English

As the independence of publishing is increasingly discussed, we have decided to bring into debate a possible definition of the “independent creation publisher”. This tool, in the shape of a series of questions, would allow to assess the strengths and weaknesses of a publisher in terms of independence.

Read: The seventh issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

We got some very bad news from Burkina Faso in the month of December: Joseph Ki-Zerbo (photo below), an eminent African historian, political activist, promoter of independence movements, and reputable author, passed away. Upon hearing the news, Marie-Agathe Amoikon Fauquembergue of Eburnie publications (Ivory Coast) responded: “À baobab has left us!”.

We would like to salute the man, author, and thinker Ki-Zerbo was. We remember the international co-publication of his last work, which he entrusted to Alliance members: “À quand l’Afrique?” (“When’s the time for Africa?”) has become a reference, the winner of the “World Citizen award” (prix RFI Citoyen du Monde), a commercial success, and is now translated into Portuguese by 4 members of our network. We would like to send our sincere condolences to his family and friends.

What is an independent publisher? What is a “creative publisher”? Can a large group be an independent publisher? How can a publisher, in the context of concentration and financial constraints, stay independent in daily life, while maintaining its activist role?
Such are the questions that Gilles Colleu confronts in his work Independent Publishers: moving from the age of reason on to the attack? (“Éditeurs indépendants: de l’âge de raison vers l’offensive?”). Far from any caricature, Gilles uses sound and engaging reasoning based on a “certain idea” of publishing to show us some characteristics that make the creative independent publisher a major actor, and a natural defender, of book diversity.

“Independent Publishers: moving from the age of reason on to the attack?”

Alliance of Independent Publishers

Collection “État des lieux de l’édition” (“Reports on the publishing world”)

160 pages, 10 € in France

ISBN 13: 978-2-9519747-2-2

Recycled paper

Find all the information on the collection “État des lieux de l’édition”) here.

The Alliance of the independent publishers has just set up on its site the syndication by RSS. RSS enable you to receive on your computer the last information put on line by the Alliance of the independent publishers.

To subscribe you with wire RSS of Alliance, you just have to to copy/cut the address below in your RSS reader

http://www.alliance-editeurs.org/spip.php?page=backend

Read: The sixth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

In Brazil, the “Springtime of books”, an event organized
by the LIBRE organization (a Brazilian federation of publishers), was the occasion to discuss a law regulating the price of books. Approximately a hundred independent Brazilian publishers participated in this great celebration of books, from September 15-17, 2006.

Upon the publication of the Portuguese version of Protéger le livre (“Protecting books”) - a study published in 2003 by the
Alliance of Independent Publishers, Markus Gerlach, author of the study, accompanied by an economist and president of LIBRE, Araken Ribeiro, participated in an in-depth debate on setting fixed prices for books. Proteger o livro is the first co-publishing project between LIBRE and the Alliance of Independent Publishers. We are particularly pleased that Markus Gerlach’s work exists, in addition to the French and Spanish versions, in Portuguese.

Remaining active, the LIBRE organization organized a round table discussion focused on “Proposals and commitments made by Presidential candidates”, with the participation of several representatives of candidates from the principal parties involved in the Brazilian Presidential campaign.
As we can see, the establishment or the rejection of a law on books and readership makes for some serious debate,
particularly in Latin America.

(More info on: http://www.primaveradolivro.com.br/).

Read: The fifth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

The role played by books in spreading ideas, analyses, imaginary scapes and proposals, in educating and informing citizens, is essential to understand the challenges of our times, to know oneself and others. Read what follows (in French)

See the list of signatories

Read: The fourth issue of Bibliodiversity, the newsletter of the Alliance of independent publishers, has just come out!

Publishing in Persian language presents a comprehensive and current overview of publishing in Persian language, in Iran, Afghanistan, Tajikistan, Uzbekistan, but also in the diaspora in Europe and the United States.
Articles, penned by Ali Amiri, Beytolah Biniaz, Masoud Hosseinipour, Farid Moradi, Laetitia Nanquette and Dilshad Rakhimov, enable an understanding of editorial markets through historical, economic, political and cultural perspectives.
This study sheds light on the work and publishing list of several independent publishers in Persian language, and thus enabling professional and intercultural exchanges.
Publishing in Persian language is available in Persian and English, and openly accessible on the Website of the International Alliance of Independent Publishers, in PDF, ePub and MOBI formats.

Summary of the study:
• Introduction, Beytolah Biniaz
• History of publishing in Iran, Farid Moradi
• Panorama of independent publishing in Iran, Farid Moradi
• Structure of the book market in Iran, Farid Moradi
• Cultural exchanges and translations between Iran and France, Germany, the United Kingdom and the United States, Laetitia Nanquette
• Persian language publishers in Europe, Farid Moradi
• Publishing in Afghanistan, Ali Amiri
• Panorama of publishing in Tajikistan, Dilshad Rakhimov
• Publishing in Persian language in Uzbekistan, Farid Moradi and Masoud Hosseinipour

Publishing in Persian language, “État des lieux de l’édition” collection (Reports on the publishing world), International Alliance of independent publishers, 2015.
ISBN: 978-2-9519747-7-7 (Persian version)
ISBN: 978-2-9519747-8-4 (English version)

Publishing in Persian language was made possible through the support of the Prince Claus Fund. We thank all contributors, publishers, and professionals who participated to this collective endeavour –and particularly Sonbol Bahmanyar for the coordination of the study.

Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structural adjustment policies, the continuing dominance of multinational publishers (particularly in textbooks), regressive language policies, and lack of recognition by African governments of the economic and cultural importance of publishing. African publishers seek to work collectively, to harness the digital age, and to take their place in the international marketplace on equal terms, Africa’s own voice.

This article, by Walter Bgoya and Mary Jay, was originally published in Research in African Literatures, vol. 44, no. 2, Summer 2013, 17-34, published by Indiana University Press.

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

At the 80^th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

This issue is dedicated to Andre Schiffrin, member of the Scientific Committee of the journal Bibliodiversity.

Follow this link to listen to the “Danse des mots” programme of April 18 2013, focusing on book donations. Yvan AMAR interviews Raphaël THIERRY, following the publication of the article in Africultures, April 8 2013 “Giving is not receiving. Thoughts on book donations in Africa”.

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.