English

This nonfiction title by a German-Egyptian academic examines stereotypes throughout the history of the prophet Muhammad. The main theme of the book is a representation of the life of Mohammed and the emergence of Islam. Osama bin Laden’s actions, as well as the crimes of Islamist terrorist organizations such as the Islamic State, are also attributed to Muhammad’s willingness to spread Islam through violent subjugation and partial physical liquidation of people of other faiths.

Hamed Abdel-Samad, the author, is born near Cairo in 1972. He worked for UNESCO, at the Institute for Islamic Culture at the University of Erfurt, and at the Institute for Jewish History and Culture at the University of Munich. Abdel-Samad is a member of the German Islam Conference and, according to his publisher, is “considered to be one of the most renowned Islam intellectuals in the German-speaking world”.

The book was first published in German (Mohamed. Eine Abrechnung) by the German publishing house Droemer Verlag in October 2015.
Publishers from the Persian network of the Alliance have translated and co-published the book in Farsi in 2018: Forough Publishing and Pouya Publishing (Germany), Khavaran Publishing (France) and Pegah Publishing (Canada).

2018 - 250 pages - 13 X 20,5 cm - ISBN: 978-3-943147-63-6

STATEMENT
August 8, 2018

The International Alliance of Independent Publishers (IAIP), a network of 553 publishers worldwide, expresses its shock and dismay at the late-night abduction and detention of acclaimed photographer and human rights activist, Shahidul Alam, in Dhaka. Shahidul Alam has been a partner-colleague of the IAIP, in which context we have interacted with him on many occasions.

We believe that the charges against him under Section 57 of the ICT are an attempt to intimidate him by using a draconian law to stifle his right to free speech. He has been held without due legal process, and we have received disturbing reports of brutal treatment meted out to him in detention.

The right of peaceful protest, and the defence of that right, are fundamental to democracy and to upholding the rule of law. The IAIP extends its support to, and expresses solidarity with, Shahidul Alam, and reiterates its commitment to the freedom of expression in Bangladesh as well as in the rest of the world.

See here the film make by New Internationalist (UK) in support with Shahidul Alam.

After a master’s degree in French Literature at the Sorbonne Nouvelle, Camille CLOAREC worked at the Maison de la Poésie in Nantes and was also the coordinator of literary life at Ciclic (the center of book, cinema and digital culture for the Loire Valley Region), before being in-charge of the book and debates office at the French Embassy in Canada. In 2019, Camille began learning Telugu (Indian language) at Inalco.
Camille joins the Alliance team in July 2020; she is in charge of the management of the the association’s language networks and the co-publishing and translation projects within the Alliance.

15 publishers from 10 countries meet in Cotonou for a workshop dedicated to creating ePub files from Indesign. The workshop will also be an opportunity for discussions on the commercialization of digital books between the publishers: Cassava Republic publishers (Nigeria) will share their experience - a cross between French and English speaking Africas!

This workshop, supported by the International Organization of La Francophonie, was organised with the support of Ruisseaux d’Afrique publishers in Benin, a member of the Alliance. Ruisseaux d’Afrique publishers celebrate their 20^th anniversary in 2018, offering activities throughout the year. The Alliance will celebrate the 20^th anniversary of Ruisseaux during the workshop!

Since 2010, the Alliance Lab offers capacity-building workshops to independent publishers in French-speaking Africa. Several publishing houses in French-speaking Africa have developed a digital strategy.

The Alliance Lab regularly publishes surveys and analysis on digital publishing:

• Digital publishing in the mobile era in Africa, 2017, Octavio Kulesz
• Feasibility study on the establishment of digital printing structures for independent publishers in Francophone Sub-Saharan Africa, 2017, Gilles Colley
• All Lab studies can be accessed here.

The Alliance Lab provides tools:

• Website Pattern “Ready to use" for the creation of publishers’ websites
• All tools from the Alliance Lab can be consulted here.

The touring “Tehran Book Fair, Uncensored”, organized in May in the same time as Tehran Book Fair in Iran, will occur for the third year, thanks to Farsi-speaking publishing houses based in Europe and North America.

Publishers, authors, and translators from and into Farsi are thus gathering in several cities in Europe and North America to circulate Farsi books (especially some censored in Iran) and books about Iran (in French, English, German…).

A special occasion to know a literature that has escaped from the censors. A free literature. Some muzzled voices that express themselves.

From May 4 to 27, 2018, the Tehran Book Fair Uncensored will occur in:

• London (UK), May 4-6, at the Library for Iranian Studies
• Markham (Ontario, Canada), May 5, at Bamdad Book Store
• Cologne (Germany), May 8-9, at Forough Book Store
• Hamburg (Germany), May 10, at Rothenbaumchaussee 34
• Paris (France), 11-12 May, at the Charles Léopold Mayer Fondation (Paris 11)
• Paris (France), May 13, at the Palais de la Femme (Paris 12)
• Bremen (Germany)
• Berlin (Germany)
• Copenhagen (Denmark)

Other places and dates planned in the end of May will be updated on the website Uncensored book. More details: +33 (0)1 72 40 84 40 / www.uncensoredbook.com.

Read here the article published by Publishing Perspectives, on May 16, 2018.

Some resources to know more on the subject:

• Publishing in Persian language, a study realised by the Alliance in 2015
• “To be an Iranian publisher in France”, testimony by Tinouche Nazmjou (Naakojaa/éditions du non-où publishing house), February 2016 (in French)

Publishers from the Alliance condemn the banning of the book El desarme, la vía vasca d’Iñaki Egaña (copublished by Txalaparta, Gara journal, and Mediabask media), during its promotion on Basque radio-television.

On Saturday 24 March, independent publishers and booksellers propose readers to celebrate Indie Book Day. The principle is simple: you just need to go in your favourite independent bookshop, to buy a book published by an independent publisher. Then, you are invited to share a picture of the book on the social networks (Facebook, Twitter, Instagram…), with the hashtag #indiebookday.

Indie Book Day aims to highlight the creativity, diversity and dynamism of independent publishing and make readers aware of the essential aim played by independent bookshops in favour of bibliodiversity.

Created in 2013 in Germany by the Hamburg-based publishing house Mairisch Verlag –member of the German association of independent publishers Kurt Wolff Stiftung, the Indie Book Day has first met a great success in Germany, and then has been celebrated also in other countries – like the UK, Italy, Portugal, and Brazil. For this special occasion, independent bookshops promote the event (posters in their bookshops, specific campaign on the social networks). To help readers to make their choice, specific spaces can be proposed in the bookshop to focus on the diversity of independent publishing.

In 2018, the Kurt Wolff Stiftung (Germany), the ODEI (Italy) and the International Alliance of independent publishers (550 publishers from more than 52 countries around the world) keep fostering the Indie Book Day.

Indie Book Day website: www.indiebookday.de/english

Indie Book Day was created in 2013, by German independent publishers; since last year, it has been celebrated in other countries, thanks to independent publishers collectives and the Alliance.

How it works: On the third Sunday of March, readers are invited to visit an independent bookshop, buy a book published by an independent publisher, and post a picture of the book on social media with the hashtag #indiebookday. Booksellers and publishers can then organize a common campaign ahead of the event, to inform their communities (posters in the bookshops, information on social media and websites, etc.).

Find here Indie Book Day logos and more information on the official Indie Book Day website.

Bibliodiversity Day was created in 2010 by Latin American publisher members of the Alliance.

Since then, it has happened every year in numerous countries, especially in Latin America. On September 21, the first day of spring for the southern hemisphere, publishers, booksellers, book professionals and readers are invited to celebrate independent publishing and bibliodiversity.

How it works: All ideas and activities are welcome, coming from publishing houses, collectives of independent publishers, book professionals, and readers: bookcrossing, literary picnics, professional meetings, public readings, radio broadcasts, newspaper articles…

See here the literary and multilingual sound card for B-Day 2021 (and the Alliance’s 20^th anniversary).

Download B Day logos and visit the blog here.

Watch all B Day videos here->https://eldiab.org/videos-oficiales/.

• Instagram: https://www.instagram.com/indpub/
• Facebook: https://www.facebook.com/bibliodiversidad/

The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13^th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.

Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.

Read more here...

The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.

The Alliance Lab is built around four focus areas:

• Tools and resources for professionals
• Reflections and discussions on digital publishing, including innovative initiatives in the countries of the South (surveys and analyses);
• In situ workshops (capacity building and peer exchanges on digital matters);
• A personalised tutorial offered to member publishers of the Alliance.

The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.

Read here the pre-print version uploaded on Academia.edu 21 May 2019

Final version, to be published in two parts, in Logos: Journal of the World Publishing Community (https://brill.com/view/journals/logo/logo-overview.xml)

Part I: Volume 30 (2019): Issue 3, Part II: Volume 30 (2019): Issue 4

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

Abstract:

In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation: in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.

Read the article here (in French).

Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2).
https://doi.org/10.7202/1060972ar

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication: June 2019
The Bibliodiversity Journal is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversity Journal here: “Self-publishing”; “Committed publishing”…

Overview of the issue:
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question: does the intervention of public authorities support editorial diversity?

Contents of the ‘Public book policies issue’:

• “Introduction: action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal

• “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)

• “A relative autonomy – A comparative analysis of the room for manoeuvre
  in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)

• “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)

• “Morocco: escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)

• “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)

• “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)

• “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)

• “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

• “Publishing and public authorities: the Quebec case – Or the influence of public action on editorial independence?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)

• “Laws, public policies, institutions and measures to support books and reading
  in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)

• “From culture towards business – An analysis of a state support programme
  for local publishing in Buenos Aires: Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

Publishing & the Book in Africa: A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.

Read the pre-print version here.

To be published in The African Book Publishing Record, Volume 44, Issue 2, (May 2019)

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

African Book Industry Data & the State of African National Bibliographies:
Read the Pre-print version here.

Published in The African Book Publishing Record, Volume 44, Issue 4 (Dec 2018): 363-389.

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2018

Read here the article “Au Maghreb, il y a urgence à structurer le secteur du livre”, by Kenza Sefrioui (En toutes lettres, Marocco), published by Le Monde Afrique (8 February, 2019)

Abstract of the issue:
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about?

Contents of “Self-publishing”:

• Self-publishing: a vector of bibliodiversity? / By Sylvie Bosser, University of Paris 8

• Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne

• Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne

• Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13

• The (in)visible third party. Mentoring emerging writers: a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts

• Self-publishing: a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC

• Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links

• Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher

• Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8

A study published by African Studies Association (ASA) and African Studies Association of the UK (ASAUK), to read here!