Bibliodiversity Observatory

The Observatory

The Observatory: what is it?

The Bibliodiversity Observatory collects studies, analysis, and tools produced by the Alliance, in collaboration with its partners. It is built around issues identified as priorities by independent publishers as a follow-up to the International Conferences of Independent Publishers for the 2015-2021 and 2022-2025 period.
Aimed at professionals and public authorities, the Observatory’s mission includes strengthening bibliodiversity in the various regions of the world.

As an independent, evolving and collaborative space, the Observatory’s role includes:

The International Alliance of independent publishers acknowledges and thanks publishers and their partners (international organisations, Ministries of Culture, unions, etc.…) for their contributions and commitment to the Bibliodiversity Observatory.

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Publishing ’in the Souths’

What new book donation practices in Africa?, IFLA Congress, Lyon (France), 16-22 August 2014

At the 80th IFLA Congress (International Federation of Library Associations and Institutions), from 16 to 22 August 2014 in Lyon (France), the International Alliance of independent publishers will present a paper on “What new book donation practices can meet the needs of young African readers in libraries?”
This analysis on book donation practices and their impact both on the readers and book industry in French-speaking Africa, is written by Marie Michèle RAZAFINTSALAMA (éditions Jeunes malgaches, Madagascar) and the Alliance team. She is continuing the research and advocacy work begun a number of years ago by a group of publisher-members of the Alliance on book donation challenges for bibliodiversity. This paper is an extension to the workshop on book donations held in March 2013 in Paris (International Assembly of independent publishers).

To read the paper “What new book donation practices can meet the needs of young African readers in libraries?” (IFLA 2014), see here.

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Predation

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

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Local and national languages: What opportunities for publishing?, 11 to 13 June 2013, Ouagadougou (Burkina Faso)

While many African languages exist, publishing in local languages is almost inexistent because of the inherited dominance of colonial languages. However, some publishing houses publish in local languages and by doing so reach an often isolated readership. To preserve texts, promote authors, and widely circulate ideas, some publishers wished to meet to facilitate a flow of translations from one African language to another, to develop bilingual or trilingual co-publishing projects – representatives of Africa’s linguistic diversity.

How can we implement these projects? How can new technologies enable them? From an inventory of publishing practices in national and local languages, carried out by participants especially for this workshop, publishers will propose collective editorial projects that could be implemented in the years to come with the support of the Alliance, amongst others. The creation of an African language book fair will also be at the heart of discussions: this fair could represent the next meeting opportunity for public authorities and lead to measures that promote learning and publishing in national languages.
Through sharing experiences amongst eight African publishers and input from various participants, the workshop’s issues include:
* raising public authorities’ awareness on the development of learning in national languages;
* drafting practical proposals addressed to organisations working for the advancement of local languages;
* formulating recommendations addressed to book professionals and advocating for the creation of a local languages book fair and the development of African language publishing projects.
This workshop is supported by the Swiss Agency for Development and Cooperation (SDC).

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African youth literature: what visibility on the international market?

Publishing countries : Italy

From 2009 to 2015, the Alliance developed, on request of publisher members, a modest diffusion and distribution activity in France of youth literature published in Africa (“Lectures d’Afrique(s)”) . This fund addresses a double issue: make literary production published in Africa accessible and visible in the Northern market Northern market and, more modestly, participate in a rebalancing of commercial flow between South and North.
The youth sector, expanding in many regions in the world, is strategic in countries where publishing is emergent – it is indeed through youth literature that tomorrow’s readerships are formed. While catering to their local readership, publishers in Africa also wish to be known internationally. Their participation at book fairs in the North, for instance the Youth Book and Press Fair in Seine-Saint-Denis, reveals the presence of a readership on the Northern markets.

Although African literary output is sold to the general public in the North, is it bought in the context of fairs dedicated to right sells? What are the necessary prerequisites to participate in these professional fairs? Would African literature find buyers?

In partnership with Bologna Children’s Book Fair, the Alliance convened eight African publishers in Bologna from the 23rd to the 27th of March 2013.

Through experience sharing and the intervention of a literary agent specialised in rights transfer (mainly at the service of small youth publishing houses), publishers will also work on the following items:
• Identify relevant catalogues for copyrights transfer;
• Develop marketing tools to better present one’s production;
• Negotiate rights and follow-up with business contacts…

Publishers will also reflect on publishing standards in the design and production of books, standards that could facilitate access to international markets while posing a production standardisation risk. How can we reconcile publishing on two levels simultaneously, addressing a local readership and also an international one?

A session of the workshop will focus on the development of an advocacy document proposing a series of recommendations aimed at book fairs to support the attendance of publishers from the South.

Finally, this meeting will be the occasion for a projects fair, a “mini Bologna” that could lead to translation proposals, rights transfers and co publishing projects. Some of these projects could thereafter be supported by the Alliance.

As an extension to this workshop, meetings with publishers and organisations supporting youth publishing were held during the Fair, providing an opportunity to concretely illustrate the reflection processes carried out over the two previous days, to better discover and understand the workings and mechanisms of a Fair such as Bologna’s. We hope that this support will enable publishers to renew and assure their participation in the long term… and ultimately, that African youth literature will be more visible on international markets.

The Alliance warmly acknowledges the support of Bologna Children’s Book Fair, Fondation de France, Centre national du livre and the Institut français of Madagascar, essential to the implementation of this workshop.

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Books donation: rethinking the system, a workshop held in 2013, in Paris (France)

Although several debates and discussions on book donations were held, very few considered, complementary to the essential point of view of librarians’ professional collectives, the point of view of publishers and booksellers.

This workshop, facilitated in the context of the International Assembly of Independent Publishers, therefore has 3 main objectives:
To question existing practices and the impact of the “donation chain” on the “book chain”, from the perspective of local librarians, publishers and booksellers;
To question, promote and “complete”, if applicable, existing benchmark tools (amongst others, the Book Donation Charter developed by the Culture and Development Association, in partnership with several structures and institutions);
To propose realistic and sustainable alternatives to “classic” book donations, enabling us, hopefully, to enrich and built on current practices, through the input of local professionals.

The Alliance wishes to express its gratitude to the Ile-de-France Region for its support and trust and BULAC (Languages and civilisation University Library) for hosting us.

The primary outcomes of this workshop are detailed below.

Also read about the workshop’s indirect impacts on book donations: An article on Africultures, a programme on RFI...

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Publishing in India

Publishing countries : India

Unlike other Asian publishing markets, like Korea or Japan, the Indian book market is nearly unknown by French children’s book publishers, though this industry is actually blooming.
The Indian book market is a very specific one: the country’s size makes book distribution difficult, many languages are spoken and written, and there is a wide gap between urban reading habits and rural ones. Independent publishers in this country adapt business strategies to these difficulties and the solutions they find are original and innovative. In view of the lack of studies and data about Indian publishing, this study is based on a certain number of interviews with booksellers, book fair directors, market specialists, illustrators, distributors, and publishers.

  • In the first part ’’Quel paysage pour l’édition indienne?’’, this study deciphers the socio-economic and statistical data in order to better understand the Indian youth readership (gender, language, economical issues, among others).
  • In the second part ’’Le monde de l’édition jeunesse’’, a typology of the different players in Indian publishing is sketched out: multinational companies, state publishing, commercial publishers, independent publishers, NGOs... what are their respective roles?
  • In the third part ’’Quelles perspectives de diffusion et de valorisation?’’, the study examines the level and the nature of exchanges between Indian publishing and worldwide youth publishing.

An exciting treatise on a little-explored subject... a must read!

Mariette ROBBES, holder of a Master 2 in the World of the Book (Aix-en-Provence University) lived for six months in India in 2009, and returns often ever since. Since 2017, she is a member of the Alliance Board. Mariette concurrently works on several textile and graphic creation projects.

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Digital publishing in developing countries

In partnership with the Prince Claus Foundation, the Alliance commissioned Octavio Kulesz, a digital publisher in Argentina, to carry out a study on digital publishing in developing countries. This first-ever study, the result of eight months of research, is available in French, English and Spanish on the website: http://alliance-lab.org/etude/?lang=en

Who are the new digital players in Latin America, Sub-Saharan Africa, the Arab world and in Russia, China and India? Can digital publishing develop autonomously in the emerging economies, independently from the rich countries? What support policies are required to stimulate the growth of this new industry and help the traditional publishing sector adapt to the changes? Based on interviews, questionnaires and meetings, Octavio Kulesz provides an overview of digital publishing in these six regions and puts forward concrete proposals aimed at independent publishers. Digital publishing experience in the South offers an insight into the major opportunity that new technologies present for developing countries — especially when it comes to distribution — as long as local entrepreneurs seek innovative models suited to the concrete needs of their communities.

This online study is ongoing and interactive. We invite your contributions and feedback.

The study is also available in PDF, EPUB and MOBI.

Year of publication: 2011; ISBN French version: 978-2-9519747-5-3; ISBN Spanish version: 978-2-9519747-4-6; ISBN English version: 978-2-9519747-6-0

Visit the Alliance Lab to read the update to the study written by Octavio Kulesz in 2016 (available in French and in Spanish).

Collection État des lieux de l’édition

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Children’s book trade between France and francophone Africa

In this remarkable document, Marion Van Staeyen highlights the persistent imbalance in the book trade between France and francophone Africa, between North and South, specifically concerning children’s books. Some alternatives are appearing, however, to promote access to northern markets for African publishers. Many stakeholders in the sector – among them the International Alliance of independent publishers – are calling for an active and direct redress of the trade imbalance between North and South. A graduate in sociology and editing, Marion Van Staeyen is a second-year master’s student at University of Paris XIII, majoring in the book trade. She is currently attending classes at Sherbrooke University in Quebec, thanks to a partnership between the two universities.

Documents in French.

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Publishing in Ivory Coast: a study of the educational sector subjected to offers to tender

Throughout 46 well-documented pages and based on an extensive in-the-field investigation, Stéphane Marill has produced this remarkable analysis of “Publishing in Côte d’Ivoire: a study of the educational sector subjected to offers to tender”. This comprehensive overview comprises an all-new step-by-step guide for publishers wishing to apply for school publishing tenders (read also this article).

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Solidarity co-publishing and publishing partnerships

Call to French-language authors, publishers and institutions, March 2007

Publishing countries : Ivory Coast

African literature in French is today better represented and better known in Europe than in Africa, where its distribution remains hampered by many obstacles. However, there are solutions, which require the mobilisation of various stakeholders in the book industry. One solution is co-publishing, based on a joint trade agreement. The publication of “L’Ombre d’Imana” by Véronique TADJO, a groundbreaking example of pan-African co-publishing, proves that it is possible, through joint action, to create the conditions necessary for a (re)appropriation by Africa of its literature. To make this possible, the Alliance is appealing to everyone, authors, publishers and institutions alike, to join forces and promote the bibliodiversity at the heart of the francophone spirit. This appeal is endorsed by many authors and book industry professionals.

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Book ecology

Presentation

The ecology of the book is concerned with ideas and professional practices towards a sustainable, decolonial and geopolitical ecology of the book, involving all the actors of the world of books and taking into account their interdependence.

These ideas and practices seek to articulate several dimensions and include all the actors involved in the production of books, from creation, layout and publication to reading, including printing, distribution and sale in bookshops.

In addition to these material dimensions linked to the production of books (inputs, choice of paper, transport from the printing press), there are symbolic dimensions, which reflect on the use of books and bibliodiversity. Finally, book ecology also takes into consideration the external factors impacting on the book industry and the book market, in particular the social and environmental dynamics informing a sustainable ecological perspective.

Book ecology is therefore a concept that refers to a complex, collective and interprofessional understanding of all the practices linked to the production of books. It seeks to foster dialogue between professionals to bring about structural and thoughtful changes for greater eco-responsibility and bibliodiversity.

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Public Book Policies

African Book Industry, report of USAID-Global Book Alliance and ADEA, Abidjan (Ivory Coast), January 2018

Read here the report of the workshop on “African Book Industry”, organized by the Global Book Alliance (USAID) and the Association for the Development of Education in Africa (ADEA) in Abidjan (Ivory Coast) in January 2018.
The workshop brought together 79 key stakeholders in the African Book Publishing Industry from 22 African countries.
More information here.

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Publishing professionals charter and code of ethics, produced by the Organisation malienne des éditeurs de livre, Mali, 2017

Publishing professionals charter and code of ethics, produced by the Organisation malienne des éditeurs de livre (OMEL), Mali, 2017.

This charter was produced by OMEL (Organisation malienne des éditeurs de livre) in April 2017, which authorized the Alliance to publish it on its website.

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Re|Shaping cultural policies 2018 (2005 Convention Global Report)

Re|Shaping Cultural Policies 2018 (UNESCO 2005 Convention Global Report)
Creativity at the Heart of Development
Excerpt from the foreword:
“This new UNESCO Global Report ‘Re|Shaping Cultural Policies’ is an invaluable tool for the implementation of the 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions. This Convention, now ratified by 146 Parties, including the European Union, is leading UNESCO’s efforts to strengthen capacities for the creation, production, and dissemination of cultural goods, services, and activities. States are supported in their sovereign right to implement public policies for the development of strong and dynamic cultural and creative industry sectors. UNESCO is committed to developing more effective and sustainable public policies in these areas.
Our roadmap is clear and requires the cooperation of governments and non-governmental actors in four key areas: strengthening governance for culture, improving the conditions for the mobility of artists, integrating culture in sustainable development strategies, and promoting human rights and fundamental freedoms. These four goals are closely linked to the 2030 Agenda for Sustainable Development.”

Audrey Azoulay
Director-General of UNESCO

Read the report here.

Octavio Kulesz, member of the Digital Lab of the Alliance is the author of Chapter 3 of the report: “Cultural Policies in the Age of Platforms”.

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Public Book Policies in the Arab world and the view from Chile and France

In partnership with the Tunis Book Fair and the Union of Tunisian Publishers, and thanks to the support of the Fondation de France and the French Institutes of Tunisia and Lebanon, the Alliance organised a day focusing on public book policies in the Arab world on Thursday 30 March 2017.

Publishers from Algeria, Lebanon, Morocco and Tunisia presented a panorama of book public policies in their respective countries: Chilean and French publishers spoke on what is being implemented in their countries – a dialogue and exchange between professionals and public authorities, between continents, between cultures.

This day was initiated in the context of the Bibliodiversity Observatory and the mapping of public book policies in Latin America and the Arab world, on-going at the Observatory.

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Proteggere il libro (Protect the Book, Italian version)

Language(s) : italien

““Protect” the Book” by Markus GERLACH, a report from the collection “Reports on the Publishing World”, is now available in Italian from the Italian Federation of Independent Publishers (FIDARE), which translated and published this new edition.
This reference book has been translated into several languages (French, Spanish, Portuguese, Italian).

Year of publication: 2010, 68 pages, 15 X 21 cm, 8 euros.

Collection État des lieux de l’édition

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Preferential postage rates for books: urgent for Latin America, August 2010

Massively used by small publishing firms to distribute their products to bookstores, libraries, and readers, the postal service is the most popular means of circulating books throughout the world. However, the absence, suppression or questioning of special postage for books is an impediment to bibliodiversity in many countries.
In Latin America, with a huge territory to cover and limited circulation, a large share of publishers ensures the delivery of their products themselves. For these publishers, preferential postage rates for shipping books are all the more vital.

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Book trade between Spain and Latin America

This study, available in Spanish, was carried out as an International Alliance of independent publishers exclusive by Elena Enríquez Fuentes (Mexico) in 2008.

Her work demonstrates that there is a considerable bias in the trading of books between Spain and Latin America. This assertion is based on the analysis of exports and imports between Spain and Latin America in 2006 and 2007.

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Towards a Europe protecting bibliodiversity?, April 2009

As the official campaign for the next European elections is being launched, the Alliance has decided to get involved in a positive fashion by formulating three proposals that would be very simple to implement.

These proposals have furthermore been published on the website http://challengeforeurope.blogactiv.eu, with dozens of others, on the initiative of the Charles Léopold Mayer Foundation in the framework of its “What kind of Europe do we want?” program. Let us hope this impressive corpus of proposals will be a profitable inspiration to the EU’s future elected representatives!

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Freedom to publish

Call for the release of Iranian Authors, October 2020

In just this past month, three prominent Iranian writers, translators, and members of the Association of Iranian Writers, Bektash Abtin, Kayvan Bazhan, and Reza Khandan Mahabadi, and journalist and sociology researcher, Khosrow Sadeghi Boroujeni, have been sentenced to prison on charges of “propaganda against the Islamic Republic of Iran, and gathering and collusion with the intent of acting against national security.”

These accusations, which have led to long prison sentences and the charges levied are false. Their objectives are to further oppress writers and the people of Iran.
At a time when the world is under crisis by the pandemic, Iran, and especially within its prisons has a very unstable environment, with the increasing spread of Coronavirus among inmates.

We as authors and scholars would like to ask you to let the voices of our fellow authors in prison be heard by the people of the world and to demand their immediate release.

  • Daryoush Ashouri, Author, Translator and the Co-founder of the Association of Iranian Writers
  • Ervand Abrahamian, Author and Professor Emeritus, City University of New York
  • Azar Nafisi, Author
  • Faraj Sarkohi, Writer, Journalist, Literature Critic; A Member of German Pen; The Recipient of Kurt-Tucholsky-prize; World Association of Newspapers’ Golden Pen of Freedom Award and World Press Freedom
  • Hero by International Press Institute
  • Akram Pedramnia, Author, Translator; A Member of Pen Canada; the Recipient of James Joyce Foundation Scholar
  • Moniro Ravanipour, Author
  • Mohsen Yalfani, Author and Translator
  • Nasim Khaksar, Author and Critic
  • Reza Allamehzadeh, Moviemaker and Writer
  • Morad Farhadpour, Author, Translator and Critical Theorist
  • Akbar Masoumbaigi, Author, Translator and a Member of the Association of Iranian Writers
  • Babak Ahmadi, Author, Translator and Philosophy Researcher
  • Peyman Vahabzadeh, Author and Professor, University of Victoria
  • Sohrab Behdad, Denison University, USA
  • Farshin Kazeminia, Pierre and Marie Curie University (Paris 6)
  • Amir Kianpour, PhD Candidate, University of Paris 8 Vincennes-Saint-Denis
  • Mehran Mostafavi, Sacly University (Paris), Professor
  • Iman Ganji, PhD in Art Philosophy and Philosophy Researcher, Free University of Berlin
  • Mehrdad Darvishpour, Senior Lecturer and Associate Professor, Sociologist, Mälardalen University
  • Farhad Nomani, Professor Emeritus of Economics, The American University of Paris
  • Soheil Asefi, Journalist and PhD student in History, The Graduate Center, The City University of New York (CUNY)
  • Saeed Hariri, Moderator, Toronto Book Club
  • Azadeh Parsapour, Translator, Editor and Publisher
  • Arash Kia, Faculty of Institute for Healthcare Delivery Science, Icahn School of Medicine at Mount Sinai, New York

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Solidarity with Shahidul Alam (Bangladesh), August 8, 2018

STATEMENT
August 8, 2018

The International Alliance of Independent Publishers (IAIP), a network of 553 publishers worldwide, expresses its shock and dismay at the late-night abduction and detention of acclaimed photographer and human rights activist, Shahidul Alam, in Dhaka. Shahidul Alam has been a partner-colleague of the IAIP, in which context we have interacted with him on many occasions.

We believe that the charges against him under Section 57 of the ICT are an attempt to intimidate him by using a draconian law to stifle his right to free speech. He has been held without due legal process, and we have received disturbing reports of brutal treatment meted out to him in detention.

The right of peaceful protest, and the defence of that right, are fundamental to democracy and to upholding the rule of law. The IAIP extends its support to, and expresses solidarity with, Shahidul Alam, and reiterates its commitment to the freedom of expression in Bangladesh as well as in the rest of the world.

See here the film make by New Internationalist (UK) in support with Shahidul Alam.

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What freedom of publishing for independent publishers? Study initiated and coordinated by the Alliance, 2018-2020

An unprecedented study to be published in July 2020, initiated and coordinated by the Alliance!

A sociological survey conducted by Anne-Marie Voisard, Quebec researcher (MA on strategic lawsuits against public participation and legal repression of freedom of speech from the University of Montréal) and written by Philippe Chibani-Jacquot; a historical introduction by Jean-Yves Mollier, French historian.

Since the creation of the Alliance, publishers – custodians of freedom of speech alongside journalists, authors, bloggers, booksellers, artists… – have been the whistleblowers on instances of censorship occurring in some countries. Over the past few years, we have noticed some new forms of attack on freedom of speech. In several contexts, pressures and limitations exercised on public speech are increasing. After the wave of freedom expected during the revolutions in the Arab world, the series of attacks in Africa, Europe, and in the Arab world, destabilised freedom of speech: a loss of sense, of bearings that brings us to question spaces of freedom, the reach of words and the power of the medium.

The freedom of publishing is a “category” of freedom of speech that can take different forms through various supports. The freedom of publishing pertains to the liberty to choose an author, to select or commission manuscripts, publish them, disseminate and distribute them, and put them on the market – all these activities are at the heart of publishers’ work. The threats to the freedom of publishing are precisely what the Alliance seeks to examine in this study.

In different geopolitical contexts, threatened by different forms of censorship, the Alliance’s independent publishers are committed to circulate texts and ideas, to amplify voices, even if sometimes they are in minority, to participate in building critical thinking and emancipation. It is their responsibility, both professional and civic.

Read here the presentation of the study, of the authors, the methodology...

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Censorship against independent publishing house Txalaparta (Basque Country), 1 March 2018

Publishers from the Alliance condemn the banning of the book El desarme, la vía vasca d’Iñaki Egaña (copublished by Txalaparta, Gara journal, and Mediabask media), during its promotion on Basque radio-television.

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Looking for an author: study - “What freedom of publishing for independent publishers?”

Call for proposal – looking for an author

The Alliance aims to produce an unprecedented study about freedom of publishing, listening to independent publishers about the following questions:
• What are the different infringements of freedom of publishing that independent publishers confront in their countries?
• How do they face these threats in their daily professional life?
• How do the publishers resist, preserve, and defend their freedom of publishing? How do they circumvent censorship?
• Are publishers more vulnerable today than they used to be? Have there been some significant changes in recent years?
• From the point of view of the publishers, is there a limit to freedom of publishing (and freedom of expression)?
The study will be written in French. If you are interested in conducting this study, please send your proposal to the Alliance team before 13 March 2017.}

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Call for freedom of speech and publishing in Turkey, 22 August 2016

The International Alliance of independent publishers demands that Turkish authorities immediately release publishers, authors and journalists currently detained. It is necessary to guarantee freedom of speech and publishing in Turkey. The Alliance joins the Turkish Publishers Association’s condemnation of the summary closure of publishing houses and media as a clear human rights violation, and urges the Turkish authorities to rescind those summary closures.

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Call for freedom of speech and publishing in Bangladesh, November 2015

Extract from the Communiqué by the Alliance for a call for freedom of speech and publishing in Bangladesh, 10 November 2015:

For several months, authors, bloggers, publishers and booksellers have been the victims of violent and deadly attacks in Bangladesh.

The International Alliance of independent publishers, representing 400 independent publishers from 45 countries in the world, condemns these murderous attacks and assault on freedom of speech and publishing. The Alliance also reaffirms the essential role needing to be played by public authorities, in Bangladesh and throughout the world to enable the emancipation of its citizens, and to guarantee a public space conducive to dialogue and peace. Plurality and diversity of ideas constitute the foundation of democracy. It is urgent that the Bangladeshi government protects and supports actors in the book industry, thus safeguarding the foundations necessary for their work and freedom of speech.

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Communiqué in support of Txalaparta Publishing following attacks on “El manual del torturador español” and on freedom of expression, December 2010

Paris, December 2010

It is with great concern that the International Alliance of Independent Publishers has noted the recent censorship of a book in Spain, and the threats made against the independent publishing house Txalaparta, member of the Alliance’s Spanish-speaking network.

The book in question, “El manual del torturador español” (The Spanish Torturer’s Manual) – by Xabier MAKAZAGA denounces the torture carried out by the Spanish police. The book was withdrawn from a public library (in the Basauri town council), following a request by a political party and certain Madrid newspapers to remove it from all libraries where it was made available to readers. However the practices described in this book support the accusations already made in reports by Amnesy International and by the UN Recorder on Human Rights. The campaign against this book has already been publicly denounced by public librarians. Furthermore the Basque Country Human Rights Observer (Behatokia) sent a letter of protest to Frank de la Rue, Special Recorder on Human Rights and Freedom of Expression with the Office of the United Nations High Commissioner for Human Rights, whose headquarters are in Geneva.

The International Alliance of independent publishers, whose objectives include defending freedom of expression and denouncing all forms of censorship, also has a duty to respond publicly when attacks or infringements are directed – for ideological reasons – against independent publishers, whose very job it is to encourage the dissemination of ideas and to contribute to forging the identity of people and their culture.

One has only to examine Txalaparta’s publishing catalogue to appreciate the vast range of literary works and essays which constitute an undeniable contribution to bibliodiversity, while reflecting a clear editorial policy.

This is why we independent publishers are appealing to the Spanish authorities to respect the work of independent publishers and to encourage respect for fundamental rights and democracy.

We also appeal to independent publishers, booksellers, librarians and readers to follow the development of this matter closely and to express their support to Txalaparta Publishing in order to defend and respect the right to information that is true and diverse.


The Spanish-language network of the International Alliance of independent publishers

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Solidarity with Iranian publishers, August 2009

Publishing countries : Iran

In view of the worrying situation in Iran and the attacks on freedom of expression, the publishers of the Alliance wish to express their solidarity with their Iranian colleagues. They demand the right to publish freely and call for increased cultural and editorial exchanges with Iran.

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Freedom of publishing under threat in Canada?, April 2008

An incredible censorship attempt is endangering the very existence of the publisher Écosociété (Quebec – Canada); more than 60 publishers from 30 countries have declared their undivided support for the Quebec publisher and are calling on the pinstigators of the “Noir Canada” affair to respect the rights of freedom of expression and publication.

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Bibliodiversity

Guide to good practice

Why have a Guide?
This Guide is based on ideas, discussions, round tables and workshops prior to and during the International Conference of Independent Publishers in Pamplona-Iruñea (23-26 November 2021).

The objectives of this guide are to:
• suggest lines of approach and actions for publishers who are members of the International Alliance of Independent Publishers, and to book professionals more broadly;
• help implement and put into practice the principles and values defended by the Alliance’s members;
• illustrate these principles using examples (experience, projects, ideas, etc. from professionals) which may serve as sources of inspiration.

How?
The “entries” in this Guide are thematic. Given that the intention of the Guide is to present in a practical way the principles of the Pamplona-Iruñea Declaration, the main entries are currently as follows:
• decolonial publishing
• ecological publishing
• feminist and LGBTQI+ publishing
• free publishing
• social publishing
• solidarity-based publishing

This Guide will evolve; its form is not fixed. Indeed, several of the Guide’s entries require input that will come from the work of the thematic working groups which will be tasked with making suggestions and enhancing these entries. It will then be possible to update and adapt the Guide over time in line with the evolution of practices and ideas inside the Alliance (in particular through post-conference thematic working groups).

Prerequisite
The Alliance is a unique intercultural network, whose specificity and strength lie in respect for diversity.
Kindness, curiosity, listening and respect for points of view, as well as equal opportunities for speech, must be the basis of every exchange within the Alliance. There can be no place for hate speech or non-inclusive discourse, which would be against the fundamental principles of the Alliance.
This prerequisite is the basis on which the Alliance’s members organise themselves and work together – on the creation of this Guide, among other things.

Warning
The Guide to Good Practice is intended as food for thought and discussion. It cannot commit the publishers who are members of the Alliance to all the proposals and recommendations it contains. Indeed, the International Alliance of Independent Publishers is aware of the geographical diversity of its members and, consequently, of their cultural diversity. It is also fully aware of the impossibility of implementing certain measures (e.g. on book ecology, etc.) in some countries for many reasons related to the political, social, economic, cultural environment…

Read the Guide

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Independent Publishing Glossary

The Independent Publishing Glossary is a collective project led by publishers from the Spanish-language network of the International Alliance of Independent Publishers.

It shows the meanings and definitions of words commonly used in publishing. It is an evolving project, which will be enriched over time in order to include new concepts and to take into account other proposal for definitions. The idea is not to freeze or petrify the concepts, but to open them up to enhance their multiple meanings.

Each term is signed by the person who worked on the definition. The glossary was edited by Germán Gacio Baquiola (Corredor Sur Editorial, Ecuador / Colectivo Editores independientes de Ecuador), Teresa Gottlieb, (Editorial Maitri, Chile), Paulo Slachevsky (Lom Ediciones, Chile) and Miguel Villafuerte, (Editorial Blanca, Ecuador).

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What to say, and where to say it? Open Letter from Independent Publishers to authors and intellectuals committed to a fairer world

Now that we have entered the 21st century, it is difficult to dissociate the end from the means: what to say, and where to say it? Thus, we find that many authors seeking to promote debate, creativity and critical thinking, justice and equality are published by large conglomerates with multiple editorial labels. Isn’t the transformative power of these works reduced to nothing when they plunge into the workings of the entertainment industry? It is a fact that transnational corporations, whatever their field of action, are the very expression of the system that dominates us. By choosing them as publishers, do we not somehow leave the world of transformative ideas in the hands of those who lay the foundations of the model we criticise? Doesn’t that strengthen the control of big capital over the word and our daily lives? Moreover, how can we not question the cross-industry investment of the business groups that own publishing houses? And, are these investments neutral?”

In this open letter, independent publishers invite all the actors of the book industry to reflect with them on their practices and the impacts that result from them. In particular, they call on authors, academics and intellectuals to work on projects whose vocation is to transform the order of things and not to consolidate the status quo, to publish their works in independent publishing houses in their own countries, and to give preference to independent publishing houses when it comes to transferring foreign and translation rights.

As the world suffers the health, social and economic consequences of the pandemic, book ecosystems and independent publishing houses are further weakened and, for some, are trying to survive. If solidarity between creators and book professionals is one of the foundations of bibliodiversity, this solidarity is vital in the current context.

Read the letter here.
This letter is also available in Spanish, French, Arabic and Portuguese.

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Re|Shaping cultural policies 2018 (2005 Convention Global Report)

Re|Shaping Cultural Policies 2018 (UNESCO 2005 Convention Global Report)
Creativity at the Heart of Development
Excerpt from the foreword:
“This new UNESCO Global Report ‘Re|Shaping Cultural Policies’ is an invaluable tool for the implementation of the 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions. This Convention, now ratified by 146 Parties, including the European Union, is leading UNESCO’s efforts to strengthen capacities for the creation, production, and dissemination of cultural goods, services, and activities. States are supported in their sovereign right to implement public policies for the development of strong and dynamic cultural and creative industry sectors. UNESCO is committed to developing more effective and sustainable public policies in these areas.
Our roadmap is clear and requires the cooperation of governments and non-governmental actors in four key areas: strengthening governance for culture, improving the conditions for the mobility of artists, integrating culture in sustainable development strategies, and promoting human rights and fundamental freedoms. These four goals are closely linked to the 2030 Agenda for Sustainable Development.”

Audrey Azoulay
Director-General of UNESCO

Read the report here.

Octavio Kulesz, member of the Digital Lab of the Alliance is the author of Chapter 3 of the report: “Cultural Policies in the Age of Platforms”.

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The Independent publisher

The socio-economic environment, historical approach and political context are only some of the factors to consider in appreciating, in all its complexity and diversity, the notion of an independent publisher. Independent publishers in Chile, France, Benin, Lebanon, or India work in specific contexts that have direct consequences on their activities. However, although the situation differs from one country to another, it is possible to agree on some criteria in order to define what is an independent publisher. Independent publishers develop their editorial policy freely, autonomously, and without external interference. They are not the mouthpieces for a political party, religion, institution, communication group, or company. The structure of capital and the shareholders identity also affect their independence: the takeover of publishing houses by big companies not linked to publishing and implementation of profit-driven policies often result in a loss of independence and a shift in publishing orientation. Independent publishers, as defined by the Alliance’s publishers, are originating publishers: through their often-innovative publishing choices, freedom of speech, publishing and financial risk-taking, they participate in discussions, distribution, and development of their readers’ critical thinking. In this regard, they are key players in bibliodiversity.

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Bibliodiversity

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

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Des paroles et des actes pour la bibliodiversité

Year of publication: 2006, 288 pages, 15 x 21 cm, ISBN 978-2-9519747-3-9

Collection État des lieux de l’édition

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Éditeurs indépendants : de l’âge de raison vers l’offensive ? (Independent Publishers: moving from the age of reason on to the attack?)

Far from being a caricature, developing a reasoning based on his personal conception of publishing, Gilles Colleu explores some of the characteristics of a typical independent publisher.
What do we mean by independent publisher? Are they necessarily small concerns? Can a major group be independent? In a context of concentration and increasing dominance of financial considerations, how can publishers remain independent while playing their crucial role of putting fresh ideas forward?

Gilles Colleu is a former student of Jean-Marie Bouvaist and has taught alongside him on the Master course at Villetaneuse University. He is now an associate professor in the publishing professions department of the IUT in Aix-en-Provence. He founded the Vents d’ailleurs publishing house and manages it with Jutta Hepke, and for the past 20 years has acted as a consultant to publishers.

In this work, he stresses his conviction that publishing needs to be rooted in a long cycle of cultivation, to build a coherent catalogue and long-lasting business.

NB: pages 94 to 97 of this work feature a full, fresh definition of independent publishing, suggested by the International Alliance of Independent Publishers.

Year of publication: 2006, 160 pages, 15 x 21 cm, ISBN 10: 2-9519747-2-8; ISBN 13: 978-2-9519747-2-2

Collection État des lieux de l’édition

La edición independiente_in Spanish

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Bibliodiversité review

Precariousness of independent publishing

Order this issue in digital format here (in French)
Sale price (digital format - PDF): 5 euros
ISBN: 978-2-490855-64-3
Published: 15 October 2024

All the responses to the international survey on the precariousness of independent publishers featured in this issue can be read in the PDF document opposite.

Watch the replay of the round table on precariousness organised in September 2024 as part of the Babelica Book Fair.

The Bibliodiversité review is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all previous issues of the review here (“Transmission and renewal”, “Inclusion and Diversity in the Book Industry”, “The Alternatives. Ecology, social economy: the future of the book?”, “Minority Languages”, “Public Book Policies”, “Self-Publishing”, “Publishing and Commitment”, “Translation and Globalization”...).

Presentation
Although independent publishing houses (with their authors) are at the heart of the creative process, they are the ones most vulnerable to insecurity. Publishers hold down several jobs in order to stay in business, earn little or nothing, are caught up in a book market that encourages overproduction, and are under-represented and under-defended.

Independent publishing is becoming increasingly precarious. And yet its contribution to bibliodiversity is well-known. Genuine “venture capitalists”, independent publishers spot the talents of tomorrow and give a voice to minorities - much more so than other publishing structures. They play an important role in the intellectual, artistic and democratic life of a country.

How can we better support independent publishing and the talent it represents? In addition to their questions, analyses and personal accounts, the contributors to this innovative issue put forward a series of proposals to combat the precariousness of independent publishing.

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Reading (r)evolutions (changing practices and technologies) / call for contributions

Read the call for stories and contributions - Bibliodiversité review, issue 12, to be published in March-April 2025.

Please contact us (equipe@alliance-editeurs.org) if you would like to submit a contribution to the Bibliodiversité review devoted to “Reading (r)evolutions (changing practices and technologies)”.

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Transmission and renewal. How do we ensure the continued existence of businesses in the book trade?

Order this issue in digital format here (in French).

Sale price (digital format - PDF): 5 euros
ISBN: 978-2-490855-51-3

Published: 23 March 2023

The Bibliodiversité review is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all previous issues of the review here (“Inclusion and Diversity in the Book Industry”, “The Alternatives. Ecology, social economy: the future of the book?”, “Minority Languages”, “Public Book Policies”, “Self-Publishing”, “Publishing and Commitment”, “Translation and Globalization”...).

Presentation
Many independent publishers and bookshops are faced with the question of the transmission of their businesses, and sometimes struggle to find someone to take them on. This not only impacts the individuals concerned. Given the extent to which, as a generation leaves the world of work, the phenomenon is gaining momentum in Europe as well as Latin America and Africa, the future of a certain idea of the book is also at stake.

But is transmission necessary? And if yes, to who, when and how? Are there differences between the transmission of a publishing house or bookshop and that of other businesses? In a sector undergoing great change, the giving up of a business in the book industry poses a broader question about the capacity for renewal of cultural organisations – of their people, practices and content – but also about the integration of legislative, societal and technological changes.

Here, a collection of texts tackles from different points of view this essential yet under-studied subject. More than a practical guide – something it appears it would be difficult to write, given the variety of situations encountered – in this issue we seek above all to share academic analyses and accounts of experiences to help us reflect on the notion of renewal and think about these transmissions.

Read an excerpt from this issue, published by ActuaLitté: the testimony of Colleen Higgs, Modjaji Books in South Africa

Contents (in French)

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Inclusion and diversity in the book industry

To order this title digitally (in French), it’s here!
Sales price (digital copy – PDF version): 5 Euros
ISBN: 978-2-490855-27-8

Publication: February 2022

Presentation
The world of books and writing is not necessarily diverse. Like all places of power, whether real or symbolic, it does not escape the forms of exclusion and predation that can be observed elsewhere in society.
By deliberately favouring a plurality of approaches to the question of inclusion, this issue of the journal attempts to explore a multidimensional phenomenon. Thus, whether through feminism, indigenousness, the LGBTQ+ movement or by considering those excluded from the written word, the authors question the inclusive capacity of this sector.
Beyond the observations, they propose practical examples (collected in France, Quebec, Belgium, Spain, India...) to promote inclusion: the establishment of a gender editor within an editorial office, the creation of a native publishing house, the management of bookshops, publishing houses or feminist or gay journals, the reflection of librarians on the conditions of reception of minorities, etc.
Little by little, thanks to these many initiatives, often without wanting to polemicise or to whitewash issues, professionals are fighting discrimination daily and promoting the expression of real diversity.

“Bibliodiversité” is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all the other issues of the journal here (“The alternatives. Ecology, social economy : the future of the book ?”, “Minority languages”, "Public book policies”, “Self-publishing”, “Publishing and commitment”, “Translation and Globalization”...)

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The alternatives. Ecology, social economy: the future of the book?

To order this title digitally, it’s here!
Sales price (digital copy – PDF version): 5 Euros
ISBN: 978-2-490855-11-7

Sales price (hardcopy): 15 Euros
Format: 14,5 X 21 cm; 236 pages
ISBN: 978-2-490855-10-0

Publication: February 2021

Bibliodiversité is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all the other issues of the journal here (“Minority languages”, "Public book policies”, “Self-publishing”, “Publishing and commitment”, “Translation and Globalization”...)

Presentation
At a time when environmental concerns are becoming more and more important and when traditional production patterns are increasingly being questioned, is there such a thing as an ecological, responsible and solidarity book?
At a time when a significant proportion of printed books end up unread and when the physical flow of books generates significant greenhouse gas emissions, printers, publishers, booksellers and distributors are questioning their practices and the impact they have.
They are proposing alternatives to the dominant system to respond to these challenges – and thus define the future of the book?

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Minority languages / Coordinated by Nathalie Carré and Raphaël Thierry

Coordinated by Nathalie Carré (Institut National des Langues et Civilisations Orientales, Inalco) and Raphaël Thierry (independent researcher)
Publication: 2020

Contact the Alliance team to get a free digital version of this issue.

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Bibliodiversité review is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all the other issues of the review here (“Public book policies”, “Self-publishing”, “Publishing and commitment”, “Translation and Globalization”...)

Presentation
More than half of the languages spoken in the world are in danger of disappearing; if nothing is done, UNESCO estimates that 90% of languages will have disappeared in the course of this century. Languages are an essential part of a people’s culture, yet they are much more than just a tool for communication; they offer a unique view of the world and of the people who live in it. What can the publishing sector do – and is already doing – to help preserve and sustain these minority languages? This book attempts to answer this question through academic articles and testimonies of book professionals who, together, propose a novel approach to the subject.

In the light of their publications, the book analyses the situation of several minority languages - Haitian Creole, Corsican, Innu, Yiddish, Kikuyu, Basque, Malagasy, Náhuatl, etc. and shows that solutions are possible when the actors in the book system are mobilised.

Summary:

  • Publishing in minority languages – On diversity of publishing languages in a
    globalized context / by Nathalie Carré (Inalco, France) and Raphaël Thierry
    (independent researcher, France)
  • Creole publishing in Haiti – Obstacles, initiatives and development prospects /
    by Sandie Blaise, Duke University (United States)
  • The spread of Yiddish poetry in German speaking world – The case of bilingual editions / by Caroline Puaud, Paris Sorbonne University
  • Write and publish in Madagascar – How to reach the world? / by Dominique Ranaivoson, University of Lorraine (France)
  • Make minority languages dialogue (online) – The example of intergenerational collaboration in East Africa / by Pierre Boizette, Paris-Nanterre University (France)
  • Normativity, diversity and dynamics of creation in the contemporary Basque literary field – Study of its operating trends through the literary trajectory of Eñaut Etxamendi / by Itziar Madina Elguezabal, Bordeaux-Montaigne Doctoral school (France)
  • Locate, catalog, make visible – The place of minority languages in collections of the University Library for Languages and Civilizations Studies (BULAC) / Interview with Marine Defosse, Soline Lau-Suchet and Nicolas Pitsos, librarians at BULAC (France)
  • As long as the language circulates, we will have books to produce” / interview with Bernard Biancarelli (Albiana Publishing, Corsica/France)
  • Publishing must grow the world” – Mémoire d’encrier and the languages of the world / interview with Rodney Saint-Éloi, Mémoire d’Encrier Publishing (Quebec / Canada)
  • Saving a language is a task for all of us” / by María Yolanda Argüello Mendoza, Magenta editions (Mexico)
  • Public book and reading policies for indigenous languages in Chile. Intervention (updated in 2020) in the Parliament of Books and Speech / by Paulo Slachevsky, Lom Ediciones (Chile)
  • Save, transmit – An example of transcription-translation from oral literature
    of some Vietnam’s peoples / by Mireille Gansel, translator, writer
  • PEN’s commitment to Linguistic Rights – The importance of writing, publishing and reading in marginalized languages / interview with Peter McDonald (University of Oxford) and Carles Torner (PEN International), July 2018, Oxford and London

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Public book policies

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication: June 2019
The Bibliodiversité review is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversité review here: “Self-publishing”; “Committed publishing”…

Overview of the issue:
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question: does the intervention of public authorities support editorial diversity?

Contents of the ‘Public book policies issue’:

  • “Introduction: action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal
  • “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)
  • “A relative autonomy – A comparative analysis of the room for manoeuvre
    in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)
  • “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)
  • “Morocco: escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)
  • “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)
  • “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)
  • “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)
  • “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)
  • “Publishing and public authorities: the Quebec case – Or the influence of public action on editorial independence?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)
  • “Laws, public policies, institutions and measures to support books and reading
    in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)
  • “From culture towards business – An analysis of a state support programme
    for local publishing in Buenos Aires: Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

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Self-publishing (January 2019) / Coordinated by Sylvie Bosser

Abstract of the issue:
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about?

Contents of “Self-publishing”:

  • Self-publishing: a vector of bibliodiversity? / By Sylvie Bosser, University of Paris 8
  • Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne
  • Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne
  • Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13
  • The (in)visible third party. Mentoring emerging writers: a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts
  • Self-publishing: a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC
  • Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links
  • Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher
  • Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8

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