English

A pan-African co-publishing gathering Ruisseaux d’Afrique (Benin) and Vallesse (Ivory Coast).

Date of publication: September 2020

This solidarity co-publishing is the result of a workshop on children’s literature organised by the Alliance in Abidjan in May 2019, as part of the International Conference of Independent Publishers 2019-2021. It received the support of the French Development Agency.

A pan-African co-publishing gathering Ntsame (Gabon) and Elondja (DRC).

Date of publication: September 2020

This solidarity co-publishing is the result of a workshop on children’s literature organised by the Alliance in Abidjan in May 2019, as part of the International Conference of Independent Publishers 2019-2021. It received the support of the French Development Agency.

A pan-African co-publishing gathering Ganndal (Guinea Conakry), Eburnie (Ivory Coast), Ruisseaux d’Afrique (Benin), Graines de Pensées (Togo), Ntsame (Gabon) and Elondja (DRC).
Date of publication: September 2020

This solidarity co-publishing is the result of a workshop on children’s literature organised by the Alliance in Abidjan in May 2019, as part of the International Conference of Independent Publishers 2019-2021. It received the support of the French Development Agency.

“Now that we have entered the 21^st century, it is difficult to dissociate the end from the means: what to say, and where to say it? Thus, we find that many authors seeking to promote debate, creativity and critical thinking, justice and equality are published by large conglomerates with multiple editorial labels. Isn’t the transformative power of these works reduced to nothing when they plunge into the workings of the entertainment industry? It is a fact that transnational corporations, whatever their field of action, are the very expression of the system that dominates us. By choosing them as publishers, do we not somehow leave the world of transformative ideas in the hands of those who lay the foundations of the model we criticise? Doesn’t that strengthen the control of big capital over the word and our daily lives? Moreover, how can we not question the cross-industry investment of the business groups that own publishing houses? And, are these investments neutral?”

In this open letter, independent publishers invite all the actors of the book industry to reflect with them on their practices and the impacts that result from them. In particular, they call on authors, academics and intellectuals to work on projects whose vocation is to transform the order of things and not to consolidate the status quo, to publish their works in independent publishing houses in their own countries, and to give preference to independent publishing houses when it comes to transferring foreign and translation rights.

As the world suffers the health, social and economic consequences of the pandemic, book ecosystems and independent publishing houses are further weakened and, for some, are trying to survive. If solidarity between creators and book professionals is one of the foundations of bibliodiversity, this solidarity is vital in the current context.

Read the letter here.
This letter is also available in Spanish, French, Arabic and Portuguese.

To be an independent publisher is to question the world, to help make sense of it, today and tomorrow

At a time when every country in the world is affected by the pandemic, we, as independent publishers around the world, are experiencing diverse health, social and economic situations. We are facing different realities, in different timeframes: immediate risks for some sections of the population (India, Madagascar, Indonesia...); a pandemic that strikes in contexts of already established political crisis (Haiti, Egypt, Syria...); the near absence or delayed implementation of public book policies (Cameroon, Gabon...); the resilience of independent publishing houses in the face of big corporations (Australia...).... While our contexts are diverse, our concerns remain collective: fragility of independent structures, uncertainty about the future, concern about possible abuses (surveillance society, pressure on employees, online teaching and learning, etc.).

We are in perpetual questioning, trying to understand our world: what to do, how, with whom, at what pace?
We need time to understand, to comprehend – which we had planned to do by 2021, as well as our “Rethink and Celebrate” Conference. REthink: to remain a conscious and creative actor, to act, in terms of ecology, social and solidarity economy, new approaches to readers, cooperative practices between professionals, freedom of publishing, fair speech...

Read more below...

See also:
Public book policies website

Digital Lab

Read the text in Arabic:

The International Alliance of Independent Publishers and publishers from the Spanish-language network pay tribute to the memory of the Chilean writer Luis Sepúlveda, who died on 16 April 2020 in Oviedo (Spain) as a result of the Coronavirus, after several weeks in hospital.

The Ibero-American Book Fair in Gijón, organised and directed by Luis Sepúlveda for more than a decade, was the setting for the creation of the first network of Spanish-language independent publishers, and the first meeting of Latin American independent publishers was held in 2000.

As a result, the International Alliance of Independent Publishers and the Association of Independent Publishers of Chile, now Editores de Chile, were formed.

Today we pay tribute to a man of generosity, solidarity and commitment to building a more just and humane world.

This co-publishing bears the label “Fair Trade Book”.

The first videos of the Conference here: Abidjan (May 2019); Santiago de Chile (October 2019)

The Conference is a process carried out over 3 years. It has commenced in 2019, with several workshops and meetings: Madrid (April 2019), Geneva (May 2019), Abidjan (May 2019), Santiago de Chile (October 2019).

The Conference will continue well into 2020… to end in 2021 in Pamplona, Basque Country.

In 2021, the Alliance will celebrate its 20 years of existence!

• 20 years is an appropriate age to remind ourselves of our core beliefs, commitments, responsibilities. The Alliance was built on trust, solidarity, humanity, and a profound belief in the social, emancipatory and liberating role of the book. Convinced also that the principles it defends are intertwined with its practice: thus, the principles of reciprocity and equity feature largely in the exchanges that characterise the governance of the association: namely that of respect, listening and curiosity…;
• 20 years is the opportunity to celebrate this shared journey while pursuing this journey, to RETHINK together;
• 20 years is also an opportunity to report on our activities, projects, and advocacy carried out by the Alliance; to celebrate our incredible achievements; but also to learn from our mistakes and mishaps;
• 20 years is an age whereby we want to go further and further, to remain a conscious and creative actor in terms of ecology, social economy and solidarity, of new ways of reaching readers, of collaborative practices amongst professionals in the field, of freedom of publishing, of fair speech…
• 20 years is the age when we dream, hope, believe, where we want to dance and laugh;
• 20 years is an important anniversary, it is an anniversary that we do not want to forget and that we shall celebrate!

Follow the Conference on the Alliance website and social networks!

• Driven by the growth of independent publishing in Latin American countries.
• Revived by the increase in the number of fairs and meetings where creative and local editorial production are showcased.
• Encouraged by the ways in which some public reading and book policies are supporting local intellectual production and bibliodiversity.

Convened in Santiago de Chile on the 1^st, 2^nd and 3^rd of October 2019, during the Spring of the Book (Primavera del Libro) and the International Conference of Independent Publishers (2019-2021), the Spanish-language network of the International Alliance of Independent Publishers (IAIP) declares:

• Its privileged link with reading, a liberating practice that raises consciousness, stimulates critical thinking, nourishes the mind; and with the book, a fundamental support of creation, knowledge and thought, pillar of culture and cultural diversity.

• Its concern about the increasing merger of the book chain, which translates into the marginalisation of local production in bookstores, particularly that of independent publishers; dominates the media, obscuring blocking creation and critical editorial production; and excludes small and medium-sized publishers from public procurements of books.

• Its willingness to promote practices, in the world of publishing, that enable a rich and diverse book ecosystem, that stimulates local intellectual production, translation, and balanced exchanges of books amongst Spanish-speaking countries; strengthens independent bookstores and their presence in cities and communities; grows public, academic and school libraries with diverse and inclusive book collections; reflects bibliodiversity, the cultural diversity in the world of books.

• Its support for public reading and book policies as key drivers of the democratisation of the book in our societies; as systemic strategies strengthening the potential impact of any decision or action; and as mechanisms preventing market concentration, for the benefit of national book industries and local production.

And commits towards:

• Strengthening the collective action of independent publishers in favour of bibliodiversity and the participatory development of sound public reading and book policies.

• Amplifying the voice of independent publishing and increasing exchanges with readers, actors of the world of books and culture and public institutions, through studies, manifestos, documents, regional, national, and international meetings, and through a clear commitment towards the communities concerned.

• Promoting the sharing and diversity of reading, education and training in our communities, from a critical perspective, mindful of being part of a world rich in bibliodiversity, which we must protect today more than ever.

• Constantly interrogating our own production processes and dynamics inherent in the publishing world, in order to improve its impacts on our social and natural environment.

• Identifying and analysing the strategies and good practices in our respective countries, to better implement them where they are lacking.

The aim is to strengthen book ecosystems locally by involving all relevant actors, and to promote a book culture in our societies, a necessary condition to escape manipulation and to build democratic societies for critical and committed citizens.

We call on all independent publishers who share these statements to sign this declaration:

• Silvia Aguilera, Lom ediciones, Editores de Chile, Chile.
• German Baquiola, Editorial La Caída and collective of independent publishers of Equator, Equator.
• Nicolas Biebel, Econautas Editorial, Argentina.
• Constanza Brunet, Marea editorial, Argentina.
• Mikel Buldain, Txalaparta, Basque Country.
• Mariela Calcagno, Hacerse de Palabras, Mexico.
• Fabiola Calvo Ocampo, Acracia Proyecto de Investigación Editorial, Colombia.
• Patricia Cocq Muñoz, Cocorocoq Editoras, Editores de Chile, Chile.
• Daniela Cortés del Castillo, Loba Ediciones, Editores de Chile, Chile.
• Mónica Cumar, Ediciones Columba, Editores de Chile, Chile.
• Héctor Dinsmann, Libros de la Araucaria, Argentina.
• Rodrigo Fuentes-Díaz, Edición Digital s.a., Editores de Chile, Chile.
• José Gabriel Feres, Virtual Ediciones, Editores de Chile, Chile.
• Gustavo Mauricio García, Ícono editorial and president of the Colombian Network of Independent Publishers.
• Catalina González, Luna libros and the collective La Diligencia, Colombia.
• Teresa Gottlieb, Editorial Maitri, Editores de Chile, Chile.
• Victor Hugo de la Fuente, Editorial Aún Creemos en los Sueños, Editores de Chile, Chile.
• Guido Indij, la marca editora, Argentina.
• Eduardo Lira, Escrito con Tiza, Editores de Chile, Chile.
• María Eugenia Lorenzini, Editorial Forja, Editores de Chile, Chile.
• Marcelo Mendoza, Mandrágora, Editores de Chile, Chile.
• Lucía Moscoso Rivera, Mecánica Giratoria, Ecuador.
• Pablo Moya, Ediciones el Milagro and Mexican Alliance of Independent Publishers Alliance, Mexico.
• Francisca Muñoz, general manager at Editores de Chile, Chile.
• Daniela Navarro, Ediciones Ekaré Sur, Editores de Chile, Chile.
• Mabel Andrea Rivera Pavez, Ediciones Universidad Alberto Hurtado, Editores de Chile, Chile.
• Eduardo Ruiz-Tagle Eyzaguirre, Editorial Rapanui Press, Editores de Chile, Chile.
• Luis Daniel Rocca, Taller de edición Rocca and Colombian Network of Independent Publishers.
• Juan Carlos Sáez, JC Sáez editor, Editores de Chile, Chile.
• Leonel Sagahón and Jerónimo Repoll, Editorial Tintable, Mexico.
• Alfonso Serrano, La Oveja Roja, Spain.
• Javier Sepúlveda, e-books Patagonia and president of Association Editores de Chile.
• Paulo Slachevsky, Lom ediciones, Editores de Chile, Coordinator RedH AIEI, Chile.
• Mónica Tejos, Simplemente editores, Editores de Chile, Chile.
• María José Thomas, Ocho Libros editores, Editores de Chile, Chile.
• Max Valdés Avilés, Vicio Impune Editorial, Editores de Chile, Chile.
• Carlos Vela, Editorial Pesopluma and collective of independent publishers of Peru, Peru.
• Marisol Vera, Editorial Cuarto Proprio, Editores de Chile, Chile.

To sign the “Declaration of Santiago de Chile on independent publishing serving communities and diversity”, please contact the Alliance’ team.

The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13^th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.

Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.

Read more here...

The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.

The Alliance Lab is built around four focus areas:

• Tools and resources for professionals
• Reflections and discussions on digital publishing, including innovative initiatives in the countries of the South (surveys and analyses);
• In situ workshops (capacity building and peer exchanges on digital matters);
• A personalised tutorial offered to member publishers of the Alliance.

The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.

Read here the pre-print version uploaded on Academia.edu 21 May 2019

Final version, to be published in two parts, in Logos: Journal of the World Publishing Community (https://brill.com/view/journals/logo/logo-overview.xml)

Part I: Volume 30 (2019): Issue 3, Part II: Volume 30 (2019): Issue 4

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

Abstract:

In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation: in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.

Read the article here (in French).

Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2).
https://doi.org/10.7202/1060972ar

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication: June 2019
The Bibliodiversity Journal is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversity Journal here: “Self-publishing”; “Committed publishing”…

Overview of the issue:
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question: does the intervention of public authorities support editorial diversity?

Contents of the ‘Public book policies issue’:

• “Introduction: action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal

• “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)

• “A relative autonomy – A comparative analysis of the room for manoeuvre
  in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)

• “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)

• “Morocco: escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)

• “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)

• “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)

• “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)

• “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

• “Publishing and public authorities: the Quebec case – Or the influence of public action on editorial independence?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)

• “Laws, public policies, institutions and measures to support books and reading
  in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)

• “From culture towards business – An analysis of a state support programme
  for local publishing in Buenos Aires: Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

Publishing & the Book in Africa: A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.

Read the pre-print version here.

To be published in The African Book Publishing Record, Volume 44, Issue 2, (May 2019)

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

African Book Industry Data & the State of African National Bibliographies:
Read the Pre-print version here.

Published in The African Book Publishing Record, Volume 44, Issue 4 (Dec 2018): 363-389.

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2018

Read here the article “Au Maghreb, il y a urgence à structurer le secteur du livre”, by Kenza Sefrioui (En toutes lettres, Marocco), published by Le Monde Afrique (8 February, 2019)

Abstract of the issue:
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about?

Contents of “Self-publishing”:

• Self-publishing: a vector of bibliodiversity? / By Sylvie Bosser, University of Paris 8

• Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne

• Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne

• Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13

• The (in)visible third party. Mentoring emerging writers: a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts

• Self-publishing: a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC

• Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links

• Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher

• Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8

A study published by African Studies Association (ASA) and African Studies Association of the UK (ASAUK), to read here!