English

The sixth edition of the Tehran Book Fair, Uncensored takes place from 11 May to 12 June 2022, starting in London and then travelling through several European and American cities!

This book fair is timed parallel to the Iran Book Fair, hence the name: Tehran Book Fair, Uncensored. The aim of the exhibition is to provide an opportunity for authors and publishers who would be censored or banned in Iran to speak out freely and present their work.

Participating publishing houses:

• Forough Book (Germany)
• Naakojaa (France)
• Gardoon (Germany)
• Nogaam (UK)
• Satrap (UK)
• Dena Book (Netherlands)
• Red Intellect (Netherlands)
• Aftab Publication (Norway)
• Roonak Publication (Netherlands)
• Pendaar Publications (UK)
• Arzan (Sweden)
• Ferdosi (Sweden)
• Iran Academia (Netherlands)
• Pegah Books (Canada)
• Ketab Corp (USA)
• Saraye Bamdad (Canada)
• Ketab Corp (USA)

For more information: www.uncensoredbook.com / #UBF22

In the aftermath of the Russian aggression against Ukraine and the invasion of its territory, the International Alliance of Independent Publishers expresses its support and solidarity with the Ukrainian people and cultural professionals and reiterates its commitment to the right of self-determination of each population.

We, independent publishers from over 55 countries around the world, members of an international solidarity network, condemn in the strongest terms the violence committed against the Ukrainian people and call together for a return to peace. We also reaffirm our support for all people on all continents, facing wars and conflicts, fighting for their freedom and emancipation.

We strongly oppose stigmatizing and dehumanizing discourses, and we recall here the essential role of culture, in particular of books, as a tool for dialogue, analysis, understanding and discovery of plurality and diversity.

Co-publishers: Eburnie (Ivory Coast), Ganndal (Guinee Conakry), Graines de Pensées (Togo), Proximité (Cameroon)
Year of publication of the Pan-African version: 2022, 11,5 X 19 cm
© Mutt-Lon, 2020.

A Fair Trade Book co-publishing.

The Independent Publishing Glossary is a collective project led by publishers from the Spanish-language network of the International Alliance of Independent Publishers.

It shows the meanings and definitions of words commonly used in publishing. It is an evolving project, which will be enriched over time in order to include new concepts and to take into account other proposal for definitions. The idea is not to freeze or petrify the concepts, but to open them up to enhance their multiple meanings.

Each term is signed by the person who worked on the definition. The glossary was edited by Germán Gacio Baquiola (Corredor Sur Editorial, Ecuador / Colectivo Editores independientes de Ecuador), Teresa Gottlieb, (Editorial Maitri, Chile), Paulo Slachevsky (Lom Ediciones, Chile) and Miguel Villafuerte, (Editorial Blanca, Ecuador).

1/ The Alliance, a place for experimentation and reflection through the Bibliodiversity Observatory

• Continue the analyses, reflections and advocacy via the thematic working groups set up during the 2014 Conference and set up new working groups on the themes and issues discussed during the 2021 Conference
• Providing tools and documenting international independent publishing

2/ The Alliance, a space for collaboration and sharing

• Share practices and know-how (on regional, national or even international levels, depending on the needs expressed) between publishers
• Meet and strengthen the flow of exchanges

3/ The Alliance, a tool for promoting independent publishing and the circulation of books

• Encourage the visibility and promotion of independent publishing
• Promote the circulation of works and productions of independent publishing houses

4/ The Alliance, a laboratory of alternative editorial practices

• Pursue and strengthen solidarity-based publishing partnerships (transfer of rights, translations, co-publishing projects, etc.)
• Communicate and increase awareness

5/ The Alliance, an evolving governance and operation

• REthink
• Get involved

Gathered in the city of Pamplona-Iruñea from 23 to 26 November 2021 at the fourth International Conference of Independent Publishers, organised in partnership with EDITARGI (Association of Independent Publishers of Navarre), we, the publishers of the International Alliance of Independent Publishers (IAIP), reaffirm our commitment to:

• the cultural, social and political character of books and reading;
• the democratisation of books in our societies;
• reading as an emancipatory practice that strengthens the critical thinking of citizens and stakeholders within their society.

Read the full Declaration here:

This Declaration is in line with the discussions and work of the International Alliance of Independent Publishers, in particular the Declarations of 2003, 2007 and 2014 and the 80 recommendations in favour of bibliodiversity. It will be complemented by a Guide to Good Practice (collective work in progress, for publication in the first half of 2022).

The round-table discussions of the Conference are available in replay on the Alliance’s YouTube channel.

Illustrations and video: Mariette Robbes (https://marietterobbes.fr/)

The International Conference of Independent Publishers held in Pamplona-Iruñea brought together more than 100 book professionals from 40 countries and was attended by more than 300 participants connected to the Babelica platform.
6 round-table discussions and 3 collective workshops in 4 languages of communication; B2B meetings; closing speeches by Vandana Shiva and Djaïli Amadou Amal...

The round-table discussions of the Conference are available in replay on the Alliance’s YouTube channel.

The conclusions of the Conference are currently being drafted and will be available on the Alliance’s website in early 2022. They will present the highlights of the Conference, the proposals and recommendations of the independent publishers for REthinking, and the Alliance’s perspectives for the period 2022-2025.

The declaration of the Conference “For an independent, decolonial, ecological, feminist, free, social and solidarity-based publishing” is also being finalised (proofread by the different networks of the Alliance, in several languages). This declaration will be completed by a guide of good practices - the first drafts of this guide were elaborated during the Conference and are the object of a collective work within the Alliance, for publication during the first quarter of 2022.

The photos and press review of the Conference can already be found here!

The Alliance would like to thank once again all the partners of the Conference (see here) and especially the association EDITARGI, co-organiser of this unique meeting!

International Conference of Independent Publishers, round tables and workshops: the international independent publishing online on Babelica!

All information about the Pamplona Conference is available on Babelica in English, French, Spanish and Basque.

On 21 September, we are celebrating bibliodiversity and also the 20^th birthday of the Alliance!

The publishers are offering you a literary world tour in more than 30 countries: 45 readings in 25 languages to listen to and watch here!

A big thank you to all of you for this gift; thanks also to Naima Éditions for making this map.

To order this title digitally, it’s here!
Sales price (digital copy – PDF version): 5 Euros
ISBN: 978-2-490855-11-7

Publication: February 2021

Bibliodiversité is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all the other issues of the journal here (“Minority languages”, "Public book policies”, “Self-publishing”, “Publishing and commitment”, “Translation and Globalization”...)

Presentation
At a time when environmental concerns are becoming more and more important and when traditional production patterns are increasingly being questioned, is there such a thing as an ecological, responsible and solidarity book?
At a time when a significant proportion of printed books end up unread and when the physical flow of books generates significant greenhouse gas emissions, printers, publishers, booksellers and distributors are questioning their practices and the impact they have.
They are proposing alternatives to the dominant system to respond to these challenges – and thus define the future of the book?

In just this past month, three prominent Iranian writers, translators, and members of the Association of Iranian Writers, Bektash Abtin, Kayvan Bazhan, and Reza Khandan Mahabadi, and journalist and sociology researcher, Khosrow Sadeghi Boroujeni, have been sentenced to prison on charges of “propaganda against the Islamic Republic of Iran, and gathering and collusion with the intent of acting against national security.”

These accusations, which have led to long prison sentences and the charges levied are false. Their objectives are to further oppress writers and the people of Iran.
At a time when the world is under crisis by the pandemic, Iran, and especially within its prisons has a very unstable environment, with the increasing spread of Coronavirus among inmates.

We as authors and scholars would like to ask you to let the voices of our fellow authors in prison be heard by the people of the world and to demand their immediate release.

• Daryoush Ashouri, Author, Translator and the Co-founder of the Association of Iranian Writers
• Ervand Abrahamian, Author and Professor Emeritus, City University of New York
• Azar Nafisi, Author
• Faraj Sarkohi, Writer, Journalist, Literature Critic; A Member of German Pen; The Recipient of Kurt-Tucholsky-prize; World Association of Newspapers’ Golden Pen of Freedom Award and World Press Freedom
• Hero by International Press Institute
• Akram Pedramnia, Author, Translator; A Member of Pen Canada; the Recipient of James Joyce Foundation Scholar
• Moniro Ravanipour, Author
• Mohsen Yalfani, Author and Translator
• Nasim Khaksar, Author and Critic
• Reza Allamehzadeh, Moviemaker and Writer
• Morad Farhadpour, Author, Translator and Critical Theorist
• Akbar Masoumbaigi, Author, Translator and a Member of the Association of Iranian Writers
• Babak Ahmadi, Author, Translator and Philosophy Researcher
• Peyman Vahabzadeh, Author and Professor, University of Victoria
• Sohrab Behdad, Denison University, USA
• Farshin Kazeminia, Pierre and Marie Curie University (Paris 6)
• Amir Kianpour, PhD Candidate, University of Paris 8 Vincennes-Saint-Denis
• Mehran Mostafavi, Sacly University (Paris), Professor
• Iman Ganji, PhD in Art Philosophy and Philosophy Researcher, Free University of Berlin
• Mehrdad Darvishpour, Senior Lecturer and Associate Professor, Sociologist, Mälardalen University
• Farhad Nomani, Professor Emeritus of Economics, The American University of Paris
• Soheil Asefi, Journalist and PhD student in History, The Graduate Center, The City University of New York (CUNY)
• Saeed Hariri, Moderator, Toronto Book Club
• Azadeh Parsapour, Translator, Editor and Publisher
• Arash Kia, Faculty of Institute for Healthcare Delivery Science, Icahn School of Medicine at Mount Sinai, New York

Women in African Publishing and the Book Trade: A Series of Profiles, by Hans M. Zell, October 2020

Read here the content:

• Ghana: Deborah Ahenkorah; Ama Dadson; Akoss Offori-Mensah
• Kenya: Serah Mwangi; Janet Njoroge; Lily Nyariki; †Asenath Bole Odaga
• Namibia: Jane Katjavivi
• Nigeria: Bibi Bakare-Yusuf; †Flora Nwapa; Anwuli Ojogwu; Oluronke Orimalade; Lola Shoneyin
• Rwanda: Louise Umutoni
• South Africa: Colleen Higgs; Bridget Impey; Thabiso Mahlape; Monica Seeber; Annari van der Merwe; Zukiswa Wanner
• Tanzania: Elieshi Lema
• Uganda: Goretti Kyomuhendo
• Zimbabwe: Jane Morris; Irene Staunton

This pre-print version uploaded on Academia.edu on 12 October 2020
Final print/online version to appear in The African Book Publishing Record,Volume 47, Issue 1, (March 2021) - https://www.degruyter.com/view/j/abpr

Copyright © Hans Zell Publishing Consultants 2020

Read here the IPA (International Publishers Association) support, and here the manifesto published by the Brazilian actors, to defend the book in Brazil.

Analysis of data collected in 10 countries from independent publishers and public actors, by Andrés E. Fernández Vergara (University of Chile)

This article, written in Spanish, offers a regional analysis of public policies for the development of books and reading in Spanish-speaking Latin America, from the point of view of 53 actors in the book world from 10 different countries. It takes into account the similarities and differences that exist from one country to another in the region: on the one hand, there are complex networks of institutions and book promotion mechanisms; on the other hand, there is no national policy or strategic objective. The actors interviewed highlight the difficulties they encounter in their sector today: market concentration, piracy, lack of support for indigenous languages, etc. These are all dangers that threaten bibliodiversity in the region.

Contents:

• Methodology
• Censorship and content control
• Laws, public policies and regulatory mechanisms for books and reading
• Institutions and organisations working in the fields of books and reading
• Direct support and assistance for books and reading
• Copyright Legislation
• Organisation of the profession
• Conclusion

This analysis is to be found in a special issue of the Bibliodiversity Journal on “Public book policies” available in paper and digital versions (in French).

See also the analysis on “Public book policies in sub-Saharan Africa and Madagascar” by Luc Pinhas, published in September 2019.

To complement these analyses, see the mapping of public policies and in-country support mechanisms here: publicbookpolicies.alliance-editeurs.org

Data collection in the 11 countries of sub-Saharan Africa and Madagascar as well as in Latin America, cross-sectional data analyses and online mapping were supported by the Fondation de France and the SDC Switzerland.

Cross-sectional analysis of data collected in 12 countries, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

In a comprehensive cross-sectional study that enriches our knowledge of public book policies in French-speaking sub-Saharan Africa, Luc Pinhas discusses the similarities and differences that exist between 12 countries in the region. While some very interesting developments for local book production and the local book chain should be acknowledged – cf. the preference given to local actors by the Ivorian law of 2015 – the legislative and regulatory frameworks would certainly benefit from being strengthened to support and strengthen the local book economy.

Contents:

• Preamble
• Methodology
• Introduction
• Legal framework
• Taxation and market regulation
• Professional organisation
• Administrative organisation
• Direct support for the book
• Conclusion

This analysis is to be found in a special issue of the Bibliodiversity Journal on “Public book policies” available in paper and digital versions (in French).
See also the analysis on “Public book policies in Latin America”, published in September 2019.

To complement these analyses, see the mapping of public policies and in-country support mechanisms here: publicbookpolicies.alliance-editeurs.org

Data collection in the 11 countries of sub-Saharan Africa and Madagascar as well as in Latin America, cross-sectional data analyses and online mapping were supported by the Fondation de France and the SDC Switzerland.

Read the article here.

References:
The myth of the ‘book famine’ in African publishing, Review of African Political Economy
DOI : 10.1080/03056244.2020.1792872
Elizabeth le Roux (2020)

Abstract:
The publishing industry in Africa is usually described in terms of ‘booklessness’, ‘hunger’ or ‘famine’. But does this language of scarcity reflect the realities of book production and consumption? In this paper, the concept of ‘book famine’ is analysed as a central frame of discourse on African books, using a survey of existing documentation. Two ways of responding to book famine – provision and production – are identified, and the shortcomings of book aid (provision) are contrasted with strengthening local publishing industries (production). It is argued that the concept has become a cliché that is no longer relevant and that African publishing, while variable, is responding to local needs.

“Être éditeur au Maroc : la pensée au triple défi du marché, du droit et des libertés” / “To be a publisher in Marocco”
Kenza Sefrioui (En toutes lettres, Marocco)

In Morocco, it is very difficult to be a publisher, due to the conjunction between the lack of economical development of the sector and a long history of hostility of the authorities toward intellectuals, which destructured the fields of knowledge and culture. En toutes lettres’s experience, a young independent publishing house based in Casablanca and specialized in narrative journalism and humanities, proves the need to take the triple challenge of market, law and freedoms, and to invent new forms of solidarity between publishing, press, research and civil society, in order to rebuild a pole of production of critical thinking.

Read here the article (in French).

RELIEF – Revue électronique de littérature française 14 (1), 2020, p. 32-48
DOI : doi.org/10.18352/relief.1065
ISSN : 1873-5045 – URL : www.revue-relief.org

Download the report produced by APNET (African Publishers Network) in April 2020.

“Francophone African books are still very often published by French imprints, which can make them hard to get at home. But there is a growing push for change...

When Cameroonian author Daniel Alain Nsegbe first saw his debut novel for sale in his home city of Douala, the price was so high “you would have to ask someone to stop eating for two days in order to buy the book”. It was around 16,000 CFA francs (£20); the average monthly salary in Douala is £150. The book, Ceux qui sortent dans la nuit (Those Who Go Out at Night) was published by Grasset, a French imprint. [...]”

Read here the article by Olivia Snaije, published in The Guardian, 14 May 2020.