English

As the independence of publishing is increasingly discussed, we have decided to bring into debate a possible definition of the “independent creation publisher”. This tool, in the shape of a series of questions, would allow to assess the strengths and weaknesses of a publisher in terms of independence.

Read: The seventh issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

We got some very bad news from Burkina Faso in the month of December: Joseph Ki-Zerbo (photo below), an eminent African historian, political activist, promoter of independence movements, and reputable author, passed away. Upon hearing the news, Marie-Agathe Amoikon Fauquembergue of Eburnie publications (Ivory Coast) responded: “À baobab has left us!”.

We would like to salute the man, author, and thinker Ki-Zerbo was. We remember the international co-publication of his last work, which he entrusted to Alliance members: “À quand l’Afrique?” (“When’s the time for Africa?”) has become a reference, the winner of the “World Citizen award” (prix RFI Citoyen du Monde), a commercial success, and is now translated into Portuguese by 4 members of our network. We would like to send our sincere condolences to his family and friends.

What is an independent publisher? What is a “creative publisher”? Can a large group be an independent publisher? How can a publisher, in the context of concentration and financial constraints, stay independent in daily life, while maintaining its activist role?
Such are the questions that Gilles Colleu confronts in his work Independent Publishers: moving from the age of reason on to the attack? (“Éditeurs indépendants: de l’âge de raison vers l’offensive?”). Far from any caricature, Gilles uses sound and engaging reasoning based on a “certain idea” of publishing to show us some characteristics that make the creative independent publisher a major actor, and a natural defender, of book diversity.

“Independent Publishers: moving from the age of reason on to the attack?”

Alliance of Independent Publishers

Collection “État des lieux de l’édition” (“Reports on the publishing world”)

160 pages, 10 € in France

ISBN 13: 978-2-9519747-2-2

Recycled paper

Find all the information on the collection “État des lieux de l’édition”) here.

The Alliance of the independent publishers has just set up on its site the syndication by RSS. RSS enable you to receive on your computer the last information put on line by the Alliance of the independent publishers.

To subscribe you with wire RSS of Alliance, you just have to to copy/cut the address below in your RSS reader

http://www.alliance-editeurs.org/spip.php?page=backend

Read: The sixth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

In Brazil, the “Springtime of books”, an event organized
by the LIBRE organization (a Brazilian federation of publishers), was the occasion to discuss a law regulating the price of books. Approximately a hundred independent Brazilian publishers participated in this great celebration of books, from September 15-17, 2006.

Upon the publication of the Portuguese version of Protéger le livre (“Protecting books”) - a study published in 2003 by the
Alliance of Independent Publishers, Markus Gerlach, author of the study, accompanied by an economist and president of LIBRE, Araken Ribeiro, participated in an in-depth debate on setting fixed prices for books. Proteger o livro is the first co-publishing project between LIBRE and the Alliance of Independent Publishers. We are particularly pleased that Markus Gerlach’s work exists, in addition to the French and Spanish versions, in Portuguese.

Remaining active, the LIBRE organization organized a round table discussion focused on “Proposals and commitments made by Presidential candidates”, with the participation of several representatives of candidates from the principal parties involved in the Brazilian Presidential campaign.
As we can see, the establishment or the rejection of a law on books and readership makes for some serious debate,
particularly in Latin America.

(More info on: http://www.primaveradolivro.com.br/).

Read: The fifth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

The role played by books in spreading ideas, analyses, imaginary scapes and proposals, in educating and informing citizens, is essential to understand the challenges of our times, to know oneself and others. Read what follows (in French)

See the list of signatories

Read: The fourth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

Abstract of the issue:
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about?

Contents of “Self-publishing”:

• Self-publishing: a vector of bibliodiversity? / By Sylvie Bosser, University of Paris 8

• Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne

• Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne

• Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13

• The (in)visible third party. Mentoring emerging writers: a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts

• Self-publishing: a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC

• Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links

• Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher

• Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8

A study published by African Studies Association (ASA) and African Studies Association of the UK (ASAUK), to read here!

Publishers & Books, a monthly specialized magazine, produced and published by the African Observatory of Professional Publishers (OAPE). Articles are in French and/or in English.

See here the first issue (June 2018);

And below the second issue (July 2018) and the third issue (August 2018).

Consult here the training material produced by Denis Jacquerye, typographer (Dalton Maag Ltd), as part of the workshop on digital publishing and African languages, held in Conakry (Guinea Conakry) from 20-23 November 2017.

STATEMENT
August 8, 2018

The International Alliance of Independent Publishers (IAIP), a network of 553 publishers worldwide, expresses its shock and dismay at the late-night abduction and detention of acclaimed photographer and human rights activist, Shahidul Alam, in Dhaka. Shahidul Alam has been a partner-colleague of the IAIP, in which context we have interacted with him on many occasions.

We believe that the charges against him under Section 57 of the ICT are an attempt to intimidate him by using a draconian law to stifle his right to free speech. He has been held without due legal process, and we have received disturbing reports of brutal treatment meted out to him in detention.

The right of peaceful protest, and the defence of that right, are fundamental to democracy and to upholding the rule of law. The IAIP extends its support to, and expresses solidarity with, Shahidul Alam, and reiterates its commitment to the freedom of expression in Bangladesh as well as in the rest of the world.

See here the film make by New Internationalist (UK) in support with Shahidul Alam.

Authors, publishers, booksellers, librarians and readers form what is commonly known as a “book ecosystem”, an expression that reflects the interdependence between actors in the book field. However, over the past few years, the discussions, both globally and in Europe, about re-defining the intellectual property rights, and the evolution of practices in the digital era, led to division that gradually distanced these stakeholders, with the risk of weakening the solidarity that unites them.
Fortunately, new conversations have started, more specifically about the cultural rights, opening a space where this topic can be debated and addressed from a new angle with focus on issues related to the balance of rights. Starting from the idea that fundamental rights are inseparable, it seems possible to understand author rights, cultural rights and social rights as a coherent whole. The challenge is to find an approach that would stop opposing the book professionals, to re-establish coalitions towards the conquest for new rights.
Due to their specific position, independent publishers could play an important role in framing this collective discussion in the book sector.

Lionel Maurel
A Law Degree holder, Lionel Maurel is currently a librarian at the University Paris Lumières Library. Author of the S.I.Lex blog, he specialises in Intellectual Property, Digital Law, and Cultural Law. Involved in the Commons movement, he co-founded the collective SavoirsCom1 (“Common Knowledges”) and is a member of the Strategic Orientation College of La Quadrature du Net.
Picture: thesupermath. CC-BY-SA. Source: Wikimedia Commons, remix by Guénaël Boutouillet

Read the full text!

“Publishing in African Languages: A Review of the Literature”, by Hans M. Zell, to read here !

This literature survey is an attempt to bring together some of the literature on an important and challenging, and one could well say neglected aspect of the African book sector, that of publishing in African languages, an area that greatly impacts literary production in many ways. It aims to make a small contribution to the ongoing debate about publishing of indigenous language materials, how the profile of indigenous language publishing might be enhanced – and how publishing in African languages could be conducted as a societally beneficial, sustainable, and profitable commercial activity.

Following an introductory overview of current publishing in African languages – and a discussion of its many barriers to success – it lists a total of 170 records, covering the literature (in English) published since the 1970s and through to early 2018. Fully annotated and/or with abstracts, it includes books, chapters in books and edited collections, reports, journal articles, Internet documents, theses and dissertations, as well as a number of blog postings.

To be published in African Research & Documentation. Journal of SCOLMA -The UK Libraries and Archives Group on Africa, no. 132, 2018.

© Hans Zell Publishing Consultants 2018

An unprecedented study to be published in July 2020, initiated and coordinated by the Alliance!

A sociological survey conducted by Anne-Marie Voisard, Quebec researcher (MA on strategic lawsuits against public participation and legal repression of freedom of speech from the University of Montréal) and written by Philippe Chibani-Jacquot; a historical introduction by Jean-Yves Mollier, French historian.

Since the creation of the Alliance, publishers – custodians of freedom of speech alongside journalists, authors, bloggers, booksellers, artists… – have been the whistleblowers on instances of censorship occurring in some countries. Over the past few years, we have noticed some new forms of attack on freedom of speech. In several contexts, pressures and limitations exercised on public speech are increasing. After the wave of freedom expected during the revolutions in the Arab world, the series of attacks in Africa, Europe, and in the Arab world, destabilised freedom of speech: a loss of sense, of bearings that brings us to question spaces of freedom, the reach of words and the power of the medium.

The freedom of publishing is a “category” of freedom of speech that can take different forms through various supports. The freedom of publishing pertains to the liberty to choose an author, to select or commission manuscripts, publish them, disseminate and distribute them, and put them on the market – all these activities are at the heart of publishers’ work. The threats to the freedom of publishing are precisely what the Alliance seeks to examine in this study.

In different geopolitical contexts, threatened by different forms of censorship, the Alliance’s independent publishers are committed to circulate texts and ideas, to amplify voices, even if sometimes they are in minority, to participate in building critical thinking and emancipation. It is their responsibility, both professional and civic.

Read here the presentation of the study, of the authors, the methodology...

Read here the report of the workshop on “African Book Industry”, organized by the Global Book Alliance (USAID) and the Association for the Development of Education in Africa (ADEA) in Abidjan (Ivory Coast) in January 2018.
The workshop brought together 79 key stakeholders in the African Book Publishing Industry from 22 African countries.
More information here.

Publishers from the Alliance condemn the banning of the book El desarme, la vía vasca d’Iñaki Egaña (copublished by Txalaparta, Gara journal, and Mediabask media), during its promotion on Basque radio-television.