversidad, en francés
Bibliodiversidad, en árabe
Bibliodiversidad, en aléman

The ICIP meeting is a special occasion where the activities of the Alliance’s respective networks, upcoming projects, strategic issues and governance of the association are discussed.
It is a crucial annual meeting in the life of the Alliance, often decisive in terms of objectives and choices.
This year, new coordinators and vice-coordinators are joining the ICIP : we propose an “ICIP induction day”, enabling newcomers to understand its functioning and role.
This meeting will further provide an opportunity to examine decisions taken at the previous ICIP and analyse their impacts on the current governance of the Alliance and ahead of the future Assembly of the Alliance (2019-2021).
Finally, a meeting session will be focusing on cultural rights.

Have a look !
HotList and WomenList

In partnership with the Kurt Wolff Stiftung (collective of German independent publishers) and the Frankfurt Book Fair, the Alliance presents two thematic selections on the “Reading Island for Independent Publishers” stand (Hall 4.1 / D36) !

• HotList : the energy of Latin American independent publishing through more than 30 books published in Argentina, Brazil, Equator, Chile, Colombia, Mexico, Venezuela ! The HotList is available online here !

• WomenList : more than 30 novels, short stories, essays and comics on feminism, women’s struggles, their emancipation across the world – these titles are from independent publishers’ lists from all continents. The WomenList’s books can be seen online.

Roundtables to attend !

• “African Children’s book publishing” : Christine Warugaba, Furaha Publishers (Rwanda), Sophie Batiskaf, Dodo Vole (Madagascar) and Corinne Fleury, Atelier des Nomades (Mauritius) / Wednesday 10 October, 10.00-11.00 / Reading Island for Independent Publishers (Hall 4.1 / D36)

• “Freedom of publishing” : Élodie Comtois (Écosociété, Quebec/Canada), Yasmin Issaka-Coubageat (Graines de Pensées, Togo), Carles Torner (Executive Director, Pen International), Anne-Marie Voisard (sociologist and author of Le droit du plus fort. Nos dommages, leurs intérêts, published by Écosociété and author of the on-going study on freedom to publish, coordinated by the Alliance) / Wednesday 10 October, 4.30-6.00 / Lettres d’Afrique (Hall 5.1 / B125)
  See all the programme of Lettres d’Afrique here !

For the 2018 Frankfurt Book Fair, the Alliance is partnering with Lettres d’Afrique, BIEF, the Kurt Wolff Stiftung and the Frankfurt Book Fair ; and would like to thank the organisations and people who have collaborated to the drafting of our programme (African Books Collective, Afrilivres, PEN International...).

More than 30 novels, short stories, essays and comics on feminism, women’s struggles, their emancipation across the world – these titles are from independent publishers’ lists from all continents.

There is a resurgence of the Women’s Movement following #MeToo and other events and a greater awareness of structural violence against women. Now is the time to know about books being published all around the world by independent publishers, in different languages and across a wide range of issues from the political to the imaginative.

To read through all the books of the WomenList is a reminder of just how much violence women have suffered – from rape, torture, and mass violence against women to indifference and neglect in the case of child abuse, to survival in war, sexual slavery and marriage forced by custom. But there is also resistance and optimism whether it be Pussy Riot or women rebelling against patriarchy as well as the inspiration of women in the vanguard of environmental projects or gathering together the works of women poets.

There are voices from so many places around the world – from Algeria, Argentina, Australia, Brazil, Cameroon, Canada, Chile, Colombia, Ecuador, Egypt, England, France, Haiti, India, Indonesia, Iran, Ivory Coast, Gabon, Guinea, Morocco, Mexico, Senegal, South Africa, Switzerland, Syria, Turkey... Languages include Arabic, English, Indonesian, Farsi, French, German, Spanish, Portuguese and Turkish. Women write poetry, short stories, political tracts, novels, biography, graphic novels and again more. These are words that matter : women’s voices are loud. It is time to listen !

The WomenList is an initiative of the International Alliance of independent publishers, through a partnership with the Kurt Wolff Stiftung (collective of German Independent Publishers) and the Frankfurt Book Fair. The WomenList is presented at the Frankfurt Book Fair on the “Reading Island for Independent Publishers” stand (Hall 4.1 / D36) and is also available online, on the Alliance’ website. The catalog of the WomenList was made by Julie Agor (Oréka graphisme).

The WomenList was born in the wake of the HotList (selection of books published by independent Latin American publishing houses and presented at the Frankfurt Book Fair in 2017 and 2018 – Hall 4.1 / D36).

Read here the article published by Publishing Perspectives, October, 5, 2018

In 2019, a new international selection will be showcased in Frankfurt, on another theme... succeeding the WomenList 2018 !

The International Alliance of independent publishers celebrates the remarkable vitality of independent publishing in Latin America at the Frankfurt International Book Fair through a selection of books from Latin America : the HotList 2018 !

Through a partnership with Kurt Wolff Stiftung (a collective of independent German publishers) and the Frankfurt Book Fair, independent Latin American publishers in Frankfurt will be exhibiting, at the “Reading Island for Independent Publishers” stand (Hall 4.1 / D36), more than thirty books of various genres : novels, short stories, art books, essays, children’s literature, and poetry... from Argentina, Brazil, Ecuador, Chile, Colombia, Mexico, Venezuela !

The HotList is also available online, an opportunity to discover the wealth and creativity of independent publishers all year round.

Discover also the WomenList : a thematic and international selection created in 2018, celebrating women’s struggle !

Context…

• 2009 : The members of EDINAR (collective of Argentinian independent publishers) present a selection of the best books from their list at the Buenos Aires Book Fair. This selection is then promoted in independent bookstores across Buenos Aires.
• 2010 : Argentina is the guest of honour at the Frankfurt Book Fair. However, Argentinian independent publishing is poorly represented. The Argentinian independent publishers, in partnership with the Frankfurt Book Fair, decided to present a HotList on the stand of independent German publishers : a showcase of the diversity and quality of their offering.
• 2017 : The HotList 2017 opens to independent publishers from Latin America ! Thanks to the collaboration with the collective Kurt Wolff Stiftung (independent German publishers), a selection of about 40 titles from publishers from Argentina, Chile, Colombia, Peru, and Uruguay is exhibited in Frankfurt on the “Reading Island” (Hall 4.1).
• 2018 : Following the success of the 2017 edition, the HotList is repeated and opens to Brazilian publishers. In addition, a thematic and international selection is launched : this year, the theme of “women’s struggle” is selected in the WomenList 2018, showcasing more than 30 titles edited by independent publishing houses from all continents.

On 21 September, it is the first day of Spring in the Southern hemisphere… and the Bibliodiversity Day !

Don’t miss this 9^th B Day – an initiative launched by Latin American independent publishers, and then disseminated all around the world. Picnics, readings, bookcrossing, discussions… the activities are gathered on the B Day blog and in the social networks.

Widespread poverty and malnutrition, an alarming refugee crisis, social unrest, economic polarisation... have become our lived reality as the top 1% of the world’s seven-billion-plus population pushes the planet—and all its people—to the social and ecological brink. In Oneness vs. the 1%, Vandana Shiva takes on the Billionaires Club of Gates, Buffett, Zuckerberg and other modern Mughals, whose blindness to the rights of people, and to the destructive impact of their construct of linear progress, have wrought havoc across the world. Their single-minded pursuit of profit has undemocratically enforced uniformity and monocultures, division and separation, monopolies and external control—over finance, food, energy, information, healthcare, and even relationships.

Basing her analysis on explosive little-known facts, Shiva exposes the 1%’s model of philanthrocapitalism, which is about deploying unaccountable money to bypass democratic structures, derail diversity, and impose totalitarian ideas, based on One Science, One Agriculture and One History. She calls for the “resurgence of real knowledge, real intelligence, real wealth, real work, real well-being”, so that people can reclaim their right to : Live Free. Think Free. Breathe Free. Eat Free.

Vandana Shiva is a world-renowned environmental thinker and activist, a leader in the International Forum on Globalisation, and of the Slow Food Movement. Director of Navdanya and of the Research Foundation for Science, Technology and Ecology, and a tireless crusader for farmers’, peasants’ and women’s rights, she is the author and editor of several influential books, including Making Peace with the Earth ; Soil Not Oil ; Seed Sovereignty, Food Security : Women in the Vanguard ; and Who Really Feeds the World ?
Vandana Shiva is the recipient of over 20 international awards, among them the Medal of the Presidency of the Italian Republic (1998) ; the Horizon 3000 Award (Austria, 2001) ; the John Lennon-Yoko Ono Grant for Peace (2008) ; the Sydney Peace Prize (2010) ; the Calgary Peace Prize (2011) ; and the Thomas Merton Award (2011). She was the Fukuoka Grand Prize Laureate in 2012.

Kartikey Shiva is a shatterer of illusions, grower of freedom, and agent of light.

A co-publishing of the English-network of the Alliance : Women Unlimited (India), Spinifex (Australia) and New Internationalist (UK), 2019.
ISBN (Women Unlimited, India) : 978-93-85606-18-2
ISBN (Spinifex Press, Australia) : 978-19-25581-79-9

Oneness vs. the 1% , Australian cover :

Oneness vs. the 1% , UK cover :

US, Canada, UK, Italian, Australian, French and Spanish rights sold. All others available.

The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.

Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.

Read more here...

The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.

The Alliance Lab is built around four focus areas :

• Tools and resources for professionals
• Reflections and discussions on digital publishing, including innovative initiatives in the countries of the South (surveys and analyses) ;
• In situ workshops (capacity building and peer exchanges on digital matters) ;
• A personalised tutorial offered to member publishers of the Alliance.

The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.

Read here the pre-print version uploaded on Academia.edu 21 May 2019

Final version, to be published in two parts, in Logos : Journal of the World Publishing Community (https://brill.com/view/journals/logo/logo-overview.xml)

Part I : Volume 30 (2019) : Issue 3, Part II : Volume 30 (2019) : Issue 4

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

Abstract :

In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation : in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.

Read the article here (in French).

Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2).
https://doi.org/10.7202/1060972ar

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication : June 2019
The Bibliodiversity Journal is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversity Journal here : “Self-publishing” ; “Committed publishing”…

Overview of the issue :
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question : does the intervention of public authorities support editorial diversity ?

Contents of the ‘Public book policies issue’ :

• “Introduction : action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal

• “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)

• “A relative autonomy – A comparative analysis of the room for manoeuvre
  in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)

• “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)

• “Morocco : escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)

• “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)

• “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)

• “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)

• “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

• “Publishing and public authorities : the Quebec case – Or the influence of public action on editorial independence ?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)

• “Laws, public policies, institutions and measures to support books and reading
  in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)

• “From culture towards business – An analysis of a state support programme
  for local publishing in Buenos Aires : Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

Publishing & the Book in Africa : A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.

Read the pre-print version here.

To be published in The African Book Publishing Record, Volume 44, Issue 2, (May 2019)

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

African Book Industry Data & the State of African National Bibliographies :
Read the Pre-print version here.

Published in The African Book Publishing Record, Volume 44, Issue 4 (Dec 2018) : 363-389.

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2018

Read here the article “Au Maghreb, il y a urgence à structurer le secteur du livre”, by Kenza Sefrioui (En toutes lettres, Marocco), published by Le Monde Afrique (8 February, 2019)

Abstract of the issue :
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity ?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about ?

Contents of “Self-publishing” :

• Self-publishing : a vector of bibliodiversity ? / By Sylvie Bosser, University of Paris 8

• Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne

• Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne

• Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13

• The (in)visible third party. Mentoring emerging writers : a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts

• Self-publishing : a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC

• Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links

• Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher

• Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8

A study published by African Studies Association (ASA) and African Studies Association of the UK (ASAUK), to read here !